Results for 'Cain Samuel Todd'

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Profile: Cain Samuel Todd (Lancaster University, Université de Fribourg, University of Geneva)
  1. Imaginability, Morality, and Fictional Truth: Dissolving the Puzzle of 'Imaginative Resistance'.Cain Samuel Todd - 2009 - Philosophical Studies 143 (2):187-211.
    This paper argues that there is no genuine puzzle of ‘imaginative resistance’. In part 1 of the paper I argue that the imaginability of fictional propositions is relative to a range of different factors including the ‘thickness’ of certain concepts, and certain pre-theoretical and theoretical commitments. I suggest that those holding realist moral commitments may be more susceptible to resistance and inability than those holding non-realist commitments, and that it is such realist commitments that ultimately motivate the problem. However, I (...)
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  2. The Notebooks of Samuel Taylor Coleridge.Samuel Taylor Coleridge, Kathleen Coburn, Earl Leslie Griggs, Mary Moorman & F. M. Todd - 1957 - Science and Society 23 (4):368-374.
     
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  3.  11
    Phylloxera, 'Big Science' and the Nature of Scientific Debate.Cain Todd - 2012 - Metascience 21 (3):759-761.
    Phylloxera, ‘big science’ and the nature of scientific debate Content Type Journal Article Category Book Review Pages 1-3 DOI 10.1007/s11016-012-9668-z Authors Cain Todd, Department of Politics, Philosophy and Religion, County South, Lancaster University, Lancaster, LA1 4YL UK Journal Metascience Online ISSN 1467-9981 Print ISSN 0815-0796.
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  4. The Philosophy of Wine: A Case of Truth, Beauty, and Intoxication.Cain Todd - 2010 - Mcgill-Queen's University Press.
    Questions like these have entertained anyone who has ever puzzled over the tasting notes of a wine "expert." Such questions can be bewildering but they also raise fascinating philosophical issues about the nature of sense perception, knowledge, beauty, and meaning. Wine appreciation can reveal important insights about ourselves, our interests, and pleasures. In a lively and engaging discussion of the philosophical significance of wine, Cain Todd brings much-needed clarity to confusions about wine characteristics and the nature of expertise, (...)
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  5.  2
    Book Review:The New Road to Progress. Samuel D. Schmalhausen. [REVIEW]Arthur J. Todd - 1935 - Ethics 45 (4):470-.
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  6.  1
    Book Review: Critical Essays on Samuel Taylor Coleridge. [REVIEW]William E. Cain - 1995 - Philosophy and Literature 19 (1):151-152.
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  7.  36
    Emotion and Value.Cain Todd - 2014 - Philosophy Compass 9 (10):702-712.
    The nature of the general connection between emotion and value, and of the various connections between specific emotions and values, lies at the heart of philosophical discussion of the emotions. It is also central to some accounts of the nature of value itself, of value in general but also of the specific values studied within particular philosophical domains. These issues all form the subject matter of this article, and they in turn are all connected by two main questions: (i) How (...)
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  8.  53
    Unmasking the Truth Beneath the Beauty: Why the Supposed Aesthetic Judgements Made in Science May Not Be Aesthetic at All.Cain S. Todd - 2008 - International Studies in the Philosophy of Science 22 (1):61 – 79.
    In this article I examine the status of putative aesthetic judgements in science and mathematics. I argue that if the judgements at issue are taken to be genuinely aesthetic they can be divided into two types, positing either a disjunction or connection between aesthetic and epistemic criteria in theory/proof assessment. I show that both types of claim face serious difficulties in explaining the purported role of aesthetic judgements in these areas. I claim that the best current explanation of this role, (...)
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  9.  26
    Attending Emotionally to Fiction.Cain Todd - 2012 - Journal of Value Inquiry 46 (4):449-465.
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  10. The Philosophy of Wine: A Case of Truth, Beauty and Intoxication.Cain Todd - 2010 - Routledge.
    Does this Bonnes-Mares really have notes of chocolate, truffle, violets, and merde de cheval? Can wines really be feminine, profound, pretentious, or cheeky? Can they express emotion or terroir? Do the judgements of 'experts' have any objective validity? Is a great wine a work of art? Questions like these will have been entertained by anyone who has ever puzzled over the tasting notes of a wine writer, or been baffled by the response of a sommelier to an innocent question. Only (...)
     
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  11.  76
    Aesthetic, Ethical, and Cognitive Value.Cain Todd - 2007 - South African Journal of Philosophy 26 (2):216-227.
    This paper addresses two recent debates in aesthetics: the ‘moralist debate’, concerning the relationship between the ethical and aesthetic evaluations of artworks, and the ‘cognitivist debate’, concerning the relationship between the cognitive and aesthetic evaluations of artworks. Although the two debates appear to concern quite different issues, I argue that the various positions in each are marked by the same types of confusions and ambiguities. In particular, they demonstrate a persistent and unjustified conflation of aesthetic and artistic value, which in (...)
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  12. Expression and Objectivity in the Case of Wine: Defending the Aesthetic Terroir of Tastes and Smells.Cain Todd - 2012 - Rivista di Estetica 52 (51):95-115.
     
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  13.  96
    Recreative Minds: Imagination in Philosophy and Psychology.Cain Todd - 2003 - British Journal of Aesthetics 43 (4):419-422.
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  14.  30
    Matters of Taste.Cain Todd - 2012 - The Philosophers' Magazine 59 (59):95-100.
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  15.  10
    Fitting Attitudes And Essentially Contestable Concepts.Cain Todd - 2012 - Filosofia Unisinos 13 (2 - suppl.).
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  16.  15
    Percevoir l'Expression Émotionnelle Dans les Objets Inanimés : L'Exemple du Vin.Cain Todd - 2012 - Dialogue 51 (1):129-139.
    ABSTRACT: Amongst inanimate objects, it is generally accepted that at least some art forms, such as music and painting, are capable of being genuinely expressive of emotion, even though it is difficult to understand exactly how. In contrast, although expressive properties can be attributed to non-artworks, such as natural objects or wine, it has often been claimed that such objects cannot be genuinely expressive. Focussing on wine, I argue that once we understand properly the nature of expressiveness, if we allow (...)
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  17.  9
    ANKER, STEVE, GERITZ, KATHY and SEID, STEVE (Eds). Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945-2000.(Berkeley: University of California Press). 2010. Pp. 351.£ 20.95 (Pbk). [REVIEW]Marc Benamou, Todd Berliner, Margaret A. Boden, Shahar Bram, Jean Francois Lyotard, Max Paddison, Irene Deliege, Joel Rudinow & Cain Todd - 2011 - British Journal of Aesthetics 51 (1):115.
  18. Paul Crowther, The Transhistorical Image: Philosophizing Art and its History Reviewed By.Cain Todd - 2003 - Philosophy in Review 23 (5):329-331.
     
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  19.  18
    Values of Beauty: Historical Essays in Aesthetics – Paul Guyer.Cain Todd - 2007 - Philosophical Quarterly 57 (227):313–316.
  20.  12
    Imagination, Attitude, and Experience.Cain Todd - unknown -
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  21.  12
    Art and Intention: A Philosophical Study – Paisley Livingston.Cain Todd - 2007 - Philosophical Quarterly 57 (226):153–156.
    Do the artists intentions have anything to do with the making and appreciation of works of art? In Art and Intention, Paisley Livingston develops a broad and balanced perspective on perennial disputes between intentionalists and anti-intentionalists in philosophical aesthetics and critical theory. He surveys and assesses a wide range of rival assumptions about the nature of intentions and the status of intentionalist psychology. With detailed reference to examples from diverse media, art forms, and traditions, he demonstrates that insights into the (...)
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  22.  10
    The Transhistorical Image:Philosophizing Art and its History.Cain Todd - unknown -
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  23.  2
    Literatur, Aufmerksamkeit und epistemische Emotionen.Cain Todd - 2014 - In Ingrid Vendrell Ferran & Christoph Demmerling (eds.), Wahrheit, Wissen Und Erkenntnis in der Literatur: Philosophische Beiträge. De Gruyter. pp. 285-302.
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  24.  2
    An Introduction to the Philosophy of Art.Cain Todd - unknown -
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  25. Emotion and Value.Sabine Roeser & Cain Todd (eds.) - 2014 - Oxford University Press UK.
    This volume brings together new work by leading philosophers on the topics of emotion and value, and explores issues at their intersection. Recent work in philosophy and psychology has had important implications for topics such as the role that emotions play in practical rationality and moral psychology, the connection between imagination and emotion in the appreciation of fiction, and more generally with the ability of emotions to discern axiological saliences and to ground the objectivity of ethical or aesthetic value judgements. (...)
     
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  26. Imagination, Attention and Depiction.Cain Todd - 2013 - Rivista di Estetica 53 (2):89-108.
     
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  27. Immaginazione, attenzione e raffigurazione.Cain Todd - 2013 - Rivista di Estetica 53 (53):89-108.
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  28. Matters of Taste.Cain Todd - 2012 - The Philosophers' Magazine 59:95-100.
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  29. Percevoir L’Expression Émotionnelle Dans les Objets Inanimés : L’Exemple du Vin: Dialogue.Cain Todd - 2012 - Dialogue 51 (1):129-139.
    ABSTRACT: Amongst inanimate objects, it is generally accepted that at least some art forms, such as music and painting, are capable of being genuinely expressive of emotion, even though it is difficult to understand exactly how. In contrast, although expressive properties can be attributed to non-artworks, such as natural objects or wine, it has often been claimed that such objects cannot be genuinely expressive. Focussing on wine, I argue that once we understand properly the nature of expressiveness, if we allow (...)
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  30. Recreative Minds: Imagination in Philosophy and Psychology. [REVIEW]Cain Todd - 2003 - British Journal of Aesthetics 43 (4):419-422.
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  31. The Philosophy of Wine: A Case of Truth, Beauty and Intoxication.Cain Todd - 2014 - Routledge.
    Does this Bonnes-Mares really have notes of chocolate, truffle, violets, and merde de cheval? Can wines really be feminine, profound, pretentious, or cheeky? Can they express emotion or terroir? Do the judgements of 'experts' have any objective validity? Is a great wine a work of art? Questions like these will have been entertained by anyone who has ever puzzled over the tasting notes of a wine writer, or been baffled by the response of a sommelier to an innocent question. Only (...)
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  32.  7
    Contextualizing the History of Yoga in Geoffrey Samuel's The Origins of Yoga and Tantra: A Review Symposium.Johannes Bronkhorst, Christopher Key Chapple, Laurie L. Patton, Geoffrey Samuel, Stuart Ray Sarbacker & Vesna Wallace - 2011 - International Journal of Hindu Studies 15 (3):303-357.
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  33.  9
    Contextualizing the History of Yoga in Geoffrey Samuel's The Origins of Yoga and Tantra: A Review Symposium. [REVIEW]J. Bronkhorst, C. K. Chapple, L. L. Patton, Geoffrey Brian Samuel, S. R. Sarbacker & V. Wallace - 2011 - International Journal of Hindu Studies 15 (3):303-357.
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  34.  4
    Artistic Contrivance and Religious Communication: DAVID W. CAIN.David W. Cain - 1972 - Religious Studies 8 (1):29-44.
    Remarks to the effect that a correct answer depends upon a correct question —that from a misleading question there can result only a misleading answer—are common today. In fact, one might suspect that such common concentration on finding the right questions has something to do with what seems to be an uncommon lack of answers. This concentration on the importance of asking the right questions can be applied to the interpretation of biblical literature. For here, certainly, the questions asked are (...)
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  35.  6
    Bill Cain on the Conference.Bill Cain - 1992 - Clr James Journal 3 (1):7-16.
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  36. A Threfold Cord: Philosophy, Science, Religion; a Discussion Between Viscount Samuel and Herbert Dingle.Herbert Louis Samuel Samuel - 1961 - London: G. Allen & Unwin.
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  37. A Threefold Cord: Philosophy, Science, Religion. A Discussion Between Viscount Samuel and Professor Herbert Dingle.Viscount Herbert Louis Samuel & Herbert Dingle - 2013 - Routledge.
    Originally published in 1961, this book originated in the belief that there was an urgent need for a greater association between philosophers and scientists and of both with men of religion. The problem of bringing this association into being is approached from different angles by the two authors, who, while agreeing on the main thesis, differ on many details, and the discussion is largely concerned with an examination of the points of difference. It ranges over the significance of scientific concepts, (...)
     
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  38. A Threefold Cord: Philosophy, Science, Religion. A Discussion Between Viscount Samuel and Professor Herbert Dingle.Herbert Louis Samuel & Herbert Dingle - 2013 - Routledge.
    Originally published in 1961, this book originated in the belief that there was an urgent need for a greater association between philosophers and scientists and of both with men of religion. The problem of bringing this association into being is approached from different angles by the two authors, who, while agreeing on the main thesis, differ on many details, and the discussion is largely concerned with an examination of the points of difference. It ranges over the significance of scientific concepts, (...)
     
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  39. 1) Généralités Samuel, Terrien, The Iconography of Job Through the Cenfuries. Artists as Biblical Interpreters, University Park, Pennsylvania, The Pennsylvania State University Press, 1996, 308 P. S. Terrien Est Un Hébraïsant Spécialiste du Livre de Job, Mais Sa Curiosité Ouvre. [REVIEW]Terrien Samuel - 1998 - Revue D'Histoire Et de Philosophie Religieuses 78:333.
     
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  40. Self-Improvement [Abridged From 'the Student's Guide', by J. Todd].John Todd - 1848 -
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  41.  60
    The Philosophy of Wine: A Case of Truth, Beauty and Intoxication, by Cain Todd.L. Richardson - 2012 - Mind 121 (484):1135-1138.
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  42.  17
    Emotion and Value, Edited by Roeser, Sabine and Todd, Cain.Tristram Oliver-Skuse - 2015 - Australasian Journal of Philosophy 93 (4):839-840.
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  43.  12
    Claire Katz & Lara Trout (Ed.), Emmanuel Levinas. Critical Assessments of Leading Philosophers_ (Tomás Tatranský)Thomas Bedorf, Andreas Cremonini (Hrsg.), _Verfehlte Begegnung. Levinas Und Sartre Als Philosophische Zeitgenossen_(Sophie Loidolt)Samuel Moyn, _Origins of the Other: Emmanuel Levinas Between Revelation and Ethics_ (Eric Sean Nelson)Pascal Delhom & Alfred Hirsch (Hrsg.), _Im Angesicht der Anderen. Levinas' Philosophie des Politischen_(Sophie Loidolt)Sharon Todd, _Learning From the Other: Levinas, Psychoanalysis and Ethical Possibilities in Education_(Lawrence Petch)_Michel Henry, Le Bonheur de Spinoza, Suivi De: Etude Sur le Spinozisme de Michel Henry, Par Jean-Michel Longneaux_ (Rolf Kühn)Jean-Francois Lavigne, _Husserl Et la Naissance de la Phénoménologie (1900-1913). Des Recherches Logiques aux Ideen: La Genèse de l'Idéalisme Transcendantal Phénoménologique_ (Yves Mayzaud)Denis Seron, _Objet Et Signification (Denisa Butnaru)Dan Zahavi, Sara Heinämaa and Hans Ruin (Eds.). [REVIEW]Tomáš Tatranský, Sophie Loidolt, Eric Sean Nelson, Lawrence Petch, Rolf Kühn, Yves Mayzaud, Denisa Butnaru, Andreea Parapuf, Jassen Andreev & Adrian Niţţ - 2006 - Studia Phaenomenologica 6:453-487.
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  44.  3
    Sabine Roeser & Cain Todd : Emotion and Value Oxford: Oxford University Press, ISBN: 978-0-19-968609-4, 272 Pages, £40.00. [REVIEW]Jean Moritz Müller - 2016 - Ethical Theory and Moral Practice 19 (4):1069-1071.
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  45.  2
    Claire Katz & Lara Trout , Emmanuel Levinas. Critical Assessments of Leading Philosophers_ Thomas Bedorf, Andreas Cremonini , _Verfehlte Begegnung. Levinas Und Sartre Als Philosophische Zeitgenossen_Samuel Moyn, _Origins of the Other: Emmanuel Levinas Between Revelation and Ethics_ Pascal Delhom & Alfred Hirsch , _Im Angesicht der Anderen. Levinas' Philosophie des Politischen_Sharon Todd, _Learning From the Other: Levinas, Psychoanalysis and Ethical Possibilities in education__Michel Henry, Le Bonheur de Spinoza, Suivi De: Etude Sur le Spinozisme de Michel Henry, Par Jean-Michel Longneaux_ Jean-Francois Lavigne, _Husserl Et la Naissance de la Phénoménologie . Des Recherches Logiques aux Ideen: La Genèse de l'Idéalisme Transcendantal Phénoménologique_ Denis Seron, _Objet Et Signification_ Dan Zahavi, Sara Heinämaa and Hans Ruin ,_Metaphysics, Facticity, Interpretation. Phenomenology in The Nordic Countries_ Dimitri Ginev,_Entre Anthropologie Et Herméneutique Magdalena Marculescu-Cojoc. [REVIEW]Tomáš Tatranský, Sophie Loidolt, Eric Sean Nelson, Lawrence Petch, Rolf Kühn, Yves Mayzaud, Denisa Butnaru, Andreea Parapuf, Jassen Andreev & Adrian Niţţ - 2006 - Studia Phaenomenologica 6:453-487.
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  46.  73
    Quasi-Realism, Acquaintance, and the Normative Claims of Aesthetic Judgement.Todd Cain Samuel - 2004 - British Journal of Aesthetics 44 (3):277-296.
    My primary aim in this paper is to outline a quasi-realist theory of aesthetic judgement. Robert Hopkins has recently argued against the plausibility of this project because he claims that quasi-realism cannot explain a central component of any expressivist understanding of aesthetic judgements, namely their supposed ‘autonomy’. I argue against Hopkins’s claims by contending that Roger Scruton’s aesthetic attitude theory, centred on his account of the imagination, provides us with the means to develop a plausible quasi-realist account of aesthetic judgement. (...)
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  47. Karen A. Rader and Victoria E.M. Cain, Life on Display: Revolutionizing U.S. Museums of Science and Natural History in the Twentieth Century. Chicago and London: The University of Chicago Press, 2014. Pp. Xiv + 467. ISBN 978-0-2260-7966-0. $45.00/£31.50. [REVIEW]Samuel J. M. M. Alberti - 2015 - British Journal for the History of Science 48 (4):719-721.
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  48. The Spirit-Driven Leader: Seven Keys to Succeeding Under Pressure by Carnegie Samuel Calian.Todd V. Cioff - 2013 - Journal of the Society of Christian Ethics 33 (2):198-199.
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  49. The New Road to Progress. By Arthur J. Todd[REVIEW]Samuel D. Schmalhausen - 1934 - Ethics 45:470.
     
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  50.  12
    Quasi-Realism, Acquaintance, and the Normative Claims of Aesthetic Judgement.C. Samuel Todd - 2004 - British Journal of Aesthetics 44 (3):277-296.
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