Each volume of this series of companions to major philosophers contains specially commissioned essays by an international team of scholars, together with a substantial bibliography, and will serve as a reference work for students and nonspecialists. One aim of the series is to dispel the intimidation such readers often feel when faced with the work of a difficult and challenging thinker. Blaise Pascal (1623-1662) occupies a position of pivotal importance in many domains: philosophy, mathematics, physics, religious polemics and apologetics. In (...) this volume a team of leading scholars presents the full range of Pascal's achievement and surveys the intellectual background of his thought and the reception of his work. New readers and nonspecialists will find this the most convenient and accessible guide to Pascal currently available. Advanced students and specialists will find a conspectus of recent developments in the interpretation of Pascal. (shrink)

Playing with Truth is the first comprehensive work on Pascal to be devoted to his use in the Pens'ees of key terms depicting its central subject--the human condition. Generally acknowledged as one of the greatest masterpieces of seventeenth-century France, the Pens'ees is an unfinished work which has both inspired and perplexed readers in succeeding centuries. In this study Nicholas Hammond explores such fundamental notions as language and order, proceeding with a detailed analysis of the words inconstance, ennui, inqui'etude, bonheur, f'elicit'e, (...) and justice. In the process, he gives an in-depth account of many important critical controversies of the day, as well as offering a novel and provocative insight into the persuasive purpose of the Pens'ees. (shrink)

The sounds of early modern Paris are first explored through poetic and satirical depictions of urban noise, with emphasis placed on the disruption that they present. The attempt by Louis XIV to assert his absolute power becomes manifest in the means employed to control and contain those sounds deemed to be potentially subversive and seditious, especially in the threat posed by performers of songs on the Pont-Neuf, which was one of the few public spaces where people of all classes rubbed (...) shoulders. The example of the blind singer Philippot le Savoyard shows how the Pont-Neuf became the prime locus of difference and marginality. (shrink)