Old Havana: Spirit of the Living City artistically captures the architecture, people, and daily life of La Habana Vieja through the lenses of two visionary photographers and colleagues, one American and the other Cuban. Chip Cooper and Néstor Martí began collaborating in 2008, documenting the picturesque features of the oldest and most historically rich quarter in Cuba's capital city at the behest of Eusebio Leal Spengler, the historian of the city of Havana and the director of the Habana Vieja (...) restoration project. Cooper's and Martí's images highlight the spirit of change and renewal underlying the restoration of this international treasure and its revival as a vibrant business and residential area. Inspired by the work of twentieth century American photographer Walker Evans, Cooper and Martí, through perspectives both unique and deeply entwined, capture the humanity of the city, in a language at once universal and transcendent. (shrink)

This paper argues that Oswald Spengler has an innovative philosophical position on the nature and interrelation of mathematics and science. It further argues that his position in many ways parallels that of Martin Heidegger. Both held that an appreciation of the mathematical nature of contemporary science was critical to a proper appreciation of science, technology and modernity. Both also held that the fundamental feature of modern science is its mathematical nature, and that the mathematical operates as a projection that (...) establishes in advance the manner in which an object will present itself. They also assert that modern science, mathematics and metaphysics all have their roots in the ‘mathematical’, whose essence is itself nothing numerical. (shrink)

Oswald Spenglers Denken bleibt kontrovers. Nichtsdestoweniger regen die Ansichten des Zeitdiagnostikers und Kulturphilosophen, trotz der Gefahrlichkeit, die man ihnen ofters nachsagt, bis heute zum Nachdenken an. Die hier versammelten Studien bemuhen sich, den Stellenwert seiner Philosophie im Kontext des Historismus zu vergegenwartigen und Aspekte der zeitgenossischen Rezeption zu beleuchten.".

RESUMEN:El presente trabajo intenta un acercamiento al enfoque sobre la técnica de dos grandes críticos de la cultura contemporánea. Spengler y Ortega lo fueron y sus meditaciones sobre el significado de la técnica no se detienen en la consideración sobre su importancia económica o su relevancia social sino que se adentran en el sentido y significación antropológica. Por nuestra parte tratamos de poner de manifiesto sus coincidencias, así como sus discrepancias: contemplando la técnica como una función esencial de la (...) vida. Frente a la desconsolada concepción de Spengler, Ortega ofrece una visión “deportiva” de la existencia del hombre más optimista.PALABRAS CLAVE: TÉCNICA, VIDA, HOMBRE, CULTURA, ORTEGA, SPENGLERABSTRACT:This article analyzes the view of technology offered by two of the main critics of the contemporary culture: Spengler and Ortega. Their meditations on the meaning of technology are focused not only on its economic or social relevance, but also on its anthropological meaning. I expose their coincidences and their discrepancies when they see technology as a essential function of life. In contrast with Spengler’s disconsolate view, Ortega offers a more optimistic “sportive” conception of human being.KEYWORDS: TECHNOLOGY, LIFE, HUMAN BEING, CULTURE, ORTEGA, SPENGLER. (shrink)

Spengler’s Untergang des Abendlandes (The Decline of the West) (1918–22) was a sensational success in its own time, but has since slipped into oblivion. In this article I attempt to restore those aspects of his doctrine which could speak to us today and alert us to a crisis of the European Geist and its survival exigencies. This involves a reorientation on several issues on which our present perspectives differ from those that were current 100 years ago, such as the (...) precedence of his philosophical approach over the historical approach; the diminished importance of his extensive analysis and depiction of defunct civilisations, which serve at best as illustrative material rather than as direct comparisons on a somewhat risky notion of “simultaneity.” I also propose more relevant criteria in justification of his Faustianism (its sources and inception), and, not least, point to a differentiation between prediction and prognosis. The intention is to highlight the rationale behind Spengler’s enquiries into history—namely to situate Western civilisation in the overall scheme of human civilisations by alerting us to a decisive crossroads. This required of its author a means of identifying the symptoms that we must be aware of in order to sustain our world without tumbling unawares into a major catastrophe. The Untergang does not compulsorily wipe our civilisation out unless we provoke this to occur; instead, our civilisation may merge or blend peacefully with whatever culture(s) may be waiting to inaugurate a new cycle. (shrink)

In The Decline of the West Spengler puts forward a type of philosophical anthropology, an account of the structures of human experiential consciousness and a method of “physiognomic” analysis, which I argue has dimensions that can be understood as akin to existential phenomenology. Humanity, for Spengler, is witness to the creative flux of “Becoming” and constructs a world of phenomena bounded by death, underpinned by the two prime feelings of dread and longing and structured by the two forms (...) of Destiny (Time) and Direction (Space). Human existence, Spengler argues, is future-directed and open in the sense that there is a certain degree of freedom in the ways in which humanity can actualize its existential possibilities. In the course of elaborating the existential implications of this future-orientation, Spengler introduces the concept of care (Sorge), the fundamental experiential structure. (shrink)

Oswald Spengler (1880?1936) is a neglected figure in the history of European philosophical thought. This article examines the philosophical anthropology developed in his later work, particularly his Man and Technics: A Contribution to a Philosophy of Life (1931). My purpose is twofold: the first is to argue that Spengler's later thought is a response to criticisms of the ?pessimism? of his earlier work, The Decline of the West (1919). Man and Technics overcomes this charge by providing a novel (...) philosophical anthropology which identifies technology as the highest expression of human cognitive and creative capacities. The second is to suggest that in his later period Spengler presents an affirmatory account of modern technology as the final stage of human cultural evolution. I conclude that by providing a philosophical anthropology that reconciles technology with human nature, Man and Technics represents an important development of Spengler's theory of human culture. (shrink)

I provide an account of the political and philosophical thought of Oswald Spengler.

O presente artigo apresenta a importância da morfologia de Goethe e de Spengler para o desenvolvimento de uma morfologia da linguagem em Wittgenstein, após o seu retorno a Cambridge e à filosofia em 1929. Com efeito, de acordo com o testemunho de Norman Malcolm, presente em Ludwig Wittgenstein: A memoir, Wittgenstein afirma, no decurso das lições sobre a filosofia da psicologia, ocorridas entre 1946 e 1947, que aquilo que a sua filosofia procura fazer é fornecer a morfologia do uso (...) de uma expressão. O desenvolvimento da morfologia do uso de uma expressão em Wittgenstein viria a ser o resultado de uma aplicação ao domínio da linguagem do conceito de morfologia aplicado por Goethe, nos seus escritos científicos, ao domínio da natureza e por Oswald Spengler ao campo da história universal, como se pode constatar na obra A Decadência do Ocidente - Esboço de uma Morfologia da História Universal, a qual se constitui como uma das fontes de acesso - por parte de Wittgenstein - a aspetos fundamentais da morfologia goethiana. Ao longo dos escritos de Wittgenstein encontramos inúmeras referências aos pensamentos de Goethe e de Spengler que nos possibilitam compreender até que ponto as obras desses dois pensadores se configuram como a base para a construção de uma morfologia da linguagem wittgensteiniana. Assim, tendo por base todos estes elementos, procuraremos elucidar até que ponto o método morfológico-filosófico de Wittgenstein, após 1929, se configura como a re-elaboração de aspetos fundamentais da tradição morfológica presente nas obras de Goethe e de Spengler. (shrink)

Oswald Spengler was one of the most important thinkers of the Weimar Republic. In Oswald Spengler and the Politics of Decline, Ben Lewis completely transforms our understanding of Spengler by showing how well-connected this philosopher was and how, at every stage of his career, he attempted to intervene politically in the very real-life events unfolding around him. The volume explains Spengler's politics as the outcome of a dynamic interplay between his meta-historical considerations on world history on (...) the one hand, and the practical demands and considerations of Realpolitik on the other hand. (shrink)

Der Sammelband behandelt die europäischen Rezeptionswege der Kultur- und Geschichtsphilosophie Oswald Spenglers.

This paper discusses Wittgenstein’s striking remark at para. 608 of Zettel, hereafter Z608, which, according to most commentators, suggests that the order of language and thought might arise out of physical chaos or nothingness at the neural center of normal language users. In opposition to this orthodox interpretation, the present paper argues that Z608, following Spengler, who is himself influenced by Goethe and Nietzsche, is actually suggesting that the order in language and thought might arise out of the creative (...) chaos at what Spengler sees as the true center of human life, namely, human history. (shrink)

Oswald Spenglers Kulturmorphologie diente als Ausgangspunkt einer internationalen und interdisziplinär angelegten Tagung, deren Beiträge in diesem Band vorliegen. Sie behandeln eine Vielfalt an Themen, die von der Menschwerdung, über die Kulturen des Altertums bis hin zu aktuellen politischen und sozialen Fragestellungen reichen. Schließlich sind auch Studien zur Spenglerforschung im engeren Sinne vertreten.

Oswald Spengler (1880--1936) is best known for The Decline of the West, in which he propounded his pathbreaking philosophy of world history and penetrating diagnosis of the crisis of modernity. This monumental work launched a seminal attack on the idea of progress and supplanted the outmoded Eurocentric understanding of history. His provocative pessimism seems to be confirmed in retrospect by the twentieth-century horrors of economic depression, totalitarianism, genocide, the dawn of the nuclear age, and the emerging global environmental crisis. (...) In Prophet of Decline, John Farrenkopf takes advantage of the historical perspective the end of the millennium provides to reassess this visionary thinker and his challenging ideas on world history and politics and modern civilization. Farrenkopf's assessment ranges widely, placing Spengler's philosophy in its intellectual historical context and covering Spengler's ideas on democracy, capitalism, science and technology, cities, Western art, social change, and human exploitation of the environment. He also illuminates the implications of Spengler's thought for contemplating from a fresh perspective the future of the United States, the leading power of the West. Prophet of Decline is highly relevant today as many take the opportunity at the turn of the century to ponder again the direction in which humankind and our global community are moving and approach with concern the uncertain future amid globalization, hypercomplexity, and accelerating change. An interdisciplinary book about an interdisciplinary thinker, it is a substantial contribution to the literature of historical philosophy, political science, international relations, and German studies. (shrink)

... by a totally unknown scholar called Oswald Spengler, bearing the provocative title Der Untergang des Abend- landes — the decline of the West. ...

Since its publication in 1918, Oswald Spengler's The Decline of the West has been the object of academic controversy and opprobrium. In their efforts to dispose of it, scholars have resorted to a variety of tactics: bitter invective, icy scorn, urbane mockery, or simply pretending that the book is not there. Yet generations of readers have refused to be warned off, finding in Spengler a prophetic voice and a source of profound intellectual excitement. H. Stuart Hughes's Oswald (...) class='Hi'>Spengler offers a judicious and objective reading of Spengler's works that admirably fills the gap between hypercritical invective and naive enthusiasm. This pioneering volume makes clear why Spengler's pessimistic reading of the fate of European civilization continues to resonate with contemporary anxieties. Despite the author's self-imposed intellectual and social isolation, Spengler's work was as Hughes demonstrates, a part of the enormous effort of intellectual reevaluation that has characterized the early twentieth century. Viewing Spengler in the broadest possible perspective, the author places his thought in its cultural relationship to that of such predecessors as Giambattista Vico, Friedrich Nietzsche, and Nikolai Danilevsky and contemporaries including Benedetto Croce, Henri Bergson, and Vilfredo Pareto. A chapter of Hughes's book is devoted to Spengler's influence on later cyclical thinkers such as Arnold Toynbee and Pitirim Sorokin. Another chapter clarifies the essentially antagonistic relationship between his thought and Nazi ideology. Throughout, Hughes is carefully attuned to the complex and often bewildering shifts of Spengler's ideas and manner, providing a unified picture of the sober historian; the lofty seer; the cool, detached observer; and the impassioned participant. In his introduction to this new edition, Hughes comments on the timeliness of Spengler's message with respect to technology and environmental issues and draws some unexpected and fascinating parallels between Spengler's thought and that of Ludwig Wittgenstein. Oswald Spengler offers an illuminating view of the achievements and limitations of one of the most influential and representative figures of the twentieth century. It will be of concern to intellectual historians, philosophers, political scientists, and sociologists. (shrink)

Oswald Spengler (1880 - 1936) war ein deutscher Geschichtsphilosoph und Kulturhistoriker. Das hier vorliegende Werk August Messers über Spengler erscheint nur wenige Jahre nachdem Spengler mit seiner Zyklentheorie, die sich gegen eine lineare Geschichtsschreibung ausspricht, an die Öffentlichkeit getreten ist. Messer reflektiert diese und spürt den philosophischen Grundanschauungen Spenglers in ihrem innersten Zusammenhange nach. Auf diese Weise gelingt es Messer, ein sensibles und differenziertes Bild Oswald Spenglers und seiner Ideenwelt zu zeichnen. Sorgfältig bearbeiteter Nachdruck der Originalausgabe von (...) 1924. (shrink)

The dissertation is conceived as a major study of the controversial philosopher of world history, Oswald Spengler, as the exponent of a distinctive variety of political realism. The relationship of his ideas to German historicism and international theory is probed. The question of the historical inevitability of the eclipse of Europe by the ascendant superpowers and the epochal significance of the emergence of the American Century is considered in light of his philosophy. Spengler's many lectures and treatises on (...) politics are carefully examined in order to aid in harvesting his enduring wisdom on the art of statecraft, his insights into its ethical dilemma, and his reflections on the crisis of international politics in the twentieth century. The key thesis that Spengler transformed the cyclical philosophy he originally elaborated in his major work, The Decline of the West, summoning forth an arresting vision of world history as a soaring spiral culminating in the destruction of modern civilization, is buttressed through extensive quotation from posthumously published archival material. The actuality of his profoundly tragic thought, which illuminates the apocalyptic specter which haunts contemporary world affairs--the global ecological crisis, the cessation of economic growth in the overpopulated periphery and the danger of the collapse of the American-sponsored post-World War II international economic order, and the unending peril of a global war waged with thermonuclear, chemical, biological, and conventional weapons is explored. A provocative neo-Spenglerian scenario of the rapid deterioration of American economic power and the disintegration of the pax Americana, based on the classic analogy between Rome and America is adumbrated as an especially pessimistic contribution to the stormy debate about American "relative" decline. Finally, the significance of his philosophy to international political thought, particularly the utility of his pessimism in guiding statesmen in retarding the inevitable decline of the pax Americana as well as its value in exposing the guarded optimism at the core of "pessimistic" modern realist thought and in raising the question of its ultimate exhaustion in the face of the insurmountable crisis of modernity, is summarized. (shrink)

This article presents an overview of Oswald Spengler's theory of civilization based upon his `first' and `second' philosophies of history. The `late' Spengler left behind his more aesthetic and historicist understanding of civilization, turning to philosophical anthropology. Spengler lost confidence that a new great culture would someday emerge. While Samuel Huntington in The Clash of Civilizations argues that civilizational pluralism is growing and anticipates a non-Western civilization eventually succeeding a West in decline, dialog with Spengler suggests (...) otherwise. (shrink)

Name der Zeitschrift: Millennium Jahrgang: 13 Heft: 1 Seiten: 53-56.

In 1931, writing in a personal journal, Wittgenstein enumerated the names of those thinkers whom he deemed to have been his most important intellectual influences. He makes the strong claim that these are thinkers whose seminal ideas he has taken over, further elaborated and incorporated into his own work. Here are the names he lists in their order of appearance: Boltzmann, Hertz, Schopenhauer, Frege, Russell, Kraus, Loos, Weininger, Spengler, Sraffa. At the time of the first publication of this list (...) in Culture and Value, those familiar primarily with the most widely read and influential writings on Wittgenstein and his philosophical influences, Norman Malcolm's Memoir and Toulmin and Janik's Wittgenstein's Vienna, would most likely have been surprised by the inclusion of Spengler's name. His is the only one on the list that does not appear in either book. Every other thinker named is not only mentioned as an influence on Wittgenstein in one or the other work, but some of the purported details of that influence are offered. And the appearance of Spengler's name is doubly surprising, given the relatively low esteem in which his work is generally held. Of the others listed, perhaps only Weininger fails to emerge as a respected figure. (shrink)

This essay concentrates on the reception of Oswald Spengler's book, „Der Untergang des Abendlandes” by German Protestant theologians in the early 1920s, who were more susceptible to the influence of this book than were philosophers. Just after the First World War, for example, Werner Elert, Karl Heim and Ernst Troeltsch – not to mention Emanuel Hirsch, Friedrich Gogarten and others – had to cope with deeply interconnected crises in faith, church, theology and nation. Spengler's idea of cycles in (...) history seemed to help them understand Germany's 1918 defeat not as due to military exhaustion but to a sort of divine destiny. But it also gave hope that this destiny would help to overcome the crisis. The authors drew epon certain aspects of Spengler's thinking to establish their theory of Christianity. However, the influence of Spengler vanished soon enough. As a result, the story of his reception is an example of the struggle to locate Christianity within post-war German society. (shrink)

This book provides insight into the work of Oswald Spengler (1880-1936), one of the most prophetic minds of the 20th century, whose dire historical predictions - world wars, ecological disasters, gigantic cities with unrestrained urban sprawl, increasing race conflicts, failure of nerve among the ruling elites, and rapid decline of cultural norms - have more than passed the test of time. Besides focusing on Spengler the prophet and the controversies which surrounded his name in the 1920s, this book (...) also emphasizes Spengler's pioneering role in the development of a comparative study of cultures based on biological principles. (shrink)

Spengler’s The Decline of the West was a major publishing success in Weimar Germany. The study presents the end of Western civilization as an inevitable process of birth, maturity and death. Civilization is conceived as an inflexible ‘morphology’. Spengler’s thinking was influenced by a profound distaste with the optimism of the Belle Epoque, which he found to be complacent. The argument had a good deal of attraction to readers, especially German readers, who were suffering under the ‘Carthaginian Peace’ (...) of the Treaty of Versailles of 1919. Adorno and others were critical of Spengler’s thesis. The article examines Spengler’s thesis and its implications for the West today. (shrink)

In the crisis scenarios of modernity which flourished in the Weimar Republic, technology is typically seen as destiny or fate. Thus Oswald Spengler and Ernst Jünger both construe the coming struggle for world power in terms of the integration of production and technology in the industrial-military complex. Martin Heidegger’s critique of Jünger’s blueprint for total mobilization in Der Arbeiter springs from his reading of modernity as nihilism. Just as the crisis of Western history is reaching completion in modernity, so (...) equally metaphysics reaches completion in modern technology. Heidegger’s essay ‘The Question Concerning Technology’, written after the Second World War, is contrasted with Ernst Cassirer’s essay ‘Form and Technology’, directed against Spengler’s regression to irrationalism, in terms of two fundamental relationships to the world: Heidegger’s Greek-oriented ontology of world disclosure and Cassirer’s modern ontology of construction with reference to technology and art. (shrink)

Perspicuous representation, Wittgenstein offers, is not another methodology, but it consists in seeing the connections. The Wittgensteinian perspicuous representation is therapeutic. The method he suggests for philosophy is the same method he suggests for social sciences. In both of these cases, he tries to get us to see the confusions we become entangled in when philosophizing and theorizing. In both of these disciplines he warns us not to advance explanatory, metaphysical theories. In this paper, I connect this concern with Wittgenstein’s (...) critique of Frazer. In criticizing Frazer, Wittgenstein adopts the important part of Spengler’s view. Nonetheless, there are differences between Wittgenstein’s views and those of Spengler; this paper aims to show similarities as well as these differences. The first part of the paper briefly summarizes Frazer’s views. The second part focuses on Wittgenstein’s critique of Frazer concerning science and technology. The third part gives an account of his critique regarding method of social sciences and philosophy. The last part concentrates on Wittgenstein’s critique of Frazer pertaining to the tolerance towards alternative forms of life. Key Words: context-free vacuum • evolutionary explanation • incommensurability • methodology of social sciences • perspicuous representation • science • technology • tolerance • totem and taboo. (shrink)