The premise of environmental management pivots on managing the people-environment relationship. Yet this field remains dominated by the idea of managing the environment not the relationship, and as such continues to enact dualistic and reductionist traditions. Deep ecology's relational ontology offers a means of moving beneath and beyond such traditions. Specifically, the theory of internal relations as manifest within Arne Naess's gestalt ontology - if developed with regard to relational work emerging within cultural geography - is an aspect of deep (...) ecology that has relevance and implications for environmental management's theory and practice. Such a stance provides qualified support for Warwick Fox's identification of the significance of Self-realisation within deep ecological philosophy, and counters attempts by some deep ecology proponents to write Fox and his work out of the history and future prospects of deep ecology. (shrink)

There is a complexity of entities and happenings embodied within the pillars that frame the doorways in our homes and support the broad flat spaces that form supermarkets and department stores. Each pillar speaks to the mythology encircling the origins of Gothic architecture; the ideas surrounding the shift from the trunks and boughs of the sacred grove toward the columns, arches, and vaults of church and cathedral. Each pillar embodies the evolution of life and the history of the Earth. Awakening (...) toward the relational agency at play within the “humanly derived” allows us to recognize this agency as akin to wildness and as William Cronon asserts, this kinship draws us closer to recognizing and responding to the wild in all that surrounds us. It also produces a shift in how we understand the concept of wilderness. It is not, as Cronon contends, a cultural construct, but a fluxing and complex gestalt that includes both human and more-than-human agency. (shrink)

There is a complexity of entities and happenings embodied within the pillars that frame the doorways in our homes and support the broad flat spaces that form supermarkets and department stores. Each pillar speaks to the mythology encircling the origins of Gothic architecture; the ideas surrounding the shift from the trunks and boughs of the sacred grove toward the columns, arches, and vaults of church and cathedral. Each pillar embodies the evolution of life and the history of the Earth. Awakening (...) toward the relational agency at play within the “humanly derived” allows us to recognize this agency as akin to wildness and as William Cronon asserts, this kinship draws us closer to recognizing and responding to the wild in all that surrounds us. It also produces a shift in how we understand the concept of wilderness. It is not, as Cronon contends, a cultural construct, but a fluxing and complex gestalt that includes both human and more-than-human agency. (shrink)

The author reflects upon the notions of personal memory, collective memory, myth, and evolved memory within her lived experience of Risdon Vale. These interrelated forms of memory influence understanding of place and sense of place. Personal memories corroborate and collaborate with intersubjective memories to inform collective memory. Both personal and collective memories are held within a fusion of cultural myths. Evolved memory binds us deeply within the history of the earth and the evolution of life. Risdon Vale provides fertile ground (...) for considerations of place and memory. This former public housing suburb is adjacent to Risdon Cove, the site of first occupation by the British in 1803 and the site of the first massacre of Aboriginal Tasmanians in 1804. (shrink)