This article considers the simultaneously passive and active character of moods (Stimmungen) in Heidegger, focussing on two different periods of his thought: the end of the 1920s and the middle of the 1930s. Through the study of the language used by Heidegger, I show that the ideas of passivity and activity are expressed in three different levels of his description of moods: the more concrete level of one’s experience of a mood, the level of philosophical analysis insofar as it is (...) based on moods and deals with moods, and the transcendental or constitutive level of experience. Moreover, I show that in each of these levels passivity and activity are constitutively intertwined and that Heidegger’s conception of moods both in the 1920s and the 1930s can only be understood if we take into consideration the three levels and the way each of them is characterized by both passivity and activity. (shrink)

Nielsen, a former foundation officer and consultant, tells us that: “Some nonobsequious writing [on foundations] has begun to appear … (431).” Unfortunately, The Golden Donors is not of that genre. To be sure, this study of the thirty-six largest foundations is critical of many and hands out evaluations for each on the grounds of public policy activism (good) or conventionality (bad), and the behavior of trustees and staff. Nevertheless, die text is replete with the language of public relations — full (...) of “shining examples,” “innovative, philosophical and provocative speeches,” “invigorating research” and even “constructive” conservatism. (shrink)

Os anos egípcios eram de 365 dias contados a partir da subida ao trono de cada rei. Esta contagem era independente das três estações em que se subdividia o ano solar, marcadas pelas necessidades agrícolas. As semanas iniciais de sete e oito dias, motivadas pelas fases lunares, cedo foram ultrapassadas por um sistema muito mais regular de meses de três décadas, cada uma marcada pelo aparecimento de um decano. Os decanos eram 36 estrelas visíveis por períodos de dez dias, completando-se (...) o ano com os cinco dias epagómenos. Sírio, a primeira, marcava outro início do ano. Em vez de utilizarem dois calendários, um baseado no Sol e na Lua, e outro na elevação helíaca de Sírio, reuniram os ciclos do Sol, da Lua e de Sírio num sistema único, um «grande ano», um sistema que anulava o atraso que o calendário tinha em relação ao tempo astral de um dia de quatro em quatro anos, ao fim dos 1461 anos do período sotíaco. (shrink)

Artículos Naturaleza, carácter y violencia: derivas a partir de Schopenhauer. Nature, character and violence: roads from Schopenhauer. Grave, Crescenciano Sobre la posibilidad de un fundamento analógico y simbólico. Ensayo de hermenéutica analógica. About the possibility of an analogical and symbolic fundament. Essay of analogical hermeneutic.Maldonado, Rebeca Consideraciones biojurídicas sobre la vida en el embrión humano. Biojuridical considerations on life of the human embryo. Parra Tapia, Ivonne La Europa unificada según Leibniz: irenismo y política. A unified Europe according to Leibniz: irenism (...) and politics. Rensoli Laliga, Lourdes Repensar el "dilema" comunitarista-liberal en Venezuela. To rethink the communitarism-liberalism "dilemma" in Venezuela. Seoane C., Javier B. Una introducción a la doctrina platónica del alma. An introduction to the platonic doctrine of the soul. Suzzarini, Andrés De vuelta al tribuno. Back to the tribune. Terán Pimentel, Milagros Discusiones en torno a la reparación del daño moral. Discussions about the redress of pain and suffering. Vielma Mendoza, Yoleida Interdisciplinares El giro en la obra de Milan Kundera: un reflejo de la contemporaneidad. The turning on Milan Kundera´s work: a reflex of contemporaneity. Pérez Lo Presti, Alirio Aproximación histórica sobre el consumo de drogas en Venezuela. Historical approach about drug consumption in Venezuela. Salazar, Teresa Informaciones Índice acumulado. (shrink)

Considering Butler's "tragic trilogy"-a set of interventions on Sophocles' Antigone, Euripides' Bacchae, and Aeschylus's Eumenides-this book seeks to understand not just how Butler uses and interprets Greek tragedy, but also how tragedy shapes Butler's thinking, even when their gaze is directed elsewhere. Through close readings of these tragedies, this book brings to light the tragic quality of Butler's writing. It shows how Butler's mode of reading tragedy-and, crucially, reading tragically-offers a distinctive ethico-political response to the harrowing dilemmas of our current (...) moment. (shrink)

This paper considers Carson’s rewriting of Heracles’ tragic madness— through the art of collage, an assembling and disassambling of textual fragments, scraps of papers, drawings, chromatic smears, and sketches—as an imagistic site for theorizing the anti-normative materiality, physical and metaphysical, of par-a-noia. I make a case for a materiality of par-a-noia by proposing a comparison with Alain Badiou’s Marxist political formalism. The distinctive formal trait of H of H, verbal and pictorial juxtaposition, invites us to think of par-a-noia as an (...) aesthetico-political radicality located on the edge of a voiding of thought (noein), a radicality that, as I suggest at the end, can be aligned with modes of non-normate cognition, with neuroqueer countersociality. (shrink)

This article studies an aspect of the relation between emotions and ethics that is usually neglected in the recent debate on moral emotions. By focusing on the contributions of common or everyday emotions to the development of moral behaviours and attitudes, the debate loses sight of the emotional side of the ethical attitude and the way it involves different, specifically ethical emotions. In contrast, such emotions play an important role in Aristotle’s and Heidegger’s thought. As will be shown, both authors (...) identify emotions that are intrinsically tied to ethics in a broad sense and are structurally different from everyday emotions. Moreover, both characterize the two kinds of emotion in a similar fashion: whereas everyday emotions involve a limited form of activity and refer to a more immediate objective domain, the properly ethical emotions result from a superior form of activity and open up to a vaster domain or even to the entire reality, thus having a metaphysical character. The study of this distinction and what it involves will allow for a better understanding not only of emotions in general, but also of the emotional dimension of ethical life. (shrink)

This paper examines the role of the generation gap in Aristophanes' construction of his persona throughout Wasps, Clouds, and Peace. It contends that in Wasps and Clouds Aristophanes defines the relationship with his audience and his rivals by presenting himself as the figure of a paternal son. The same stance shapes the comic poet's generic self-positioning in the initial scene of Peace, where the parody of Euripides' Aeolus and Bellerophon evinces a corrective attitude in relation not only to the troubled (...) images of fatherhood offered in the two tragic plays, but also to Aristophanes' unsuccessful performances as a paternal son in his earlier comedies. Euripidean intertextuality thus serves as a discursive medium through which Aristophanes dramatizes the turning points of his poetic autobiography. (shrink)