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  1.  35
    The First Modern Jew: Spinoza and the History of an Image.Daniel B. Schwartz - 2012 - Princeton University Press.
    Ex-Jew, eternal Jew: early representations of the Jewish Spinoza -- Refining Spinoza: Moses Mendelssohn's response to the Amsterdam heretic -- The first modern Jew: Berthold Auerbach's Spinoza and the beginnings of an image -- A rebel against the past, a revealer of secrets: Salomon Rubin and the east European Maskilic Spinoza -- From the heights of Mount Scopus: Yosef Klausner and the Zionist rehabilitation of Spinoza -- Farewell, Spinoza: I. B. Singer and the tragicomedy of the Jewish Spinozist.
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  2. Bibliography.Daniel B. Schwartz - 2012 - In The First Modern Jew: Spinoza and the History of an Image. Princeton University Press. pp. 247-264.
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  3. Contents.Daniel B. Schwartz - 2012 - In The First Modern Jew: Spinoza and the History of an Image. Princeton University Press.
     
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  4. Chapter 4. A Rebel Against the Past, A Revealer of Secrets: Salomon Rubin and the East European Maskilic Spinoza.Daniel B. Schwartz - 2012 - In The First Modern Jew: Spinoza and the History of an Image. Princeton University Press. pp. 81-112.
     
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  5. Chapter 1. Ex-Jew, Eternal Jew: Early Representations of the Jewish Spinoza.Daniel B. Schwartz - 2012 - In The First Modern Jew: Spinoza and the History of an Image. Princeton University Press. pp. 15-34.
     
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  6. Chapter 5. From the Heights of Mount Scopus: Yosef Klausner and the Zionist Rehabilitation of Spinoza.Daniel B. Schwartz - 2012 - In The First Modern Jew: Spinoza and the History of an Image. Princeton University Press. pp. 113-154.
     
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  7. Chapter 6. Farewell, Spinoza: I. B. Singer and the Tragicomedy of the Jewish Spinozist.Daniel B. Schwartz - 2012 - In The First Modern Jew: Spinoza and the History of an Image. Princeton University Press. pp. 155-188.
     
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  8. Chapter 2. Refining Spinoza: Moses Mendelssohn’s Response to the Amsterdam Heretic.Daniel B. Schwartz - 2012 - In The First Modern Jew: Spinoza and the History of an Image. Princeton University Press. pp. 35-54.
  9. Chapter 3. The First Modern Jew: Berthold Auerbach’s Spinoza and the Beginnings of an Image.Daniel B. Schwartz - 2012 - In The First Modern Jew: Spinoza and the History of an Image. Princeton University Press. pp. 55-80.
     
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  10. Epilogue. Spinoza Redivivus in the Twenty-First Century.Daniel B. Schwartz - 2012 - In The First Modern Jew: Spinoza and the History of an Image. Princeton University Press. pp. 189-202.
     
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  11.  9
    Gauging the German Jewish.Daniel B. Schwartz - 2020 - Modern Intellectual History 17 (2):579-588.
    Few fields are as riddled with terminological indecision as “German Jewish thought.” One cannot invoke this sphere without immediately bumping up against essential questions of definition. Should membership within its bounds be reserved for those who wrote, primarily, as Jews for Jews, even if in a non-Jewish language? Or should its borders be expanded substantially to include Jewish contributions to secular German thought—or, perhaps more aptly put, secular thought in German, in order not to exclude the vast number of Central (...)
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  12. Illustrations.Daniel B. Schwartz - 2012 - In The First Modern Jew: Spinoza and the History of an Image. Princeton University Press.
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  13. Index.Daniel B. Schwartz - 2012 - In The First Modern Jew: Spinoza and the History of an Image. Princeton University Press. pp. 265-270.
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  14. Introduction. Spinoza’s Jewish Modernities.Daniel B. Schwartz - 2012 - In The First Modern Jew: Spinoza and the History of an Image. Princeton University Press. pp. 1-14.
     
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  15. Notes.Daniel B. Schwartz - 2012 - In The First Modern Jew: Spinoza and the History of an Image. Princeton University Press. pp. 203-246.
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  16. Note on Translations and Romanization.Daniel B. Schwartz - 2012 - In The First Modern Jew: Spinoza and the History of an Image. Princeton University Press.
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  17. Preface and Acknowledgments.Daniel B. Schwartz - 2012 - In The First Modern Jew: Spinoza and the History of an Image. Princeton University Press.
     
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