This impressive, self-contained, and philosophically rich work is the last of Adams's trilogy about "the upheavals and dislocations in the culture and the resulting human identity crisis occasioned by the rise of modern science and its naturalistic world-view". Continuing the critique of naturalism developed in his Ethical Naturalism and the Modern World-View and Philosophy and the Modern Mind, this book argues that the naturalistic world-view, with its restriction of the intelligible to the factual and existential as grasped by sense perception, (...) consists of a set of false assumptions and incoherent presuppositions about the constitutional principles and powers of the human mind and the categorial structure of the world. The inadequacies of naturalistic categories, Adams contends, systematically lead us into error; we are no longer able to think clearly or well about ourselves or our world. Modernity's embracing of naturalism has undermined the possibility of a healthy culture in which human persons can flourish, and it has resulted in a cultural crisis. That this is so is evidenced, Adams believes, by the widespread sense of malaise and alienation, as expressed in our literature and art; by the steady erosion of the effectiveness of our social, political, and economic institutions; and by the widely perceived loss of purpose and legitimacy of the humanities themselves. The task of reconstructing our culture requires, it is argued, the revitalization of the humanities; it requires the guidance of cultural analysis and criticism grounded in a humanistic philosophy which acknowledges and defends the reality of value, meaning, and mind. (shrink)