The idea of a fundamental difference between humans and animals may be used to justify subordinating animals to human interests. The presupposition that may need to be examined is that the moral relation to animals must be based on some fundamental property. Much of the discussion concerning animal awareness is framed in Cartesian terms, suggesting that a different perspective might be helpful in improving human-animal relationships and understanding.

Over several decades, Cora Diamond has articulated a distinctive way of thinking about ethics. Prompted by a recent critique of Diamond, we elucidate some of the main themes of her work, and reveal their power to reconfigure and deepen moral philosophy. In concluding, we suggest that Diamond’s moral philosophical practice can be seen as one plausible way of fleshing out what Wittgenstein might have meant by his dictum that “ethics is transcendental”.

This collection offers an in-depth look at Cora Diamond’s distinctive approach to ethics and its philosophical significance. It comprises a new essay by Cora Diamond on the policing of concepts, followed by ten original chapters by world-class scholars covering conceptual loss, moral theory, the category of the human, the moral consideration of animals, and the meaning of narcissism. Including comparisons to the work of other contemporary moral philosophers such as Martha Nussbaum, Jeff McMahan, Rai Gaita, Eva Kittay, Christine (...) Korsgaard, and Edward Harcourt, the volume also creates interdisciplinary links between Diamond’s work and other fields of study, including psychoanalysis and contemporary ethology. Showcasing the vital importance of Diamond’s contribution to philosophy, this volume is essential reading for scholars working in ethics, philosophy of language and literature. (shrink)

This paper introduces the special section on Cora Diamond’s significance for education and educators. The introduction is meant to be the beginning of a conversation, and—to that end—the special section editors suggest lines of connections that philosophers of education might draw between their work and the work of Cora Diamond. Their list is not meant to be exhaustive, but it is meant to suggest Diamond’s far-reaching significance for education and educators.

An interview conducted at the University of Virginia in October 1999, covering Diamond's work on Wittgenstein, nonsense and riddles, moral realism and skepticism, Peter Singer and animal rights, and the role of literature in philosophy. Also collected in "Philosophers in Conversation: Interviews from the Harvard Review of Philosophy", S. Phineas Upham (Editor), Routledge (2002).

In much of her writing, Cora Diamond stresses the role of the imagination in awakening the sense of our humanity. She subtly unthreads the operations of the ethical imagination in literature, but deplores its absence in philosophy. Borrowing the notion of ‘deflection’ from Cavell, Diamond sees ethical understanding ‘present only in a diminished and distorted way in philosophical argumentation’. She does, however, herself make a philosophical, if idiosyncratic, use of the imagination in her appeal to it for a ‘transitional’ (...) understanding of nonsensical Tractarian remarks. I begin by delineating and endorsing Diamond’s humanistic view of the creative imagination; I then argue against her opportunistic use of the imagination in her interpretation of the Tractatus and her condemnation of philosophical ethics. (shrink)

Pensamos que el argumento de Wittgenstein sobre el lenguaje privado se encuentra en las Investigaciones Filosóficas , aunque discrepemos de dónde se encuentra exactamente y qué tipo de argumento es. Podemos hollar bosquejos tempranos del argumento -o algo parecido- en los textos de Wittgenstein de los años treinta así como en sus apuntes para el dictado de clases de esos años. En el presente artículo sostendré que hay un argumento del lenguaje privado en el Tractatus , cercanamente emparentado con el (...) argumento de las Investigaciones , aunque también distinto de este último en importantes aspectos. (shrink)

Essay Review: Cora Diamond on Ethics (ed. Maria Balaska).

This essay has several related goals. The first is to contribute to the philosophy of education literature on Cora Diamond while introducing the work of her sister, Julie Diamond, to the field. I introduce Julie Diamond’s work by connecting it to the work of John Dewey, and a secondary goal of the paper is to test lines of connection between Dewey and Cora Diamond. Finally, by developing Cora and Julie Diamond’s thinking on teaching and the moral life, (...) I hope to contribute to conversations in teacher education, especially ongoing conversations about the meaning of responsive teaching. The first half of the paper discusses and engages Cora Diamond’s thinking on the moral life drawing on a range of her published work, the middle of the paper builds a bridge from Cora Diamond to Dewey as a way of introducing Julie Diamond, and the final part of the paper offers an engagement with Julie Diamond’s work. I discuss teaching throughout the paper, and my hope is that a vision of responsive teaching, one grounded in the work of Julie and Cora Diamond, emerges that allows teachers to come alive to aspects of their work that can disappear in the rush and whirl of classroom life. The paper begins with a personal story as a way of connecting with the style of Cora and Julie Diamond’s approach to teaching and the moral life. (shrink)

Review of Cora Diamond: Reading Wittgenstein with Anscombe, Going on to Ethics.

Essays by leading scholars that take as their point of departure Cora Diamond 's work on the unity of Wittgenstein's thought and her writings on moral philosophy..

We will look critically at three essays by Cora Diamond concerning Peter Winch's views on the possibility of communication and criticism between language-games. We briefly present our understanding of Winch's approach to philosophy. Then, we argue that Diamond misidentifies Winch's views, taking them to imply language-game relativism or linguistic idealism. When she does raise valid criticisms against language-game relativism, her critical points mainly coincide with things that Winch has already stressed in his own work. That leaves us with the (...) question what their real disagreement amounts to. Finally, we suggest that at the bottom of Diamond's objections lies her failure to appreciate Winch's insights about the place of logic in human intercourse. (shrink)

Although social scientists have been devoted to discovering specific realities of social life, many theorists devoted to critical judgment have turned to philosophy in search of universal grounds of truth and reality. They have, however, worried about the problem of relativism. Although Wittgenstein has often been characterized as a relativist, Cora Diamond, inspired by G. E. M Anscombe, argues that his work, despite internal tensions, provides rational grounds for external criticism of social practices. Her argument and her critique of (...) the work of Peter Winch and Ilham Dilman are, however, neither adequately supported by Wittgenstein’s texts nor sufficiently developed on their own terms. (shrink)

Dieser Artikel stellt Cora Diamonds Begriff des Mitgeschöpfs dar und untersucht dessen Relevanz für tierethische und tierpolitische Diskurse. Die traditionelle Tierethik hat eine rationalistische, naturalistische und reduktionistische Tendenz. Diamonds Moralphilosophie stellt dem einen praxissensitiven Ansatz gegenüber, der Emotionen und die moralische Imagination umfasst, wobei Diamond die Bedeutung des Menschseins betont. Letztere entspringt zwar einem epistemischen Anthropozentrismus, jedoch folgt aus diesem keine Mensch-Tier-Hierarchie: Diamond plädiert dafür, andere Tiere als Mitgeschöpfe, als Gefährten auf sterblichen Pfaden, zu begreifen. Dabei zeigt Diamond an (...) ihrer Interpretation von J.M. Coetzees The Lives of Animals, wie Konzepte von anderen Tieren auf das eigene Selbstverständnis rückwirken. Abschließend erörtert der Artikel den Vorwurf des Quietismus und die Schwierigkeit der politischen Umsetzbarkeit in Diamonds Philosophie. -/- [This article outlines Cora Diamond’s concept of the fellow creature and examines its relevance for animal ethics and animal politics. Diamond’s moral philosophy contrasts the rationalistic, naturalistic, and reductionistic tendency of traditional animal ethics with a practice-oriented approach that encompasses emotions and the moral imagination. Diamond emphasizes the importance of being human, which emanates from an epistemic anthropocentrism, but from which no human-animal hierarchy follows: She pleads for recognizing other animals as fellow creatures, as companions on mortal paths. In her interpretation of J.M. Coetzee’s The Lives of Animals, Diamond shows how conceptualizing other animals influences one’s own self-understanding. Finally, the article discusses the reproach of quietism and the difficulty of political feasibility in Diamond’s philosophy.]. (shrink)

This unique collection of essays has two main purposes. The first is to honour the pioneering work of Cora Diamond, one of the most important living moral philosophers and certainly the most important working in the tradition inspired by Ludwig Wittgenstein. The second is to develop and deepen a picture of moral philosophy by carrying out new work in what Diamond has called the realistic spirit. The contributors in this book advance a first-order moral attitude that pays close attention (...) to actual moral life and experience. Their essays, inspired by Diamond's work, take up pressing challenges in Anglo-American moral philosophy, including Diamond's defence of the concept 'human being' in ethics, her defence of literature as a source of moral thought that does not require external sanction from philosophy, her challenge to the standard 'fact/value' dichotomy, and her exploration of non-argumentative forms of legitimate moral persuasion. There are also essays that apply this framework to new issues such as the nature of love, the connections of ethics to theology, and the implications of Wittgenstein's thought for political philosophy. Finally, the book features a new paper by Diamond in which she contests deep-rooted philosophical assumptions about language that severely limit what philosophers see as the possibilities in ethics. Morality in a Realistic Spirit offers a tribute to a great moral philosopher in the best way possible--by taking up the living ideas in her work and taking them in original and interesting directions. (shrink)

The publication of Cora Diamond's important 2002 “The Difficulty of Reality and the Difficulty of Philosophy” (in Philosophy and Animal Life) stimulated the writing of this essay. “The Difficulty of Reality and the Difficulty of Philosophy” attempted to show that there are experiences of reality (recounted especially in literature like John Coetzee's novels and Ted Hughes' poetry) in relation to which philosophical concepts and words encounter difficulty. The experiences resist conceptualization. By examining several of Diamond's earlier writings, I try (...) to show that the difficulty of philosophical conceptualization of reality is due to the fact that reality does not exist external to experience. Reality being internal to experience means that reality contains an unfixed set of possibilities. Being experiential, reality is historical. The historical dimension of reality – such as the reality of animal life suffering – makes the words through we describe this reality too weak, i.e. they are not powerful enough to capture reality, hence the difficulty. Consequently, as I argue, for Diamond, the weakness of words means that words are never complete concepts. The meaning of them seems always still to come since reality seems always to have a surplus of possibilities. I suggest that because of this always still “to come” aspect of the meaning of words, we might characterise Diamond's thought as a messianism. (shrink)

There are similarities between Bernard Williams and Cora Diamond as moral philosophers: both their moral philosophies are marked by an engagement with the question of what it is like to be a human being, and both are engaged with experience more than theory. Still, such similarities rest on very different philosophical grounds. In this article, I consider whether a Nietzschean (Williams) and a Wittgensteinian (Diamond) could ever converge on a characterization of the ‘moral point of view’ as this involves (...) views on life, thought, and language. I argue that divergences between Williams and Diamond persist, a very important one concerning relativism: whereas Diamond adumbrates a Wittgensteinian way out of relativism, it remains a last word for Williams. (shrink)

The paper examines an important theme in Cora Diamond’s work, as this appears particularly in her reply to Martha Nussbaum, namely the theme of moral attention—being sensitive to the complexity of facts as opposed to obtuseness, and the role that improvisation plays for moral attention. To further elucidate what improvisation is I consider its role in music and literature as mimetic portrayals of the complexity of moral life. I use the examples of Coltrane’s jazz music and of James’s rewriting (...) of his novel The American to show more specifically how improvisation can help advance and use creatively the range of implication within which moral thought can occur. (shrink)

I argue in this paper for the rich and subtle connections between moral philosophy and literature as they are articulated and explored in the work of the contemporary American philosopher, Cora Diamond. In its significance for broader educational debates—specifically, debates regarding the value of the arts and humanities in a context of global economic collapse—Diamond's work is strikingly original. I argue that it offers much more to educators than the related work of her Anglo-American contemporaries, among them Martha Nussbaum (...) and Richard Rorty. In development of my position, I read Diamond's 2008 essay, The Difficulty of Reality and the Difficulty of Philosophy, withA Girl is a Half-formed Thing, the debut novel of Irish writer Eimear McBride. (shrink)

I argue in this paper for the rich and subtle connections between moral philosophy and literature as they are articulated and explored in the work of the contemporary American philosopher, Cora Diamond. In its significance for broader educational debates—specifically, debates regarding the value of the arts and humanities in a context of global economic collapse—Diamond's work is strikingly original. I argue that it offers much more to educators than the related work of her Anglo-American contemporaries, among them Martha Nussbaum (...) and Richard Rorty. In development of my position, I read Diamond's 2008 essay, The Difficulty of Reality and the Difficulty of Philosophy, with A Girl is a Half-formed Thing, the debut novel of Irish writer Eimear McBride. (shrink)

In many ways, this is a difficult and important book about a difficult and important book about a difficult and important book. It is also much more, as Diamond highlights Anscombe's work on ethics and action as she moves to engage metaethical questions about relativism and truth. One of the unifying threads is the matter of thinking about thinking, especially the ways we respond to thinking that has gone astray. Thinking that does go astray traverses paths with "dangerous spots," as (...) Wittgenstein says. The dangerous spots may be muddles and confusions. To avoid these paths, we need sign posts. Diamond's work provides a... (shrink)

Le discours philosophique peut-il légitimement recourir à l’imagination, et notamment l’imagination créatrice, tout en maintenant sa prétention à produire une authentique connaissance? Quelques-uns des grands philosophes de la tradition ont jugé sévèrement l’imagination comprise comme faculté de former des images. L’imagination mobilise en effet la sensibilité, ce qui la distingue de la conception, et la rend suspecte. L’imagination apparaît alors comme une faculté non rationnelle : non seul...

_ Reading Wittgenstein with Anscombe, Going on to Ethics _By DiamondCoraHarvard University Press, 2019. vi + 332 pp.

This chapter discusses Edward Harcourt’s recent criticism of Cora Diamond’s account of Wittgensteinian moral philosophy, and the view she associates with Wittgenstein that ethics has no specific subject matter. I argue that Harcourt has misconstrued Diamond’s account, and that his own proposal for what a Wittgensteinian moral philosophy would be like is not consistent with what Wittgenstein says about morality. In particular, Wittgenstein’s suggestion in his later philosophy that goodness is not a quality or property of actions in addition (...) to their other properties lends further support to Diamond’s account of ethics as devoid of subject matter that could be identified in terms of distinctively moral concepts. Through my discussion of this issue I hope to clarify and reinforce the challenge that Diamond’s account poses for traditional moral philosophy which sees as its goal the development of an abstract theory of moral goodness the purpose of which is to account for all instances of goodness in an ethical sense. (shrink)

Cora Diamond is among the most influential Wittgenstein commentators of recent years. One of her memorable contributions to the literature is her colorful characterization of some of the Tractatus interpretations she disagrees with – she calls them “chickening out” interpretations. “Chickening out” interpretations are ones which acknowledge Wittgenstein’s claim at 6.54 that his propositions are nonsense, but still hold that there is a deep sense in which Wittgenstein’s nonsense shows us something about reality, even if it does not say (...) anything. On Diamond’s view, the idea that there is something shown about reality which cannot be expressed is itself part of what we are meant to discard when we recognize the Tractarian propositions as nonsense. Discarding this idea of showing is part of what it means to “throw away the ladder after [we have] climbed up it” (6.54). But 6.54, the passage in the Tractatus which serves as a focus for Diamond’s austere reading of nonsense, also points out what may be a problem for Diamond.Wittgenstein begins that passage by remarking that his “propositions serve as elucidations”. Can Diamond’s account of nonsense make room for the idea that Tractarian nonsense is elucidatory? I will consider two aspects of Diamond’s reading, and show how they are in tension. To begin, I will discuss her general account of nonsense in more detail. Then, I will look at her account of nonsense as elucidatory, focusing on the concrete examples she uses to explain what it means for nonsense to elucidate. I will argue that her general account of nonsense makes her account of how nonsense elucidates problematic. (shrink)

Philosophical Investigations, EarlyView.

Philosophical Investigations, Volume 45, Issue 2, Page 220-223, April 2022.

This paper argues that Cora Diamond's interpretation of Wittgenstein's early and later work, and her specific attempts to apply it in religious and ethical contexts, show a willingness to sacrifice elements of Wittgenstein's signature concepts to the demands of what she calls his 'realistic spirit'. The paper also argues that this willingness relates her project to a certain understanding of modernism in the arts.

This paper argues that Cora Diamond's interpretation of Wittgenstein's early and later work, and her specific attempts to apply it in religious and ethical contexts, show a willingness to sacrifice elements of Wittgenstein's signature concepts to the demands of what she calls his 'realistic spirit'. The paper also argues that this willingness relates her project to a certain understanding of modernism in the arts.