Results for 'Aesthetics, Korean. '

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  1.  7
    Korean Aesthetic Consciousness and Colour Preference in Clothing Style.Nakyung Shin - 2022 - Espes. The Slovak Journal of Aesthetics 11 (2):87-97.
    This study examines the Korean aesthetic consciousness of colour by focusing on the preference far white in clothing culture. A nation's symbolic use of certain colours develops over time as a tradition representing the national sentiment and philosophy of life. In this way, traditional colours not only influence the senses but also evoke ideas about a country's social customs. Far example, white clothes without bleaching, artificial processing, or fancy patterns have a simple and pure beauty. This paper discusses the Korean (...)
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  2.  6
    Korean Aesthetic Consciousness and Colour Preference in Clothing Style.Nakyung Shin - 2022 - Espes. The Slovak Journal of Aesthetics 12 (1):87-97.
    This study examines the Korean aesthetic consciousness of colour by focusing on the preference far white in clothing culture. A nation's symbolic use of certain colours develops over time as a tradition representing the national sentiment and philosophy of life. In this way, traditional colours not only influence the senses but also evoke ideas about a country's social customs. Far example, white clothes without bleaching, artificial processing, or fancy patterns have a simple and pure beauty. This paper discusses the Korean (...)
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  3. North Korean Aesthetic Theory: Aesthetics, Beauty, and "Man".Alzo David-West - 2013 - Journal of Aesthetic Education 47 (1):104-110.
    Aesthetics is not a subject usually associated with North Korea in Western scholarship, the usual tropes being autocracy, counterfeiting, drugs, human-rights abuse, famine, nuclear weapons, party-military dictatorship, Stalinism, and totalitarianism. Where the arts are concerned, they are typically seen as crude political propaganda. One British museum specialist writes that North Korean visual art is an "art under control," and one Russian historian insists that North Korean literature is devoid of the "beauty of language."1 As the short turns of phrase and (...)
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  4.  14
    Korean Aesthetic Ideals: “Jayeon”.So-Jeong Park - forthcoming - Journal of Aesthetics and Art Criticism.
    Korean art and music have a long history, but aesthetic research on them has only been around for a little over a hundred years. Critiques and discourses on traditional arts such as poetry, calligraphy, and painting can be traced back to the Joseon or even Goryeo dynasties, but the modern discussion on the common features of Korean aesthetics was conducted much later than that in Western Europe, where the field of aesthetics was established in the mid to late eighteenth century. (...)
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  5.  8
    Yanagi, Ceramics and the Craft Values of Korean Aesthetics.Rosa Fernández Gómez - 2022 - Espes. The Slovak Journal of Aesthetics 11 (2):18-26.
    The long Japanese tradition of Korean ceramics appreciation, closely associated with the Zen tea ceremony _(chanoyu), _has played an important role in the development of Korean aesthetics in the twentieth century. The art critic and philosopher Yanagi Soetsu was instrumental in this process during the occupation period, since, continuing in this tradition, he particularly valued Joseon ceramics for their aesthetic qualities - such as naturalness, nonchalance, and simplicity - akin to praised values in Zen Buddhism. Yanagi’s pioneering writings might have (...)
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  6.  14
    The aesthetical mean of korean music ‘Dodeuri[Reversal(還入)]’.Kang Yu-Kyung - 2016 - THE JOURNAL OF ASIAN PHILOSOPHY IN KOREA 45:157-190.
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  7.  8
    A Study of Korean Aesthetic Consciousness in New - Media Art.Yeonsook Park - 2022 - Espes. The Slovak Journal of Aesthetics 11 (2):76-86.
    Korean Naturalism focuses on inner discipline by taking nature as a criterion. In this context, at the core of Korean aesthetic consciousness are inner virtues beyond superficial beauty. It may be too radical to apply Korean Naturalism to the current practice of new-media art. Nevertheless, some contemporary artists who attempt to bring back Korean tradition from a new perspective experiment with Korean Naturalism. In this study, I consider the method and concept those artists pursue as evolved Naturalism with new media (...)
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  8. In Search of Korean Aesthetic Identity / Ynhui Park ; On the Debate about the Colour White / Ihn-Bum Lee ; The Aesthetic Identity of Hangeul Calligraphy / Hunyee Jung ; The Aesthetics of the Plural Korean Essence.Frédéric Boulesteix - 2010 - In Ken'ichi Sasaki (ed.), Asian Aesthetics. Singapore: National Univeristy of Singapore Press.
     
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  9.  10
    Culture and Affect in Aesthetic Experience of Pictorial Realism: An Eighteenth-Century Korean Literatus’ Reception of Western Religious Painting in Beijing.Ju-Yeon Hwang - 2019 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 12 (1):175-188.
    Cultural factors are operating in the aesthetic experience of pictorial realism, occurring in a transcultural manner, and their effects are salient in beholder’s affective reaction correlated with perceptual-cognitive operation. This paper aims to demonstrate this hypothesis, by developing two analytical tools that might explain the anti-hedonic valence of Hong Taeyong, an eighteenth-century Korean literatus’ aesthetic experience of a Western religious fresco depicting the Lamentation of Christ in a Jesuit Catholic church in Beijing. First, a complex multifold conflict between «actual affect» (...)
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  10.  9
    The pictographical aesthetic structure of Korean Hangeul calligraphy.Jeong Bok Dong - 2008 - Journal of Eastern Philosophy 54:71-103.
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  11.  6
    A Study of Korean Aesthetic Consciousness in New - Media Art.Yeonsook Park - 2022 - Espes. The Slovak Journal of Aesthetics 12 (1):76-86.
    Korean Naturalism focuses on inner discipline by taking nature as a criterion. In this context, at the core of Korean aesthetic consciousness are inner virtues beyond superficial beauty. It may be too radical to apply Korean Naturalism to the current practice of new-media art. Nevertheless, some contemporary artists who attempt to bring back Korean tradition from a new perspective experiment with Korean Naturalism. In this study, I consider the method and concept those artists pursue as evolved Naturalism with new media (...)
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  12.  19
    Cho Jihoon’s Korean Aesthetics: the Concept of ‘Meot’.Soohyun Kim - 2022 - Espes. The Slovak Journal of Aesthetics 11 (2):40-49.
    Cho Jihoon’s aesthetics is based on the Confucian literati’s spirit, choesado, and on the Buddhist idea of non-duality. He presented the theory of meot, meaning taste originally, as a Korean-specific aesthetic category in his Study of Meot, where he synthesized the previously discussed theories of other scholars into twelve elements. Discussing the formal characteristics of works that have the aesthetic quality of meot, he took unrefinedness as basic, and cited diversity, eurhythmy, and curvature as its subtraits. Discussing the compositional power (...)
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  13.  70
    The Paintings of Korean Comfort Woman Duk-kyung Kang: Postcolonial and Decolonial Aesthetics for Colonized Bodies.Hyunji Kwon - 2017 - Feminist Studies 43 (3):571.
    Abstract:This essay addresses the largely unrecognized art of a former comfort woman, Duk-kyung Kang (1929–1997). Comfort women were forced sexual slaves for the Imperial Japanese Army during the Second World War. By analyzing how both postcolonial and decolonial aesthetics are embodied in her paintings, the potential of her art to challenge colonialism becomes pronounced.
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  14.  3
    The Relation of Korean Pyungru and Aesthetics.Shin JungGeun - 2015 - THE JOURNAL OF ASIAN PHILOSOPHY IN KOREA 43:201-228.
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  15.  32
    Appropriating Gugak and Negotiating K-Heritage. K-Pop's Reconstruction of Korean Aesthetics in the Age of Digital Globalization.Hee-sun Kim - 2022 - Espes. The Slovak Journal of Aesthetics 11 (2):27-39.
    This paper explores global K-pop's negotiation and reconstruction of Korean aesthetics via the dismantling, adoption, appropriation, and transfiguring of central elements of Korean traditional culture. Recently, K-pop groups have been incorporating traditional music and dance (gugak), traditional attire (hanbok), traditional houses (hanok), and old palaces (gogung) into music videos disseminated globally over digital platforms like YouTube. In their efforts to incorporate more 'Koreanness' into their musical productions and neutralize criticisms of their use of the 'K' prefix as inauthentic and unconnected (...)
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  16.  3
    The Fable and the Novel: Rethinking History of Korean Fiction from the Perspective of Narrative Aesthetics.Sohyeon Park - forthcoming - Journal of Aesthetics and Art Criticism.
    The genre of fable tends to be overlooked in the study of Korean literary history on the ground that the genre seems too archaic to reflect the aesthetic standards established in the modern European novel, in which the focus lies in the realistic representation of the individual or contemporary society. However, the genre was not completely abandoned by modern Korean writers. Few critics have noted the continuing role played by the rich Korean fable tradition, which eventually made the reinvention of (...)
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  17. Art beyond Morality and Metaphysics: Late Joseon Korean Aesthetics.Hannah H. Kim - 2019 - Journal of Aesthetics and Art Criticism 77 (4):489-498.
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  18.  19
    Artistic Motives in Korean Art Traditions: Self-Cultivation, Self-Enjoyment, and Self-Forgetting.Dobin Choi - 2022 - Journal of Aesthetics and Art Criticism 80 (3):362-7.
    In this essay, I discuss Korean artists’ multi-layered, internal motives for engaging in artistic practices: their artistic devotion derives from their desires for moral self-cultivation, self-enjoyment, and self-forgetting. I speculate that these tendencies were intensified in Korean cultural traditions by distinctive sociopolitical circumstances of the Joseon period under the dominance of Neo-Confucianism, such as a fixed social hierarchy and Sino-centrist perspectives. This interpretation provides a useful lens for better understanding contemporary Korean artistic practices in both the fine and popular arts.
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  19.  22
    Introduction to the Symposium on Korean Aesthetics: The Beginning is Half.Hannah H. Kim - 2022 - Journal of Aesthetics and Art Criticism 80 (3):355-356.
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  20.  18
    Aesthetics in Korea: Traditions and Perspectives.Joosik Min - 2022 - Espes. The Slovak Journal of Aesthetics 11 (2):7-17.
    This paper aims to introduce the historical traditions of Korean aesthetics, focusing on the views of prominent thinkers, and further examine the contemporary tasks of Korean aesthetics. Thanks to 'chinoiserie' and 'japonism', Chinese and Japanese aesthetics were introduced to Europe relatively early, but Korean aesthetics has received little attention until recently. Korea has developed a great art culture with a long historical tradition and unique language in East Asian culture, and has accomplished its own specific achievements in aesthetics.
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  21.  7
    Aesthetics in Korea: Traditions and Perspectives.Joosik Min - 2022 - Espes. The Slovak Journal of Aesthetics 12 (1):7-17.
    This paper aims to introduce the historical traditions of Korean aesthetics, focusing on the views of prominent thinkers, and further examine the contemporary tasks of Korean aesthetics. Thanks to 'chinoiserie' and 'japonism', Chinese and Japanese aesthetics were introduced to Europe relatively early, but Korean aesthetics has received little attention until recently. Korea has developed a great art culture with a long historical tradition and unique language in East Asian culture, and has accomplished its own specific achievements in aesthetics.
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  22. Metaphors in Neo-Confucian Korean philosophy.Hannah H. Kim - 2022 - Journal of Aesthetics and Art Criticism 80 (3):368–373.
    A metaphor is an effective way to show how something is to be conceived. In this article, I look at two Neo-Confucian Korean philosophical contexts—the Four-Seven debate and Book of the Imperial Pivot—and suggest that metaphors are philosophically expedient in two further contexts: when both intellect and emotion must be addressed; and when the aim of philosophizing is to produce behavioral change. Because Neo-Confucians had a conception of the mind that closely connected it to the heart (心 xin), metaphor’s empathy-inducing (...)
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  23.  10
    Aesthetic Sentimentalism and Aesthetic Emotion : Objections to Reductionist and Revisionist Accounts of Aesthetic Emotions. 최근홍 - 2024 - Journal of Korean Philosophical Society 169:381-413.
    미적 감정주의는 미적 가치평가가 감정 반응에 근거한다는 생각이다. 이 글에서 나는 미적 감정주의에 기초하여 미적 감정이 있다고 주장하는 두 관점인 환원주의와 수정주의를 비판적으로 검토한다. 경이 환원주의는 비인지주의 감정 이론을 전제하고 미적 감상이 경이 감정으로 환원된다고 주장한다. 다수 감정 환원주의는 인지주의나 비인지주의를 전제하지 않고 미적 감상이 다수의 감정으로 이루어진 한 부류로 환원된다고 주장한다. 반면 수정주의는 감상 감정인 미적 감정이 별도의 감정적 기능인 완성적 기능을 갖기에 독자적인 감정 유형으로 분류돼야 한다고 주장한다. 그러나 환원주의는 개념 예술 감상을 적절하게 설명하지 못한다는 문제를 가진다. 이에 (...)
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  24.  4
    Styles and esthetics in Korean traditional music.Byong Won Lee - 1997 - Seoul: National Center for Korean Traditional Performing Arts, Ministry of Culture and Sports, Republic of Korea.
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  25.  7
    The Aesthetic Appreciation of Silence and its Limitations. 박요한 - 2021 - Journal of the New Korean Philosophical Association 103:89-106.
    그림을 보거나 음악을 듣는 것을 즐기는 일은 예술작품을 감상하는(appreciate) 일과 관련된다. 그러나 감상의 대상을 오직 예술작품으로만 간주하는 것은 논란의 여지가 있다. 왜냐하면 감상의 대상에는 예술작품만 있는 것이 아니며 해당 작품을 항상 미적으로만 감상할 필요도 없기 때문이다. 그렇다면 자연환경이나 자연적 대상은 어떠한가? 이는 우리가 비예술적 활동 영역과 같은 일상 혹은 자연환경의 영역에서 예술에 대한 다양한 착상을 얻기 때문에 제기할 수 있는 물음으로 이해할 수 있다. 최근, 앤더슨(Erik Anderson)은 자연환경과 같은 비예술적 활동 영역에서 발생하는 침묵(silence)을 미적으로 감상할 수 있다고 주장한다. 나아가 그는 (...)
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  26.  8
    The Spectrum of Aesthetic Issues in the Modern Development of the Joseon Literati Genre Gagok.Mikyung Park - 2022 - Espes. The Slovak Journal of Aesthetics 11 (2):58-75.
    To Korean people by the end of the 19th century who had previously enjoyed only traditional music genres, the music introduced by the hands of the missionaries must have been very new and unfamiliar. One hundred and a few decades since the meagre beginning of the meeting between the two has now passed, Korea has transformed into a modernized society where all kinds of music are performed and enjoyed, among which Western classical and popular music exist with considerable weight. In (...)
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  27.  8
    Multimodality of Aesthetic Experience of Music - from the Perspective of Neuro-Cognitive Model -. 김혜련 - 2016 - Journal of the New Korean Philosophical Association 85:183-211.
    ‘다중양상성’은 다양한 맥락에서 상이한 의미로 이해된다. 이 글에서 ‘다중양상성’은 음악의 미적 경험에서 지각과 의식이 신경 토대 연결망을 통해 인지적으로 동기화(synchronization)되는 방식을 가리킨다. 이 과정을 도식적으로 말하면, 우선 시각, 청각, 촉각 등 다양한 감각 자료들이 뇌의 피질 안에 분산된 전문 모듈들에 의해 신경적으로 처리‧저장된다. 심적 상태가 생물학적으로 저장되는 것이다. 이후 어떤 시점에서, 주체가 음악의 특수한 청각적 국면에 주목할 때 비청각적인 신경적 자료들은 활성화되어 중앙 의식에 합류한다. 즉 중앙 의식의 요구에 부응하여 생물학적 데이터가 심적 상태로 변환되고 현재화되며, 이에 따라 주체의 청각 경험은 (...)
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  28.  4
    Women, aesthetic experience, and alterity: From confluence of feminist aesthetics with intercultural philosophical perspective. 신정원 - 2012 - Korean Feminist Philosophy 18 (null):97-122.
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  29.  9
    The Aesthetics of Public Art and Marginal-Critical Publicness. 김동규 - 2022 - Journal of Korean Philosophical Society 164:27-58.
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  30.  5
    Body Aesthetics and The Woman Artist with focus on Shusterman’s Somaesthetics. 이지언 - 2011 - Korean Feminist Philosophy 15 (null):181-204.
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  31.  22
    Aesthetics of the Sublime and Moral Education.Youngdon Youn - 2016 - Journal of Ethics: The Korean Association of Ethics 1 (108):31-49.
  32.  6
    Aesthetic Significances of the Professional Football Game from Böhme’s Point of View : Transition from an Object of Fulfillment of Needs to an Object of Perception of Atmospheres. 최준호 - 2022 - Journal of Korean Philosophical Society 164:337-370.
    뵈메의 시각으로 서포터즈의 퍼포먼스에 주목해서 프로 축구경기의 미학적 의미를 고찰하고, 이를 통해서 축구 미학은 물론 더 나아가서 스포츠 미학을 새로운 관점에서 접근하는 길을 환기시키는 것이 논문의 목적이다. 이러한 목적에 상응하는 연구의 내용은 다음과 같다. 먼저 ‘분위기’ 및 ‘분위기 머금은 현상’ 개념을 중심으로 뵈메의 ‘지각학으로서의 미학’의 핵심이 검토된다. 이는 축구경기의 미학적 의미를 전통미학의 틀에서 벗어나서 논구할 수 있는 기초를 다지는 것을 의미한다. 다음으로 축구경기에서 만들어지는 분위기, 즉 축구경기의 특정 상황에서 형성되는 경기장 전체의 분위기가 ‘극적인 골’ 사건에 초점을 맞춰 검토된 뒤, 그것이 (...)
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  33.  2
    An Eco-aesthetical View of the Forest : Opening the Horizon of “Ecological Life Traversing the Human/Nature Dichotomy”. 최준호 - 2023 - Journal of Korean Philosophical Society 168:267-294.
    숲에 관한 관심이 뜨겁게 달아오르고 있다. 이는 ‘생태적 삶의 추구’가 일종의 시대정신이 된 상황과 밀접하게 연관되어 있다. 그런데 이러한 현상이 명실상부한 생태적 삶으로 이어지고 있다고 보기 어렵다. 본고는 이를 비판적으로 고찰하고, 더 나아가 숲에 관한 생태학적 인식과 실제 삶이 괴리되지 않도록 하는 데 일조하려는 시도의 일환이다.BR 이를 위해서 논자는 ‘뵈메(G. Böhme)가 말하는 생태적 자연미학’의 관점에서 숲을 조망하고자 한다. 뵈메가 강조하는 영국식 정원과 조경술은 숲에 관한 생태학적 연구와 보통 사람들이 일상에서 접하는 숲 체험이 괴리되지 않고 조화를 이루는 데로 나아가는 실마리를 제공한다. (...)
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  34.  9
    No Extravagance in Poems. A Linkage between Toegye's Poetic Aesthetics and Life Realm.Zheng-Ying Ma & Heng-Dong Xu - 2022 - Espes. The Slovak Journal of Aesthetics 11 (2):50-57.
    Experiences in the heart is one matter and literary writing is another: Toegye (1501-1570, a famous Korean Confucianist), however, would rather regard the two as a completely unified process, which amalgamates an immanent quality and a literary style, without isolation between them. Toegye stressed and valued the purity of the first experience, i.e., the filtered and the purified in the heart, which would flow into the second experience and purify it as well, ultimately cultivating it into a complete aesthetic experience. (...)
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  35.  7
    Aspects of the Aesthetic Spirit Appeared in The Book of Changes. 이기훈 - 2021 - Journal of the New Korean Philosophical Association 106:147-164.
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  36.  39
    Gender, Globalization and Aesthetic Surgery in South Korea. [REVIEW]Joanna Elfving-Hwang & Ruth Holliday - 2012 - Body and Society 18 (2):58-81.
    This article explores the unusually high levels of cosmetic surgery in South Korea – for both women and men. We argue that existing explanations, which draw on feminist and postcolonial positions, presenting cosmetic surgery as pertinent only to female and non-western bodies found lacking by patriarchal and racist/imperialist economies, miss important cultural influences. In particular, focus on western cultural hegemony misses the influence in Korea of national identity discourses and traditional Korean beliefs and practices such as physiognomy. We show how (...)
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  37.  8
    Considerations on Embodiment of Aesthetic Appreciation with Accidental Desire to Write in Pleasurable Realm of Seokpa Lee Ha-Eung’s Writings and Paintings. 김명주 - 2017 - Journal of the New Korean Philosophical Association 90:49-73.
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  38.  4
    Systems Theory and Music - Luhmann’s Modification to Autonomous Aesthetics -. 이재성 - 2018 - Journal of the New Korean Philosophical Association 92:197-222.
    본 연구에서 필자는 음악학을 위해서 루만의 체계이론을 간략하게 살펴보려고 한다. 필자는 ‘음악학적인 관점에서 체계이론을 비판적으로 다루는 것’이 충분한 연구의 가치가 있다고 확신한다. 왜냐하면 체계이론이 음악미학적 문제제기와 음악사회학적 문제제기들을 넘어서 음악사를 기술하는데 있어서 발생하는 어려운 문제들을 새롭게 생각할 수 있는 가능성을 열어준다고 생각하기 때문이다. 따라서 이 글은 루만의 체계이론을 ‘음악학적’으로 다루는 것을 목적으로 한다. 이것은 체계이론의 개괄적인 토대를 해석한 후에야 비로소 가능하다.BR 필자는 우선 루만의 체계이론이 가지고 있는 일반적이고 본질적인 특징들을 이해하는데 논의의 초점을 둘 것이다(2). 그런 후에 예술사회학에 관한 루만의 과거 (...)
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  39.  7
    The Origins and Aesthetic Phenomenon of the Sublime. 하진숙 - 2023 - Journal of the New Korean Philosophical Association 114:337-362.
    롱기누스는 시, 비극, 수사학에서 장엄함과 경이로움으로 경탄을 불러일으키는 것, 내적 힘이 작용하여 우리의 영혼이 고양되고 기쁨으로 충만하게 되는 것을 진정한 숭고로 정의한다. 이 글은 롱기누스의 숭고론에 기초하여 숭고의 기원과 미적 현상을 밝히는데 목적이 있다. 고대 그리스 신화, 디오니소스 제전, 비극은 숭고가 뮤즈 신의 영감을 얻어 시를 노래하는 시인으로부터 시작되었으며, 신적 열광에 사로잡힌 사람들의 광기, 격정, 해방감, 즐거움에 기초한 미적 현상임을 말해준다. 숭고는 시, 음악, 춤을 통해 탈아와 영감, 광기, 카타르시스를 경험할 때의 심미적 현상이다. 영감에 사로잡혀 자신의 일상적 자아를 망각하는 것, (...)
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  40.  5
    The Ideological Orientation and Aesthetics of the Music of Classical Scholars. 서영희 - 2023 - Journal of the New Korean Philosophical Association 112:137-153.
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  41.  6
    The philosophical aesthetics of Fashion in Kierkegarrd and it’s politics. 연희원 - 2018 - Korean Feminist Philosophy 30:149-182.
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  42.  3
    Life for Art and Art for Life - On the Aesthetics of Simmel’s Philosophy of Life -. 김기성 - 2023 - Journal of the New Korean Philosophical Association 112:45-69.
    이 글은 독일의 생철학자 짐멜(Georg Simmel)의 예술철학적 테제 “예술을 위한 삶과 삶을 위한 예술(la vie pour l’art und l’art pour la vie)”이 함의하고 있는 바를 해명하는데 목적이 있다. 이 테제를 온전히 해명하기 위해서는 짐멜의 사상 전반에 흩어져 있는 조각들을 모아 퍼즐을 맞추듯이 재구성하는 작업이 불가피하다. 이를 위해 나는 우선 그의 인식론적 방법의 두 가지 원리인 이원론과 통일성에 대한 분석으로부터 출발할 것이다. 그리고 인식론적 방법에 대한 이해에 기초해서 ‘예술을 위한 삶’의 의미를 밝히기 위해 삶과 형식의 관계와 예술지상주의에 대한 짐멜의 입장에 관해 (...)
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  43.  14
    Nietzsche’s Aesthetic World View and the Problem of Master Morality in the Perspective of Mental Health.Youngdon Youn - 2008 - Journal of Ethics: The Korean Association of Ethics 1 (69):1-31.
  44.  9
    Domestic Crafts and the Aesthetic Evaluation -Focusing on Weaving,Dyeing,and Needlework.Joo Hyoun Kim - 2012 - Korean Feminist Philosophy 17 (null):123-157.
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  45.  6
    Exploring the aesthetics of sublime and self-preservation - Based on the sublime theory of Burke and Kant -.Min Su Kim - 2018 - Journal Of pan-Korean Philosophical Society 88:251-280.
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  46.  4
    Dewey’s Aesthetics of Meaning.Soon Ah Kook - 2019 - Journal Of pan-Korean Philosophical Society 92:175-206.
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  47.  6
    Dewey’s Naturalistic Aesthetics.Il Hee Hong - 2018 - Journal Of pan-Korean Philosophical Society 90:179-206.
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  48.  16
    Martin Luther and Buddhism: The Aesthetics of Suffering (review).Paul O. Ingram - 2006 - Buddhist-Christian Studies 26 (1):235-237.
    In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Martin Luther and Buddhism: The Aesthetics of SufferingPaul O. IngramMartin Luther and Buddhism: The Aesthetics of Suffering. By Paul S. Chung. Eugene, OR: Wipf and Stock Publishers, 2002. 434 pp.As a member of the Lutheran community (Evangelical Lutheran Church in America), I am struck by the fact that Lutheran theologians—referred to as "teaching theologians" when employed by Lutheran seminaries—seem little interested in religious pluralism in general and interreligious (...)
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  49.  7
    Agamben’s Concept of Negativity and Aesthetics. 김지혜 - 2023 - Journal of the New Korean Philosophical Association 111:135-152.
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  50.  3
    Ecological Thinking and Practice in the Aesthetic of William Morris. 서희주 - 2019 - Journal of the New Korean Philosophical Association 97:153-168.
    모리스의 생태적 사유의 출발은 19세기 사회적 상황과 관련 있다. 그의 사유는 당시의 산업혁명의 결과로 나타난 사회적 부조리에 기초한다. 삶의 환경이 악화되고 공장에서 대량 생산되는 생산품은 규격화되고 형편없는 품질의 제품들이었다. 따라서 그는 기계로 생산되는 제품을 부정하고 인간의 솜씨를 통한 창의적인 제작과정으로 생산되는 제품이 아름답다고 주장한다. 이것은 그가 주목했던 도시의 미관과 도시 생활자들의 열악한 생활환경에 대한 우려와 관심에서 비롯되었다. 보건위생의 악화는 도시화의 결과였고 이것은 산업혁명에 의한 산업화의 부작용이기도 했다. 도시화에 따른 보건 위생, 생태적 위기, 근대 건축물의 등장은 모리스로 하여금 자본주의 체계가 야기한 (...)
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