Performing reason: Mendelssohn on Judaism and enlightenment -- Jacobi and Mendelssohn: the tragedy of a messianic friendship -- In the year of the Lord 1800: Rosenzweig and the Spinoza quarrel -- Reinhold and Kant: the quest for a new religion of reason -- Beautiful life: Mendelssohn, Hegel, and Rosenzweig -- Mendelssohn, Rosenzweig, and political theology: beyond sovereign violence -- Beyond 1800: an immigrant Rosenzweig.

Salomon Maimon's Versuch über die Transzendentalphilosophie [Essay in Transcendental Philosophy] (1790) challenges and reworks Kant's arguments in the Kritik der reinen Vernunft [Critique of Pure Reason] (1785, 2nd ed. 1787) about the foundations of natural science and of Newtonian physics in particular. Kant himself was impressed both with Maimon's grasp of his critical project and also with the force of his challenge to it. While Maimon's significance on the later development of German Idealism is now widely acknowledged, another aspect of (...) Maimon's Versuch has not been fully appreciated, namely, its engagement with the central questions of the Spinozastreit [Spinoza Quarrel] that erupted in 1785 with the publication of Friedrich Heinrich Jacobi's Über die Lehre des Spinoza in Briefen an den Herrn Moses Mendelssohn [Concerning the Doctrine of Spinoza in Letters to Moses Mendelssohn]. The Spinoza Quarrel centered on whether and to what extent philosophy's rational understanding of God needs to be grounded in an unmediated and suprarational revelatory experience. This paper is the first extended effort at placing Maimon's Versuch into the context of the Spinoza Quarrel. I argue that the Spinoza Quarrel and Maimon's self-proclaimed philosophical mission in response to it—the replacement of revealed faith by reason—deeply inform the goals he pursues in his Versuch. I show how Maimon's Versuch can be read as not only a response to Kant, but also to Jacobi's defense of the revelatory nature of sense experience in David Hume über den Glauben (1787), the book in which Jacobi offers his own skeptical challenge to Kant's Kritik. Situating Maimon's Versuch as a response to Friedrich Jacobi's David Hume allows us to understand how one of Maimon's objectives in his Versuch is to keep Jacobian Glaube [faith] at bay by demonstrating, using a revised Kantian framework, the conditions of the impossibility of experiencing miracles. (shrink)

The characters Apollodorus and Alcibiades represent the melancholic and manic poles of what Freud calls the "cyclic disease" in "Mourning and Melancholia." Plato conceives of erôs as entrapped within cycles of pleasure and pain, filling and emptying, until the self recognizes its overfullness — that is, its pregnancy. Socrates embodies the "out-of-placeness" (atopia) that overfullness signifies in a world characterized by emptying and filling, the "whole tragedy and comedy of life" as the Philebus puts it. As a lure for erôs, (...) Socrates points beyond himself; for Apollodorus and Alicibiades, however, he catalyzes their melancholic and manic positions. The reader of the dialogue is thereby cautioned not to relate to the text as containing the fullness of Socratic speech, but to see it as the occasion for the recognition of his or her own out-of-placeness in the "tragedy and comedy of life.". (shrink)

This chapter traces Taubes’s covenantal apocalypticism from Occidental Eschatology to The Political Theology of Paul—the two books which beginning readers of Taubes should focus upon. Taubes’s writings present and enact the memory of apocalypticism as the memory of the covenant. The historic figures he deals with in his works—St. Paul, Nietzsche, Kierkegaard, Marx, Freud, Barth, and Schmitt—are the enemy brothers in the struggle with whom Taubes finds a way to live in the presence of God.

Moses Mendelssohn was the central figure in the emancipation of European Jewry. His intellect, judgment, and tact won the admiration and friendship of contemporaries as illustrious as Johann Gottfried Herder, Gotthold Ephraim Lessing, and Immanuel Kant. His enormously influential _Jerusalem_ made the case for religious tolerance, a cause he worked for all his life. _Last Works_ includes, for the first time complete and in a single volume, the English translation of _Morning Hours: Lectures on the Existence of God_ and _To (...) the Friends of Lessing_. Bruce Rosenstock has also provided an historical introduction and an extensive philosophical commentary to both texts. At the center of Mendelssohn's last works is his friendship with Lessing. Mendelssohn hoped to show that he, a Torah-observant Jew, and Lessing, Germany's leading dramatist, had forged a life-long friendship that held out the promise of a tolerant and enlightened culture in which religious strife would be a thing of the past. Lessing's death in 1781 was a severe blow to Mendelssohn. Mendelssohn wrote his last two works to commemorate Lessing and to carry on the work to which they had dedicated much of their lives. _Morning Hours_ treats a range of major philosophical topics: the nature of truth, the foundations of human knowledge, the basis of our moral and aesthetic powers of judgment, the reality of the external world, and the grounds for a rational faith in a providential deity. It is also a key text for Mendelssohn's readings of Spinoza. In _To the Friends of Lessing,_ Mendelssohn attempts to unmask the individual whom he believes to be the real enemy of the enlightened state: the _Schwärmer_, the religious fanatic who rejects reason in favor of belief in suprarational revelation. (shrink)

: The characters Apollodorus and Alcibiades represent the melancholic and manic poles of what Freud calls the "cyclic disease" in "Mourning and Melancholia." Plato conceives of erôs as entrapped within cycles of pleasure and pain, filling and emptying, until the self recognizes its overfullness — that is, its pregnancy. Socrates embodies the "out-of-placeness" (atopia) that overfullness signifies in a world characterized by emptying and filling, the "whole tragedy and comedy of life" as the Philebus puts it. As a lure for (...) erôs, Socrates points beyond himself; for Apollodorus and Alicibiades, however, he catalyzes their melancholic and manic positions. The reader of the dialogue is thereby cautioned not to relate to the text as containing the fullness of Socratic speech, but to see it as the occasion for the recognition of his or her own out-of-placeness in the "tragedy and comedy of life.". (shrink)