This book addresses the examination of notions related to space in geography as conditions of social praxis. The author analyzes the critical currents of geography that take a stand in the face of the political consequences of the so-called traditional geography, discuss the criteria from which criticism is exercised in geographic research and reflect on nature and geopolitics from the perspective of criticism of political economy. In this way, in the texts that make up this volume, the necessary debate is (...) invited to overcome the chaos in which the use of categories such as "territory," "region," "place" and "scale" are found in social theory. (shrink)

Jean Paul Sarte, Franz Kafka i Milan Kundera: tres mirades diferents sobre la realitat, tres percepcions del món que participen d'un mateix rerafons filosòfic, d'una mateixa sensibilitat: l'absurd. Tres obres que neixen, creixen i maduren sota l'eclipsi de Déu, en l'atmosfera de la buidor més penetrant i la negació radical del sentit. L'ésser és estantís, feble, pura representació, i la vida humana una comèdia tragicòmica que comença per casualitat i s'acaba també per pura casualitat. Però l'home ha de viure, i (...) si el món no té sentit, caldrà forjar-lo amb les pròpies mans, caldrà projectar una idea per la qual valgui la pena viure i morir (Kierkegaard). Tres iniciatives, tres expectatives, que es configuren sota l'escola de l'absurd i la mort de Déu (Nietzsche). Davant d'aquesta concepció del món marcada pel desencís i l'angoixa hi ha la metafísica de la plenitud de l'ésser (sant Tomàs d'Aquino), que descriu l'univers com un dinamisme perfectiu que té una direccionalitat pròpia, una causa primera i un fi darrer. La lògica del sentit versus la lògica de la buidor. (shrink)

Jean Paul Sarte, Franz Kafka i Milan Kundera: tres mirades diferents sobre la realitat, tres percepcions del món que participen d'un mateix rerafons filosòfic, d'una mateixa sensibilitat: l'absurd. Tres obres que neixen, creixen i maduren sota l'eclipsi de Déu, en l'atmosfera de la buidor més penetrant i la negació radical del sentit. L'ésser és estantís, feble, pura representació, i la vida humana una comèdia tragicòmica que comença per casualitat i s'acaba també per pura casualitat. Però l'home ha de viure, i (...) si el món no té sentit, caldrà forjar-lo amb les pròpies mans, caldrà projectar una idea per la qual valgui la pena viure i morir (Kierkegaard). Tres iniciatives, tres expectatives, que es configuren sota l'escola de l'absurd i la mort de Déu (Nietzsche). Davant d'aquesta concepció del món marcada pel desencís i l'angoixa hi ha la metafísica de la plenitud de l'ésser (sant Tomàs d'Aquino), que descriu l'univers com un dinamisme perfectiu que té una direccionalitat pròpia, una causa primera i un fi darrer. La lògica del sentit versus la lògica de la buidor. (shrink)

Abstract“The singular state of the ice”. The Cartographic Knowledge of the Whaler William Scoresby. The English whaler William Scoresby, Jr. (1790–1857) made use of his annual voyages to the Greenland Sea for distinguished scientific work, detailed records and the production of amazing maps. Due to his intensive contacts to scientists as Robert Jameson and politicians as Joseph Banks and John Barrow his research achieved a great deal of attention and set a benchmark for at least half a century. Scoresby combined (...) the adventurous world of Arctic fishery with academic sciences. He attained the northernmost point anybody reached in his time, he extended the cartographic knowledge and forced the conquest and utilisation of the oceans for commercial fishing. But his biography enquires also about who got an opportunity for research and for what. Especially it demonstrates the strong impact practical knowledge of a whaler could have on geographic research and Arctic cartography. (shrink)

Philosophical aspects of geography and its practical applications in Indonesia; proceedings of a seminar.

Las ontologías y el aprendizaje significativo - Sistemas de marcos y representación del conocimiento - El aprendizaje significativo - Clima, PIB y geografía electoral como sub-dominios de conocimientos - Análisis estadísticos de datos - Ontologías y formación de profesores de geografía.

Los albores de la geografía la corriente posibilista -- Geografía racionalista -- La corriente paisajística -- La nueva geografía. El abordaje sistemático y su influencia en el concepto de región -- Balance del desarrollo conceptual de la región en el contexto de la nueva geografía -- La geografía radical humanística -- La geografía crítica -- La geografía soviética -- La geografía neo y posmoderna. El concepto de región en la geografía contemporánea.

L’articolo si struttura in tre parti. Inizialmente definisce una serie di riquadri per delineare lo sfondo morfo-genetico del prendere forma e affermarsi del capitalismo infrastrutturale e di piattaforma. In secondo luogo, si presentano le caratteristiche attuali di piattaforme e infrastrutture, la loro articolazione reciproca e la relazione con una costellazione di altri poteri. Il terzo passaggio discute i termini attraverso cui il potere descritto dalla convergenza tra “piattaformizzazione delle infrastrutture” e “infrastrutturazione delle piattaforme” definisce forme inedite rispetto al passato avanzando (...) tre proposte di analisi: la necessità di “superare” la codificazione del “potere infrastrutturale”, l’emersione del “potere algoritmico” e la sua natura “duale”. (shrink)

La recente esperienza dei movimenti “Occupy” e di altre proteste di strada evidenzia la domanda globale per una democrazia partecipativa che riconosca il conflitto sociale. L’emergere di un urbanismo insorgente a Tehran si è realizzato anche attraverso associazioni semantiche che dipendono dalla memoria storica presente nell’immaginazione collettiva. Durante la Rivoluzione Islamica del 1978-79, luoghi di Tehran quali Enqelab Street e Azadi Square hanno fornito le principali dimensioni spaziali della protesta rendendo possibile una sua appropriazione basata su nuove interpretazioni ideologiche. Inoltre, (...) le precedenti geografie della protesta a Tehran hanno fornito lo spazio primario per connettere gli attivisti con la gente comune e attivare una memoria collettiva inserita nel contesto urbano. Concentrandosi sulla Tehran moderna, questo articolo mira a elaborare un quadro teorico per comprendere le “piazze della protesta” come forme emergenti di spazio politico. In particolare, l’articolo si focalizza sul movimento “Take the square”, sviluppatosi a Tehran in anni recenti come un utile termine di paragone nel contesto della diffusione generale del fenomeno degli spazi urbani centrali che divengono “spazialita del malcontento”. (shrink)

Le ferrovie ad alta velocità in Cina sono un progetto epocale che segna l’avvento del capitalismo infrastrutturale nell’era del capitale monopolistico. L’articolo sostiene che i progetti infrastrutturali cinesi, una forma distintiva di geografie del capitalismo, svolgono diversi ruoli, tra cui quello tecnologico, sociale, economico-spaziale e geopolitico, con l’obiettivo di affrontare la precedente crisi economica del 2008 e di espandere e consolidare ulteriormente il potere territoriale. Per concettualizzare il momento contemporaneo delle dinamiche capitalistiche come capitalismo infrastrutturale e la sua relazione (...) con i conflitti di classe, il presente scritto supera la dicotomia tra logica del capitale e logica del potere territoriale. Questo articolo sottolinea la rilevanza politica dei progetti infrastrutturali nel creare contraddizioni di classe invisibili, in particolare spingendo un’ampia fascia di masse operaie colpite da tali progetti a intraprendere azioni individuali e collettive. Contribuisce a chiarire la relazione dialettica tra le geografie del capitalismo e le geografie del lavoro. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:ImagesSelected work, 2004–2017Goldschmied and Chiari Click for larger view View full resolutionIMAGE: Goldschmied & Chiari NYMPHEAS #37, 2011 Lambda print, 120 cm (diam.) Click for larger view View full resolutionIMAGE: Goldschmied & Chiari UNTITLED VIEW, 2017 Digital print on glass and glass mirror, 115 × 70 cm[End Page 49] Click for larger view View full resolutionGoldschmied & Chiari DUMP QUEEN #1 (triptych panels B and C), 2008 Diasec print, (...) 180 × 180 cm each[End Page 50] Click for larger view View full resolution[End Page 51] Click for larger view View full resolution[End Page 52] Click for larger view View full resolutionGoldschmied & Chiari GENEALOGY OF DAMNATIO MEMORIAE 1965–1981, 2009 Two carved living trees, 450 cm (height)Installation view (left); detail (right) Collection of MACRO (Museo d'Arte Contemporanea di Roma) Photo: Altrospazio[End Page 53] Click for larger view View full resolutionGoldschmied & Chiari NYMPHEAS #12, 2007 Lambda print, 125 × 333 cm Collection of Michele and Philippe Levy[End Page 55] Click for larger view View full resolutionIMAGE: Goldschmied & Chiari WELCOME, 2004 Sheetrock, plaster, cement, paint, 10 × 1.5 × 2.35 mt Collection Ugolini Photo: Gabriele Basilico[End Page 57]Sara Goldschmied and Eleonora Chiari are an artist duo from Italy, working with varied media: photography, video, performance, and installation. They work and live in Milan.Girls Just wanna have fun: Goldschmied & Chiari's Irreverent HumorHumor is not a trait for women, even less so for women artists in the Italian art world, where women's creativity has historically focused either on intimacy or on abstraction. In order to be taken into consideration by a male-dominated art scene, women artists working in the Italian peninsula have, since the '70s, consistently been obliged to be extremely serious about their work and its content. This trait can be traced all the way to the present with few exceptions, making Goldschmied & Chiari's (Sara Goldschmied and Eleonora Chiari) artistic practice exceptional in its constant employment of a peculiar, irreverent form of humor that functions as subliminal social critique.Humor used as a strategy to reconsider historical events in a post-ideological form of feminism develops in their work in witty installations that articulate a lucid critique of contemporary society and its relationship to history. Radically distancing themselves from the stereotype of authoritative and earnest feminism, Goldschmied & Chiari turn laughter into a metaphor for transformation. Their images trigger subtle political disruptions, allowing them to delve into the complex history of post-Cold War narratives, offering the public a new understanding of the relationships between the symbolic and the social.My first encounter with Goldschmied & Chiari's work (goldiechiari at the time) dates back to 2002 when I was working on a large survey show of emerging Italian art, exIT: Nuove geografie della creatività italiana, curated by Francesco Bonami. I was surprised by their work Senza titolo #17 that portrayed in a full-color photograph two girls dressed as if they were in boarding school, in plaid skirts and colored stockings, with long braids, sitting on the floor helping an elderly "grandmother" knitting in her armchair by making a hank of yarn. Looking closer, one sees that the girls were actually adolescents trapped in a parody that the artists further highlighted by installing in front of the photo what looked like a gigantic ball of yarn but was actually a sphere made of 1,500 cm of barbed wire (Sfera, 2002). The "tableau vivant" quality of the image made it both funny and critical, as visitors could relate as much to the stereotyped enactment of women's domestic roles as to the artists' rebellious desire. Instead of relegating their creativity to the domestic sphere, these "mischievous little girls" had wound a menacing barbed-wire ball that evoked Italy's recent past of social unrest and urban guerrillas. The assumption of ironic activist alter egos in one way referenced feminist practices of the '70s, yet at the same time seemed to mock the violence associated with protest and its success. [End Page 116]This type of atmosphere linked to city barricades and acts of protest is the inspiration for a large... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:ENVIRONMENT, SPACE, PLACE / VOLUME 13 / ISSUE 2 / 2021 142 Mathewson, Tom Mels, Theano S. Terkenli, Tim Waterman, Claudio Minca, MichaelJones,KennethR.Olwig,“TheMeaningsofLandscape:EssaysonPlace,Space, Environment and Justice,” The AAG Review of Books 7, no. 4 (2019): 291–­304. 11. Linde Egberts, Review of The Meanings of Landscape: Essays on Place, Space, Environment and Justice by Kenneth R. Olwig. Tijdschrift voor economische en sociale geografie 111, no. 2 (2020): 199–­200. The (...) Sprawl: Reconsidering the Weird American Suburbs BY JASON DIAMOND Minneapolis: Coffee House Press, 2020 REVIEWED BY JULIE WILHELM JasonDiamond’sTheSprawl:ReconsideringtheWeirdAmericanSuburbs provides an often fascinating and meandering trip through American suburbs of the past and present. Diamond, who lives in Brooklyn but grew up in the suburbs of Florida and Illinois, explores the suburbs through both his own experiences and the experiences of the creative and everyday individuals he profiles. “The Sprawl,” a title drawn from the speculative fiction writer William Gibson, names for Diamond the worst of the suburbs, the thoughtless piling on of chain stores and houses without attention to design or community. The subtitle calls up the best of the suburbs, which is in some ways connected to the sprawl: the creativity and weirdness that crops up without design or in refusal of the rigid designs of suburban communities. In studying the dynamic of creative expression and suburban living, Diamond provides a cultural tour of visual art, literature, music, movies, and other creative artifacts of or about the suburbs. Throughout the genres he explores, Diamond focuses on what he calls “the undercurrent of strangeness” (xvii), the creativity, passion, and possibilities that have come out of places that seem inhospitable to them. Chapters are thoroughly researched and topics are exhaustively covered: most readers will complete the book with at least a short list of music, literature, and other art to track down based on Diamond’s sometimes encyclopedic coverage. The genre of The Sprawl is uniquely hybrid. Diamond blends his- Book Reviews 143 tories of various suburbs, descriptions of art, anecdotes of his explorations of particular suburbs, and memories of his own suburban childhood to explore each chapter topic. As historian/cultural enthusiast /tour guide/friend, Diamond is warm and personable, sharing his own painful experiences as a child moving from house to house in the suburbs and ultimately leaving them for the city. Diamond focuses chapters on themes such as exclusionary practices of the suburbs, suburban “garage rock,” and the “ruin porn” of faded malls, each adding a dimension to readers’ understanding of American suburbia. A striking quality of The Sprawl is Diamond’s attention to the feelings of the suburbs and evocation of those feelings in descriptions of his own and others’ experiences. Several chapters touch on teenage anxiety, boredom, and alienation, often through the perspectives of fictional characters and artists. Chapter seven: “Mousepacks,” for instance,onculturalportrayalsandexperiencesofsuburbanteens,traces the relationship between teenage alienation and boredom, and spatial and design attributes: the inability of teenagers to get places in many suburbs since they cannot drive, the absence of cultural spaces that bring people together, the homogeny for which the suburbs are infamous, and racism evoked in texts such as Get Out. Nostalgia also pervades the book and the experiences of the author and others relating to the suburbs: the sense that, though there is nothing place-­ specific about a breakfast from IHOP or the cologne-­ scented mall of one’s childhood, it is a place-­ less experience one still longs for. Particularly poignant, chapter nine, titled “Mondo-­ Condo-­ Shopping-­ Mall-­ Hell,” opens with a description of Cecil Robert’s YouTube video “Toto-­Africa (playing in an empty shopping centre).” The video features the glossy tiled floor, lighting, and decorative plants of an empty shopping mall as Toto’s “Africa” plays from a distant mall speaker. Intrigued by Diamond’s description, I watched the video myself, which is mesmerizing in its uneventfulness, and saw that it has over three million views on YouTube. Why is this exploration of suburban banality so moving to so many? What drove Robert, who was a teenager after the heyday of the mall, nostalgic for this “placeless place”? These are some of the most compelling questions that Diamond explores. Chapter three... (shrink)

En este artículo se analiza la recepción del texto de Max Horkheimer Estado autoritario, desde la perspectiva de dos filósofos latinoamericanos de gran importancia: el ecuatoriano-mexicano Bolívar Echeverría y el colombiano Rubén Jaramillo Vélez. Ubicados en contextos distintos (México y Colombia), aunque en una temporalidad similar —la década de 1980—, ambos autores procedieron a traducir y propiciar la publicación del texto, al tiempo que aventuraron interpretaciones antípodas la una de la otra. Se transita un breve recorrido en la manera de (...) tratar esta obra en las grandes biografías colectivas sobre la “Teoría crítica de la sociedad” y, posteriormente, se comparan los planteamientos de ambos filósofos. La intención es dar cuenta de un momento en la recepción de dicha obra como parte de la construcción de una geografía de la Teoría crítica desde las Américas. (shrink)

Cuprins CONTUR Re-Introducere sau: Dincolo de „teoria şi practica” informării şi documentării – Spre o hermeneutică posibilă şi necesară Proiectul şi Programul PHILOBIBLON( în noua formulare) FOCUS Dana Stana, Omonimia şi paronimia în bibliologie Victoria Frâncu, Profesia de bibliotecar la graniţa dintre spaţiul bibliotecii şi ciberspaţiu Olimpia Curta, Laboratorul de informatică şi profesioniştii săi Ionel Enache, Fundamentele teoretice ale marketingului de bibliotecă Maria Petrescu, Bibliotecile digitale şi impactul lor asupra tinerilor Adriana Szekely, Liana Grigore, Bibliorev – în continuă schimbare István (...) Király V., Proiect în vederea Acreditării ISI al revistei PHILOBIBLON Valeria Salánki, Cultura organizaţională. Propunere de studiu asupra culturii organizaţionale – octombrie 2008 Marian Petcu, Originile faptului divers în presa română Tudor-George Pereverza Expresia bibliografică a Iconografiei eminesciene (Fotografie şi artă plastică, 1939-1989) Vlad A. Codrea, Gabriela-Rodica Morărescu, Forray Erzsébet, Catalogus Raritatum et Benefactorum, un manuscris reprezentativ din perioada de început a Muzeului de Ştiinţele Naturii din Aiud 4 Alin Mihai Gherman, Pornind de la o Bucoavnă necunoscută Roxana Bălăucă, Tipărituri franceze în colecţiile BCU „Lucian Blaga”: secolul al XVIII-lea Maria-Stela Constantinescu-Matiţa, Szabó Károly – bibliotecar, bibliograf şi istoric Roxana Bălăucă, Theodor Aman în Donaţia Sion Margareta Berchez, Îmbogăţirea colecţiilor Bibliotecii Universităţii de Ştiinţe Agricole şi Medicină Veterinară Cluj-Napoca prin schimbul de publicaţii de-a lungul timpului Ioana Rotund, O oază francofonă la Cluj Ilona Okos-Rigó, Biblioteca şi Grădina Botanică Clujeană Gabriela Pop, Institutul de Iudaistică şi Istorie Evreiască „Dr. Moshe Carmilly” şi Biblioteca de Studii Iudaice Mariana Falup, Împrumutul interbibliotecar intern şi internaţional şi livrarea de documente la B.C.U. Cluj-Napoca ORIZONTURI Doru Radosav, Viaţa ca alterego. Petrea Icoanei: travesti şi clandestinitate în mişcarea de rezistenţă anticomunistă Ionuţ Costea, Mitbiografia între propagandă şi memorie Gabriela Morărescu ;Vlad Codrea, Preocupări pentru cunoaşterea şi protecţia naturii în scrierile unui entuziast naturalist al secolului XIX: Basiliu Basiota Alin Mihai Gherman, Vechi lexic bibliotecăresc Raluca Betea, Influenţa artei Renaşterii asupra decoraţiei icoanelor din secolele XVI-XVIII din Transilvania şi Maramureş 5 Monica Mureşan, Căsătoria civilă ca aspect al modernizării societăţii transilvănene la sfârşitul secolului al XIX –lea. – Discurs oficial şi receptare socială reflectate în presa vremii Ancuţa-Lăcrimioara Chiş, Diferenţa şi discriminarea socio-politică a femeii Irina Petraş, Casa, locul vieţii (fragmente) Monica Mureşan Pentru o istorie a morţii în peisajul istoriografic românesc - prezentarea unor contribuţii colective recente: Religiozitate şi atitudini în faţa morţii în spaţiul transilvan din premodernitate până în secolul XX, coord. Mihaela Grancea, 2005 şi Discursuri despre moarte în Transilvania secolelor XVI-XX, coord Mihaela Grancea şi Ana Dumitran, 2006. REFLEXII Olimpia Curta, Reviste electronice. Baze şi perspective de Alice Keller – Recenzie Adrian Grănescu, Arhitectura Clinicilor Universitare din Cluj 1886-1903 Dorina Buia, Itinerar de suflet la Tăul Muced Raluca Soare, De la teoriile ataşamentului la tehnicile de intervenţie în psihoterapie. (Školka Enikő – Teorii explicative, Modele şi Tehnici de intervenţie în psihologie clinică şi psihoterapie) Sidonia Nedeianu Grama, Mitbiografia politică în istoria orală Raluca Soare, Opera bibliothecariorum 1990-2007 – Recenzie Ionuţ Costea, Kovács Mária, A kolozsvári „Lucian Blaga” Központi Egyetemi Könyvtár 19. századi magyar nyelvű kéziratainak katalógusa. Első kötet: történelmi és földrajzi kéziratok/ Catalogul manuscriselor maghiare din secolul al 19-lea din colecţiile Bibliotecii Centrale Universitare „Lucian Blaga” Volumul I: Manuscrise de istorie şi geografie, Editura Argonaut, Cluj-Napoca, 2007, 218 p. – Recenzie 6 Ana Maria Căpâlneanu, Lola Maria Petrescu – Biblioteca şi provocările secolului XXI, Cluj-Napoca: Risoprint, 2007 István Király V, Bibliografia ca instrument al clarificării de sine Kinga Tamás, Viorica Sâncrăian - un coleg şi un bibliotecar de excepţie În colecţia BIBLIOTHECA BIBLIOLOGICA au apărut Revista PHILOBIBLON – Volumele apărute. (shrink)

Studie prezentuje dvě ideje filosofie jako vědy v Traktátu ("věda o člověku" či "věda o lidské přirozenosti") a Zkoumáních ("mentální geografie" či "věda o úkonech mysli") Davida Huma a dokládá na předvedení tematizace času v 1. knize Traktátu a s odkazy na Zkoumání, že v prvním případě vede k plastické analýze času, v druhém případě pak k její absenci. V neposlední řadě je studie inspirací k novému promýšlení Humova filosofického odkazu s akcentem na Traktát, jehož 270. výročí vydání si (...) v tomto roce připomínáme. (shrink)

L’articolo riconosce nella città lo spazio privilegiato per comprendere e interpretare l’attuale ristrutturazione materiale e simbolica del mondo. Nel contesto delle trasformazioni che stanno modificando le sue forme, il suo ruolo, le sue geografie nell’età della globalizzazione, la città viene in prima battuta inquadrata all’interno delle transizioni in atto che ne modificano il paesaggio rispetto alla metropoli moderna. Flussi globali, ridefinizione scalare, modello a rete, politiche neoliberali e innovazioni tecnologiche ed economiche compongono uno scenario urbano disordinato. A partire da (...) queste trasformazioni si individua nella città contemporanea la matrice e il crocevia di nuove esperienze politiche. Queste vengono discusse inquadrandole in due cornici: nella ridefinizione e nelle potenzialità del concetto di cittadinanza urbana; guardando alla città quale spazio privilegiato per pratiche di democrazia. (shrink)