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Profile: Jakub Ryszard Matyja
Profile: Jakub Matyja (Huddersfield University, University of Edinburgh)
Profile: Jakub Matyja (University of Edinburgh)
  1. Jakub R. Matyja (2015). The Next Step: Mirror Neurons, Music, and Mechanistic Explanation. Frontiers in Psychology 6.
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  2.  25
    Jakub Ryszard Matyja (2015). Philosophy of the Performing Arts. A Book Review. [REVIEW] Avant: Trends in Interdisciplinary Studies (3):164-166.
    A book review of 'Philosophy of the Performing Arts'.
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  3.  28
    Jakub R. Matyja (2011). Music-Animated Body. Introduction. Avant: Trends in Interdisciplinary Studies 2 (1).
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  4.  41
    J. R. Matyja & A. Schiavio (2013). Enactive Music Cognition: Background and Research Themes. Constructivist Foundations 8 (3):351-357.
    Context: The past few years have presented us with a growing amount of theoretical research (yet that is often based on neuroscientific developments) in the field of enactive music cognition. Problem: Current cognitivist and embodied approaches to music cognition suffer, in our opinion, from a too firm commitment to the explanatory role of mental representations in musical experience. This particular problem can be solved by adopting an enactive approach to music cognition. Method: We present and compare cognitivist, embodied and enactive (...)
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  5.  13
    Jakub Ryszard Matyja (2015). Mearleau-Ponty Meets Enactivism. A Book Review. [REVIEW] Avant: Trends in Interdisciplinary Studies (3):160-163.
    A book review of 'The Intercorporeal Self. Merleau-Ponty on Subjectivity'.
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  6.  12
    Jakub Matyja & Witold Wachowski (2011). Music-Animated Body. Interview with Joel Krueger. Avant: Trends in Interdisciplinary Studies 2 (1).
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  7.  29
    J. R. Matyja (2013). Back to Basics. Review of “Radicalizing Enactivism” by Daniel D. Hutto and Erik Myin. Constructivist Foundations 8 (3):362-363.
    Upshot: Hutto & Myin’s latest “radical enactive cognition” manifesto is a truly exciting book and – despite its short length – quite thick with argumentation. The word “manifesto” here does not only describe the rousing writing style (filled with witty and resounding expressions), but also the general awed feeling one gets, while reading, of the importance of “RECtifying” the current state of research in enactive cognition. Interestingly for the constructivist community, the hallmark thesis of their book is that there can (...)
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  8.  11
    Witold Wachowski & Jakub Matyja (2011). Music-Animated Body. Interview with Joel Krueger. Avant: Trends in Interdisciplinary Studies 2 (1).
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  9.  34
    J. Matyja (2012). Travelling in Style From Standard Cognitive Science to Embodied Cognition. Review of “Embodied Cognition” by Lawrence Shapiro. Constructivist Foundations 7 (3):231-233.
    Upshot: In his latest book, Lawrence Shapiro analyzes three main themes of embodied cognition that are claimed to make it distinct from traditional, disembodied research on cognition. The author provides a lucid comparison of the “old” and the “new” cognitive science, thereby often referring to enactivism, which most certainly makes his book interesting for constructivists.
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  10.  1
    Jakub R. Matyja & Krzysztof Dolega (2015). Commentary: The Embodied Brain: Towards a Radical Embodied Cognitive Neuroscience. Frontiers in Human Neuroscience 9.
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  11.  23
    J. Matyja (2012). Me, Music, and I: Embodied and Enactive Cognition Meets Music. Review of “Music and Consciousness”. Constructivist Foundations 8 (1):129-131.
    Upshot: The fact that both “consciousness” and “music” are quite elusive terms makes the attempt to explain the nature (or even the existence of) “musical consciousness” a compelling quest. The papers in this book tackle these problems in an engaging way, ranging from sociology of music to drug altered music cognition. Some also apply enactive and ecological approaches to music cognition, which makes the book an interesting read for constructivists.
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  12.  12
    Jakub R. Matyja (2011). The Redness of Red. Introduction to an Interview with J. Kevin O'Regan. Avant: Trends in Interdisciplinary Studies 2 (2).
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  13.  7
    Jakub Matyja & Witold Wachowski (2011). Ciało ożywiane muzyką. Wywiad z Joelem Kruegerem. Avant: Trends in Interdisciplinary Studies 2 (1).
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  14.  12
    Jakub R. Matyja (2012). Tańczenie o muzyce zamiast rozmowy o architekturze (muzycznego umysłu). Recenzja książki. [REVIEW] Avant: Trends in Interdisciplinary Studies 3 (1).
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  15.  17
    J. Matyja (2011). (Just Like) Starting Over? Review of “Self Comes to Mind: Constructing the Conscious Brain” by Antonio Damasio. Constructivist Foundations 7 (1):84-86.
    Upshot: In his latest book, Antonio Damasio explores the neural underpinnings of self-consciousness in an evolutionary context, while reconsidering his previous views. His current views may be interesting for constructivists.
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  16.  12
    Jakub Matyja (2012). Modes of Creativity: Philosophical Perspectives. Philosophical Psychology (5):1-4.
    Philosophical Psychology, Volume 0, Issue 0, Page 1-4, Ahead of Print.
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  17.  9
    Jakub R. Matyja (2012). Dancing About Music, Rather Than Talking About (the Musical Mind's) Architecture. A Book Review. [REVIEW] Avant: Trends in Interdisciplinary Studies 3 (1).
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  18. J. Matyja (2012). Book Review. [REVIEW] Avant: Trends in Interdisciplinary Studies 3 (1):176-181.
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  19. Jakub Matyja (2011). Introduction. Avant: Trends in Interdisciplinary Studies 2 (2):17-20.
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