In Contagious Architecture, Luciana Parisi offers a philosophicalinquiry into the status of the algorithm in architectural and interaction design.

In social and cultural theory, topology has been used to articulate changes in structures and spaces of power. In this introduction, we argue that culture itself is becoming topological. In particular, this ‘becoming topological’ can be identified in the significance of a new order of spatio-temporal continuity for forms of economic, political and cultural life today. This ordering emerges, sometimes without explicit coordination, in practices of sorting, naming, numbering, comparing, listing, and calculating. We show that the effect of these practices (...) is both to introduce new continuities into a discontinuous world by establishing equivalences or similitudes, and to make and mark discontinuities through repeated contrasts. In this multiplication of relations, topological change is established as being constant, normal and immanent, rather than being an exceptional form, which is externally produced; that is, forms of economic, political and cultural life are identified and made legible in terms of their capacities for continuous change. Outlining the contributions to this Special Issue, the introduction discusses the meaning of topological culture and provides an analytic framework through which to understand its implications. (shrink)

What has philosophy become after computation? Critical positions about what counts as intelligence, reason, and thinking have addressed this question by reenvisioning and pushing debates about the modern question of technology towards new radical visions. Artificial intelligence, it is argued, is replacing transcendental metaphysics with aggregates of data resulting in predictive modes of decision-making, replacing conceptual reflection with probabilities. This article discusses two main positions. While on the one hand, it is feared that philosophy has been replaced by cybernetic metaphysics, (...) on the other hand it is claimed that only the coconstitution of philosophy and automation challenges modern transcendental reason and colonial capital. As Donna Haraway pointed out, cybernetic circuits of communication have constructed counterfactual ontologies against the master narrative of the human. This article addresses recent attempts at redeveloping a critique of natural philosophy that explains cybernetic metaphysics beyond the universal master narratives of mechanicism and vitalism. This article suggests that the recursive system of nature and technology also needs to account for the problem of philosophical decision, which will be explored in terms of mediatic thinking, instrumentality, and automation. This article follows insights from the movie Get Out (2017) to argue that the model of philosophical decision relies on a servomechanic understanding of the medium of thought, based on the colonial abstraction of value in the prosthetic extension of the slave-machine. It explores the nonphilosophical envisioning of automation in terms of a counterfactual theorisation of the negative negation of the medium and argues for a nonoptical darkness entering the space of thinking. Philosophy and automation are neither coupled nor set in opposition as if in a ceaseless mirroring. Instead, both philosophy and automation must transform their self-determining axiomatics in order to host the heretic activities of machine propositions. (shrink)

As machines have become increasingly smart and have entangled human thinking with artificial intelligences, it seems no longer possible to distinguish among levels of decision-making that occur in the newly formed space between critical reasoning, logical inference and sheer calculation. Since the 1980s, computational systems of information processing have evolved to include not only deductive methods of decision, whereby results are already implicated in their premises, but have crucially shifted towards an adaptive practice of learning from data, an inductive method (...) of retrieving information from the environment and establishing general premises. This shift in logical methods of decision-making does not simply concern technical apparatuses, but is a symptom of a transformation in logical thinking activated with and through machines. This article discusses the pioneering work of Katherine Hayles, whose study of the cybernetic and computational infrastructures of our culture particularly clarifies this epistemological transformation of thinking in relation to machines. (shrink)

Why have theories of evolution become now a matter of concern for critically rethinking sex and sexual difference? Why after years of deconstructing the ontologies of sex rooted in biological discourses and metaphysics of identity has critical thought turned to biology, physics, and mathematics? One way to tackle this new turn toward scientific thought may be derived from the reaction against an overused method of textual critique, which has come short of engaging with the reality of matter. If sexuality and (...) sex are material forms of irreducible difference, then one needs a window into the material processes that lead to such forms. (shrink)

Astract Sex investigates the impact of advances in contemporary science and information technology on conceptions of sex. Evolutionary theory and the technologies of viral information transfer, cloning and genetic engineering are changing the way we think about human sex, reproduction and the communication of genetic information. Abstract Sex presents a philosophical exploration of this new world of sexual, informatic and capitalist multiplicity, of the accelerated mutation of nature and culture.

At the turn of the 21st century, topology, the mathematical study of spatial properties that remain the same under the continuous deformation of objects, has come to invest all fields of aesthetics and culture. In particular, the algebraic topology of continuity has added to the digital realm of binary information, the on and off states of 0s and 1s, an invariant property, which now governs the relation between different forms of data. As this invariant function of continual transformation has entered (...) the field of automated computation, the culture of binary digits has shifted towards a new level of calculation derived from the introduction of temporal quantities into finite sets of algorithmic instructions and parameters. This new level of topological computation, it will be argued, defines new operative procedures of control, constantly adding axioms at the limit of calculation through an invariant function that establishes a smooth or uninterrupted connectivity between distinct data. The establishment of a continual function between distinct forms of data is based on homeomorphism or topological isomorphism between data objects, of which parametricism, as the new global style for architecture and design, is a perfect example. (shrink)

This essay is an occasion to discuss the critical trajectories of a now common field of enquiry concerned with the impact of biomediatic technologies on politics and culture. Thacker's book The Global Genome importantly sits between debates about biopower as the governance of life and biopolitics as the transformation of what life can be. In particular, the book advances the hypothesis that as information produces `life itself', so it has become central to a political economy of excess and surplus value. (...) In other words, information does not dematerialize biology. Bioinformatics and biotech informationalize the living and rematerialize biology. As biotech becomes central to biopower, the global genome comes to reigning profit, labour, racism, biocolonialism, biosecurity, and bioart. However, Thacker's reliance on a bio-ontology of life grounding all relations of power leaves no space for process-events to break the chain of life's perpetual reproduction. (shrink)

What is algorithmic thought? It is not possible to address this question without first reflecting on how the Universal Turing Machine transformed symbolic logic and brought to a halt the universality of mathematical formalism and the biocentric speciation of thought. The article draws on Sylvia Wynter’s discussion of the sociogenic principle to argue that both neurocognitive and formal models of automated cognition constitute the epistemological explanations of the origin of the human and of human sapience. Wynter’s argument will be related (...) to Gilbert Simondon’s reflections on ‘technical mentality’ to consider how socio-techno-genic assemblages can challenge the biocentricism and the formalism of modern epistemology. This article turns to ludic logic as one possible example of techno-semiotic languages as a speculative overturning of sociogenic programming. Algorithmic rules become technique-signs coinciding not with classic formalism but with interactive localities without re-originating the universality of colonial and patriarchal cosmogony. (shrink)

La cognition algorithmique joue un rôle central dans le capitalisme contemporain. Depuis la rationalisation du travail industriel et des relations sociales jusqu’à la finance, les algorithmes fondent un nouveau mode de pensée et de contrôle. Dans cette phase du tout-machinique dans l’évolution du capitalisme numérique, il ne suffit plus de se mettre du côté de la théorie critique pour accuser la computation de réduire la pensée humaine à des opérations mécaniques. Comme le théoricien de l’information Gregory Chaitin l’a démontré ; (...) l’incomputabilité et l’aléatoire doivent être conçus comme les conditions de bases de la computation. Si le technocapitalisme est contaminé par l’aléatoire computationnel et le chaos, la critique traditionnelle de la rationalité instrumentale doit elle aussi être remise en question : l’incomputable ne pleut plus être réduit au statut de contraire de la raison. (shrink)

This article takes inspiration from Kittler’s claim that philosophy has neglected the means used for its production. Kittler’s argument for media ontology will be compared to the post-Kantian project of re-inventing philosophy through the medium of thought. The article discusses these views in the context of the automation of logical thinking where procedures, tasks, and functions are part of the instrumental processing of new ends evolving a new mode of reasoning. In particular, the article suggests that in constructivist logic and (...) information theory, the temporal gap between truth and proof, between input and output, can be taken to argue that the means of thought expose the indetermination or the incomputability of proof. The automation of reasoning in logical processing coincides not with mindless correlations of data, replacing axioms with data, truths with self-validating proofs. Instead, the problem of the indeterminacy of proof within automated logic re-habilitates techne or instrumentality, and the relation between means and ends away from classical idealism and analytic realism. By following John Dewey’s argument for instrumentality, it will be argued that the task of thinking today needs to re-invent a logic of techne away from the teleological view of ends or the crisis of finality. If the post-Kantian preoccupations about the task of thinking already announced that the medium of thought could offer possibilities for a non-human philosophy, this article envisions a machine philosophy originating from within computational media. (shrink)

This article tackles an old, classical problem, which is acquiring a new epochal relevance with the techno-aesthetic processing of form and substance, expression and content. The field of digital architecture is embarked in the ancient controversy between the line and the curve, binary communication and fuzzy logic. Since the 1990s, the speculative qualities of digital architecture have exposed spatial design to the qualities of growing or breeding, rather than planning. However, such qualities still deploy the tension between discrete spaces and (...) continual curving. In this context, the article suggests the computational coexistence of discrete coding with continual morphing, defying any easy resolution for an aesthetic of continuity or discontinuity, the superiority of the analog or the meta-logic of the digital. The metaphysical dimension of such coexistence needs to include the abstract capacities of experiencing the transition from one state to another as the registering of algorithmic processing. Computation is intrinsic to microperceptions, incomputable quantities deploying the infectious property of the digital code. The article draws on the digital architecture of Greg Lynn to explore whether the computational nature of the digital calculus has the potential to challenge the bifurcation between the biological and the mathematical, the physical and the mental. (shrink)

If the image of the future has already been colonized by the inevitability of a planetary automation or by the Singularity, is it at all possible to re-introduce alienness in machine thinking beyond a master pattern that knows it all? As contemporary forms of artificial intelligence such as neural nets experiment with predictive learning generating counter-factual models for what has not yet been thought, they have also become productive of machine percepts and concepts. These are not of an optical nature, (...) but are exclusively algorithmic. However, as opposed to the master pattern of the Singularity aiming to debunk logic from thinking, this article argues that the growth of the automated network is never given: the indeterminacy of fallibility in the trial-and-error efforts to predict what has not yet been programmed – known – constantly defies the master pattern from within the system. This article draws on Octavia E. Butler’s farsighted story of Mary in Mind of My Mind as an example of the alien formation of an intuitive patterning, and of alien image-models ready to take over the transcendental schema of the Patternist. (shrink)