Plato's Sophist provides a careful translation of the Sophist, one of Plato's most complex and difficult dialogues, and includes materials designed to facilitate its usefulness as a text in college courses. The translation employs a minimum of interpretative paraphrasing while being presented in clear, readable English. Special attention has been given to consistency in translating key Greek terms. The book presents a special list of these terms and discusses them in the endnotes. The result is a (...) translation that enables the reader who lacks a knowledge of Greek to get much closer than usual to the original text. Cobb's introduction contains a detailed summary of the entire dialogue, clarifying the main themes and the general structure. He offers a fresh interpretation of the dialogue that shows how each theme contributes to the exploration of the nature of, and the relation between, philosophy and sophistry. The introduction is particularly useful to first readers of the Sophist. (shrink)

This is an English translation of four of Plato’s dialogue (Protagoras, Euthydemus, Hippias Major, and Cratylus) that explores the topic of sophistry and philosophy, a key concept at the source of Western thought. Includes notes and an introductory essay. Focus Philosophical Library translations are close to and are non-interpretative of the original text, with the notes and a glossary intending to provide the reader with some sense of the terms and the concepts as they were understood by Plato’s immediate audience.

Turnbull offers a close and detailed reading of the Parmenides, using his interpretation to illuminate Plato's major late dialogues. The picture presented of Plato's later philosophy is plausible, highly interesting, and original.

This translation with introduction and commentary of Plato's Philebus was originally issued under the title Plato's Examination of Pleasure and first reprinted as Plato's Philebus. This dialogue, generally agreed to be one of Plato's latest and most sophisticated, analyses in detail the nature of pleasure - its meaning, its varieties and importance. Professor Hackforth here translates the dialogue for the student and general reader. There is a running commentary on the course of the argument and the (...) meaning of key Greek terms and a full introduction to explain the philosophical background and the place of this work among Plato's writings. (shrink)

In Books One and Two of The Republic presents a discussion of the nature of justice by Socrates, the aging Cephalus, his son Polemarchus, and the sophist Thrasymachus. Plato's brothers, Glaucon and Adeimantus, take over in Book Two, challenging Socrates to convince them that a just life is preferable to an unjust life with power, fame, and riches. They imagine and evaluate different ways of creating the best possible human life. First, they consider a republic based on health (...) and simplicity. When Glaucon dismisses that kind of life as fit only for pigs, they construct a republic based on wealth and luxury. Their analysis of economic and political reality introduces the division of labor, the origin of war, a common currency, and basic principles for educating the young. The goal of this quest is to reveal the foundations of justice and injustice and evaluate their merits. This dramatized version is an adaptation of the Benjamin Jowett translation. (shrink)

In Books One and Two of The Republic presents a discussion of the nature of justice by Socrates, the aging Cephalus, his son Polemarchus, and the sophist Thrasymachus. Plato's brothers, Glaucon and Adeimantus, take over in Book Two, challenging Socrates to convince them that a just life is preferable to an unjust life with power, fame, and riches. They imagine and evaluate different ways of creating the best possible human life. First, they consider a republic based on health (...) and simplicity. When Glaucon dismisses that kind of life as fit only for pigs, they construct a republic based on wealth and luxury. Their analysis of economic and political reality introduces the division of labor, the origin of war, a common currency, and basic principles for educating the young. The goal of this quest is to reveal the foundations of justice and injustice and evaluate their merits. This dramatized version is an adaptation of the Benjamin Jowett translation. (shrink)

A fluent and accurate new translation of the dialogue that, all of Plato's works, has seemed to speak most directly to the interests of contemporary analytical philosophers. White's extensive introduction explores the dialogue's center themes, its connection with related discussions in other dialogues, and its implication for the interpretation of Plato's metaphysics.

The Sophist is one of the late Dialogues of Plato. This dialogue takes place a day after Plato's Theaetetus, and aims at defining the Sophist. The participants are Socrates, who plays a minor role, the highly promising young student Theaetetus, and a Visitor from Elea, who plays the major role in the conversation.

Plato's Sophist is a dialogue which is key to the understanding of Platonic metaphysics and dialectics: its traditional subtitle is 'On Being.' Thomas Taylor's translation was first published in 1804 as part of his Works of Plato - the first ever complete translation of Plato into English. This Students' Edition volume has extensive notes to help those coming anew to the Sophist to grasp some of the important concepts which stand behind the dialogue. Also added is an (...) extract from Proclus On Forms, Reasons and Dialectic (from his Commentary on the Parmenides); a dissertation, On Ideas, by Thomas Taylor; and two modern essays which the Trust hopes will further the understanding of the newcomer to Plato and his tradition. (shrink)

In addition to its interest as one of Plato's most brilliant dramatic masterpieces, the Protagoras presents a vivid picture of the crisis of fifth-century Greek thought, in which traditional values and conceptions of man were subjected on the one hand to the criticism of the Sophists and on the other to the far more radical criticism of Socrates. The dialogue deals with many themes which are central to the ethical theories which Plato developed under the influence of Socrates, notably (...) the nature of human excellence, the relation of knowledge to right conduct, and the place of pleasure in the good life. This translation of the Protagoras was originally published in 1976. In this revised edition, C. C. W. Taylor has made a number of changes in the translation and commentary, and has added a new Preface and Introduction. The Bibliography has also been extended to include titles published up to 1990. (shrink)

This volume contains new translations of two dialogues of Plato, the Protagoras and the Meno, together with explanatory notes and substantial interpretive essays. Robert C. Bartlett's translations are as literal as is compatible with sound English style and take into account important textual variations. Because the interpretive essays both sketch the general outlines of the dialogues and take up specific theoretical or philosophic difficulties, they will be of interest not only to those reading the dialogues for the first time but (...) also to those already familiar with them. The Protagoras and the Meno are linked by the attention each pays to the idea of virtue: the latter dialogue focuses on the fundamental Socratic question, "What is virtue?"; the former on the specific virtue of courage, especially in its relation to wisdom. An appendix contains a short extract from Xenophon's Anabasis of Cyrus that vividly portrays the figure of Meno. (shrink)

Plato, the great philosopher of Athens, was born in 427 BCE. In early manhood an admirer of Socrates, he later founded the famous school of philosophy in the grove Academus. Much else recorded of his life is uncertain; that he left Athens for a time after Socrates' execution is probable; that later he went to Cyrene, Egypt, and Sicily is possible; that he was wealthy is likely; that he was critical of 'advanced' democracy is obvious. He lived to be 80 (...) years old. Linguistic tests including those of computer science still try to establish the order of his extant philosophical dialogues, written in splendid prose and revealing Socrates' mind fused with Plato's thought. In Laches, Charmides, and Lysis, Socrates and others discuss separate ethical conceptions. Protagoras, Ion, and Meno discuss whether righteousness can be taught. In Gorgias, Socrates is estranged from his city's thought, and his fate is impending. The Apology, Crito, Euthyphro, and the unforgettable Phaedo relate the trial and death of Socrates and propound the immortality of the soul. In the famous Symposium and Phaedrus, written when Socrates was still alive, we find the origin and meaning of love. Cratylus discusses the nature of language. The great masterpiece in ten books, the Republic, concerns righteousness. Of the six so-called dialectical dialogues Euthydemus deals with philosophy; metaphysical Parmenides is about general concepts and absolute being; Theaetetus reasons about the theory of knowledge. Of its sequels, Sophist deals with not-being; Politicus with good and bad statesmanship and governments; Philebus with what is good. The Timaeus seeks the origin of the visible universe out of abstract geometrical elements. The unfinished Critias treats of lost Atlantis. Unfinished also is Plato's last work of the twelve books of Laws, a critical discussion of principles of law which Plato thought the Greeks might accept. The Loeb Classical Library edition of Plato is in twelve volumes. (shrink)

Plato's great attempt to define the nature of the sophist -- the false image of the philosopher -- has perplexed readers from classical times to the present. The dialogue has been central in the ongoing debate about the theory of forms, and it remains a crucial text for Plato scholars in both the analytical and the phenomenological traditions. Stanley Rosen's book is the first full-length study of the Sophist in English and one of the most complete in (...) any language. He follows the stages of the dialogue in sequence and offers an exhaustive analysis of the philosophical questions that come to light as Theaetetus and the Eleatic Stranger pursue the sophist through philosophical debate. Rosen finds the central problem of the dialogue in the relation between original and image; he shows how this distinction underlies all subsequent technical themes and analyzes in detail such problems as non-being or negation and false statement. Arguing that the dialogue must be treated as a dramatic unity, he pays careful attention throughout to the setting, the events, the language used, and the relations between the natures of the speakers and the topics under discussion. Rosen's new approach to the technical issues in the dialogue will be of interest to Plato scholars of all schools, and his analysis of the sophistical dimension of the world will engage all who have puzzled over what it means to be a philosopher. (shrink)

Republic, Plato's best known and most frequently read dialogue, although receiving a flood of translations and philosophical analysis over the last 100 years, has in recent times been quite short of detailed commentaries. In particular, a full edition of the introductory sections of the dialogue, representing, probably, a single papyrus roll in the original text, has not been attempted for more than fifty years. In that period scholarship has moved on, and this edition aims to take into account recent (...) developments in the study of Plato's literary style as well as of his ideas. The arguments have always been of great interest to philosophers, especially the sophist Thrasymachus' clash with Socrates in defending injustice as the most profitable life-choice. But there is a great deal more to this introduction than abstract ideas; Plato chooses to begin his great work by staging a dramatic debate, arising out of a social meeting between Socrates and friends in the Athenian port of the Piraeus during a religious festival. The case against justice as a state of affairs leading to eudaimonia is put with great force and humour, not to mention bad temper, and in the cut-and-thrust of argument and the clash of personalities, Plato brings vividly to life the cultural and social world of his times and the crucial issues at stake for his contemporaries. He also puts as effectively as possible the adversarial case which Socrates has to answer in the rest of Republic. This edition is aimed principally at readers without Greek; however, following the main purpose of the Series, a spectrum of needs is catered for, ranging from those studying through the original text to those working with the translation. Greek text with facing-page translation, introduction and commentary. (shrink)

In addition to its interest as one of Plato's most brilliant dramatic masterpieces, the Protagoras presents a vivid picture of the crisis of fifth-century Greek thought, in which traditional values and conceptions of man were subjected on the one hand to the criticism of the Sophists and on the other to the far more radical criticism of Socrates. The dialogue deals with many themes which are central to the ethical theories which Plato developed under the influence of Socrates, notably (...) the nature of human excellence, the relation of knowledge to right conduct, and the place of pleasure in the good life. This translation of the Protagoras was originally published in 1976. In this revised edition, C. C. W. Taylor has made a number of changes in the translation and commentary, and has added a new Preface and Introduction. The Bibliography has also been extended to include titles published up to 1990. (shrink)

_Theaetetus_, the _Sophist_, and the _Statesman_ are a trilogy of Platonic dialogues that show Socrates formulating his conception of philosophy as he prepares the defense for his trial. Originally published together as _The Being of the Beautiful_, these translations can be read separately or as a trilogy. Each includes an introduction, extensive notes, and comprehensive commentary that examines the trilogy's motifs and relationships. "Seth Benardete is one of the very few contemporary classicists who combine the highest philological competence with a (...) subtlety and taste that approximate that of the ancients. At the same time, he as set himself the entirely modern hermeneutical task of uncovering what the ancients preferred to keep veiled, of making explicit what they indicated, and hence...of showing the naked ugliness of artificial beauty."—Stanley Rose, _Graduate Faculty Philosophy Journal_ Seth Benardete was professor of classics at New York University. He was the author or translator of many books, most recently _The Argument of the Action, Plato's "Laws," and Plato's "Symposium,"_ all published by the University of Chicago Press. (shrink)

Stanley Rosen's book is the first full-length study of the Sophist in English and one of the most complete in any language. He follows the stages of the dialogue in sequence and offers an exhaustive analysis of the philosophical questions that come to light as Theaetetus and the Eleatic Stranger pursue the sophist through philosophical debate. Rosen finds the central problem of the dialogue in the relation between original and image; he shows how this distinction underlies all subsequent (...) technical themes and analyzes in detail such problems as non-being or negation and false statement. Arguing that the dialogue must be treated as a dramatic unity, he pays careful attention throughout to the setting, the events, the language used, and the relations between the natures of the speakers and the topics under discussion. (shrink)

This volume reconstructs Martin Heidegger's lecture course at the University of Marburg in the winter semester of 1924-25, which was devoted to an interpretation of Plato and Aristotle.

Possibility of falsehood arises in the early parts of plato's "sophist". I argue that the participants in the dialogue operate with two related analogies, one which considers spoken images to be fundamentally like seen images, and another analogy which considers the objects of stating or believing to be like the objects of perceiving. (the second analogy has parallels in "theaetetus" 188c-189b). These analogies lead to confusions which plato attempts to dispel in the later portions of the "sophist".

Paperback. This volume is a new interpretation of Plato's earlier and later Theory of Ideas, starting from a detailed analysis of the dialogue, The Sophist.The way in which Plato announces his novel Metaphysics has been puzzling scholars for a long time. Did Plato really introduce Change into the Transcendent World and thus abandon his Theory of Unchangeable Forms?Many of Plato's commentators have claimed that the use of modern techniques of logico-semantical analysis can be a valuable aid in (...) unravelling this problem, as well as other difficulties Plato raised and attempted to solve. In this commentary, Plato's own logico-semantical approach to metaphysical problems is followed. (shrink)

This book consists of a selection of papers which throw new light on old problems in one of Plato s most difficult dialogues. The first set of papers deals with definitions of sophistry from different perspectives. In the central section E. Hulsz, D. O'Brien, B. Bossi, P. Mesquita and N. Cordero consider the problem of being and relative non-being with regard to Heraclitus and the legacy of Parmenides. The final section with papers by F. Fronterotta, J. de Garay, D. Ambuel (...) and L. Palumbo is devoted to ontology, predication and truth.". (shrink)

In the first part, it is argued that the Stranger has employed in his divisions both eikastic and phantastic speech, and that the issue of being arises because Theaetetus fails to recognize Socrates as the philosopher. In the second part, it is argued that phantastic speech as the experience of eikastic speech is false opinion, and that the double account of logos, as the weaving together of species and of agent and action, corresponds respectively to that which makes speech possible, (...) the other, and that which determines truth and falsehood in terms of whether the agent is other than the action. (shrink)

At a crucial juncture in Plato’s Sophist, when the interlocutors have reached their deepest confusion about being and not-being, the Eleatic Visitor proclaims that there is yet hope. Insofar as they clarify one, he maintains, they will equally clarify the other. But what justifies the Visitor’s seemingly oracular prediction? A new interpretation explains how the Visitor’s hope is in fact warranted by the peculiar aporia they find themselves in. The passage describes a broader pattern of ‘exploring both sides’ that (...) lends insight into Plato’s aporetic method. (shrink)

The book is a translation of the Sophist with a running commentary. Three main points are argued: the dialogue does not present positive doctrine but has the structure of a reductio ad absurdum, Plato's point is to criticize the metaphysics of Parmenides. By failing to account for resemblance, Eleaticism implies an inadequate theory of relations, which makes impossible any understanding of "essence." Consequently, Eleaticism can be taken as the philosophical underpinning for the antithesis of philosophy, lending legitimacy to (...) sophistry, the criticism constitutes an indirect argument for the theory of forms. ;The method of division employed in the Sophist does not proceed "along natural joints" as called for in the Phaedrus, nor can it, since the Eleatic logic that underlies the method used in the Sophist allows for no intermediate in the strict opposition of 'being' and 'not-being.' The only definitions that can be made on this basis are negative definitions. This leads to an inability to account for images on Eleatic terms, providing a refuge for the sophist--he cannot be a maker of deceptive images if there are no images and no falsity. However, the modification of the Eleatic rejection of not-being is incomplete and insufficient. ;The arguments allow only for relations of identity and difference or whole and part, excluding any account of resemblance, the basis for any theory of participation. On these grounds, not-being is defined in terms of difference, affording an incomplete explanation of false statement, while abandoning the initial problem of images. Moreover, the concluding argument directly implies the reduction of 'being' to the newly introduced definition of 'not-being.' The ending turns back to the beginning: the sophist has an art that is no art, and definitions can only be definitions in terms of difference, negative definitions allowing no adequate account of images and no essences. The dialogue ends in a subtle aporia pointing to the failure to acknowledge that to say images both are and are not indicates an order of ontological dependence. (shrink)

Plato's later dialogue, the Sophist, is deemed one of the greatest works in the history of philosophy, but scholars have been shy of confronting the central problem of the dialogue. For Plato, defining the sophist is the basic philosophical problem: any inquirer must face the 'sophist within us' in order to secure the very possibility of dialogue, and of philosophy, against sophistic counterattack. Examining the connection between the large and difficult philosophical issues discussed in the (...) class='Hi'>Sophist in relation to the basic problem of defining the sophist, Dr Notomi shows how Plato struggles with and solves all these problems in a single line of inquiry. His interpretation of the whole dialogue finally reveals how the philosopher should differ from the sophist. (shrink)

Scholarship on the Euthydemus has largely focused on the protreptic character of the Euthydemus—that is, the manner by which Socrates attempts to turn the young Cleinias toward philosophy. By focusing on the dramatic structure of the text, and above all its comic tenor, this article argues that it is Crito—he to whom Socrates tells his hilarious story of his encounter with the two sophist-brothers—who is the real object of Socrates’s protreptic speech.

Plato's closing reference to the Iliad in the Sophist has been largely overlooked in contemporary scholarship. The reference, a quotation from the confrontation between Glaucus and Diomedes in Book 6, forms part of a broader frame to the dialogue. The frame, with its recurring themes of identification and misidentification, helps us make better sense of the dialogue's final description of the sophist and its central concerns about the relationship between philosophy and sophistry. It also provides a revealing (...) case study of Plato's use of Homer as part of a broader strategy for undermining simple appeals to authority. (shrink)

In editing Plato's Sophist for the new OCT vol. I, ed. E. A. Duke, W. F. Hicken, W. S. M. Nicoll, D. B. Robinson, and J. C. G. Strachan , there was less chance of giving novel information about W = Vind. Supp. Gr. 7 for this dialogue than for others in the volume, since Apelt's edition of 1897 was used by Burnet in 1900 and was based on Apelt's own collation of W. The result was better than (...) the somewhat confused information printed by Burnet, even in his 1905 reprint, for W for the other dialogues in vol. I. But in the Sophist as elsewhere in vol. I collations largely due to Dr W. S. M. Nicoll added new facts about all of BDTWP and their correctors, and the search for testimonia largely carried out by Dr E. A. Duke added new facts in that area. A reviewer counts 66 changes in our text of the Sophist, which may perhaps be a slight over-estimate. Classification of changes as substantive or as falling into different groups is sometimes difficult, but I think plausible figures are as follows. We have in 25 places made a different choice of readings from the primary mss. and testimonia. We have printed conjectures where Burnet kept a ms. reading in 17 places, but conversely we have reverted to a ms. reading where Burnet had a conjecture in 8 places. We have printed alternative conjectures to conjectures adopted by Burnet in 6 places. So we have actually departed from the primary sources on at most 9 more occasions overall than Burnet. What must be noted is that Burnet had already printed conjectures on something like 87 occasions , so our percentage addition to Burnet's departures from the primary sources is modest. Moreover Burnet printed about 25 readings from testimonia; we have followed him in 20 or so of these cases, and this in turn implies that the primary mss. are in error at these further 20 places. It needs to be underlined that though Burnet undoubtedly deserved to be regarded as a safe and cautious editor, nevertheless he departed from the primary mss. on average about twice per Stephanus page in this dialogue. Sometimes, of course, testimonia showed him right to do this, but testimonia cover only a quite small part of this dialogue. Otherwise Burnet accepted almost 90 conjectures. For the Politicus the figures are fairly similar; Burnet accepted 22 Byzantine conjectures and 35–40 more modern ones. The new OCT there adds 15 or so more conjectures. (shrink)

My aim is to investigate the link between Plato’s Sophist and Gorgias’s treatise On What Is Not. This relationship is worth examining because Gorgias’s treatise constitutes an essential, but insufficiently studied stage in the intellectual journey leading from Parmenides to the Sophist. My claims are that 1) Plato’s agenda in the Sophist perfectly meets the challenges Gorgias raises in the first thesis of his treatise, that 2) this becomes clear once we focus on Gorgias’s and Plato’s respective (...) use of the verb ‘to be’ and, finally, that 3) Plato is able to overcome Parmenides’s impasse precisely because he deals with Gorgias’s treatise. (shrink)

Do the later Platonic dialogues abandon the earlier doctrine of forms? If not, do the forms, as the objects or contents of thought, have any relation to experienced things? Schipper, in this lucid and scholarly study of the Parmenides, Theaetetus, Sophist, Philebus, and Timaeus, maintains that Plato continues to assume the essentials of the earlier doctrine of forms, and that while he offers no complete and explicit answer to the second question, the later dialogues do provide clues which are (...) consistent with each other. In formulating this answer, Schipper suggests that sensible things can be considered in two aspects: as immediately sensed and as known by means of the forms; the two aspects are united by the perceiving and knowing mind. However, this seems to be merely a restatement of the problem. Her other, more provocative suggestion is that forms are not discovered by an intellectual perception, but are assumed or posited as demanded by logos or argument in order to explain and define experienced things. Thus the interrelated forms can apply to things without being immanent in them. Although the treatment of the dialogues is careful, the book is primarily a spiritless exegesis of the text, together with an account of what other scholars have said. It is bereft of an index.—S. A. S. (shrink)