The success of assisted reproductive technologies (ARTs) worldwide has led to an accumulation of frozen embryos that are surplus to the reproductive needs of those for whom they were created. In these situations, couples must decide whether to discard them or donate them for scientific research or for use by other infertile couples. While legislation and regulation may limit the decisions that couples make, their decisions are often shaped by their religious beliefs. Unfortunately, health professionals, scientists and policy-makers are often (...) unaware of the way in which faith traditions view ART and decisions concerning the ‘fate’ of surplus embryos. In this paper scholars representing six major religious traditions provide a commentary on a hypothetical case concerning the donation or destruction of excess ART embryos. These commentaries provide a rich account of religious perspectives on the status of the human embryo and an insight into the relevance of faith to health and policy decisions, particularly in reproductive medicine, ART and embryo research. (shrink)

Through engaging interviews, testimonials, and anecdotes from photographers, curators, printers, and colleagues, Object Lesson: On the Influence of Richard Benson pays homage to a legendary figure whose name is synonymous with the evolving history and philosophy of photographic reproduction. From making platinum prints for Paul Strand and books with Lee Friedlander to his own experiments with inkjet and digital offset processes, and as a teacher and dean of the Yale School of Art, by the time of his death in 2017, (...) Benson had inspired over three decades of students and artisans through his mentorship and work. In words and images, Object Lesson stands as a testament to Benson's wit, wisdom, and incomparable obsession with how photographic images render and connect us to the world. (shrink)

Par sa couverture particulièrement intense au début, la presse américaine a donné beaucoup d'importance aux attentats de Madrid. Le cadrage dominant est un parallèle avec le 11 septembre, justifiant une approche faite d'empathie et un sentiment fort de solidarité dans l'épreuve. Mais, après les résultats des élections législatives espagnoles, quand il est devenu évident que la population espagnole a élu un chef ouvertement hostile à la participation de son pays à la guerre en Irak, la couverture change. La presse américaine (...) passe de la solidarité à la censure. Surtout dans le New York Post, la victoire de Zapatero est présentée comme la preuve que les terroristes ont réussi. Cette orientation anti-Zapatero est justifiée par un cadrage patriotique articulant de façon indissociable la lutte globale contre le terrorisme et la guerre menée par les États-Unis en Irak, conformément à la doctrine de l'administration Bush. Néanmoins, les autres journaux laissent s'exprimer des critiques contre la rhétorique simpliste de Bush.By its cover especially intense at the beginning, the American press has given much importance to the Madrid bombings. The dominant framing is parallel with the September 11, justifying an approach made empathy and a strong sense of solidarity in the event. But after the results of the Spanish elections, when it became clear that the Spanish population has elected a leader openly hostile to the country's participation in the war in Iraq, the coverage changes. The American press passes solidarity censorship. Especially in the New York Post, the victory of Zapatero is presented as evidence that the terrorists have succeeded. This orientation anti-Zapatero is justified by framing patriotic inextricably linking the global fight against terrorism and the war waged by the U.S. in Iraq, according to the doctrine of the Bush administration. However, other newspapers leave to express criticism against the simplistic rhetoric of Bush. (shrink)

Featuring more than 175 arresting photographs as well as essays filled with wit and affection, The Face of Minnesota opens with this statement: “This book is about Minnesota now.