Language is central to the interactional nature of the social life within which it is situated. To react or respond in a particular situation, we must be able to recognize the social situation. Growing evidence has demonstrated the negative impact of perceived loneliness on late-life executive functions. Yet little is known about how social factors impact language processing for older people. The current study aims to fill this gap, first by assessing age-related changes in lexical processing during Chinese word reading, (...) second, by examining whether older adults’ individual differences, such as processing speed and verbal abilities, modulate meaning retrieval and, third, by investigating whether perceived loneliness can hinder word reading. The use of compound words in Chinese enables significant sublexical ambiguity, requiring varying executive load during word recognition: when a word’s constituent characters carry multiple meanings, readers must consider the meaning contributions of both constituent characters and use top-down word information to determine the most accurate meaning of the ambiguous character, a process termed “sublexical ambiguity resolution.” In this study, adults read real Chinese words and pseudowords, and they were asked to make lexical decisions. Older adults exhibited greater lexicality effects and similar sublexical ambiguity effects compared with young adults. Among older participants, processing speed could account for their ability to differentiate between words and pseudowords. In contrast, the level of perceived loneliness modulated the efficacy of sublexical ambiguity resolution: the participants with higher perceived loneliness displayed a greater sublexical ambiguity disadvantage effect. These results indicate that perceived loneliness may affect the use of contextual information in meaning retrieval during reading. The findings provide an important link between social connections and language processing. (shrink)

This paper weakens the expectation dependence concept due to Wright and its higher-order extensions proposed by Li to conform with the preferences generating the almost stochastic dominance rules introduced in Leshno and Levy. A new dependence concept, called excess dependence is introduced and studied in addition to expectation dependence. This new concept coincides with expectation dependence at first-degree but provides distinct higher-order extensions. Three applications, to portfolio diversification, to the determination of the sign of the equity premium in the consumption-based (...) CAPM, and to optimal investment in the presence of a background risk, illustrate the usefulness of the approach proposed in the present paper. (shrink)

Seit 1923 erscheinen in der Sammlung Tusculum ma gebende Editionen griechischer und lateinischer Werke mit deutscher bersetzung. Die Originaltexte werden zudem eingeleitet und umfassend kommentiert; nach der neuen Konzeption bieten schlie lich thematische Essays tiefere Einblicke in das Werk, seinen historischen Kontext und sein Nachleben. Die hohe wissenschaftliche Qualit t der Ausgaben, gepaart mit dem leserfreundlichen Sprachstil der Einf hrungs- und Kommentarteile, macht jeden Tusculum-Band zu einer fundamentalen Lekt re nicht nur f r Studierende, die sich zum ersten Mal einem (...) antiken Autor n hern, und f r Wissenschaftler, die spezifische Aspekte eines Werkes vertiefen m chten, sondern f r alle, die sich durch vertrauensw rdige bersetzungen einen Zugang zur Antiken Welt verschaffen wollen. In der Reihe wurden bisher ber 270 Titel publiziert, alle erh ltlich als Buch und eBook. Dadruch werden bislang vergriffene Titel und Rarit ten wieder vollst ndig verf gbar gemacht. Zus tzlich zu der Buchreihe erscheint bei De Gruyter zum 90-j hrigen Jubil um das eBook-PaketTusculum Online, eine digitale Sammlung aller von 1923 bis 2013 erschienenen Titel -eine geb hrende W rdigung eines wichtigen St cks deutscher Verlagsgeschichte. Mehr Informationen rund um Tusculum erhalten Sie unter: www.degruyter.com/tusculum. (shrink)

Seit 1923 erscheinen in der Sammlung Tusculum ma gebende Editionen griechischer und lateinischer Werke mit deutscher bersetzung. Die Originaltexte werden zudem eingeleitet und umfassend kommentiert; nach der neuen Konzeption bieten schlie lich thematische Essays tiefere Einblicke in das Werk, seinen historischen Kontext und sein Nachleben. Die hohe wissenschaftliche Qualit t der Ausgaben, gepaart mit dem leserfreundlichen Sprachstil der Einf hrungs- und Kommentarteile, macht jeden Tusculum-Band zu einer fundamentalen Lekt re nicht nur f r Studierende, die sich zum ersten Mal einem (...) antiken Autor n hern, und f r Wissenschaftler, die spezifische Aspekte eines Werkes vertiefen m chten, sondern f r alle, die sich durch vertrauensw rdige bersetzungen einen Zugang zur Antiken Welt verschaffen wollen. In der Reihe wurden bisher ber 270 Titel publiziert, alle erh ltlich als Buch und eBook. Dadruch werden bislang vergriffene Titel und Rarit ten wieder vollst ndig verf gbar gemacht. Zus tzlich zu der Buchreihe erscheint bei De Gruyter zum 90-j hrigen Jubil um das eBook-PaketTusculum Online, eine digitale Sammlung aller von 1923 bis 2013 erschienenen Titel -eine geb hrende W rdigung eines wichtigen St cks deutscher Verlagsgeschichte. Mehr Informationen rund um Tusculum erhalten Sie unter: www.degruyter.com/tusculum. (shrink)

In the late nineteenth century and the early decades of the twentieth thematic resemblances to the Roman elegists in Paulus Silentiarius were explained as the result of the poets' reliance on a common Hellenistic source – usually this was identified as the so-called ‘subjective Alexandrian love elegy’ – and this represented a departure from the views of earlier scholars such as Hertzberg and Postgate, who had maintained that Paulus knew and imitated the elegists. In recent years the pendulum has swung (...) back , and the prevailing opinion seems to be that the Roman elegists were known to Paulus. This is the view of, for instance, Giovanni Viansino in his edition of Paulus, of Elmar Schulz-Vanheyden in his important work on Propertius' relationship to Greek epigram, and of Hermann Beckby in his edition of the Greek Anthology. Recently, too, Gordon Williams has put forward a very strong case for earlier epigrammatists like Antipater and Crinagoras imitating the Augustan poets. (shrink)

On November 8, 1894, I read before the Cambridge Philological Society a paper in which the reading and the interpretation of this passage were discussed at length. A brief report of the paper was published in the Proceedings of the Society, Nos. 37–39, p. 16; and the cardinal correction was received into the text of the Fasti which Professor G. A. Davies published in the Corpus Poetarum Latinorum. The Proceedings of the Cambridge Philological Society are indeed now among the periodical (...) publications of which the Bibliotheca Philologica Classica takes account: but an acquaintance with their earlier numbers is the privilege of the elect, and the sole mention of the correction that I have seen is an entry in the diligent summary of Ovidian literature in the Jahresbericht vol. 109 p. 282 which runs as follows ‘VI 247 ut tangat .’ Whether the correction is ‘needless’ is not for me to say; but there is excuse for thinking that those who wish to form a judgment on its character will not deem it needless to have the evidence before them. (shrink)

Thus reads the ‘optimus Laurentianus,’ and starting hence we shall refuse claudent, the facile but incoherent correction of some MSS., and still more the claudunt which the majority offer. Nor for all that shall we make the ineptitude of these readings a ground for condemning the pentameter, which, save for its lack of grammatical construction, is perfectly faultless in expression. Turning our attention to the hexameter, we observe that Parca, a synonym for fata with trahebat will set everything right. The (...) offending fata is due to a gloss or an unfortunate reminiscence. (shrink)

In his very valuable study of generic patterns in ancient poetry Francis Cairns assigns Propertius 2.28, [Tib.] 3.10 , and Ovid Am. 2.13 to the genre Soteria, that is works of congratulation and thanksgiving on the recovery from illness of a friend, and he sees the resemblances between the poems as due to the elegists’ attempts to produce ‘dramatized’ examples of the genre, with the situation developing from the girl's illness at the beginning of the poem to her recovery (...) at the end , pp.153–7). Cairns's arguments and interpretation of the poems should, I feel, be scrutinized carefully, especially since his classification of the poems has been accepted recently without demur by at least one scholar , 118 and n.50). (shrink)

Ovid regarded the Epistulae Heroidum as a collection with a consistent theme. He indicates as much at Am. 2.18.18–26, where he describes the unified conception of nine or ten of the Heroides as the result of Amor's insistence that he be an elegiac poet.

Professor Richmond's reply t o m y article on Palatine Apollo is argued with his usual enthusiasm and cogency. This reply to him, which has been delayed by my departure for Australia, must begin with an expression of the respect that I feel for an antagonist far more able and experienced than I can claim to be. Indeed, it was while lecturing on Ovid, Tristia 3 that I first met Professor Richmond's masterly article on the Augustan Palatium . From (...) this article my enthusiasm for the subject began, and I know that Professor Richmond has always welcomed discussion and argument about the famous Augustan temple of Apollo on the Palatine. I can but join him in urging any who may have been interested by our discussion to study his original article which contains much more besides a discussion of the site of Apollo's temple. (shrink)

Professor Richmond's reply t o m y article on Palatine Apollo is argued with his usual enthusiasm and cogency. This reply to him, which has been delayed by my departure for Australia, must begin with an expression of the respect that I feel for an antagonist far more able and experienced than I can claim to be. Indeed, it was while lecturing on Ovid, Tristia 3 that I first met Professor Richmond's masterly article on the Augustan Palatium. From this (...) article my enthusiasm for the subject began, and I know that Professor Richmond has always welcomed discussion and argument about the famous Augustan temple of Apollo on the Palatine. I can but join him in urging any who may have been interested by our discussion to study his original article which contains much more besides a discussion of the site of Apollo's temple. (shrink)

The aim of these lines seems to be to demonstrate that everyone has his price. Even Jupiter can be bribed. According to the text as printed above, the sequence would then continue: ‘What can a wise man do when even foolish ones willingly contract to keep quiet?’.

The aim of these lines seems to be to demonstrate that everyone has his price. Even Jupiter can be bribed. According to the text as printed above, the sequence would then continue: ‘What can a wise man do when even foolish ones willingly contract to keep quiet?’.

nil nisi lasciui per me discuntur amores:femina praecipiam quo sit amanda modo.femina nec flammas nec saeuos discutit arcus;parcius haec uideo tela nocere uiris.It was pointed out in 1992 by E.J. Kenney that femina in line 28 ‘sabotages the poet's … disclaimer’ that it is not women generally but ‘only those not ruled out of bounds by stola and uittae’ who are to benefit from his instruction. He suggests instead that, since what is wanted is a variation on the previous line, (...) one should read nec proba, or, as a better possibility, non proba. Kenney's objection to femina is accepted by Roland Mayer, in a note published the following year. After observing, however, that, ‘when a word has intruded itself from a nearby line and expelled the authentic reading, the ductus litterarum is no guide to emendation’, and that bold measures are therefore admissible, Mayer proposes Thais, comparing Rem. am. 385–6 Thais in arte mea est: lasciuia libera nostra est; | nil mihi cum uitta; Thais in arte mea est. Later, W.S. Watt suggested talis, viz. lasciua, noting talis at 142 and talem at 157. None of these suggestions is entirely compelling, however, and Gibson is therefore right just to obelize femina in his edition; but he also points out in the commentary ad loc. the ‘greater oddity’ relating to amanda, asking ‘Should Ovid not be declaring his intention to teach women how to love, rather than declaring that he will teach how they should be loved?’ and even going so far as to suggest that the whole pentameter is fundamentally corrupt and should be obelized. (shrink)

The MS. hie tunc of V. 6 has no friends. L. Mueller's hoc tunc is weak and flat, and L. Rank, Mnemosyne 40. 51, is justly dissatisfied with the hietans of M. Havet's larger and smaller editions, to which the hians of Verg. Aen. 12. 754 lends no sufficient support, as there the dog is opening its mouth before it bites. Add to this that it is by no means certain that Phaedrus would either have used the word or used (...) it in the simple sense of opening the mouth. Rank's own proposal, ‘heu’ tunc, fails also to carry conviction. There is however a word which belongs to our author's vocabulary and is as near to the manuscripts as either of the above, and which hits the sense at which hietans aims. This is rictus. The word is often used of the opened mouths of dogs, Lucr. 5. 1064, Ovid Met. 13. 568. Juvenal 10. 271 sq. ‘canino latrauit rictu,’ and of other animals. That it is appropriate with dimisit ‘let go’ may be seen from the counterpart expression of Martial 1. 48. 1 ‘rictibus his tauros non eripuere magistri.’. (shrink)

The MS. hie tunc of V. 6 has no friends. L. Mueller's hoc tunc is weak and flat, and L. Rank, Mnemosyne 40. 51, is justly dissatisfied with the hietans of M. Havet's larger and smaller editions, to which the hians of Verg. Aen. 12. 754 lends no sufficient support, as there the dog is opening its mouth before it bites. Add to this that it is by no means certain that Phaedrus would either have used the word or used (...) it in the simple sense of opening the mouth. Rank's own proposal, ‘heu’ tunc, fails also to carry conviction. There is however a word which belongs to our author's vocabulary and is as near to the manuscripts as either of the above, and which hits the sense at which hietans aims. This is rictus. The word is often used of the opened mouths of dogs, Lucr. 5. 1064, Ovid Met. 13. 568. Juvenal 10. 271 sq. ‘canino latrauit rictu,’ and of other animals. That it is appropriate with dimisit ‘let go’ may be seen from the counterpart expression of Martial 1. 48. 1 ‘rictibus his tauros non eripuere magistri.’. (shrink)

In classical antiquity Propertius' eloquence was renowned. His successor Ovid referred to the blandi praecepta Properti and to blandi…Propertius oris. Quintilian stated that to his taste the most tersus and elegans Latin elegist was Tibullus, but sunt qui Propertium malint. Martial mentioned the facundi carmen iuuenale Properti. Turn now from the opinions of ancient authors to those of some modern commentators as they try to elucidate various passages as presented in the extant manuscripts, and you encounter not the adjectives (...) blandus, tersus, elegans, and facundus, but ‘strange’, ‘obscure’, ‘odd’, ‘slovenly’, and the like. A major reason for such striking differences of opinion should be evident. Ovid, to whom Propertius was blandi oris, read a text separated from Propertius' autograph by at most a few decades. Modern scholars, however, must form their text from a few relatively late manuscripts, none earlier than c. 1200, in which Propertius' eloquence has been obscured by over twelve centuries of careless blundering and deliberate interpolation by a succession of scribes. A generally accepted example of deliberate interpolation in the Propertian archetype is found at 2.32.3-6: nam quid Praenesti dubias, o Cynthia, sortes, quid petis Aeaei moenia Telegoni? cur tua te Herculeum deportant esseda Tibur? Appia cur totiens te uia †ducit anum†?, where the name of some neighbouring town is required in the fourth verse to balance Praeneste, Tusculum, and Herculeum in the preceding three. (shrink)

In classical antiquity Propertius' eloquence was renowned. His successor Ovid referred to the blandi praecepta Properti and to blandi…Propertius oris . Quintilian stated that to his taste the most tersus and elegans Latin elegist was Tibullus, but sunt qui Propertium malint. Martial mentioned the facundi carmen iuuenale Properti. Turn now from the opinions of ancient authors to those of some modern commentators as they try to elucidate various passages as presented in the extant manuscripts, and you encounter not the (...) adjectives blandus, tersus, elegans, and facundus, but ‘strange’, ‘obscure’, ‘odd’, ‘slovenly’, and the like. A major reason for such striking differences of opinion should be evident. Ovid, to whom Propertius was blandi oris, read a text separated from Propertius' autograph by at most a few decades. Modern scholars, however, must form their text from a few relatively late manuscripts, none earlier than c. 1200, in which Propertius' eloquence has been obscured by over twelve centuries of careless blundering and deliberate interpolation by a succession of scribes. A generally accepted example of deliberate interpolation in the Propertian archetype is found at 2.32.3-6: nam quid Praenesti dubias, o Cynthia, sortes, quid petis Aeaei moenia Telegoni? cur tua te Herculeum deportant esseda Tibur? Appia cur totiens te uia †ducit anum†? , where the name of some neighbouring town is required in the fourth verse to balance Praeneste, Tusculum, and Herculeum in the preceding three. (shrink)

Ovid, Metamorphoses 4.243–4:nec tu iam poteras enectum pondere terraetollere, nympha, caput, corpusque exsangue iacebas.

Ovid, Metamorphoses 4.243–4: nec tu iam poteras enectum pondere terrae tollere, nympha, caput, corpusque exsangue iacebas.

Aetiological poetry tends to be mature poetry in both a literary and a political sense. Interest in antiquarian lore belongs in general to a poet's middle and later years when youthful and audacious quests for what is avant-garde and anti-establishment have yielded to conservatism and a desire to preserve the past. Propertius and Ovid both turned to aetiological poetry after a long apprenticeship in amatory ‘nugae’ which enabled them, like their predecessor, Callimachus, to embellish their work with a diversity (...) of artistic devices founded on considerable poetic skill and literary experience. With this, a vital ploy to engage the sympathy of a sophisticated audience, went the poise and urbanity with which the aetiological poet found humour in the pose of earnest researcher, in the naivety of primitive cult and in clever literary adaptations. Moreover, dedication to a form of writing essentially nationalist and conservative encouraged a tone of patriotic pride and allusions, even compliments, to the ruling powers. In the light of such considerations we may examine Ovid's account of the ‘Ludi Megalenses’. The ‘Megalensia’ furnished Ovid with a goddess who had enjoyed fame and even notoriety in the pages of Roman literature. In addition to showing a poetic and neoteric interest in the orgiastic elements of her cult and the alien music of her retinue Roman poetry could reflect too the awe and reverence inspired of old by the Great Mother and expressed in the Greek poets, whom Lucretius claimed as his sources in his powerfully beautiful excursus on Cybele worship. Again, Cybele's importance in Rome had been augmented by her Trojan origins, concerning which a canonical Augustan theology had been established by Vergil in the Aeneid. (shrink)