Over the last 30 years, the computer and videogame has emerged as a popular recreational pastime. While often associated with the artificial and alien, it is my contention that the modern videogame informs on the subject of “nature” and what we consider to be natural. This article delineates some of the “natures” posited in computer game design. It provides a valuable overview of gaming culture and might serve as an introduction to further research on specific game genres. It argues that (...) virtual worlds are currently serving a dual purpose, of reinforcing traditional stereotypes of the natural world, while gradually moving towards radical, new forms of “virtual” nature to contend with. It suggests that the mimicking of biological systems in computer games expresses both our lingering cultural interest in the “great outdoors” and a need to give familiarity and substance to an electronic medium marked by its failure to fit within traditional notions of space and geography. (shrink)

Landscape is a cultural construct, a way of conceptualizing and experiencing place. If it is true that our shaping perception [] makes the difference between raw matter and landscape (Scharma 1995: 10), how do designers and the technologies they use shape that perception? How do the various technologies and techniques that are used to represent landscape in the twenty-first century frame how we perceive nature in our minds and how we sense it through our bodies? This article explores the way (...) so-called natural landscapes are conceived, represented and designed by professionals within contemporary culture. By interrogating how experiences of place are constructed through three mediums webcams, large-format cinema and landscape architectural design an intertextual picture of contemporary landscape emerges that is simultaneously virtual, hybridized and real. (shrink)

This paper is concerned with changing social representations of the ``wild,'' in particular wild animals. We argue that within a contemporary Western context the old agricultural perception of wild animals as adversarial and as a threat to domestication, is being replaced by an essentially urban fascination with certain emblematic wild animals, who are seen to embody symbols of naturalness and freedom. On closer examination that carefully mediatized ``naturalness'' may be but another form of domestication. After an historical overview of the (...) human-animal, domestic-wild construction, an anthropological approach is used to interpret the social representation of wild animals held by different social actors – farmers, hunters, and tourists – within the context of an inhabited National Park, that of the Cévennes in south east France. Within the Park, the domestic and the wild, along with agriculture, hunting, conservation, re-introduced wild animals, and tourists co-habit. It is argued that changes in the representation of ``wildness'' may well be an important indicator ofchanges in the social representation of nature. (shrink)

This paper is concerned with changing social representations of the “wild,” in particular wild animals. We argue that within a contemporary Western context the old agricultural perception of wild animals as adversarial and as a threat to domestication, is being replaced by an essentially urban fascination with certain emblematic wild animals, who are seen to embody symbols of naturalness and freedom. On closer examination that carefully mediatized “naturalness” may be but another form of domestication. After an historical overview of the (...) human-animal, domestic-wild construction, an anthropological approach is used to interpret the social representation of wild animals held by different social actors — farmers, hunters, and tourists — within the context of an inhabited National Park, that of the Cévennes in south east France. Within the Park, the domestic and the wild, along with agriculture, hunting, conservation, re-introduced wild animals, and tourists cohabit. It is argued that changes in the representation of “wildness” may well be an important indicator of changes in the social representation of nature. (shrink)

Food security is a fundamental element of community health. Informal house-lot food growing, by providing convenient access to diverse varieties of affordable and nutritious produce, can provide an important support for community food security. In this exploratory assessment of the contribution home food gardening makes to community food security, in-depth interviews were conducted with gardeners in two contrasting neighborhoods in Toronto, Canada. A typology of food gardeners was developed, and this qualitative understanding of residential food production was then assessed from (...) a community food security perspective. It was found that growing food contributes to food security at all income levels by encouraging a more nutritious diet. The sustainability of household food sourcing and gardeners’ overall health and well-being also increased with food production. Secure access to suitable land to grow food and gardening skills were the most significant barriers found to residential food production. (shrink)

In Japan, yaen kōen or "wild monkey parks" are popular visitor attractions that show free-ranging monkey troops to the paying public. Unlike zoos, which display nonhuman animals through confinement, monkey parks control the movements of the monkeys through provisioning. The parks project an image of themselves as "natural zoos," claiming to practice a more authentic form of displaying animals-in-the-wild than that practiced by the zoo. This article critically evaluates the monkey park's claim by examining park management of the monkeys. The (...) article shows the monkey park's claim to display wild monkeys to be questionable because of the way that provisioning changes monkey behavior. Against the background of human encroachment onto the forest habitat of the monkey, the long-term effect of provisioning is to sedentarize nomadic monkey animals and to turn the wild monkey park into a megazoo. (shrink)

The North American landscape has changed considerably since European settlement, and ecological restorationists are responding to these changes by attempting to restore “natural” areas to their presettlement conditions. Through participant observation, interviews, and document analysis, this work details the physical and conceptual reconstruction of the oak savanna ecosystem. The construction of the “oak savanna” is shown to be more than the creation of a new classification of nature; it is the remaking of a natural community in situ. The “creation story” (...) of the oak savanna is told through the examination of the contested creations of the scientific claim, the expertise to make such a claim, and of nature itself. Finally, the implications of this research for environmental science and the place of the constructivist sociologist are discussed. (shrink)

In this essay we show how certain tendencies of theself are enhanced and hindered by technologicallyorganized places. We coordinate a cognitive andbehavioral technology for the control of personalidentity with the technologically totalizedenvironments that we call synthetic sites. Weproceed by describing Mihaly Csikszentmihalyi''sstrategy for intensifying experience and organizingthe self. Walt Disney World is then considered as theexample, par excellence, of a synthetic sitethat promotes ordered experience via self-shrinkage. Finally, we reflect briefly on problems andpossibilities of human life lived in a world (...) that canbe described with increasing accuracy as anarchipelago of synthetic sites. (shrink)

In traditional ethnographies, it is customarily assumed that the field researcher is an outsider who seeks to acquire an insider’s understanding of the social world being investigated. While conducting field research projects on education and tourism in Trinidad (West Indies) we found that the standard distinction between insider and outsider became problematic for us. Our experiences can be understood in terms of two competing conceptions of fieldwork. One, rooted in classical ethnography, views fieldwork as a process whereby the researcher learns (...) to translate the cultural practices of a little-known or misunderstood group into terms understandable to the ethnographic audience. The other, growing out of the institutional ethnography approach pioneered by Dorothy E. Smith, views fieldwork as a process of mapping the relations that govern an institutional complex. In the latter approach, local experiences provide the point of departure for exploring a wider set of social arrangements. In this article, we treat our own fieldwork experiences as points of departure for a reflexive examination of this alternative ethnographic strategy. (shrink)

In recent times developments in the natural sciences and in the sphere of environmental politics have compelled social scientists, and also some natural scientists, to rethink the relations that hitherto have been held, in Western thought generally and within particular disciplines, to characterize ‘nature’ on the one side and ‘culture’ on the other. This article considers the history of this conceptual boundary and looks at new conceptualizations of nature/culture, stimulated by developments both in biotechnology and in the ongoing controversies about (...) environmental degradation. It argues that while some of the contributions to reconfiguring, or abolishing, the nature/ culture division have been productive and stimulating of new ways of conceiving the world, there has nonetheless been an unfortunate tendency for social scientists to bring to bear inherited analytic dispositions on biotechnological and environmental matters. Instead of using these issues as means of challenging social scientific disciplinary dogmas and of engaging in constructive rapprochement with natural scientists, social scientists have in their analyses of such matters often merely asserted the hegemony of ‘culture’ over ‘nature’, and thus in effect the superiority of social scientific over natural scientific conceptualizations of the world. Far from overcoming the nature/culture boundary, social scientists have too often merely asserted the primacy of the sorts of subject matters and analytic techniques they feel comfortable with, rather than subjecting their practices to fully reflexive self-scrutiny. (shrink)

Landscape, both the actual and the representational, "is a work of the mind" (Schama, 1995, p. 7) it encompasses ideas of difference, arcadia, commodification, nationalism and many others. How does one negotiate the physical and the representational when trying to reach beyond the traditions of the sublime? Anchoring my research in the physical landscape of Kings Park, Perth, Australia whilst looking at looking this paper explores the manifestation of ideas about land in both forms. Central to my research approach is (...) W.J.T. Mitchell's theses on landscape number eight, which states: "landscape is an exhausted medium, no longer viable as a mode of artistic expression" (1994, p. 5). Countered immediately by his next, tongue in cheek, sentence: "like life, landscape is boring; we must not say so" (1994, p. 5). I agree, and this written and visual investigation explores the possibility of rupture to the accepted and traditional Western forms for landscape as a means of creating new conceptualisations. The Australian landscape genre's seminal nature in articulating and circulating national character and identity is central to the need to reapproach it as a valid form for interrogation. This paper examines the place for oppositional voices through the medium to the prevailing nationalistic rhetoric and uses the actual landscape of Kings Park as a physical and represented site to investigate the manifestations of such. (shrink)

The phenomenon of the proliferation of holiday homes, particularly in remote and isolated areas, has provoked widespread concern regarding the fate of the indigenous rural community. The central concern of this thesis is to investigate how the rural community is adapting to the presence of the outsider as both a temporary and permanent resident, by examining the interaction between local and outsider resident in order to get a sense of the dynamics involved in the restructuring of the rural community. The (...) study approached this central problematic, by looking at how rural space is being socially constructed as a result of this interaction, and how rural space is determining the dynamic involved in this interaction. The two rural villages which were chosen for this study, are located in regions of unique cultural and historical interest: Dunfarraig in the Burren region in the west of Ireland, and Gireux in the Cathar region in the south of France. Despite their empirical similarities, these villages have demonstrated quite different responses to the presence of the outsider, which has become apparent through a comparative analysis of the way in which concepts such as ‘community membership’ are played out in either context. The central findings of this research, has been to show how the landscapes of Dunfarraig and Gireux are being symbolically constructed as ‘suburban’ through the social practices of its residents, taking an abstract or social form in the French context, and a material form in the Irish context. Further, how these practices are appealing to a vocabulary of ‘suburbia’, located in the suburban imaginary of residents. These findings of ‘suburbia’ are premised on the theory that residents are constructing a view of the physical landscape for private consumption in the Irish context, and a view of the social landscape, for private consumption in the French context. However, the thesis ultimately defends the rural character of these two villages, maintaining that this interpretation of the ‘suburban imaginary’ is one way of understanding the complexity of these social practices. (shrink)