Results for 'J. M. C. Sharp'

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  1.  14
    Injuries to Unborn Children: Extracts From the Report of the Law Commission.S. Cooke, C. Bicknell, A. L. Diamond, D. Hodgson, N. S. Marsh & J. M. C. Sharp - 1975 - Journal of Medical Ethics 1 (3):111-115.
    We are printing, by kind permission of the Law Commission, two sections of the report of the Law Commission on injuries to unborn children. This report was the result of a request to the Law Commission by the Lord Chancellor at the time (Lord Hailsham of Saint Marylebone) to advise on `what the nature and extent of civil liability for antenatal injury should be'. The Law Commission followed its usual practice in such circumstances of consulting various bodies and obtaining expert (...)
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  2.  22
    Three Critical Periods in Greek Sculpture. By G. M. A. Richter. Pp. Ix + 79, 142 Figs. Oxford: Clarendon Press, 1951. 25s. [REVIEW]J. M. C. Toynbee & G. M. A. Richter - 1953 - Journal of Hellenic Studies 73:183-184.
  3.  13
    The Sculpture of the Hellenistic Age. By M. Bieber. Pp. Xi + 232, with 712 Plates. New York: Columbia University Press, 1955 . £7. [REVIEW]J. M. C. Toynbee & M. Bieber - 1956 - Journal of Hellenic Studies 76 (4):130-132.
  4. Truth by Convention: A Symposium by A. J. Ayer, C. H. Whiteley, M. Black.A. J. Ayer, C. H. Whiteley & M. Black - 1936 - Analysis 4 (2/3):17 - 32.
  5.  10
    La réception de Charles S. Peirce en France.J. M. C. Chevalier - 2010 - Revue Philosophique de la France Et de l'Etranger 135 (2):179.
    Le philosophe américain Charles S. Peirce ne trouva, malgré ses efforts, guère d’interlocuteurs en France. On le considéra comme un mathématicien et logicien, un physicien et un psychologue fiable, mais son œuvre philosophique fut systématiquement distordue au gré des controverses franco-françaises. Nous mettons l’accent sur les lectures d’André Lalande et de Louis Couturat qui contribuèrent néanmoins à faire reconnaître en France l’originalité du père du pragmaticisme.Despite his efforts, the American philosopher Charles S. Peirce found hardly any interlocutors in France. He (...)
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  6.  40
    Roman Portraiture in the Third Century A.D. - Bianca Maria Felletti Maj : Iconografia Romana Imperiale da Severo Alessandro a M. Aurelio Carino, 222–285 D. C. Pp. 309; 209 Figs, on 60 Plates. Rome: L' Erma di Bretschneider, 1958. Paper, L. 11,000.J. M. C. Toynbee - 1959 - The Classical Review 9 (03):281-.
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  7.  40
    Roman Portraiture in the Third Century A.D. Bianca Maria Felletti Maj : Iconografia Romana Imperiale da Severo Alessandro a M. Aurelio Carino, 222–285 D. C. Pp. 309; 209 Figs, on 60 Plates. Rome: L' Erma di Bretschneider, 1958. Paper, L. 11,000. [REVIEW]J. M. C. Toynbee - 1959 - The Classical Review 9 (3):281-282.
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  8.  51
    G. M. A. Richter: Catalogue of Greek and Roman Antiquities in the Dumbarton Oaks Collection. Pp. 77; 27 Plates. Cambridge, Mass.: Harvard University Press , 1956. Cloth, 40s. Net. [REVIEW]J. M. C. Toynbee - 1957 - The Classical Review 7 (3-4):272-273.
  9.  27
    Gisela M. A. Richter: Greek Portraits, Iv. Iconographical Studies: A Few Suggestions. (Collection Latomus, Liv.) Pp. 51; 26 Plates. Brussels: Latomus, 1962. Paper, 120 B.Fr. [REVIEW]J. M. C. Toynbee - 1963 - The Classical Review 13 (01):119-120.
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  10.  22
    Gisela M. A. Richter: Roman Portraits. Pp. 6+56 Half-Tone Plates. New York: Metropolitan Museum of Art, 1948. Paper, $.50. [REVIEW]J. M. C. Toynbee - 1950 - The Classical Review 64 (02):75-.
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  11.  51
    G. M. A. Richter: Greek Portraits, Ii: To What Extent Were They Faithful Likenesses. Pp. 47; 16 Half-Tone Plates. Brussels: Latomus, 1959. Paper, 100 B. Fr. [REVIEW]J. M. C. Toynbee - 1961 - The Classical Review 11 (3):310-311.
  12.  33
    G. M. A. Richter: Greek Portraits, Ii: To What Extent Were They Faithful Likenesses. Pp. 47; 16 Half-Tone Plates. Brussels: Latomus, 1959. Paper, 100 B. Fr. [REVIEW]J. M. C. Toynbee - 1961 - The Classical Review 11 (1):92-93.
  13.  24
    Roman Imperial Art Cornelius C. Vermeule: Roman Imperial Art in Greece and Asia Minor. Pp. Xxiv+548; 185 Photolithographic Ills., 2 Maps, 3 Plans. Cambridge, Mass.: Harvard University Press (London: Oxford University Press), 1968. Cloth, £11. 17s. 6d. Net. [REVIEW]J. M. C. Toynbee - 1969 - The Classical Review 19 (03):353-355.
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  14.  23
    Ancient Rome Dorothy M. Robathan: The Monuments of Ancient Rome. Pp. 211; 16 Plates, 3 Plans. Rome: 'L'Erma' di Bretschneider, 1950. Paper, L. 1,250. [REVIEW]J. M. C. Toynbee - 1952 - The Classical Review 2 (3-4):217-219.
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  15.  31
    Resurrected City J. J. Deiss: Herculaneum: A City Returns to the Sun. Pp. Xv+174; 72 Halftone Photographs, 4 Plans. London: Souvenir Press, 1968. Cloth, 35s. [REVIEW]J. M. C. Toynbee - 1970 - The Classical Review 20 (01):68-69.
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  16.  11
    The Stevensweert Kantharos. By L. H. M. Brom. Pp. 29, with 9 Plates and 5 Text Figures. The Hague: M. Nijhoff, 1952. 15 Guilders. [REVIEW]J. M. C. Toynbee, A. G. Woodhead & L. H. M. Brom - 1956 - Journal of Hellenic Studies 76:140-141.
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  17.  22
    Segmentation in the Perception and Memory of Events.J. M. Zacks & C. A. Kurby - 2008 - Trends in Cognitive Sciences 12 (2):72-79.
  18.  60
    Integrating Ethics Content Into the Core Business Curriculum: Do Core Teaching Materials Do the Job? [REVIEW]Mark C. Baetz & David J. Sharp - 2004 - Journal of Business Ethics 51 (1):53-62.
    Some business schools have integrated business ethics issues into their core functional courses rather than simply offering a separate ethics course. To accommodate such a strategy, functional faculty members usually teach ethical issues, a task for which they are rarely trained. However, learning materials are available: some core course textbooks provide additional coverage of ethics, and case studies (and accompanying teaching notes for instructors) are also available which cover ethical issues.This paper reports on an analysis of these materials. We find (...)
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  19.  48
    Ancient Mosaic Art H. P. L'Orange and P. J. Nordhagen: Mosaics: From Antiquity to the Early Middle Ages. Pp. X + 92; 4 Colour Plates, 110 Half-Tone Text Plates. London: Methuen, 1966. Cloth. 70s. Net. [REVIEW]J. M. C. Toynbee - 1967 - The Classical Review 17 (03):369-370.
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  20.  51
    Greek Portrait Sculpture Evelyn B. Harrison: The Athenian Agora. Results of Excavations Conducted by the American School of Classical Studies at Athens. Vol. I: Portrait Sculpture. Pp. Xiv + 114; 49 Plates. Princeton, N.J.: American School of Classical Studies at Athens, 1953. Cloth, $6. [REVIEW]J. M. C. Toynbee - 1956 - The Classical Review 6 (01):56-59.
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  21.  68
    Proper-Time Formulation of Relativistic Dynamics.J. M. C. Montanus - 2001 - Foundations of Physics 31 (9):1357-1400.
    It will be argued that Minkowski's implementation of distances is inconsistent. An alternative implementation will be proposed. In the new model the proper time of an object is taken as its fourth coordinate. Distances will be measured according to a four dimensional Euclidean metric. In the present approach mass is a constant of motion. A mass can therefore be ascribed to photons and neutrinos. Mechanics and dynamics will be reformulated in close correspondence with classical physics. Of particular interest is the (...)
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  22.  1
    Death and Burial in the Roman World.L. Richardson & J. M. C. Toynbee - 1973 - American Journal of Philology 94 (2):221.
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  23.  15
    Preattentive Object Files: Shapeless Bundles of Basic Features.J. M. Wolfe & S. C. Bennett - 1997 - Vision Research 37:25-43.
  24.  5
    Scattering of Polarized Positrons by Polarized Electrons.J. M. C. Scott - 1957 - Philosophical Magazine 2 (24):1472-1474.
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  25.  40
    Art and Civic Life in the Late Roman Empire. [REVIEW]J. M. C. Toynbee - 1967 - The Classical Review 17 (1):96-98.
  26.  21
    American Academy in Rome.J. M. C. Toynbee - 1959 - The Classical Review 9 (01):70-.
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  27.  27
    American Academy in Rome Memoirs of the American Academy in Rome. Vol. Xxv. Pp. 193: Frontispiece, 44 Plates, and 40 Text-Figures. Rome: American Academy, 1957. Paper. [REVIEW]J. M. C. Toynbee - 1959 - The Classical Review 9 (01):70-72.
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  28.  14
    Alexander as Model.J. M. C. Toynbee - 1970 - The Classical Review 20 (01):82-.
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  29.  25
    Alexander as Model Dorothea Michel: Alexander Als Vorbild Für Pompeius, Caesar Und Marcus Antonius: Archäologische Untersuchungen. (Collection Latomus, Xciv.) Pp. 135; 34 Plates. Brussels: Latomus, 1967. Paper, 275 B.Fr. [REVIEW]J. M. C. Toynbee - 1970 - The Classical Review 20 (01):82-84.
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  30.  22
    A Great Coin Cabinet Anne S. Robertson: Roman Imperial Coins in the Hunter Coin Cabinet, University of Glasgow. I: Augustus to Nerva. Pp. Lxxi + 391; 60 Collotype Plates. Glasgow and Oxford: Oxford University Press (for the University of Glasgow), 1962. Cloth, £7. 10s. Net. [REVIEW]J. M. C. Toynbee - 1963 - The Classical Review 13 (02):211-213.
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  31.  29
    Animals in Latin Poetry.J. M. C. Toynbee - 1977 - The Classical Review 27 (01):30-.
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  32.  22
    Animals in Latin Poetry André Sauvage: Étude de Thèmes Animaliers Dans la Poésie Latine: Le Cheval—les Oiseaux. (Collection Latomus, 143.) Pp. 293. Brussels: Latomus, 1975. Paper, 900 B.Frs. [REVIEW]J. M. C. Toynbee - 1977 - The Classical Review 27 (01):30-31.
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  33.  16
    Ancient Mosaic Art.J. M. C. Toynbee - 1967 - The Classical Review 17 (03):369-.
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  34.  29
    Architecture on Roman Coins.J. M. C. Toynbee - 1971 - The Classical Review 21 (01):122-.
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  35.  40
    Architecture on Roman Coins. [REVIEW]J. M. C. Toynbee - 1971 - The Classical Review 21 (1):122-124.
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  36.  24
    Arch of Triumph.J. M. C. Toynbee - 1968 - The Classical Review 18 (02):230-.
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  37.  41
    Arch of Triumph Richard Brilliant: The Arch of Septimius Severus in the Roman Forum. (Memoirs of the American Academy in Rome, Xxix.) Pp. 271; 98 Plates, 108 Figs. Rome: American Academy in Rome, 1967. Cloth. [REVIEW]J. M. C. Toynbee - 1968 - The Classical Review 18 (02):230-231.
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  38.  22
    Ancient Rome.J. M. C. Toynbee - 1952 - The Classical Review 2 (3-4):217-.
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  39.  29
    Britt Haarløv: New Identifications of Third Century Roman Imperial Portraits. (Odense University Classical Studies, 7.) Pp. 26; 50 Half-Tone Plates. Odense: University Press, 1975. Paper, Dan. Kr. 50. [REVIEW]J. M. C. Toynbee - 1978 - The Classical Review 28 (1):191-191.
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  40.  64
    Coinage and Currency in Roman Britain. [REVIEW]J. M. C. Toynbee - 1938 - The Classical Review 52 (5):192-193.
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  41.  1
    ellenistische Bildnis.J. M. C. Toynbee - 1952 - Journal of Hellenic Studies 72:155.
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  42.  16
    Divagazioni Intorno Ad Una Coppa Paesistica Del Museo di Alessandria. [REVIEW]J. M. C. Toynbee - 1960 - The Classical Review 10 (3):268-269.
  43.  19
    Die Skulpturen des Stadtgebietes von Vindobona. [REVIEW]J. M. C. Toynbee - 1968 - The Classical Review 18 (2):245-246.
  44.  24
    Essai d'Iconographie de l'Empereur Clodius Albinus. [REVIEW]J. M. C. Toynbee - 1967 - The Classical Review 17 (3):398-399.
  45.  34
    Eugen Kusch: Herculaneum. Pp. 32; 80 Plates, 3 Figs. Nürnberg: Hans Carl, 1960. Cloth, DM. 21.50.J. M. C. Toynbee - 1961 - The Classical Review 11 (03):312-313.
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  46.  22
    Frank Brommer: Der Gott Vulkan auf provinzialrömischen Reliefs. Pp. vii+55; 55 plates. Cologne: Böhlau, 1973. Cloth, DM.38. [REVIEW]J. M. C. Toynbee - 1975 - The Classical Review 25 (02):329-.
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  47.  9
    Frank Brommer: Der Gott Vulkan auf provinzialrömischen Reliefs. Pp. vii+55; 55 plates. Cologne: Böhlau, 1973. Cloth, DM.38. [REVIEW]J. M. C. Toynbee - 1975 - The Classical Review 25 (2):329-329.
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  48.  27
    Gallic Art and Culture. [REVIEW]J. M. C. Toynbee - 1962 - The Classical Review 12 (2):164-166.
  49.  22
    Greek Conceptions of Portraiture.J. M. C. Toynbee - 1956 - The Classical Review 6 (02):143-.
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  50.  19
    Greek Conceptions of Portraiture. [REVIEW]J. M. C. Toynbee - 1956 - The Classical Review 6 (2):143-144.
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