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  1. "Japanese Sculpture of the Tempyo Period": Langdon Warner. [REVIEW]Ken Adams - 1965 - British Journal of Aesthetics 5 (4):408.
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  2. The Philosophy of the Visual Arts.Philip Alperson (ed.) - 1992 - Oxford University Press.
    Most instructors who teach introductory courses in aesthetics or the philosophy of arts use the visual arts as their implicit reference for "art" in general, yet until now there has been no aesthetics anthology specifically orientated to the visual arts. This text stresses conceptual and theoretical issues, first examining the very notion of "the visual arts " and then investigating philosophical questions raised by various forms, from painting, the paradigmatic form, to sculpture, photography, film, dance, kitsch, and other forms on (...)
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  3. Word-Sculpture, Speech Acts, and Fictionality.Peter Alward - 2010 - Journal of Aesthetics and Art Criticism 68 (4):389-399.
    A common approach to drawing boundary between fiction and non-fiction is by appeal to the kinds of speech acts performed by authors of works of the respective categories. Searle, for example, takes fiction to be the product of illocutionary pretense of various kinds on the part of authors and non-fiction to be the product of genuine illocutionary action.1 Currie, in contrast, takes fiction to be the product of sui generis fictional illocutionary action on the part of authors and non-fiction to (...)
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  4. Affinity and Difference Between Egyptian and Greek Sculpture and Thought in the Seventh and Sixth Centuries B.C.Rudolf Anthes - 1963 - S.N.
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  5. Personal Styles in Greek Sculpture. J J Pollitt, O Palagia (Edd.).K. Arafat - 1998 - The Classical Review 48 (2):426-428.
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  6. Sources for Sculpture M. Muller-Dufeu (Ed.): La Sculpture Grecque. Sources Littéraires Et Épigraphiques . Pp. Xvi + 1079. Paris: École Nationale Supérieure des Beaux-Arts, 2002. Paper, €35. ISBN: 2-84056-115-. [REVIEW]K. W. Arafat - 2005 - The Classical Review 55 (01):334-.
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  7. Archaic Sculpture. [REVIEW]K. W. Arafat - 1996 - The Classical Review 46 (2):340-341.
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  8. The Chapel of St. Anthony at the Santo and the Development of Venetian Renaissance Sculpture. [REVIEW]Lilian Armstrong - 1997 - Speculum 72 (1):198-200.
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  9. Notes on Seeing Sculpture.Rudolf Arnheim - 1984 - Journal of Aesthetics and Art Criticism 42 (3):319-321.
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  10. The Holes of Henry Moore: On the Function of Space in Sculpture.Rudolf Arnheim - 1948 - Journal of Aesthetics and Art Criticism 7 (1):29-38.
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  11. Notice. Royal Portraits in Sculpture and Coins: Pyrrhos and the Successors of Alexander the Great. BR Brown.R. Ashton - 1997 - The Classical Review 47 (1):226-226.
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  12. Greek Sculpture. One Hundred Illustrations, with an Introduction by John Warrack. Edinburgh: O. Schulze, 20, South Frederick Street. Cloth. [REVIEW] B. - 1916 - The Classical Review 30 (03):95-.
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  13. Purpose and Admiration a Lay Study of the Visual Arts.Joseph Edwin Barton - 1932 - Christophers.
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  14. Romanesque Sculpture in Campania: Patrons, Programs, and Style. [REVIEW]Robert Bergman - 1994 - Speculum 69 (1):147-149.
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  15. Romanesque Sculpture in Campania: Patrons, Programs, and Style.Dorothy F. Glass.Robert P. Bergman - 1994 - Speculum 69 (1):147-149.
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  16. The Life of Form in Indian Sculpture.Carmel Berkson - 2000
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  17. Art, Artistry and Sculpture. [REVIEW]A. Berleant - 1985 - Human Studies 8 (2):183-190.
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  18. Review: Art, Artistry and Sculpture. [REVIEW]A. Berleant - 1985 - Human Studies 8 (2):183 - 190.
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  19. Gothic Sculpture in America, 1: The New England Museums. [REVIEW]Paul Binski - 1991 - Speculum 66 (1):158-159.
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  20. Romanesque Signs: Early Medieval Narrative and Iconography. [REVIEW]R. Bloch - 1984 - Speculum 59 (2):421-425.
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  21. The Emergence of the Classical Style in Greek Sculpture.John Boardman - 2013 - Common Knowledge 19 (1):140-140.
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  22. Newly Discovered Greek Sculpture.John Boardman - 1988 - The Classical Review 38 (02):345-.
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  23. Indian Mediaeval Sculpture.Carol Radcliffe Bolon & Aschwin de Lippe - 1980 - Journal of the American Oriental Society 100 (2):157.
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  24. Transformations, New Sculpture From Britain = Transformações, Nova Escultura de Grã Bretanha : Tony Cragg ... [Et Al.] : Xvii Bienal de São Paulo, 1983 : Museu de Arte Moderna Do Rio de Janeiro, 1984. [REVIEW]Raquel Braune, Museu de Arte Moderna do Rio de Janeiro & Bienal de São Paulo - 1983
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  25. A Collection of Sculpture in Classical and Early Christian Antioch.D. M. Brinkerhoff & John R. Clark - 1971 - Journal of Aesthetics and Art Criticism 29 (3):426-427.
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  26. Book Review:Studies in the Problem of Norms. George P. Adams, J. Loewenberg, Stephen C. Pepper. [REVIEW]A. P. Brogan - 1927 - Ethics 37 (3):314-.
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  27. Perception and the Appraisal of Sculpture.Donald Brook - 1969 - Journal of Aesthetics and Art Criticism 27 (3):323-330.
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  28. The Sculpture of Early Medieval Rajasthan.Robert L. Brown & Cynthia Packert Atherton - 1999 - Journal of the American Oriental Society 119 (2):356.
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  29. Early Christian Art Charles Rufus Morey: Early Christian Art. An Outline of the Evolution of Style and Iconography in Sculpture and Painting From Antiquity to the Eighth Century. Pp. 282; Plates. Princeton: University Press (London: Milford), 1942. Cloth, 50s. Net. [REVIEW]H. Buchthal - 1943 - The Classical Review 57 (03):121-124.
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  30. II. Monuments de Sculpture (Pl. X-XIII).Marcel Bulard, Léon Bizard & Gabriel Leroux - 1907 - Bulletin de Correspondance Hellénique 31 (1):504-529.
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  31. Architectural Sculpture in Romanesque Provence. [REVIEW]John Cameron - 1975 - Speculum 50 (3):477-480.
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  32. Architectural Sculpture in Romanesque Provence. Alan Borg.John Cameron - 1975 - Speculum 50 (3):477-480.
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  33. DEVAMBEZ, Sculpture Grecque.Rose Capps - 1940 - Classical World: A Quarterly Journal on Antiquity 33 (14):160.
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  34. Toward an Understanding of Sculpture as Public Art.Curtis Carter - unknown
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  35. Preface to Richard Lippold: Sculpture.Curtis Carter - unknown
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  36. Inaugural Year Gifts 1984-85: An Exhibition of Selected Paintings, Works on Paper, Sculpture and Decorative Arts.Curtis Carter - unknown
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  37. Sculpture.Curtis L. Carter - unknown
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  38. Sculpture as a Public Art.Curtis L. Carter - unknown
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  39. Sculpture.Curtis L. Carter - 2001 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.
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  40. English Romanesque Sculpture 1066-1140. George ZarneckiLater English Romanesque Sculpture 1140-1210. George Zarnecki.David G. Carter - 1956 - Speculum 31 (1):215-220.
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  41. An Approach to Greek Sculpture An Approach to Greek Sculpture. By A. J. B. Wace. Pp. 52. Cambridge: University Press, 1935. Paper, 2s. [REVIEW]Stanley Casson - 1935 - The Classical Review 49 (05):183-184.
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  42. On Stephen C. Pepper's "on the Uses of Symbolism in Sculpture and Painting".Chung-yuan Chang - 1969 - Philosophy East and West 19 (3):279-283.
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  43. Viking Age Sculpture In Northern England. [REVIEW]Howell Chickering - 1982 - Speculum 57 (2):586-588.
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  44. Viking Age Sculpture in Northern England. Richard N. Bailey.Howell Chickering - 1982 - Speculum 57 (3):586-588.
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  45. MF Hearn, Romanesque Sculpture: The Revival of Monumental Stone Sculpture in the Eleventh and Twelfth Centuries.(A Phaidon Book.) Ithaca, NY: Cornell University Press, 1981. Pp. 240; 161 Illustrations. $35. [REVIEW]Constantine Christofides - 1985 - Speculum 60 (1):155-156.
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  46. Romanesque Sculpture: The Revival of Monumental Stone Sculpture in the Eleventh and Twelfth Centuries. [REVIEW]Constantine Christofides - 1985 - Speculum 60 (1):155-156.
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  47. Romanesque Sculpture: The Revival of Monumental Stone Sculpture in the Eleventh and Twelfth Centuries. M. F. Hearn.Constantine Christofides - 1985 - Speculum 60 (1):155-156.
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  48. Susan Wood: Roman Portrait Sculpture 217–260 A.D.: The Transformation of an Artistic Tradition. (Columbia Studies in the Classical Tradition, 12.) Pp. Xiv + 150; 64 Plates. Leiden: Brill, 1986. U.S.$33.50, Fl. 82. [REVIEW]Malcolm A. R. Colledge - 1988 - The Classical Review 38 (01):181-182.
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  49. Roman Sculpture From Cyrenaica Janet Huskinson: Roman Sculpture From Cyrenaica in the British Museum. (Corpus Signorum Imperii Romani, Great Britain, Ii, I.). Pp. Xiv + 86; 56 Plates, 2 Maps. London: British Museum Publications, 1975. Cloth, £20. [REVIEW]Malcolm A. R. Colledge - 1977 - The Classical Review 27 (02):247-248.
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  50. Phrenology Applied to Painting and Sculpture.George Combe - 1855
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1 — 50 / 244