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  1.  5
    Is There Really A Puzzle Over Negative Emotions And Aesthetic Pleasure?María José Alcaraz León - 2017 - Nordic Journal of Aesthetics 25 (52).
    Two seemingly contradictory aspects have marked art’s appreciation – and aesthetic appreciation in general. While an experience of pleasure seems to ground judgments of aesthetic value, some artworks seem to gain our praise by the very negative – unpleasant – experience they provoke. Known as the paradox of negative emotions, aestheticians have, at least since Aristotle, tried to deal with these cases and offer different explanations of the phenomenon. In this article, María José Alcaraz León does not directly offer an (...)
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  2.  29
    Art in Three Dimensions by Carroll, Noël.María José Alcaraz León - 2012 - Journal of Aesthetics and Art Criticism 70 (2):231-233.
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  3.  32
    Morally Wrong Beauty as a Source of Value.León María José Alcaraz - 2011 - Nordic Journal of Aesthetics 22 (40-41).
    In this paper I would like to address the problem of the aesthetic value of damaged nature. A variety of arguments have been offered in order to ground the view that we cannot perceive damaged nature as beautiful, at least as soon as we are aware of its damaged condition. These arguments are usually offered in tandem with a view about what the correct appreciation of nature involves and, hence, are often supported by this view. I will try to show (...)
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  4. Art's Historical Nature1.María José Alcaraz León - 2007 - Enrahonar 38 (39):159-169.
     
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  5. Fiction and Fictionalism, de RM Saisnbury.María José Alcaraz León - 2011 - Teorema: International Journal of Philosophy 30 (1):179-185.
     
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  6. Cortada hortalà, Joan (2008) la filosofia de Josep Maria capdevila (scripta et documenta, 77). Barcelona: Publicacions de l'abadia de Montserrat, 232 P. [REVIEW]María José Alcaraz León - 2010 - Enrahonar 44:119.
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  7. Music's Moral Character.María José Alcaraz León - 2012 - Teorema: International Journal of Philosophy 31 (3):179-191.
     
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  8.  5
    Contrary Feelings and Ticognitive Significance of Art.María José Alcaraz León - 2011 - Estetika 48 (1):62-80.
    Emotional response to artworks as a source of moral training or experimentation has long been disputed in the history of aesthetics. In this article I address the matter by focusing upon a kind of specimen that may by especially troublesome for an advocate of art’s capacity to educate our sentiments. The cases I focus upon – which I place under the label of the asymmetry problem – are those in which our emotional or evaluative response seems contrary to the one (...)
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  9.  4
    The Nature of Normativity, by Ralph Wedgwood.María José Alcaraz León - 2009 - Disputatio.
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