This category needs an editor. We encourage you to help if you are qualified.
Volunteer, or read more about what this involves.
Related categories
Subcategories:

206 found
Order:
1 — 50 / 206
Material to categorize
  1. Virtual Competitions and the Gamer's Dilemma.Karim Nader - forthcoming - Ethics and Information Technology 1.
    This paper expands Rami Ali’s dissolution of the gamer’s dilemma (Ethics Inf Technol 17:267-274, 2015). Morgan Luck’s gamer’s dilemma (Ethics Inf Technol 11(1):31-36, 2009) rests on our having diverging intuition when considering virtual murder and virtual child molestation in video games. Virtual murder is seemingly permissible, when virtual child molestation is not and there is no obvious morally relevant difference between the two. Ali argues that virtual murder and virtual child molestation are equally permissible/impermissible when considered under different modes of (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  2. Can Literature Be Moral Philosophy? A Sceptical View on the Ethics of Literary Empathy.Ingrid Vendrell Ferran - 2011 - In Sebastian Hüsch (ed.), Philosophy and Literature and the Crisis of Metaphysics.
    One important aspect of Nussbaum´s thesis on the moral value of literature concerns the power of literature to enhance our ability to empathise with other minds. This aspect will be the focus of the current article. My aim is to reflect upon this question regarding the moral value of our empathy for fictional characters. The article is structured in two main parts. I will first examine the concept of “empathy” and distinguish between empathy for human beings and empathy for fictional (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  3. Les Arts et les images: Dialogues avec Dominic McIver Lopes.Dominic McIver Lopes & Laure Blanc-Benon - 2019 - Paris, France: Sorbonne Université Presses.
    Les Arts et les Images se veut une introduction aux principaux terrains d’investigation de Dominic McIver Lopes, philosophe canadien contemporain, figure incontournable de l’esthétique et de la philosophie de l’art en langue anglaise au cours des vingt dernières années. Il ouvre une réflexion sur les méthodes employées en esthétique et philosophie de l’art aujourd’hui, qu’on soit un philosophe dit « analytique » ou bien « continental », Lopes cherchant à penser le lien entre les deux traditions. -/- À travers leur (...)
    Remove from this list  
    Translate
     
     
    Export citation  
     
    Bookmark  
  4. Introduction: The Place of Beauty in Contemporary Aesthetics.Ingrid Vendrell Ferran & Wolfgang Huemer - 2019 - In Wolfgang Huemer & Íngrid Vendrell Ferran (eds.), Beauty. New Essays in Aesthetics and the Philosophy of Art. München, Deutschland:
    The notion of beauty has endured a troublesome history over the last few decades. While for centuries beauty has been considered one of the central values of art, there have also been times when it seemed old-fashioned to even mention the term. The present volume aims to explore the nature of beauty and to shed light its place in contemporary philosphy and art practice.
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  5. Metamorphoses of Aesthetics (Μεταμορφώσεις της αισθητικής) (in greek).Alexandra Mouriki - 2005 - Athens, Greece: Nefeli (2nd edition).
    Why does aesthetics matter in aesthetic education? What are the issues that this area of philosophy deals with, and what kind of questions does it raise in relation to art and the experience one has when s/he comes into contact with a work of art? Moreover, how can aesthetic theory provide sufficient justification for establishing aesthetic education as an autonomous and important field in education? In addressing these fundamental questions, the author: A) follows the development of aesthetics as a series (...)
    Remove from this list   Direct download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  6. Enriching Arts Education Through Aesthetics. Experiential Arts Integration Activities for Early Primary Education.Marina Sotiropoulou-Zormpala & Alexandra Mouriki - 2019 - London, UK: Routledge.
    Enriching Arts Education through Aesthetics examines the use of aesthetic theory as the foundation to design and implement arts activities suitable for integration in school curricula in pre-school and primary school education. This book suggests teaching practices based on the connection between aesthetics and arts education and shows that this kind of integration promotes enriched learning experiences. -/- The book explores how the core ideas of four main aesthetic approaches – the representationalist, the expressionist, the formalist, and the postmodernist – (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  7. Art et nature dans l'esthétique phénoménologique française. M. Merleau-Ponty et M. Dufrenne : La rencontre du logos philosophique ave le logos de l'art.Alexandra Mouriki-Zervou - 1989 - Dissertation,
    Cette thèse essaie de montrer que la pensée phénoménologique de Μ. Merleau-Ponty et de M. Dufrenne suit cette direction de la dernière pensée de Husserl qui descend vers la nature, vers cette élément résistant à la phénoménologie, auquel la phénoménologie tendra à assurer sa place. En essayant de penser l'impense husserlien, M. Merleau-Ponty et M. Dufrenne arriveront à l'idée de la nature en tant qu'originaire, matrice de possibles, champ général de l'être qui est en perpétuel devenir et qui, donc, ne (...)
    Remove from this list   Direct download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  8. Art and Pornography: Philosophical Essays.Hans Maes & Jerrold Levinson (eds.) - 2012 - Oxford University Press UK.
    Art and Pornography presents a series of essays which investigate the artistic status and aesthetic dimension of pornographic pictures, films, and literature, and explores the distinction, if there is any, between pornography and erotic art. Is there any overlap between art and pornography, or are the two mutually exclusive? If they are, why is that? If they are not, how might we characterize pornographic art or artistic pornography, and how might pornographic art be distinguished, if at all, from erotic art? (...)
    Remove from this list  
     
    Export citation  
     
    Bookmark   2 citations  
  9. Pragmatist Aesthetics and the Experience of Technology.David L. Hildebrand - 2018 - In Anders Buch & Theodore Schatzki (eds.), Questions of Practice in Philosophy and Social Theory. New York, NY, USA: pp. 114-135.
    Abstract: For most people, mobile phones and various forms of personal information technology (PIT) have become standard equipment for everyday life. Recent theorists such as Sherry Turkle raise psychological and philosophical questions about the impact of such technologies and practices, but deeper further philosophical work is needed. This paper takes a pragmatic approach to examining the effects of PIT practices upon experience. After reviewing several main issues with technology raised by Communication theorists, the paper looks more deeply at Turkle’s analysis (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  10. Andrea Mecacci, "Kitsch y Neokitsch" - Traducción de Facundo Bey.Facundo Bey & Andrea Mecacci - 2018 - Boletín de Estética 44:7-32.
    El kitsch no es solo una categoría que ha definido una de las posibles gramáticas estéticas de la modernidad, sino también una dimensión antropológica que ha tenido diferentes configuraciones en el curso de los procesos históricos. El ensayo ofrece una mirada histórico-crítica sobre las transformaciones que condujeron desde el kitsch de principios del siglo XX hasta el neokitsch contemporáneo: desde la génesis del kitsch hasta su afirmación como una de las manifestaciones más tangibles de la cultura de masas. Integrándose con (...)
    Remove from this list   Direct download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  11. Gusto. Pensare la frattura. [REVIEW]Fabio Vergine - 2015 - Doppiozero 1.
  12. Games: Agency as Art.C. Thi Nguyen - forthcoming - New York: Oxford University Press.
    Games occupy a unique and valuable place in our lives. Game designers do not simply create worlds; they design temporary selves. Game designers set what our motivations are in the game and what our abilities will be. Thus: games are the art form of agency. By working in the artistic medium of agency, games can offer a distinctive aesthetic value. They support aesthetic experiences of deciding and doing. -/- And the fact that we play games shows something remarkable about us. (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark   1 citation  
  13. Conversations on Art and Aesthetics.Hans Maes - 2017 - Oxford, UK: Oxford University Press.
    What is art? What counts as an aesthetic experience? Does art have to beautiful? Can one reasonably dispute about taste? What is the relation between aesthetic and moral evaluations? How to interpret a work of art? Can we learn anything from literature, film or opera? What is sentimentality? What is irony? How to think philosophically about architecture, dance, or sculpture? What makes something a great portrait? Is music representational or abstract? Why do we feel terrified when we watch a horror (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  14. Kathleen Dow Magnus, Hegel and the Symbolic Mediation of Spirit . Pp. 291. ISBN 0791450465. £15.00.Victoria I. Burke - 2002 - Hegel Bulletin 23 (1-2):138-142.
    Kathleen Dow Magnus' Hegel and the Symbolic Mediation of Spirit is a welcome exposition of the role of the symbol in Hegel's philosophy, and it is an important contribution to scholarship on Hegel's philosophy of language, aesthetics, and theology. Magnus is concerned to provide an alternative to the view that Hegel fails to recognize the value of the symbol in the course of privileging the sign. As Jacques Derrida writes, "The sign, as the unity of the signifying body and the (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  15. Freedom and Nature in Schelling's Philosophy of Art.Devin Zane Shaw - 2010 - New York, NY, USA: Bloomsbury.
    Schelling is often thought to be a protean thinker whose work is difficult to approach or interpret. Devin Zane Shaw shows that the philosophy of art is the guiding thread to understanding Schelling's philosophical development from his early works in 1795-1796 through his theological turn in 1809-1810. -/- Schelling's philosophy of art is the 'keystone' of the system; it unifies his idea of freedom and his philosophy of nature. Schelling's idea of freedom is developed through a critique of the formalism (...)
    Remove from this list  
     
    Export citation  
     
    Bookmark   5 citations  
  16. Egalitarian Moments: From Descartes to Rancière.Devin Zane Shaw - 2016 - New York, NY, USA: Bloomsbury.
    Jacques Rancière's work has challenged many of the assumptions of contemporary continental philosophy by placing equality at the forefront of emancipatory political thought and aesthetics. Drawing on the claim that egalitarian politics persistently appropriates elements from political philosophy to engage new forms of dissensus, Devin Zane Shaw argues that Rancière's work also provides an opportunity to reconsider modern philosophy and aesthetics in light of the question of equality. In Part I, Shaw examines Rancière's philosophical debts to the 'good sense' of (...)
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  17. Resisting Body Oppression: An Aesthetic Approach.Sherri Irvin - 2017 - Feminist Philosophy Quarterly 3 (4):1-26.
    Open Access: This article argues for an aesthetic approach to resisting oppression based on judgments of bodily unattractiveness. Philosophical theories have often suggested that appropriate aesthetic judgments should converge on sets of objects consensually found to be beautiful or ugly. The convergence of judgments about human bodies, however, is a significant source of injustice, because people judged to be unattractive pay substantial social and economic penalties in domains such as education, employment and criminal justice. The injustice is compounded by the (...)
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  18. CPHL504 Philosophy of Art I Photocopy Packet (Edited by V.I. Burke).Victoria I. Burke (ed.) - 2014 - Toronto, anada: Ryerson University.
    This collection of writings on aesthetics includes selections from Theodor Adorno, Walter Benjamin, Mikhail Bakhtin, Sigmund Freud, Martin Heidegger, Amy Mullin, Friedrich Nietzsche, and Frederich Wilhelm Joseph von Schelling. This collection may still be available as a print-on-demand title at the Ryerson University bookstore.
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  19. Philosophy of Games.C. Thi Nguyen - 2017 - Philosophy Compass 12 (8):e12426.
    What is a game? What are we doing when we play a game? What is the value of playing games? Several different philosophical subdisciplines have attempted to answer these questions using very distinctive frameworks. Some have approached games as something like a text, deploying theoretical frameworks from the study of narrative, fiction, and rhetoric to interrogate games for their representational content. Others have approached games as artworks and asked questions about the authorship of games, about the ontology of the work (...)
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    Bookmark   5 citations  
  20. Truly, Madly, Deeply. On What It is to Love a Work of Art.Hans Maes - 2017 - The Philosophers' Magazine 78:53-57.
  21. The Aesthetics of Rock Climbing.C. Thi Nguyen - 2017 - The Philosophers' Magazine 78:37-43.
  22. Review Article: Theatre and Philosophy. [REVIEW]Tom Stern - 2013 - European Journal of Philosophy 21 (1):158-167.
  23. Aesthetics and the Philosophy of Art.John Passmore - 1968 - Critica 2 (6):47-70.
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  24. Produktiver Schein. Phänomenotechnik zwischen Wissenschaft und Ästhetik.Emmanuel Alloa - 2015 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 60 (2):169-182.
    The notion of ‘phenomenotechnique’ which Gaston Bachelard introduced in the 1930’s has enjoyed popularity among historians of science who used it in order to insist upon the technical and social mediateness of scientific facts. In the wake of the current triumphal return to epistemological ‘realism,’ the idea of phenomenotechnique has been dismissed as an alleged relic of ‘constructivism.’ The article advocates for a different reading of ‘phenomenotechnique,’ which, rather than insisting on the fabrication of the scientific fact, highlights the intrinsic (...)
    Remove from this list   Direct download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  25. Improvisation in the Arts.Aili Bresnahan - 2015 - Philosophy Compass 10 (9):573-582.
    This article focuses primarily on improvisation in the arts as discussed in philosophical aesthetics, supplemented with accounts of improvisational practice by arts theorists and educators. It begins with an overview of the term improvisation, first as it is used in general and then as it is used to describe particular products and practices in the individual arts. From here, questions and challenges that improvisation raises for the traditional work-of-art concept, the type-token distinction, and the appreciation and evaluation of the arts (...)
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  26. The Aesthetic Stance - on the Conditions and Consequences of Becoming a Beholder.Maria Brincker - 2015 - In Alfonsina Scarinzi (ed.), Aesthetics and the Embodied Mind: Beyond Art Theory and the Cartesian Mind-Body Dichotomy. Springer. pp. 117-138.
    What does it mean to be an aesthetic beholder? Is it different than simply being a perceiver? Most theories of aesthetic perception focus on 1) features of the perceived object and its presentation or 2) on psychological evaluative or emotional responses and intentions of perceiver and artist. In this chapter I propose that we need to look at the process of engaged perception itself, and further that this temporal process of be- coming a beholder must be understood in its embodied, (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  27. On the Advantages and Disadvantages of Comedy for Life.Russell Ford - 2004 - Journal of the British Society for Phenomenology 35 (1):89-105.
    Freud had read Bergson’s 1900 book Laughter when he composed his own book on jokes, and, even prior to his development of the concept of the super-ego, Freud had criticized Bergson for not following up his insights into the linkage between comedy and childhood experiences. Freud thus chides Bergson for failing to pursue a line of inquiry that would confirm the ultimately tragic underpinnings of comedy. Wise to this clever and even mischievous little suggestion, Bergson’s book can be read as (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  28. Masking the Abject: A Genealogy of Play.Mechthild Nagel - 2002 - Latham, MD, USA: Lexington Books.
    Masking the Abject traces the beginnings of the malediction of play in Western metaphysics to Aristotle. Mechthild Nagel's innovative study demonstrates how play has served as a 'castaway' in western philosophical thinking: It is considered to be repulsive and loathsome, yet also fascinating and desirable. The book illustrates how play 'succeeds' and proliferates after Hegel—despite its denunciation by classical philosophers—entering Marxist, phenomenological, postmodern, and feminist discourses. This work provides the reader with a superb analyisis of how the distinction between the (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  29. Um Espelho de Príncipes Artístico E Profano: A Representação Das Virtudes Do Bom Governo E Os Vícios Do Mau Governo Nos Afrescos de Ambrogio Lorenzetti (C. 1290-1348?). [REVIEW]Ricardo Da Costa - 2003 - Utopía y Praxis Latinoamericana 8 (23):55-72.
    This article analyses some frescoes painted by Ambrogio Lorenzetti entitled the Allegory of Good and Bad Government under the hypothesis that they are the artistic and profane Princes Mirrors. The virtues of Good Government and the vices of tiranny are represented as they appear in the frescoes of..
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  30. Sentimento e forma nella teoria del simbolo di Susanne K. Langer.Nadia Moro - 2007 - Annali Della Facoltà di Lettere E Filosofia 60 (1):141-167.
    Remove from this list   Direct download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  31. Aesthetic Supervenience Vs. Aesthetic Grounding.Jiri Benovsky - 2012 - Estetika 49 (2):166–178.
    The claim that the having of aesthetic properties supervenes on the having of non-aesthetic properties has been widely discussed and, in various ways, defended. In this paper, I will show that even if it is sometimes true that a supervenience relation holds between aesthetic properties and the 'subvenient' non-aesthetic ones, it is not the interesting relation in the neighbourhood. As we shall see, a richer, asymmetric and irreflexive relation is required, and I shall defend the claim that the more-and-more-popular relation (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  32. Art in Three Dimensions by Carroll, Noël.María José Alcaraz León - 2012 - Journal of Aesthetics and Art Criticism 70 (2):231-233.
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  33. The Oxford Handbook of Aesthetics.Peter Rickman - 2005 - Philosophy Now 52:40-40.
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  34. Aesthetics as an Intellectual Network.Casey Haskins - 2011 - Journal of Aesthetics and Art Criticism 69 (3):297-308.
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  35. Why Not Feminist Aesthetic Theory?Hilde Hein - 1998 - Journal of Speculative Philosophy 12 (1):20 - 34.
  36. Ethical Autonomism.Rob van Gerwen - 2004 - Contemporary Aesthetics 2.
    The debate between autonomists and moralists, I argue, has turned into a stalemate due to two mistaken assumptions. Against these assumptions, I argue that the moral nature of a work's contents does not transfer to the work and that, if we are to morally evaluate works we should try to conceive of them as moral agents. Ethical autonomism holds that art's autonomy consists in its demand that art appreciators take up an artistic attitude. A work's agency then is in how (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  37. Species Nova [To See Anew]: Art as Ecology.David Haley - 2003 - Ethics and the Environment 8 (1):143 - 150.
    Remove from this list   Direct download (6 more)  
     
    Export citation  
     
    Bookmark  
  38. Book Review: Serena Anderlini-D'Onofrio. The ?Weak? Subject: On Modernity, Eros and Women's Playwriting. Cranbury, N.J.: Associated University Presses, 1998. [REVIEW]Hilary Robinson - 2003 - Hypatia 18 (3):242-245.
  39. From Babble to Rhapsody: On the Nature of Creativity.Peter Abbs - 1991 - British Journal of Aesthetics 31 (4):291-300.
    Remove from this list   Direct download (6 more)  
     
    Export citation  
     
    Bookmark  
  40. Vaginal Aesthetics.Joanna Frueh - 2003 - Hypatia 18 (4):137-158.
    : Based on the premise that ugliness looms large in both cultural and women's consciousness of vaginas, I create a representation of the vagina's beauty as rich and sweet. Smell, taste, and touch play predominant roles as I use scholarly analysis and my own autobiographical narratives and poems and poetic language in order to redress the vagina's culturally inherited ugliness.
    Remove from this list   Direct download (11 more)  
     
    Export citation  
     
    Bookmark  
Aesthetics, General Works
  1. Art For Art’s Sake In The Old Stone Age.Gregory Currie - 2009 - Postgraduate Journal of Aesthetics 6 (1):1-23.
    Is there a sensible version of the slogan “Art for art’s sake”? If there is, does it apply to anything? I believe that the answers to these questions are Yes and Yes. A positive answer to the first question alone would not be of interest; an intelligible claim without application does not do us much good. It’s the positive answer to the second question which is, I think, more important and perhaps surprising, since I claim to find art for art’s (...)
    Remove from this list   Direct download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  2. How Can There Be Works Of Art?Michael Morris - 2008 - Postgraduate Journal of Aesthetics 5 (3):1-18.
    Interested in art, we tend to be interested in works of art. We seem to encounter works of art all the time, and—setting aside certain relatively abstruse problems in ontology—we seem to have little difficulty in recognizing them for what they are. That there are works of art seems obvious and unproblematic. Quite so, I think. But reflection on what has to be the case if there are to be works of art shows that some quite demanding conditions have to (...)
    Remove from this list   Direct download  
    Translate
     
     
    Export citation  
     
    Bookmark   1 citation  
  3. Can Aesthetic Theories Of Art Be Rescued From The Problem Of Avant-Garde And Other Non-Perceptual Artworks? – An Exploration Of Non-Perceptual Aesthetic Properties.Angharad Shaw - 2007 - Postgraduate Journal of Aesthetics 4 (1):28-38.
    Proponents of the aesthetic theory of art advocate that the aesthetic domain encompasses all artworks. However, there is a belief that although much art falls under the aesthetic, there are some artworks that do not. Avant-garde artworks are offered as counterexamples to the aesthetic theory as they are artworks that reject the very idea of the aesthetic. This paper explains the idea of non-perceptual aesthetic properties and explores whether it can incorporate avant-garde artworks into the domain of the aesthetic.
    Remove from this list   Direct download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  4. There’s A Nice Knockdown Argument For You: Donald Davidson And Modest Intentionalism.Kalle Puolakka - 2006 - Postgraduate Journal of Aesthetics 3 (1):15-24.
    It might come as a surprise for someone who has only a superficial knowledge of Donald Davidson’s philosophy that he has claimed literary language to be ‘a prime test of the adequacy of any view on the nature of language’.1 The claim, however, captures well the transformation that has happened in Davidson’s thinking on language since he began in the 1960’s to develop a truth-conditional semantic theory for natural languages in the lines of Alfred Tarski’s semantic conception of truth. About (...)
    Remove from this list   Direct download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  5. Entitled Art: What Makes Titles Names?Michel-Antoine Xhignesse - 2019 - Australasian Journal of Philosophy 97 (3):437-450.
    Art historians and philosophers often talk about the interpretive significance of titles, but few have bothered with their historical origins. This omission has led to the assumption that an artwork's title is its proper name, since names and titles share the essential function of facilitating reference to their bearers. But a closer look at the development of our titling practices shows a significant point of divergence from standard analyses of proper names: the semantic content of a title is often crucial (...)
    Remove from this list   Direct download (6 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  6. A Layered, Bounded, Integrated Approach to Research on the Arts Across Disciplines.Dominic McIver Lopes - 2019 - Leonardo:1-8.
    Cooperation among arts scholars is thought to be hampered by the division of research on the arts into two cultures, one scientific, one humanistic. This paper proposes an alternative model for research into the arts wherein multiple levels of explanation focussed on well-bounded phenomena integrate research across academic disciplines. Two case studies of research that fits the model are presented.
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  7. Re-Discovering Aesthetics.Francis Halsall, Julia Jansen & Tony O'Connor - 2004 - Postgraduate Journal of Aesthetics 1 (3):77-85.
    The beginning of the 21st century has seen the renewed use of aesthetics as a critical and interpretive method within various discursive spheres. Particularly, and unsurprisingly, this move has been most pronounced in the discursive systems of philosophy and the artworld. It is to this more specific re-discovery that the authors in this journal address their arguments.
    Remove from this list   Direct download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  8. Aesthetics on the Edge: Where Philosophy Meets the Human Sciences.Dominic McIver Lopes - 2018 - Oxford University Press.
    This book proposes a new methodology for aesthetics, where problems in philosophy are addressed by examining how aesthetic phenomena are understood in the human sciences. Lopes then puts the methodology to work, illuminating the perceptual and social-pragmatic capacities involved in responding to works of visual art, literature, and music.
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  9. Against Aesthetic/Sensory Dependence.Jiri Benovsky - 2016 - Nordic Journal of Aesthetics 25 (51).
    In his book The Metaphysics of Beauty Nick Zangwill argues for the claim that aesthetic properties metaphysically necessarily depend on sensory properties. This claim plays a role in his argument against physicalist aesthetic realism as well as in the formulation of his own response- dependence view. In this article, I offer reasons to resist the aesthetic/ sensory dependence claim by a discussion of the case of theories, theorems, proofs, and similar theoretical objects, which do possess genuinely aesthetic properties, while these (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  10. The Nature And Limits Of Analytic Aesthetics.Lars-Olof Åhlberg - 1993 - British Journal of Aesthetics 33 (1):5-16.
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
1 — 50 / 206