The method of analogy is considered as it is used in epistemological considérations of both the object of creation and the creative process itself in art and the sciences. Both areas of creativity are considered within the context of the general systems theory concept of an open system which offers a convenient vehicle for relating the scientist and the artist with the product of his creation. It also provides a convenient method for the explanation of the essential nature of the (...) created object. It is shown how the creative process in both art and science can be viewed as a heuristic search for the structure of an open system‐the object of creation.Similarities in the two areas‐art and science‐are emphasized over the differences, in order to demonstrate the power of the method of analogy. (shrink)

Milovan Djilas' Open Letter to Tito in defense of Mihajlo Mihajlov (20 March 1967) is another testimony to the indomitability of the human spirit, written shortly after Djilas' own releasefrom prison (31 December 1966). In his inimitable, direct style, Djilas reminds Tito, a former comrade-in-arms, that the detention and prosecution of a young, talented writer like Mihajlov only damages the country's reputation and the prospects for democratization. Djilas suggests amnesty for Mihajlov, which in fact became reality, but only a (...) decade later, on the eve of the 1977 Helsinki follow-up conference scheduled for Belgrade. In the meantime, Tito asked Djilas not to contact him in this manner again. (shrink)

This essay explores the intellectual and spiritual ferment in Tito's Yugoslavia focusing on its two major protagonists, Milovan Djilas and Mihajlo Mihajlov, Their quest for an open society and the first freedoms-thought, speech, press, assembly, and association-inspired a phenomenal rebirth ofcivic culture and civil society that toppled commmist rule in the 1989 peaceful revolution which swept across Eastern Europe and shook the Kremlin, This Third Revolution is set in the larger framework recalling the unique features of Yugoslavia's "independent road (...) to socialism," following the Tito-Stalin split in 1948, which made "Djilasism" possible. Titoism as a case study of modernization highlights the promises and pitfalls of Marxist-Leninist ideology whose utopia of a classless society remained a straitjacket limiting efforts at liberalization and democratization. Thus, post-Tito Yugoslavia became a cauldron of nationalist contestations for Tito's mantle of leadership. Mihajlov warned of the consequences of ethnic or identity politics in a multi-ethnic state, resulting in the division of post-Tito Yugoslavia along national/ethnic lines, which triggered the 1990s civil war and "ethnic cleansing" on all sides. The essay concludes that both Djilas and Mihajlov championed freedom. Yet Mihajlov's is the more enduring and universally redeeming vision whose transcendent grounding in a Christian metaphysics resonates across time and space, ennobling cultures. (shrink)

This essay offers a brief overview of Mihajlo Mihajlov's efforts in the USA to publicize human rights violations in Titoist Yugoslavia, Mihajlov co-founded the Committee to Aid Democratic Dissidents in Yugoslavia (CADDY) within The Democracy Intemational in 1979, Its CADDY Bulletin became a reliable source of information regarding persecutions and prosecutions of individuals and groups championing basic human rights and freedoms, the rule of law, pluralism, tolerance, and an open society in Yugoslavia, CADDY thus became a platform urging the (...) democratization of the country as the only way to avoid inter-ethnic conflagration. CADDY inspired Freedom House conferences and publications by both Freedom House and the Helsinki Committee USA as well as the most comprehensive multi-author volume on Human Rights in Yugoslavia, CADDY challenged not only one-party rule in Titoist Yugoslavia, but also the US, State Department's favorable view of this maverick communist state as the first to break away from the Soviet monolith. (shrink)

Jerzy Stempowski and Lev Shestov — existentialism imbued with eastern melancholy. A short history of a friendship: The main objective of this article is to present the friendship between Jerzy Stempowski — Polish writer, essayist and Lev Shestov — Russian writer and philosopher. The article consist of three parts an and short conclusion. In the first part I focus on Stempowski’s predilections for Eastern Europe, and I also explore Stempowski’s complicated, though clearly evident, relation with existentialism. It is in this (...) context that I show both Stempowski’s close affinity with Shestov philosophy, and his evident antipathy to French existentialism. In the second part I attempt to answer the following question: why did Stempowski have such a strong aversion to Albert Camus’ work. In this part of my essay I briefly refer to a Serbian writer and dissident — Mihajlo Mihajlov. In the third part I explore Stempowski’s friendship with Shestov and I also sketch the ideological horizon they both shared. Moreover, I mention Shestov’s presentations at the philosophical conferences in Kraków and Berlin as well as his meeting with Edmund Husserl in Amsterdam. In the short conclusion to my article I suggest that Stempowski’s existentialism is an individual, original project even if his existentialism draws upon most of the major themes in philosophical treatises and literature of existentialism. His “existential project” is based on: 1. reason which rationally orders reality, 2. sympathy towards antirational and prophetic philosophy of Russian thinkers which he analyses from the positions of a professed atheist and 3. deeply-rooted humanistic values. (shrink)