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Penelope Gouk [34]Penelope M. Gouk [3]
  1.  19
    The Role of Acoustics and Music Theory in the Scientific Work of Robert Hooke.Penelope Gouk - 1980 - Annals of Science 37 (5):573-605.
    The work of Robert Hooke on acoustics and music theory is a larger subject than might seem the case from studies of his career so far available. First, there are his experiments for the Royal Society which can be defined as purely acoustical, which anticipate later experiments performed by men such as J. Sauveur and E. Chladni. Second, there are passages in many of his writings which by extensive use of musical analogy attempt to account for all physical phenomena of (...)
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  2.  43
    Newton and Music: From the Microcosm to the Macrocosm.Penelope Gouk - 1986 - International Studies in the Philosophy of Science 1 (1):36 – 59.
  3.  13
    An Early Critique of Bacon's Sylva Sylvarum: Edmund Chilmead's Treatise on Sound.Mordechai Feingold & Penelope M. Gouk - 1983 - Annals of Science 40 (2):139-157.
  4.  16
    The Union of Arts and Sciences in the Eighteenth Century: Lorenz Spengler (1720–1807), Artistic Turner and Natural Scientist. [REVIEW]Penelope M. Gouk - 1983 - Annals of Science 40 (5):411-436.
    (1983). The union of arts and sciences in the eighteenth century: Lorenz Spengler (1720–1807), artistic turner and natural scientist. Annals of Science: Vol. 40, No. 5, pp. 411-436.
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  5.  16
    A. C. Crombie. Science, Optics and Music in Medieval and Early Modern Thought. London and Ronceverte: The Hambledon Press, 1990. Pp. Xii + 474, Illus. ISBN 0-907628-79-6. £37.50. [REVIEW]Penelope Gouk - 1992 - British Journal for the History of Science 25 (3):359-360.
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  6.  30
    C. F. C. Beeson, Clockmaking in Oxfordshire 1400–1850, 3rd Edn, with a New Introduction and Index by A. V. Simcock. Oxford: Museum of the History of Science, 1989. Pp. Vii + 212. ISBN 0-903364-06-9. £22.00. [REVIEW]Penelope Gouk - 1991 - British Journal for the History of Science 24 (4):489-490.
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  7.  20
    C.U.M. Smith, Eugenio Frixione, Stanley Finger and William Clower, The Animal Spirit Doctrine and the Origins of Neurophysiology. Oxford: Oxford University Press, 2012. Pp. Xiv+277. ISBN 978-0-19-976649-9. £75.00. [REVIEW]Penelope Gouk - 2013 - British Journal for the History of Science 46 (1):161-162.
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  8.  18
    Deborah E. Harkness. The Jewel House: Elizabethan London and the Scientific Revolution. Xviii + 348 Pp., Illus., Figs., Bibl., Index. New Haven, Conn.: Yale University Press, 2007. $32.50. [REVIEW]Penelope Gouk - 2008 - Isis 99 (2):395-397.
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  9. Edited Volumes-Musical Healing in Cultural Contexts.Penelope Gouk - 2002 - History and Philosophy of the Life Sciences 24 (2):347.
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  10.  15
    H. F. Cohen, Quantifying Music: The Science of Music at the First Stage of the Scientific Revolution, 1580–1650 Dordrecht, Boston & Lancaster: D. Reidel Publishing Co., 1984. Pp. Xvii + 308. ISBN 90-277-1637-4. Dfl 145, $54.50. [REVIEW]Penelope Gouk - 1985 - British Journal for the History of Science 18 (3):369-371.
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  11.  10
    JAMIE C. KASSLER, Music, Science, Philosophy: Models in the Universe of Thought. Variorum Collected Studies Series, CS713. Aldershot: Ashgate, 2001. Pp. Xvi+301. ISBN 0-86078-862-8. £55.00. [REVIEW]Penelope Gouk - 2003 - British Journal for the History of Science 36 (1):87-127.
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  12.  41
    JAMIE C. KASSLER, The Beginnings of the Modern Philosophy of Music in England: Francis North's A Philosophical Essay of Music with Comments of Isaac Newton, Roger North and in the Philosophical Transactions. Aldershot: Ashgate, 2004. Pp. Xiv+243. ISBN 0-7546-0139-0. £40.00. [REVIEW]Penelope Gouk - 2006 - British Journal for the History of Science 39 (3):446-448.
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  13.  15
    James Kennaway, Bad Vibrations: The History of the Idea of Music as a Cause of Disease. Farnham: Ashgate, 2012. Pp. Xii+213. ISBN 978-1-4094-2642-4. £65.00. [REVIEW]Penelope Gouk - 2013 - British Journal for the History of Science 46 (3):525-526.
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  14.  17
    Music as a Means of Social Control: Some Examples of Practice and Theory in Early Modern Europe.Penelope Gouk - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary Perspectives on Musical Arousal, Expression, and Social Control. Oxford University Press. pp. 307.
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  15.  18
    Maria Semi, Music as a Science of Mankind in Eighteenth-Century Britain. Farnham: Ashgate, 2012. Pp. X+185. ISBN 978-1-4094-2868-8. £55.00. [REVIEW]Penelope Gouk - 2012 - British Journal for the History of Science 45 (3):462-463.
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  16.  10
    Patrice Bailhache. Une Histoire de l'Acoustique Musicale. 199 Pp., Illus., Figs., Bibl., Index. Paris: CNRS Editions, 2001. Fr 150 .Suzannah Clark;, Alexander Rehding . Music Theory and Natural Order From the Renaissance to the Early Twentieth Century. Xii + 243 Pp., Illus., Figs., Bibl., Index. Cambridge/New York: Cambridge University Press, 2001. $64.95. [REVIEW]Penelope Gouk - 2002 - Isis 93 (2):293-294.
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  17.  15
    Pamela H. Smith and Benjamin Schmidt , Making Knowledge in Early Modern Europe: Practices, Objects, and Texts, 1400–1800. Chicago and London: University of Chicago Press, 2008. Pp. Xi+360. ISBN 978-226-76329-3. $28.00. [REVIEW]Penelope Gouk - 2009 - British Journal for the History of Science 42 (1):132.
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  18.  13
    Peter Pesic. Music and the Making of Modern Science. Viii + 347 Pp., Illus., Bibl., Index. Cambridge, Mass.: MIT Press, 2014. $40. [REVIEW]Penelope Gouk - 2015 - Isis 106 (2):412-413.
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  19.  22
    Rebecca Cypess. Curious and Modern Inventions: Instrumental Music as Discovery in Galileo’s Italy. Xxi + 307 Pp., Tables, Illus., Bibl., Index. Chicago/London: University of Chicago Press, 2016. $55. [REVIEW]Penelope Gouk - 2017 - Isis 108 (1):186-187.
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  20.  26
    R. G. W. Anderson, J. A. Bennett and W. F. Ryan , Making Instruments Count: Essays on Historical Scientific Instruments Presented to Gerard L'Estrange Turner. Aldershot: Variorum, 1993. Pp. Xix + 492. ISBN 0-86078-394-4. No Price Given. [REVIEW]Penelope Gouk - 1995 - British Journal for the History of Science 28 (1):124-125.
  21.  26
    Suzanne B. Butters, The Triumph of Vulcan: Sculptors' Tools, Porphyry, and the Prince in Ducal Florence, 2 Vols. Florence: Leo S. Olschki, 1996. Pp. 724, Illus. ISBN 88-222-4411-7. 320,000 Lire. [REVIEW]Penelope Gouk - 1998 - British Journal for the History of Science 31 (1):63-102.
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  22.  34
    Seventeenth Century Michael Hunter, The Royal Society and its Fellows 1660–1700: The Morphology of an Early Scientific Institution. Chalfont St Giles, Bucks.: The British Society for the History of Science, 1982. Pp. V + 270. ISBN 0-906450-03-9. £5.90, $11.00. [REVIEW]Penelope Gouk - 1984 - British Journal for the History of Science 17 (1):110-110.
  23.  18
    Stuart Clark, Vanities of the Eye: Vision in Early Modern European Culture. Oxford: Oxford University Press, 2007. Pp. Xii+415. ISBN 978-0-19-925013-4. £35.00. [REVIEW]Penelope Gouk - 2009 - British Journal for the History of Science 42 (4):603.
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  24. Some English Theories of Hearing in the Seventeenth Century: Before and After Descartes.Penelope Gouk - 1991 - In Charles Burnett, Michael Fend & Penelope Gouk (eds.), The Second Sense. Warburg Institute. pp. 95--113.
     
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  25.  16
    Science in Different Countries Michael Hunter, Science and Society in Restoration England. Cambridge: Cambridge University Press, 1981. Pp. Xii + 233. £18.50; £5.95. [REVIEW]Penelope Gouk - 1982 - British Journal for the History of Science 15 (2):193-194.
  26.  1
    Thomas L. Hankins and Robert J. Silverman, Instruments and the Imagination. Princeton: Princeton University Press. Pp. Xiv+337. ISBN 0-691-02997-0. £33.50, $39.50. [REVIEW]Penelope Gouk - 1998 - British Journal for the History of Science 31 (1):63-102.
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