Results for 'Roman poetry'

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  1.  3
    Interpreting Roman Poetry.D. M. Hooley - 1994 - The Classical Review 44 (02):276-.
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  2.  9
    Elision of Atque in Roman Poetry.O. Skutsch - 1948 - Classical Quarterly 42 (3-4):91-.
    Every reader of Roman poetry must be struck by the fact that atque is so much more frequently elided than left unelided; and that the rarity of unelided atque is not—a matter of chance may be seen from a comparison between the poets' treatment of this word and that of others of a similar metrical structure: i.e. disyllables beginning with an open long vowel and terminating with an open short one. Such words ending in -que or -ě are (...)
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  3.  10
    Tradition and Originality in Roman Poetry.Brooks Otis & Gordon Williams - 1971 - American Journal of Philology 92 (2):316.
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  4.  40
    A Postscript to the Discussion on Grammar of Poetry.Roman Jakobson - 1980 - Diacritics 10 (1):21.
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  5.  37
    Fragments of Roman Poetry: c.60 BC–AD 20.James E. G. Zetzel - 2009 - Classical World: A Quarterly Journal on Antiquity 102 (3):347-348.
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  6.  4
    Roman Poetry Roman Poetry. By E. E. Sikes, M.A., Fellow and Tutor of St. John's College, Cambridge. 8vo. Pp. vi + 280. London: Methuen and Co. 8s.6d.net. [REVIEW]J. W. Mackail - 1924 - The Classical Review 38 (5-6):113-116.
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  7. Philosophy, poetry and drama in the museum.Roman de la Calle - forthcoming - Teorema: International Journal of Philosophy.
  8.  34
    Interpreting Roman Poetry[REVIEW]D. M. Hooley - 1994 - The Classical Review 44 (2):276-277.
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  9.  16
    A History of Lost Tablets.L. Roman - 2006 - Classical Antiquity 25 (2):351-388.
    This study examines a recurrent scenario in Roman poetry of the first-person genres: the separation of the poet from his writing tablets. Catullus' tablets are stolen ; Propertius' are lost ; Ovid's are consigned to disuse and decay by their disappointed owner. Martial, who does not reproduce the specific narrative of loss, nonetheless engages with the tradition of lost tablets from within the fiction of festive gift-exchange in his Apophoreta : rather than losing or rejecting the tablets, he (...)
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  10.  48
    FRP - Hollis Fragments of Roman Poetry c. 60 B.C. – A.D. 20. Pp. xviii + 440. Oxford: Oxford University Press, 2007. Cased, £80. ISBN: 978-0-19-814698-8. [REVIEW]Richard F. Thomas - 2010 - The Classical Review 60 (1):128-130.
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  11.  32
    Translations of Roman Poetry[REVIEW]Charles Martindale - 1990 - The Classical Review 40 (2):258-260.
  12.  7
    Callimachus, the Victoria Berenices, and Roman Poetry.Richard F. Thomas - 1983 - Classical Quarterly 33 (01):92-.
    It is now five years since P. J. Parsons published the Lille Callimachus, and the dust appears to have settled. The appearance of these fragments, which greatly increase our knowledge of the opening of the third book of the Aetia, has been followed by no great critical reaction. Apart from the attractive suggestion of E. Livrea that the ‘Mousetrap’ may belong within the story of Heracles and Molorchus, the episode has had somewhat limited impact. This is against the usual trend (...)
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  13.  39
    Lands and Peoples in Roman Poetry: The ethnographical tradition. [REVIEW]Nicholas Horsfall - 1984 - The Classical Review 34 (1):133-134.
  14.  20
    An Approach to Roman Poetry[REVIEW]R. O. A. M. Lyne - 1981 - The Classical Review 31 (2):218-221.
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  15.  2
    Birthday Rituals: Friends and Patrons in Roman Poetry and Cult.Kathryn Argetsinger - 1992 - Classical Antiquity 11 (2):175-193.
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  16. Allusion and Intertext: Dynamics of Appropriation in Roman Poetry. By Stephen Hinds.C. Eichenlaub - 2000 - The European Legacy 5 (2):285-286.
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  17.  1
    Poetry and Number in Graeco-Roman Antiquity.Max Leventhal - 2022 - Cambridge University Press.
    Poetry and mathematics might seem to be worlds apart. Nevertheless, a number of Greek and Roman poets incorporated counting and calculation within their verses. Setting the work of authors such as Callimachus, Catullus and Archimedes in dialogue with the less well-known isopsephic epigrams of Leonides of Alexandria and the anonymous arithmetical poems preserved in the Palatine Anthology, the book reveals the various roles that number played in ancient poetry. Focussing especially on counting and arithmetic, Max Leventhal demonstrates (...)
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  18.  23
    Today we have Naming of Parts - Cairns Generic Composition in Greek and Roman Poetry. Revised edition. Pp. x + 336. Ann Arbor: Michigan Classical Press, 2007 . Cased, £45. ISBN: 978-0-9799713-1-0. [REVIEW]Bob Cowan - 2010 - The Classical Review 60 (1):110-112.
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  19.  25
    Ancient Salt: The New Rhetoric and the OldThe Art of Rhetoric in the Roman World, 300 B.C.-A.D. 300.The Speeches in Vergil's Aeneid.Generic Composition in Greek and Roman Poetry.Greek Sophists in the Roman Empire.Hermogenes and the Renaissance: Seven Ideas of Style. [REVIEW]Helen F. North, George Kennedy, Gilbert Highet, Francis Cairns, G. W. Bowersock & Annabel M. Patterson - 1974 - Journal of the History of Ideas 35 (2):349.
  20.  42
    Latin love elegy. E. spentzou the Roman poetry of love. Elegy and politics in a time of revolution. Pp. XIV + 107. London and new York: Bloomsbury academic, 2013. Paper, £12.99. Isbn: 978-1-78093-204-0. [REVIEW]Darcy Krasne - 2015 - The Classical Review 65 (1):136-138.
  21.  9
    The experience of reading hellenistic and Roman poetry - (A.) gramps the fiction of occasion in hellenistic and Roman poetry. (Trends in classics supplementary volume 118.) Pp. XVIII + 209. Berlin and boston: De gruyter, 2021. Cased, £100, €109.95, us$126.99. Isbn: 978-3-11-073699-1. [REVIEW]Nicoletta Bruno - 2022 - The Classical Review 72 (2):399-401.
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  22.  2
    Catullus and Heroides 1 - (D.S.) McKie Essays in the Interpretation of Roman Poetry. Pp. xii + 307. Cambridge: Cambridge Classical Press, 2009. Paper, £20. ISBN: 978-0-85455-042-5. [REVIEW]S. J. Heyworth - 2012 - The Classical Review 62 (2):493-496.
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  23.  3
    Characterisation in latin poetry - seo exemplary traits. Reading characterization in Roman poetry. Pp. XII + 220. New York: Oxford university press, 2013. Cased, £74, us$74. Isbn: 978-0-19-973428-3. [REVIEW]James Uden - 2014 - The Classical Review 64 (2):466-468.
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  24.  6
    Cairns (F.) (ed.) Papers of the Langford Latin Seminar. Twelfth Volume 2005. Greek and Roman Poetry. Greek and Roman Historiography. (ARCA Classical and Medieval Texts, Papers and Monographs 44.) Pp. viii + 343, maps. Cambridge: Francis Cairns, 2005. Cased, £45, US$90. ISBN: 978-0-905205-41-. [REVIEW]Emma Gee - 2008 - The Classical Review 58 (1):119-122.
  25.  4
    Empowering the reader L. Edmunds: Intertextuality and the reading of Roman poetry . Pp. XX + 201. Baltimore and London: The Johns Hopkins university press, 2001. Cased. £32.50. Isbn: 0-8018-6511-. [REVIEW]Philip Hardie - 2002 - The Classical Review 52 (02):296-.
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  26.  3
    Augustus and the Poets Anton Powell (ed.): Roman Poetry and Propaganda in the Age of Augustus. Pp. ix + 181; 8 illustrations. London: Bristol Classical Press, 1992. [REVIEW]R. G. M. Nisbet - 1993 - The Classical Review 43 (02):296-297.
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  27.  8
    Intertextuality S. Hinds: Allusion and Intertext: Dynamics of Appropriation in Roman Poetry . Pp. xv + 155. Cambridge: Cambridge University Press, 1998. Cased, £32.50/$54.95 (Paper, £11.95/$18.95). ISBN: 0-521-57186-3 (0-521-57677-6 pbk). [REVIEW]James J. O’Hara - 1999 - The Classical Review 49 (01):97-.
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  28.  5
    POETRY OF NUMBERS IN GRAECO-ROMAN LITERATURE - (M.) Leventhal Poetry and Number in Graeco-Roman Antiquity. Pp. xii + 231. Cambridge: Cambridge University Press, 2022. Paper, £29.99, US$39.99 (Cased, £74.99, US$99.99). ISBN: 978-1-009-12417-1 (978-1-009-12304-4 hbk). Open Access. [REVIEW]Markus Asper - 2024 - The Classical Review 74 (1):21-23.
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  29.  38
    Roman love poetry. D.e. mccoskey, Z.m. Torlone latin love poetry. Pp. XXVI + 233, ills. London and new York: I.B. Tauris, 2014. Paper, £14.99 . Isbn: 978-1-78076-191-6. [REVIEW]Johan Steenkamp - 2015 - The Classical Review 65 (2):446-448.
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  30.  6
    The Roman Callimachus Peter E. Knox: Ovid's Metamorphoses and the Traditions of Augustan Poetry. (Cambridge Philological Society, Suppl. Vol. 11.) Pp. vi + 98. Cambridge: The Cambridge Philological Society, 1986. Paper, £10 to members, £12.50 to non-members. [REVIEW]A. A. R. Henderson - 1988 - The Classical Review 38 (01):27-28.
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  31.  7
    Poetry and Life Jasper Griffin: Latin Poets and Roman Life. (Classical Life and Letters.) Pp. xiv + 226. London: Duckworth, 1985. £24. Jasper Griffin: The Mirror of Myth. The T.S. Eliot Memorial Lectures. Pp. 144. London: Faber & Faber, 1986. £15. [REVIEW]David West - 1987 - The Classical Review 37 (01):50-52.
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  32.  7
    Poetry Books (G.O.) Hutchinson Talking Books. Readings in Hellenistic and Roman Books of Poetry. Pp. xiv + 332, ills. Oxford and New York: Oxford University Press, 2008. Cased, £60, US$120. ISBN: 978-0-19-927941-. [REVIEW]John B. Van Sickle - 2009 - The Classical Review 59 (2):413-.
  33.  9
    First person plural: Roman Jakobson’s grammatical fictions.Julia Kursell - 2010 - Studies in East European Thought 62 (2):217 - 236.
    Roman Jakobson, who had left Russia in 1920 and in 1941 took refuge in the USA from the Nazis, was one of the main figures in post war linguistics and structuralism. Two aspects of his work are examined in this article. Firstly, Jakobson purifies his linguistic theory of pragmatic references. Secondly, he develops his own diplomatic mission of mediating between East and West. In this article, I argue that these two aspects did not develop independently from one another. Instead (...)
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  34.  1
    Constructing Literature in the Roman Republic: Poetry and Its Reception (review).W. Martin Bloomer - 2008 - Classical World: A Quarterly Journal on Antiquity 101 (2):261-262.
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  35.  9
    Constructing Literature in the Roman Republic: Poetry and Its Reception (review).Joseph Farrell - 2007 - American Journal of Philology 128 (2):283-286.
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  36.  19
    ON GREEK AND ROMAN LOVE POETRY - (T.S.) Thorsen, (I.) Brecke, (S.) Harrison (edd.) Greek and Latin Love. The Poetic Connection. Pp. viii + 267. Berlin and Boston: De Gruyter, 2021. Cased, £91, €99.95, US$114.99. ISBN: 978-3-11-063059-6. [REVIEW]Andreas N. Michalopoulos - 2023 - The Classical Review 73 (1):13-16.
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  37.  2
    Review of Pindar's poetry, patrons, and festivals: from archaic Greece to the Roman Empire, by Hornblower, S. and Morgan, C.(eds.). [REVIEW]David Fearn - 2009 - Journal of Hellenic Studies 129:140-141.
    :This article uses recent findings about the diversity of political organization in Archaic and Classical Greece beyond Athens, and methodological considerations about the role of civic Hestia in oligarchic communities, to add sharpness to current work on the political contextualization of Classical enkomiastic poetry. The two works considered here remind us of the epichoric political significance of such poetry, because of their attunement to two divergent oligarchic contexts. They thus help to get us back to specific fifth-century political (...)
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  38.  4
    Reading Rivers in Roman Literature and Culture.Prudence J. Jones - 2005 - Lexington Books.
    This study examines rivers as a literary phenomenon, particularly in the poetry of Vergil. It first considers the Greco-Roman understanding of the river in its primary symbolic roles, cosmological, ritual and ethnographical, and then analyzes the river as a literary device, arguing that descriptions of rivers in Roman poetry are, in many cases, a form of authorial comment on the progress or structure of a narrative.
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  39.  12
    Prudentius, a Roman and/or spanish poet - hershkowitz Prudentius, Spain, and late antique christianity. Poetry, visual culture, and the cult of martyrs. Pp. XIV + 254, ills, map. Cambridge: Cambridge university press, 2017. Cased, £75, us$99.99. Isbn: 978-1-107-14960-1. [REVIEW]Marc Mastrangelo - 2018 - The Classical Review 68 (2):438-440.
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  40.  2
    The republic in Augustan poetry - Farrell, nelis Augustan poetry and the Roman republic. Pp. XII + 393. Oxford: Oxford university press, 2013. Cased, £80, us$150. Isbn: 978-0-19-958722-3. [REVIEW]Steven J. Green - 2014 - The Classical Review 64 (2):461-463.
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  41.  3
    Roman Jakobson: Life, Language and Art.Richard Bradford - 1994 - Routledge.
    In _Roman Jakobson_ Richard Bradford reasserts the value of Jakobson's work, arguing that he has a great deal to offer contemporary critical theory and providing a critical appraisal the sweep of Jakobson's career. Bradford re-establishes Jakobson's work as vital to our understanding of the relationship between language and poetry. By exploring Jakobson's thesis that poetry is the primary object language, _Roman Jakobson: Life, Language, Art_ offers a new reading of his work which includes the most radical elements of (...)
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  42.  8
    Joseph Farrell – Damien Patrick Nelis , Augustan Poetry and the Roman Republic, Oxford – New York. 2013.Emmanuelle Raymond-Dufouleur - 2017 - Klio 99 (1):373-380.
    Name der Zeitschrift: Klio Jahrgang: 99 Heft: 1 Seiten: 373-380.
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  43.  5
    The War with God: Theomachy in Roman Imperial Poetry by Pramit Chaudhuri.Tim Stover - 2015 - Classical World: A Quarterly Journal on Antiquity 109 (1):141-142.
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  44.  2
    The War with God: Theomachy in Roman Imperial Poetry by Pramit Chaudhuri.Martin T. Dinter - 2016 - American Journal of Philology 137 (1):177-180.
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  45.  4
    Topics of Pity in the Poetry of the Roman Republic.Edward B. Stevens - 1941 - American Journal of Philology 62 (4):426.
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  46.  2
    Heidegger: Poetry, esthetics and truth. [Spanish].Marta De La Vega Visbal - 2010 - Eidos: Revista de Filosofía de la Universidad Del Norte 12:28-46.
    Normal 0 21 false false false ES-CO X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tabla normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} The analysis of Heidegger’s conception of language serves as a starting point and common thread to explain his aesthetics theory and the linkage and relationship between aesthetics and ontology, and between aesthetics and truth, understood (...)
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  47.  25
    Greek and Roman Pastoral Poetry[REVIEW]Edna Jenkinson - 1978 - The Classical Review 28 (1):63-66.
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  48.  4
    Roman Jakobson: Life, Language and Art.Richard Bradford - 1994 - Routledge.
    In Roman Jakobson Richard Bradford reasserts the value of Jakobson's work, arguing that he has a great deal to offer contemporary critical theory and providing a critical appraisal the sweep of Jakobson's career. Bradford re-establishes Jakobson's work as vital to our understanding of the relationship between language and poetry. By exploring Jakobson's thesis that poetry is the primary object language, Roman Jakobson: Life, Language, Art offers a new reading of his work which includes the most radical (...)
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  49.  10
    Philodemus and Poetry: Poetic Theory and Practice in Lucretius, Philodemus, and Horace.Dirk Obbink (ed.) - 1995 - Oxford University Press.
    Designed to offer a critical survey of trends and developments in recent scholarship on Philodemus of Gadara and Hellenistic literary theory, the essays in this volume treat the papyrus texts of Philodemus' treatises on poetry and the related subjects of rhetoric and music, establishing links with his Roman contemporaries Lucretius, Catullus, Horace, and Virgil. The volume contains a complete translation of Philodemus' On Poems Book 5. The essays evaluate Philodemus' formalism, which denied the moral utility of poetry (...)
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  50.  13
    The ‘Roman de la Rose' and Thirteenth-Century Thought.Jonathan Morton & Marco Nievergelt (eds.) - 2020 - Cambridge University Press.
    The thirteenth-century allegorical dream vision, the Roman de la Rose, transformed how medieval literary texts engaged with philosophical ideas. Written in Old French, its influence dominated French, English and Italian literature for the next two centuries, serving in particular as a model for Chaucer and Dante. Jean de Meun's section of this extensive, complex and dazzling work is notable for its sophisticated responses to a whole host of contemporary philosophical debates. This collection brings together literary scholars and historians of (...)
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