Nelson Goodman has provided one of the most exciting advances in semiotic aesthetics in years in his recent book, Languages of Art. Among other theses that Goodman defends is the claim that pictures are elements of symbol systems to be understood in the way that languages are understood: that depiction and description are species of a common genus which is to be understood in terms of denotation. One of the consequences Goodman draws from his theory is that depiction is conventional: (...) the fact that a certain picture depicts a man is as much a matter of convention as the fact that a certain phrase describes him. This claim is interesting and exciting, but is it correct? Unfortunately, I do not think we are yet in a position to answer this last question, although I shall try to get nearer to an answer in this paper. (shrink)

The underdetermination thesis poses a threat to rational choice of scientific theories. We discuss two arguments for the thesis. One draws its strength from deductivism together with the existence thesis, and the other is defended on the basis of the failure of a reliable inductive method. We adopt a partially subjective/objective pragmatic Bayesian epistemology of science framework, and reject both arguments for the thesis. Thus, in science we are able to reinstate rational choice called into question by the underdetermination thesis.

The dimensional framework -- The dramatic universe -- Function, being and will -- The conditions of existence -- The threshold of existence -- Natural knowledge of God.

These diary entries from John and Elizabeth Bennett cover the few months before Gurdjieff's death in Paris on October29, 1949. Twice daily the group would go through a series of rituals, the most significant of which was known as "the toast of the idiots". This "science of idiotism" portrayed the human situation and the hazards of attaining liberation.

Foreword to new edition / George Bennett -- Original foreword / Elizabeth Bennett -- The diaries July 23, 1949-November 7,1949 -- Additional entries November 8-22, 1949.

Talks collected from lectures given by Bennett with Gurdjieff's approval, to help people understand All and Everything: Beelzebub's Tales to His Grandson. Bennett regarded Gurdjieff's All and Everything as a work of superhuman genius.