In "The Variation of Chinese Literature and the Formation of World Literature" Shunqing Cao and Lu Zhai discuss how Chinese works of literature entered other countries' literary circles through variation, and became an essential part of world literature. Both ancient Chinese literature and contemporary Chinese literature have undergone textual circulation, language translation and cultural filtering before becoming part of world literature, all of which are the reasons why literary variation (...) occurs. According to Cao and Zhai, the occurrence of variation is a key factor for Chinese literature to become world literature, and an important foundation for the formation of world literature. A country's literature absorbs the characteristics of other countries' literature through variation, thus adapting to the cultural background and reading habits of other countries' readers in terms of language and style, in order to enter the world literature market. Variation may lead to a certain loss of nationality in literary works, and result in significant differences from the original texts. However, the formation of world literature does not come at the cost of eliminating nationality; variation facilitates the formation of world literature. (shrink)

The unprecedented power of China and its cultural expansion are increasing the need to examine its hegemonic impact in the field of literature. The new concept of ‘sinophone’, inspired by postcolonial criticism, reveals vigorous protests against Mainland’s centrality by advocating Chinese Diaspora literature, which has been too long relegated to a peripheral status. This study seeks to reconsider such debates through investigations of historical reasons, ideological issues, and perspectives they have widened. The sinophone literature is thus (...) set up as a creative space, denationalized as well as transnationalized. Denying both the weight of the matrix and the chimerical archipelago, it follows the poetics of relation, the intermixture, and the Open. (shrink)

Mouse vs. Cat in Chinese Literature: Tales and Commentary. Translated and introduced by Wilt l. Idema. Seattle: University of Washington Press, 2019. Pp. xvii + 254. $30.

This article analyses the two main rhetorical techniques of “argumentation” and “persuasion” employed in politico-philosophical debates recorded in early Chinese argumentative texts of the Warring States period. Through the analysis of pertinent case studies drawn from the received literature, the contribution explores the formal, structural, and grammatical features of these techniques, with attention paid to the wide selection of rhetorical and literary devices they make use of. It also further provides an overview of the historical and socio-cultural background (...) against which such techniques developed among so called “wandering persuaders”, who were travelling from court to court to offer their services as political advisors and diplomats to the local rulers of the time. (shrink)

Cross-dressing, as a cultural practice, suggests gender ambiguity and allows freedom of self expression. Yet, it may also serve to reaffirm ideological stereotypes and the binary distinctions between male and female, masculine and feminine, homosexual and heterosexual. To explore the nature and function of cross-dressing in Chinese and Western cultures, this paper analyzes the portrayals of cross-dressing heroines in two Chinese stories: The Ballad of Mulan, and The Butterfly Lovers. Distorted representations in the English translated texts are also (...) explored.. (shrink)

RESUMEN El artículo revisa el concepto de tradición en las filosofías europea y china. Partiendo de la degradación contemporánea de la "tradición" como modo de orientación del individuo en el mundo, se recurre al trabajo de rehabilitación que Hans-Georg Gadamer impulsa a partir de las nociones de prejuicio y autoridad, se verifica esta cuestión en las propuestas avanzadas por Walter Benjamin en torno al narrador como custodio de la tradición y agente de experiencia, y se examina el lugar de la (...) tradición en el pensamiento chino, considerando el trabajo de François Jullien. Finalmente, se aborda la trama entre experiencia, pasado y tradición, tal como se articula en la literatura china, y se concluye con una reflexión sobre el modelo prescriptivo de la tradición occidental frente al pensamiento oriental. ABSTRACT The article reviews the concept of tradition in European and Chinese philosophy. In view of the contemporary decline of "tradition" as a means of orientation of the individual in the world, the article first turns to Hans-Georg Gadamer's rehabilitation of the concept on the basis of the notions of prejudice and authority, and then goes on to examine the issue in Walter Benjamin's proposals regarding the narrator as a custodian of tradition and agent of experience. It then discusses the place of tradition in Chinese thought, taking into account the work of François Jullien. Finally, the paper addresses the interrelation of experience, past, and tradition, as articulated in Chinese literature, and concludes with a reflection on the contrast between the prescriptive model of Western tradition and Oriental thought. (shrink)

Writing Technology in Meiji Japan: A Media History of Modern Chinese Literature and Visual Culture. By Seth Jacobowitz. Harvard East Asian Monographs, vol. 387. Cambridge, Mass.: Harvard University Asia Center, Harvard University Press, 2015. Pp. xii + 299. $39.95.

Since the 1980s, psychoanalysis and psychotherapy have attracted great interest in Chinese society, and in parallel, the psychotherapist as a character has emerged in Chinese literature. Through four novels by three Chinese authors, namely, Xu Xiaobin 徐小斌, Ke Yunlu 柯云路, and Bi Shumin 毕淑敏, this article studies the evolution of the image of the psychotherapist in contemporary Chinese literature, which reflects the reception of psychoanalysis as well as the development of psychotherapy in China. In (...) Xu Xiaobin’s novel, two psychology students attempt to cure a psychotic patient through “transference therapy” based on a complete misunderstanding of the notion; Ke Yunlu features a “life counselor” who, like typical good counselors in Chinese classical novels, simply gives advice without caring about the patients’ needs and desires; and the two novels by Bi Shumin show a significant change in the writer’s understanding of the profession and therapeutic methods, as well as the current, unregulated situation of psychotherapy in China. (shrink)

Circular economy is a critical approach to realize the coordinated development of society, economy, and ecological environment. Given the fact that urban is a complex system in which human beings integrate material, energy, information, and natural environment and interact and influence each other, reviewing the urban circular economy research and development could benefit for having a better and comprehensive understanding on urban complexity. Mainly based on the Chinese literature studies from 1999 to 2020, this study aims to present (...) an in-depth analysis of the research themes, policy systems, and index system of Chinaʼs urban-scale circular economy, discuss the changes and evolution trends of themes, levels, and perspectives in time series, sort out the policy systems at both the national and local levels, and analyze the design principles and application fields of indicators. Finally, we propose that future development of an urban circular economy should be built based on modern techniques, technologies, and models. The construction of development mechanism on the circular economy should be framed as “government-led, market-driven, legal norms, policy support, technological support, and public participation” and inject concepts such as “Internet +,” “sharing economy,” “Internet of Things,” and “artificial intelligence.”. (shrink)

With only a few exceptions, the literary theme of madness has long been a domain of Western cultural studies. Much of Western writing represents madness as an inquiry into the deepest recesses of the mind, while the comparatively scarce Chinese tradition is generally defined by madness as a voice of social truth. This paper looks at five works of twentieth-century Chinese fiction that draw on socio-somatic aspects of madness to reflect upon social truths, suggesting that the inner voice (...) of subjectivity is perhaps not the only true voice of the self. (shrink)

In June 2009, the Chinese mediasphere was abuzz with the announcement that the octogenarian writer Jin Yong (Louis Cha) was slated to join the Chinese Writers' Association (Zhongguo zuojia xiehui, CWA). Jin Yong is a beloved martial arts fiction writer who made his career in the freewheeling ex-British colony of Hong Kong in the 1950s and 1960s.1 His joining the association known for its stodgy conformism struck many as ironic, or at least as blog-worthy. Indeed, just a few (...) years ago, the playwright Sha Yexin had quipped: “How can you ask a writer like Louis Cha to write martial arts…. (shrink)

This paper examines the translation of literary terminology as cultural sign in the selected versions of the History of Chinese Literature in the Anglophone world. It argues that classical Chinese literary terminology with its rich connotations and strong prescriptiveness as „symbol‟ in semiotics, holds great difficulty for translators and scholars. Its inherent social and cultural elements in determining the meaning of these terms cannot be transferred across cultures, thus causing problems such as „neutralization‟ either in free or (...) literally translation or transliteration of these terms. The paper points out that an ideal way out for translation of classical Chinese literary terms should be transliteration coupled with proper notes. Although not qualified as translation in the strict sense, transliteration could, in some way, remind the readers of the heterogeneity of the term, thus offsetting the negative effect by the “neutralization” of the term. It could also guarantee the term‟s independency with the ultimate aim to make the term accepted by and integrated into the culture of the new land. (shrink)