A range of leading philosophers set the best resources of the philosophical tradition to the task of interpreting violence in its diverse expressions. >.

Yates reviews Janicaud’s critique in its first iteration, then observes what the emphases of its later form indicate about the kind of phenomenology he propounds. The paper highlights the contours of Janicuad's rigorous “minimalism,” his qualified “atheism,” and the peculiar manner in which his self-described pursuit of phenomenological “possibilities” is propelled by his rejection of theological possibilities. The author questions the selective appropriation of Husserl in Janicaud’s adherence to phenomenality and neutrality by underlining ambiguities within Husserl’s early focus on intuition (...) and the now famous bracketing of “transcendence” and/or “God” set forth in. (shrink)

Bernard Freydberg’s recent work is a careful and compact study of David Hume’s signature texts: An Enquiry Concerning Human Understanding , An Enquiry Concerning Principles of Morals , and “Of the Standard of Taste” . Contrary to traditional epistemological readings that comfortably situate Hume as an empiricist naturalist, Freydberg argues that he is better understood as a profound thinker of imagination and Socratic ignorance. Hume’s figurative and Platonic argumentation varies in each text, but Freydberg makes a convincing case that his (...) theoretical, moral, and aesthetic philosophies share a proto-phenomenological center in the artistry of human nature and perception. (shrink)

Christopher Yates explores how two of Walker Percy’s seminal texts call us to practice self-examination in a way that seeks to overcome deceptive clarities in our lives. It is misguided, he argues, to read the texts as ventures in surrealist exploration or pietistic moralizing. Instead, LG and LC are one project that centers on the predicament of human finitude by way of three phenomena: the dialogical unfolding of subjectivity and truth, the ethical summons of alterity, and the conversion of human (...) inauthenticity to reflective dwelling. Yates makes his case by reading Percy’s works through the lens of philosophers Mikhail Bakhtin, Emmanuel Levinas, and Martin Heidegger. This approach fills a gap in Percy scholarship by explaining and securing the interrogative arc between Gentleman and Cosmos, and appreciating how Percy’s works enliven phenomenological accounts of human identity and knowledge. (shrink)

This article examines the theme of imagination in Ricoeur’s Living Up to Death (2009[2007]). I argue that his meditations on death are centered on the question of the imagination, and that the exorcizing mode of detachment so crucial to Ricoeur’s position amounts to a ‘refiguration’ of what he terms the ‘make-believe’. Drawing on his work in Time and Narrative , I chart the instances of the make-believe attached to death and dying as disclosures of vulnerability attending the stages of Ricoeur’s (...) threefold mimesis. This means that Living Up to Death involves a struggle of the narrative or poetic imagination to refigure the misleading con-figurations of the natural imagination when faced with death. Ricoeur’s interest in ‘schematizing’ the eternal and Essential, as well, marks a specific connection between the labors of the productive imagination and the refigura-tion of death as a transfiguration of the living. (shrink)

This article proposes a philosophical reception of writer Cormac McCarthy’s work, a reception oriented specifically toward the subject of “place” as a primary ontological register in two of his novels. More than a mere appraisal of his descriptive prose or the moral weight of his themes, this reading examines the interrogative dimension of his border-country landscapes and the existential horizon distilled therein. Read with reference to the philosophies of Martin Heidegger and Maurice Merleau-Ponty, I argue that McCarthy’s storied concentration on (...) place seeks to retrieve the question of primordial givenness from beneath the determinations of epistemic and objectivist judgments. So doing, his orientation parallels and contributes to an important and unsettled tension in phenomenological ontology and its aftermath: the question as to whether poetic or visual modes of ontological “measure-taking” are more appropriate to the question of the meaning, truth, and history of being. Ultimately McCarthy shows us the necessary and productive interplay of both. (shrink)

Based primarily on his 1981-1982 course, The Hermeneutics of the Subject , I contend that Michel Foucault’s robust treatment of ancient models for self-salvation answers his systematic problem of a lost spiritual art of living primarily through a sustained dichotomy between the Hellenistic-Roman and Christian models of conversion. In this way his intended recovery of an aesthetic-ascetic spiritual “resistance” is accomplished through a methodology of resistance. He relies on an accelerating arrangement of polarities between the aim and practice of immanent (...) self-return and what he takes to be the coercive discourses of transcendent self-renunciation. Though such historiography may raise questions for some readers, my aim is simply to show how, for Foucault, the dichotomizing is necessary for grounding his own understanding of the art of ”conversion.”. (shrink)

The first comparative study of Heidegger and Schelling, recognizing Schelling's place in post-Kantian GermanIdealism and his contribution to Heidegger's later thought.

Drew M. Dalton: Longing for the other: Levinas and metaphysical desire Content Type Journal Article Pages 1-8 DOI 10.1007/s11007-012-9216-y Authors Christopher Yates, Boston College, Chestnut Hill, MA, USA Journal Continental Philosophy Review Online ISSN 1573-1103 Print ISSN 1387-2842.

A study of the strain and striving in the heart of human finitude, Brian Treanor’s case for melancholic joy uses the resources of hermeneutic philosophy and the arts to galvanize a hopeful counterweight to despair. Though evil and suffering are tragically ingrained in the tissue of lived experience, and entropy and loss buffet our projects and aspirations, there remains in the landscape of being a durable mystery of goodness, beauty, and grace. Treanor pits such mystery against our calcified pessimisms and (...) arid theodicies by drawing on Paul Ricoeur’s vision for a “second naiveté” of faith, gratitude, and moral responsibility that is worthy of living in – and up to – an order of things which is dark yet shining. Melancholic joy is neither resignation nor optimism, but an attuning praxis that can be realized through responsive modes of vitality, love, attention, and tragic wisdom. (shrink)