Christine Jackson has succeeded in writing the modern biography of Edward Herbert long sought by early modern scholars. Jackson’s Courtier, Scholar, and Man of the Sword paints a rich picture of Ed...

In this chapter, I explore the complex and neglected tradition of the early modern common notion. I focus on three thinkers, two of them innatist in some sense, one of them not; all (mostly) products of the English context; all arguably part of the background for Locke’s critique of common notions and innate ideas in the first book of the Essay; and all related to each other in various and complicated ways. They are: Edward Herbert of Cherbury (...) (1582–1648), Kenelm Digby (1603–1665), and Nathaniel Culverwell (1619–1651). I show how they deployed three different theories of common notions that we can describe, respectively, as gnoseological, rhetorical, and allegorical. (shrink)

From the sex-free paradise of the Shakers to the worker's paradise of Marx, utopian ideas seem to have two things in common--they all are wonderfully plausible at the start and they all end up as disasters. In Visions of Utopia, three leading cultural critics--Edward Rothstein, Martin Marty, and Herbert Muschamp--look at the history of utopian thinking, exploring why they fail and why they are still worth pursuing. Edward Rothstein, New York Times cultural critic, contends that every utopia (...) is really a dystopia--a disaster in the making--one that overlooks the nature of humanity and the impossibilities of paradise. He traces the ideal in politics and technology and suggests that only in art--and especially in music--does the desire for utopia find satisfaction. Martin Marty examines several models of utopia--from Thomas More's to a 1960s experimental city that he helped to plan--to show that, even though utopias can never be realized, we should not be too quick to condemn them. They can express dimensions of the human spirit that might otherwise be stifled and can plant ideas that may germinate in more realistic and practical soil. And Herbert Muschamp, the New York Times architectural critic, looks at Utopianism as exemplified in two different ways: the Buddhist tradition and the work of visionary Viennese architect Adolph Loos. Utopian thinking embodies humanity's noblest impulses, yet it can lead to horrors such as Nazi Germany and the Soviet Regime. In Visions of Utopia, these leading thinkers offer an intriguing look at the paradoxes of paradise. (shrink)

_ Source: _Volume 35, Issue 1, pp 66 - 74 Context and argumentative style of Grotius’s De veritate are that of Reformation controversialist theology and of humanist historical notions of truth. Controversialism, however, no longer operated from shared principles, and the textual criticism of humanist scholarship implied looking at the book of revelation as an historical document, in a double sense: a product of history, and historical narratives. To what intellectual juggling this leads Grotius, is evident in his considering the (...) historical proofs of the resurrection of Christ, the role therein of witnesses and of pagan historical support. Justifying Christ’s resurrection with pagan theories of metempsychosis, however, was another step towards a rational justification of Christianity. His defence of a minimalist doctrinal content was not yet deist or neological, as his reliance on miracles and resurrection demonstrate. One thus might locate this text at the ‘false dawn’ of the Enlightenment, as a comparison with Edward Lord Herbert of Cherbury’s homonymous book, abstract and general enough to become a really Deist manifesto, finally shows. (shrink)

The present paper investigates the seventeenth-century debate on whether the agreement of all human beings upon certain notions—designated as the “common” ones—prove these notions to be innate. It does so by focusing on Descartes’ and Locke’s rejections of the philosophy of Herbert of Cherbury, one of the most important early modern proponents of this view. The paper opens by considering the strategy used in Herbert’s arguments, as well as the difficulties involved in them. It shows that Descartes’ (...) 1638 and 1639 reading of Herbert’s On Truth—both the 1633 second Latin edition and Mersenne’s 1639 translation—was instrumental in shaping Descartes’ views on the issue. The arguments of Locke’s Essay opposing Herbert’s case for innatism are thus revealed to be ineffective against the case which Descartes makes for this same doctrine, since Descartes had in fact framed his conception of innateness in opposition to the very same theses as Locke was arguing against. The paper concludes by explaining how two thinkers as antithetical as Locke and Descartes came to agree on at least one point, and a truly crucial one: namely, that universal consent counts as a criterion neither for innatism nor for truth. (shrink)

Described by one contemporary as the 'sweet singer of The Temple', George Herbert has long been recognised as a lover of music. Nevertheless, Herbert's own participation in seventeenth-century musical culture has yet to be examined in detail. This is the first extended critical study to situate Herbert's roles as priest, poet and musician in the context of the musico-poetic activities of members of his extended family, from the song culture surrounding William Herbert and Mary Sidney to (...) the philosophy of his eldest brother Edward Herbert of Cherbury. It examines the secular visual music of the Stuart court masque as well as the sacred songs of the church. Arguing that Herbert's reading of Augustine helped to shape his musical thought, it explores the tension between the abstract ideal of music and its practical performance to articulate the distinctive theological insights Herbert derived from the musical culture of his time. (shrink)

For people to contribute to discourse, they must do more than utter the right sentence at the right time. The basic requirement is that they add to their common ground in an orderly way. To do this, we argue, they try to establish for each utterance the mutual belief that the addressees have understood what the speaker meant well enough for current purposes. This is accomplished by the collective actions of the current contributor and his or her partners, and these (...) result in units of conversation called contributions. We present a model of contributions and show how it accounts for a variety of features of everyday conversations. (shrink)

Cambridge Professor Basil Willey wrote this volume as a companion to his preceding work on the Seventeenth Century Background. Whereas the 17th C. key word was "Truth," he maintains the 18th C key word was "Nature." Organized in 12 chapters including "The Wisdom of God in the Creation, Cosmic Toryism, Natural Morality--Shaftesbury, Nature in Satire, Jos. Priestley and the Socinian Moonlight, and Nature in Wordsworth.

Book reviewed in this article: Ethics in Social and Behavioral Research. By Edward Diener and Rick Crandall The Ethics of Social Intervention. Gordon Bermant, Herbert C. Kelman, Donald P. Warwick.

Cover title: Le salut du la'ic sur Herbert de Cherbury.