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E. K. Borthwick [84]E. Kerr Borthwick [24]
  1.  8
    The Tragedies of Euripides.E. K. Borthwick & T. B. L. Webster - 1969 - Journal of Hellenic Studies 89:128-129.
  2.  8
    Zoologica Pindarica.E. K. Borthwick - 1976 - Classical Quarterly 26 (02):198-.
    Bowra , referring to the image of the , and to the striking impression , states ‘Pindar seems to fuse two unusually disparate images into a single result… While the sheddingof leaves implies that he would have grown old without winning any wide renown, the cock means that such renown as he would have got would have beenof little account in the Greek world at large.’ Gildersleeve's comment ad loc, ‘The thus becomes a flower’, implies a similar assumption, that the (...)
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  3.  9
    Two Textual Problems in Euripides' Antiope, Fr. 188.E. K. Borthwick - 1967 - Classical Quarterly 17 (01):41-.
    In a recent article I drew attention to the fact that the well-known fable of the improvident cicada and the industrious ant has a close resemblance to the story of the twin brothers Amphion and Zethus and their classic debate on the respective merits of the artistic and practical life in Euripides' Antiope, which is reflected not only in the argument of Callicles and Socrates in the Gorgias and Horace, Ep. i. 18.
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  4.  9
    Emendations and Interpretations in the Greek Anthology.E. K. Borthwick - 1971 - Classical Quarterly 21 (02):426-.
    Gow and Page are of the opinion that Planudes’ àένναος in the fifth line of this epigram may be not his conjecture but the true reading, and reject Jacobs' commonly received emendation àєί λáνος, with κηρο in the following line. But I have no doubt that for the two words μέν àλανóς we should read μєμαλαγαγμένος for ó μєμαλαγαγμένος κηρóς is the regular gloss1 on the waxy substance called μàλθα or μàλθα which was used in Athens—at the time of Sophocles (...)
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  5.  4
    The Gymnasium of Bromius—A Note on Dionysius Chalcus, Fr.3.E. K. Borthwick - 1964 - Journal of Hellenic Studies 84:49-53.
  6.  11
    Seeing Weasels: The Superstitious Background of the Empusa Scene in the Frogs.E. K. Borthwick - 1968 - Classical Quarterly 18 (02):200-.
    Every Greek scholar knows the celebrated lapsus linguae committed by the tragic actor Hegelochus at the Great Dionysia of 408 B.C., when he faltered in his enunciation of line 279 of Euripides' Orestes and gave the impression to the mirthful audience of having said I am surprised, however, that the commentators on this line have only partially explained the reason for its having seemed exceptonally funny.
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  7.  10
    The "Flower of the Argives" and a Neglected Meaning of "HANTHOS".E. Kerr Borthwick - 1976 - Journal of Hellenic Studies 96:1-7.
  8.  7
    The Dances of Philocleon and the Sond of Carcinus in Aristophanes' Wasps.E. K. Borthwick - 1968 - Classical Quarterly 18 (01):44-.
    Philocleon's dance in the exodus of the Wasps, and its allusions to, and caricatures of, contemporary composers or dancers, have often been discussed, and much is bound to remain inconclusive in view of the dubious nature of such scanty material as has survived in explanation of the scene in the scholiastic tradition. It is particularly unfortunate that it is not certain who is the Phrynichus referred to in 1490 ff.
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  9.  8
    Characterization of Sound in Early Greek Literature. [REVIEW]E. K. Borthwick & M. Kaimio - 1979 - Journal of Hellenic Studies 99:186-187.
  10.  6
    The Harmonics. [REVIEW]E. K. Borthwick, Manuel Bryennius & G. H. Jonker - 1975 - Journal of Hellenic Studies 95:307-308.
  11.  1
    Trojan Leap and Pyrrhic Dance in Euripides' Andromache 1129–41.E. K. Borthwick - 1967 - Journal of Hellenic Studies 87:18-23.
  12.  25
    An Allusion to Sophron in [Lucian]?E. K. Borthwick - 1969 - The Classical Review 19 (03):270-271.
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  13.  7
    A Bibliography of Sources for the Study of Ancient Greek Music. [REVIEW]E. K. Borthwick & T. J. Mathiesen - 1975 - Journal of Hellenic Studies 95:236-236.
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  14.  14
    Aristophanes, Clouds 1371.E. K. Borthwick - 1971 - The Classical Review 21 (03):318-320.
  15.  15
    A 'Femme Fatale' in Asclepiades.E. K. Borthwick - 1967 - The Classical Review 17 (03):250-254.
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  16.  17
    A Grasshopper's Diet—Notes on an Epigram of Meleager and a Fragment of Eubulus.E. K. Borthwick - 1966 - Classical Quarterly 16 (1):103-112.
    ‘Quid vero fit, quod poeta hanc plantam, tanquam munus locustae inprimis gratum, commemoret, nemo dixit; nee ego dicere possum’—so Jacobs in his note on the seventh line of this epigram . Among later commentators, Mackail thinks ‘can hardly mean “leek” here’ and he assumes it to be ‘groundsel’; Dain in the Budé edition is satisfied with the rather prosaic explanation that it is an ‘observation très juste … la cigale ne se nourrit que des sues des plantes’. I hope to (...)
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  17.  37
    A. H. M. Kessels: Studies on the Dream in Greek Literature. Pp. Xi + 269. Utrecht: HES Publishers, 1978. Paper.E. K. Borthwick - 1980 - The Classical Review 30 (02):283-.
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  18.  4
    A. H. M. Kessels: Studies on the Dream in Greek Literature. Pp. Xi + 269. Utrecht: HES Publishers, 1978. Paper.E. K. Borthwick - 1980 - The Classical Review 30 (2):283-283.
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  19.  43
    Annemarie Jeanette Neubecker: Philodemus, Über die Musik, IV. Buch: Text, Übersetzung und Kommentar. Pp. 234. Naples: Bibliopolis, 1986. [REVIEW]E. Kerr Borthwick - 1988 - The Classical Review 38 (01):145-146.
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  20.  22
    A New Edition of Odyssey Xix–Xx - R. B. Rutherford: Homer, Odyssey Books XIX and XX. Pp. Xi + 248. Cambridge: Cambridge University Press, 1992. £35. [REVIEW]E. Kerr Borthwick - 1993 - The Classical Review 43 (2):230-231.
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  21.  17
    A Note on Boxing-Gloves.E. K. Borthwick - 1964 - The Classical Review 14 (02):142-.
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  22.  7
    A Note on Some Unusual Greek Words for Eyes.E. K. Borthwick - 1980 - Classical Quarterly 30 (1):252-256.
    In Proceedings of the Cambridge Philological Society N.S. 14, 68, D. C. C. Young drew attention to a curious variant in the text of Longus 2.2.1, where, in a description of how, at the vintage, women ‘eyed’ Daphnis, A has concluding that ‘brothers’ must be a colloquial expression for ‘eyes’, he was however unable to cite any other example of this usage, but compared ‘picked men’, in Paulus Silentiarius, a locution found in a small range of other authors, as well (...)
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  23.  28
    Aristides Quintilianus Thomas J. Mathiesen: Aristides Quintilianus, On Music. Translation with Introduction, Commentary and Annotations. (Music Theory Translation Series.) Pp. Xiii + 217. New Haven and London: Yale University Press, 1983. £24.50. [REVIEW]E. Kerr Borthwick - 1985 - The Classical Review 35 (02):258-259.
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  24.  21
    Aeschylus Vs. Euripides: A Textual Problem at Frogs 818–19.E. K. Borthwick - 1999 - Classical Quarterly 49 (02):623-.
    The literary contest of the two tragedians in Frogs is introduced by four stanzas redolent of Homeric combat, with their predominantly dactylic metre and a number of high-flown epic words. I am surprised that several editors prefer the reading ὑψλøωυ at 818, as íππóλοøος surely has a resonance of íπποκορυστς of Iliad 2.1, etc. The readings and sense, however, of both halves of 819 have long been controversial. As Dover suggested in his 1993 edition the MSS ‘linch-pins of splinters’ is (...)
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  25.  1
    Aeschylus Vs. Euripides: A Textual Problem at Frogs 818–19.E. K. Borthwick - 1999 - Classical Quarterly 49 (2):623-624.
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  26.  24
    ‘Bellermann's Anonymus’ Re-Edited - Dietmar Najock: Drei anonyme griechische Traktate über die Musik . . Pp. 229. Kassel: Barenreiter, 1972. Paper, DM.48. [REVIEW]E. K. Borthwick - 1976 - The Classical Review 26 (01):113-114.
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  27.  20
    Beetle, Bell, Goldfinch, and Weasel in Aristophanes' Peace.E. K. Borthwick - 1968 - The Classical Review 18 (02):134-139.
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  28.  9
    Bee Imagery in Plutarch.E. Kerr Borthwick - 1991 - Classical Quarterly 41 (02):560-.
    There can be few Greek prose authors who outdo Plutarch in fondness for elaborate similes, and a determination to sustain at length vocabulary appropriate to both objects of comparison within the simile, once it is embarked upon. In the essay Quomodo adulescens he uses a favourite image, in which a young man aspiring to be educated in quality literature is recommended to follow the example of the bee, which extracts material for its honey from the most pungent plants: μν ον (...)
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  29.  20
    Dio Chrysostom on the Mob at Alexandria.E. K. Borthwick - 1972 - The Classical Review 22 (01):1-3.
  30.  28
    Dietmar Najock: Anonyma de Musica Scripta Bellermanniana. (Bibliotheca scriptorum Graecorum et Romanorum Teubneriana.) Pp. xxvi + 38. Leipzig: Teubner, 1975. Cloth, 25 M. [REVIEW]E. K. Borthwick - 1978 - The Classical Review 28 (01):195-.
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  31.  10
    Dietmar Najock: Anonyma de Musica Scripta Bellermanniana. Pp. xxvi + 38. Leipzig: Teubner, 1975. Cloth, 25 M.E. K. Borthwick - 1978 - The Classical Review 28 (1):195-195.
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  32.  16
    Death of a Fighting Cock.E. K. Borthwick - 1966 - The Classical Review 16 (01):4-5.
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  33. Emendations and Interpretations in the Greek Anthology.E. K. Borthwick - 1971 - Classical Quarterly 21 (2):426-436.
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  34.  10
    Euripides. Les Bacchantes. 2. Commentaire. By J. Roux. Paris: Les Belles Lettres. 1972. Pp. 217–664. 8 Plates. 30.00F.E. K. Borthwick & J. Roux - 1974 - Journal of Hellenic Studies 94:181-182.
  35.  39
    Giovanni Comotti: Music in Greek and Roman Culture . Pp. Xii + 186; 13 Figs. Baltimore and London: Johns Hopkins University Press, 1989 . £14.50. [REVIEW]E. Kerr Borthwick - 1990 - The Classical Review 40 (1):185-185.
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  36.  15
    Greek Musical Ethos.E. K. Borthwick - 1968 - The Classical Review 18 (02):200-.
  37.  31
    Greek Musical Ethos Warren D. Anderson: Ethos and Education in Greek Music: The Evidence of Poetry and Philosophy. Pp. 306. Cambridge, Mass.: Harvard University Press (London: Oxford University Press), 1966. Cloth, 44s. Net. [REVIEW]E. K. Borthwick - 1968 - The Classical Review 18 (02):200-203.
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  38.  44
    Insects in Antiquity Ian C. Beavis: Insects and Other Invertebrates in Classical Antiquity. (Exeter University Publications.) Pp. Xv + 269. Oxford: Alden Press (for University of Exeter), 1988. £40. [REVIEW]E. Kerr Borthwick - 1989 - The Classical Review 39 (02):362-364.
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  39.  32
    J. M. Van Ophuijsen: Hephaestion, On Metre: A Translation and Commentary. Pp. Xiii + 186. Leiden: Brill, 1987. Paper, Fl. 76. [REVIEW]E. Kerr Borthwick - 1989 - The Classical Review 39 (1):134-135.
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  40.  18
    Kaimio Characterization of Sound in Early Greek Literature. Helsinki: Societas Scientiarum Fenilica. 1977. Pp. 285. FM 60. [REVIEW]E. K. Borthwick - 1979 - Journal of Hellenic Studies 99:186-187.
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  41.  23
    Lucretius' Elephant Wall.E. K. Borthwick - 1973 - Classical Quarterly 23 (2):291-292.
    In an article1 entitled Lucrèce et les éléphants, Professor Ernout has referred to recent archaeological evidence that in palaeolithic times the skeletons of mammoths were used in the construction of primitive habitations, and observes that the well-known lines of Lucretius. 532 ff. about India being so prolific inelephants that the whole land ‘milibus e multis vallo munitur eburno’ mayrefer not to anything legendary , nor to themilitary use of elephants in large numbers for frontier defence, but to a recognitionof the (...)
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  42.  17
    Lasus of Hermione.E. K. Borthwick - 1967 - The Classical Review 17 (02):146-.
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  43.  44
    Lasus of Hermione G. Aurelio Privitera: Laso di Ermione nella cultura ateniese e nella tradizione storiografica. Pp. 126. Rome: Edizioni dell'Ateneo, 1965. Stiff paper, L. 1,200. [REVIEW]E. K. Borthwick - 1967 - The Classical Review 17 (02):146-147.
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  44.  40
    Lionel Pearson: Aristoxenus, Elementa Rhythmica: The Fragment of Book II and the Additional Evidence for Aristoxenean Rhythmic Theory. Edited with Introduction, Translation, and Commentary. Pp. Liv + 98. Oxford: Clarendon Press, 1990. £25. [REVIEW]E. Kerr Borthwick - 1991 - The Classical Review 41 (2):474-474.
  45.  10
    Limed Reeds in Theocritus, Aristophanes, and Propertius.E. K. Borthwick - 1967 - Classical Quarterly 17 (01):110-.
    Both the meaning of and the identity of the are in some doubt here. Gow's view that ‘Lacon thinks of labourers and cicadas vying with one another in the heat’ and that means ‘provoke to further exertions, put him on his mettle’ agrees in general with the scholiast.
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  46. Limed Reeds in Theocritus, Aristophanes, and Propertius.E. K. Borthwick - 1967 - Classical Quarterly 17 (1):110-112.
    Both the meaning of and the identity of the are in some doubt here. Gow's view that ‘Lacon thinks of labourers and cicadas vying with one another in the heat’ and that means ‘provoke to further exertions, put him on his mettle’ agrees in general with the scholiast.
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  47.  19
    Music and Drama – Ancient and Modern.E. Kerr Borthwick - 1980 - The Classical Review 30 (02):184-.
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  48.  29
    Music and Drama – Ancient and Modern Mario Pintacuda: La Musica Nella Tragedia Greca Pp. 235. Cefalù: Lorenzo Misuraca Editore, 1978. Paper, L. 4,000. Mario Pintacuda: Tragedia Antica E Musica D'Oggi. Pp. 61. Cefalù: Lorenzo Misuraca Editore, 1978. Paper, L. 1,500. Cesare Questa: Il Ratto Dal Serraglio: Euripide, Plauto, Mozart, Rossini. Pp. 176. Bologna: Patron Editore, 1979. Paper, L. 5,500. [REVIEW]E. Kerr Borthwick - 1980 - The Classical Review 30 (02):184-186.
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  49.  19
    Music, Mathematics, and Water-Organs.E. K. Borthwick - 1972 - The Classical Review 22 (03):364-.
  50.  15
    Mario Pintacuda: Interpretazioni musicali sul teatro di Aristofane. (Letteratura Classica, 9.) Pp. 139. Palermo: Palumbo, 1982. Paper, L. 12,000. [REVIEW]E. Kerr Borthwick - 1983 - The Classical Review 33 (01):128-129.
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