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E. K. Borthwick [74]E. Kerr Borthwick [29]
  1.  8
    Zoologica Pindarica.E. K. Borthwick - 1976 - Classical Quarterly 26 (02):198-.
    Bowra , referring to the image of the , and to the striking impression , states ‘Pindar seems to fuse two unusually disparate images into a single result… While the sheddingof leaves implies that he would have grown old without winning any wide renown, the cock means that such renown as he would have got would have beenof little account in the Greek world at large.’ Gildersleeve's comment ad loc, ‘The thus becomes a flower’, implies a similar assumption, that the (...)
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  2.  53
    R. G. Ussher : The Characters of Theophrastus: Introduction, Commentary and Index. Pp. xiii+330. London: Bristol Classical Press, 1993. Paper, £14.95. [REVIEW]E. Kerr Borthwick - 1994 - The Classical Review 44 (1):203-203.
  3.  42
    Giovanni Comotti: Music in Greek and Roman Culture . Pp. xii + 186; 13 figs. Baltimore and London: Johns Hopkins University Press, 1989 . £14.50. [REVIEW]E. Kerr Borthwick - 1990 - The Classical Review 40 (1):185-185.
  4.  42
    Lionel Pearson: Aristoxenus, Elementa Rhythmica_: the Fragment of Book II and the Additional Evidence for Aristoxenean Rhythmic Theory. _Edited with Introduction, Translation, and Commentary. Pp. liv + 98. Oxford: Clarendon Press, 1990. £25. [REVIEW]E. Kerr Borthwick - 1991 - The Classical Review 41 (2):474-474.
  5.  40
    J. M. Van Ophuijsen: Hephaestion, On Metre: a Translation and Commentary. Pp. xiii + 186. Leiden: Brill, 1987. Paper, fl. 76. [REVIEW]E. Kerr Borthwick - 1989 - The Classical Review 39 (1):134-135.
  6.  28
    Naphtali Lewis: The Interpretation of Dreams and Portents. Pp. xi + 167. Toronto and Sarasota: Stevens & Hakkert, 1976. Cloth, $9. [REVIEW]E. K. Borthwick - 1978 - The Classical Review 28 (2):386-386.
  7.  23
    Lucretius' Elephant Wall.E. K. Borthwick - 1973 - Classical Quarterly 23 (2):291-292.
    In an article1 entitled Lucrèce et les éléphants, Professor Ernout has referred to recent archaeological evidence that in palaeolithic times the skeletons of mammoths were used in the construction of primitive habitations, and observes that the well-known lines of Lucretius. 532 ff. about India being so prolific inelephants that the whole land ‘milibus e multis vallo munitur eburno’ mayrefer not to anything legendary, nor to themilitary use of elephants in large numbers for frontier defence, but to a recognitionof the fact (...)
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  8.  22
    A New Edition of Odyssey xix–xx - R. B. Rutherford: Homer, Odyssey Books XIX and XX. Pp. xi + 248. Cambridge: Cambridge University Press, 1992. £35. [REVIEW]E. Kerr Borthwick - 1993 - The Classical Review 43 (2):230-231.
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  9.  21
    Observations on the Opening Scene of Aristophanes' Wasps.E. Kerr Borthwick - 1992 - Classical Quarterly 42 (1):274-278.
    The lack of stage directions in surviving Greek comedy which might give a clue to comic ‘business’ not clearly signalled or confirmed in the text is a considerable disadvantage to us, not least in some of the opening tableaux of Aristophanes. One thinks of restless father and snoring son in bed at the opening of Clouds, the jokes involving the incongruous entry of master, slave, donkey and baggage in Frogs, the preparations for launching the dung-beetle into space in Peace – (...)
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  10.  20
    Some Problems in Musical Terminology.E. K. Borthwick - 1967 - Classical Quarterly 17 (1):145-157.
    In addition to the technical writers on music, a number of ancient authors, notably Plutarch and Athenaeus, have recorded several musical terms, either by way of illustrative material—Plutarch is particularly given to musical similes and metaphors—or in the course of anecdotes about music and musicians. As musical terminology in different ages contains words or phrases not only of general acceptance and familiarity, but other more ephemeral expressions which belong to the jargon of a narrower circle of executants and critics, it (...)
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  11. Seeing Weasels: The Superstitious Background of the Empusa Scene in the Frogs.E. K. Borthwick - 1968 - Classical Quarterly 18 (2):200-206.
    Every Greek scholar knows the celebrated lapsus linguae committed by the tragic actor Hegelochus at the Great Dionysia of 408 B.C., when he faltered in his enunciation of line 279 of Euripides' Orestes and gave the impression to the mirthful audience of having said I am surprised, however, that the commentators on this line have only partially explained the reason for its having seemed exceptonally funny.
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  12. The scene on the Panagjurischte Amphora: a new solution.E. Kerr Borthwick - 1976 - Journal of Hellenic Studies 96:148-151.
  13.  10
    The "Flower of the Argives" and a neglected meaning of "HANTHOS".E. Kerr Borthwick - 1976 - Journal of Hellenic Studies 96:1-7.
  14.  17
    A Grasshopper's Diet—Notes on an Epigram of Meleager and a Fragment of Eubulus.E. K. Borthwick - 1966 - Classical Quarterly 16 (1):103-112.
    ‘Quid vero fit, quod poeta hanc plantam, tanquam munus locustae inprimis gratum, commemoret, nemo dixit; nee ego dicere possum’—so Jacobs in his note on the seventh line of this epigram. Among later commentators, Mackail thinks ‘can hardly mean “leek” here’ and he assumes it to be ‘groundsel’; Dain in the Budé edition is satisfied with the rather prosaic explanation that it is an ‘observation très juste … la cigale ne se nourrit que des sues des plantes’. I hope to show (...)
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  15.  45
    Lasus of Hermione G. Aurelio Privitera: Laso di Ermione nella cultura ateniese e nella tradizione storiografica. Pp. 126. Rome: Edizioni dell'Ateneo, 1965. Stiff paper, L. 1,200. [REVIEW]E. K. Borthwick - 1967 - The Classical Review 17 (02):146-147.
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  16.  7
    The Dances of Philocleon and the Sond of Carcinus in Aristophanes' Wasps.E. K. Borthwick - 1968 - Classical Quarterly 18 (01):44-.
    Philocleon's dance in the exodus of the Wasps, and its allusions to, and caricatures of, contemporary composers or dancers, have often been discussed, and much is bound to remain inconclusive in view of the dubious nature of such scanty material as has survived in explanation of the scene in the scholiastic tradition. It is particularly unfortunate that it is not certain who is the Phrynichus referred to in 1490 ff.
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  17.  46
    Annemarie Jeanette Neubecker: Philodemus, Über die Musik, IV. Buch: Text, Übersetzung und Kommentar. Pp. 234. Naples: Bibliopolis, 1986. [REVIEW]E. Kerr Borthwick - 1988 - The Classical Review 38 (01):145-146.
  18.  39
    The Odyssey - Alfred Heubeck, Stephanie West, J. B. Hainsworth: A Commentary on Homer's Odyssey_, vol. I: _Introduction and Books_ i–viii. Pp. xii + 396. Oxford: Clarendon Press, 1988. £45. - A. Heubeck, A. Hoekstra: A Commentary on Homer's _Odyssey, vol. II: Books ix–xvi. Pp. xii + 300. Oxford: Clarendon Press, 1989. £37.50. [REVIEW]E. Kerr Borthwick - 1990 - The Classical Review 40 (02):203-205.
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  19.  44
    Insects in Antiquity Ian C. Beavis: Insects and Other Invertebrates in Classical Antiquity. (Exeter University Publications.) Pp. xv + 269. Oxford: Alden Press (for University of Exeter), 1988. £40. [REVIEW]E. Kerr Borthwick - 1989 - The Classical Review 39 (02):362-364.
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  20.  31
    Greek Music and Musicians. [REVIEW]E. Kerr Borthwick - 1996 - The Classical Review 46 (2):259-261.
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  21.  39
    Plutarch De Musica François Lasserre: Plutarque, De la Musique. Texte, traduction, commentaire, précédés d'une étude sur l'education musicale dans la Grèce antique. (Bibliotheca Helvetica Romana, i.) Pp.185. Lausanne: Urs Graf-Verlag, 1954. Paper, 25 Sw. Fr. [REVIEW]E. K. Borthwick - 1956 - The Classical Review 6 (02):122-124.
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  22.  43
    ‘Such Stuff as Dreams are Made on’ - Robert J. White: The Interpretation of Dreams: Oneirocritica by Artemidorus. Translation and Commentary. Pp. 259. New Jersey: Noyes Press, 1975. Cloth, $ 15. - Dario Del Corno: Artemidoro, Il Libro dei Sogni. Pp. lviii + 366. Milan: Adelphi Edizioni, 1975. Paper, L.6,000. [REVIEW]E. K. Borthwick - 1978 - The Classical Review 28 (01):22-23.
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  23.  25
    Insects in Antiquity. [REVIEW]E. Kerr Borthwick - 1989 - The Classical Review 39 (2):362-364.
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  24.  38
    Socrates, Socratics, and the Word B e e aim n.E. K. Borthwick - 2001 - Classical Quarterly 51 (1):297-301.
  25.  9
    Two Textual Problems in Euripides' Antiope, Fr. 188.E. K. Borthwick - 1967 - Classical Quarterly 17 (01):41-.
    In a recent article I drew attention to the fact that the well-known fable of the improvident cicada and the industrious ant has a close resemblance to the story of the twin brothers Amphion and Zethus and their classic debate on the respective merits of the artistic and practical life in Euripides' Antiope, which is reflected not only in the argument of Callicles and Socrates in the Gorgias and Horace, Ep. i. 18.
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  26.  38
    A. H. M. Kessels: Studies on the Dream in Greek Literature. Pp. xi + 269. Utrecht: HES Publishers, 1978. Paper.E. K. Borthwick - 1980 - The Classical Review 30 (02):283-.
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  27.  23
    Music and Drama – Ancient and Modern.E. Kerr Borthwick - 1980 - The Classical Review 30 (02):184-.
  28.  37
    The Cynic and the Statue.E. K. Borthwick - 2001 - Classical Quarterly 51 (2):494-498.
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  29.  34
    Philodemus De Musica- Annemarie Jeanette Neubecker: Die Bewertung der Musik bei Stoikern und Epikureern. Eine Analyse von Philodems Schrift De musica. Pp. 103. Berlin: Akademie-Verlag, 1956. Paper, DM. 11. [REVIEW]E. K. Borthwick - 1957 - The Classical Review 7 (3-4):215-217.
  30.  9
    Emendations and Interpretations in the Greek Anthology.E. K. Borthwick - 1971 - Classical Quarterly 21 (02):426-.
    Gow and Page are of the opinion that Planudes’ àένναος in the fifth line of this epigram may be not his conjecture but the true reading, and reject Jacobs' commonly received emendation àєί λáνος, with κηρο in the following line. But I have no doubt that for the two words μέν àλανóς we should read μєμαλαγαγμένος for ó μєμαλαγαγμένος κηρóς is the regular gloss1 on the waxy substance called μàλθα or μàλθα which was used in Athens—at the time of Sophocles (...)
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  31.  30
    Musiga Romana Gunther Wille: Musica Romana: die Bedeutung der Musik im Leben der Römer. Pp. 799. Amsterdam: Schippers, 1967. Cloth, fl. 120. [REVIEW]E. K. Borthwick - 1969 - The Classical Review 19 (03):343-346.
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  32.  25
    An allusion to Sophron in [Lucian]?E. K. Borthwick - 1969 - The Classical Review 19 (03):270-271.
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  33.  31
    Greek Musical Ethos - Warren D. Anderson: Ethos and Education in Greek Music: the Evidence of Poetry and Philosophy. Pp. 306. Cambridge, Mass.: Harvard University Press (London: Oxford University Press), 1966. Cloth, 44 s. net. [REVIEW]E. K. Borthwick - 1968 - The Classical Review 18 (02):200-203.
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  34.  22
    Three notes on Euripides' Bacchae.E. K. Borthwick - 1966 - The Classical Review 16 (02):136-138.
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  35.  22
    The Oxford Odyssey Completed. [REVIEW]E. Kerr Borthwick - 1993 - The Classical Review 43 (1):4-5.
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  36.  31
    Aristides Quintilianus Thomas J. Mathiesen: Aristides Quintilianus, On Music. Translation with introduction, commentary and annotations. (Music Theory Translation Series.) Pp. xiii + 217. New Haven and London: Yale University Press, 1983. £24.50. [REVIEW]E. Kerr Borthwick - 1985 - The Classical Review 35 (02):258-259.
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  37.  21
    The Odyssey.E. Kerr Borthwick - 1990 - The Classical Review 40 (02):203-.
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  38.  10
    Two Unnoticed Euripides Fragments?E. K. Borthwick - 1968 - Classical Quarterly 18 (2):198-199.
    In my article ‘Two Textual Problems in Euripides’ Antiope, Fr. 188', in which I compared the debate of Amphion the unpractical musician and his industrious brother Zethus to the fable of the cicada and the ant, I drew attention to a passage of Olympiodorus' commentary on the Gorgias which had been overlooked in the testimonia to Euripides' play, and which begins.
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  39.  10
    Dietmar Najock: Anonyma de Musica Scripta Bellermanniana. (Bibliotheca scriptorum Graecorum et Romanorum Teubneriana.) Pp. xxvi + 38. Leipzig: Teubner, 1975. Cloth, 25 M.E. K. Borthwick - 1978 - The Classical Review 28 (1):195-195.
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  40.  29
    Music and Drama – Ancient and Modern Mario Pintacuda: La musica nella tragedia greca Pp. 235. Cefalù: Lorenzo Misuraca Editore, 1978. Paper, L. 4,000. Mario Pintacuda: Tragedia antica e musica d'oggi. Pp. 61. Cefalù: Lorenzo Misuraca Editore, 1978. Paper, L. 1,500. Cesare Questa: Il ratto dal serraglio: Euripide, Plauto, Mozart, Rossini. Pp. 176. Bologna: Patron Editore, 1979. Paper, L. 5,500. [REVIEW]E. Kerr Borthwick - 1980 - The Classical Review 30 (02):184-186.
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  41.  30
    Dietmar Najock: Anonyma de Musica Scripta Bellermanniana. (Bibliotheca scriptorum Graecorum et Romanorum Teubneriana.) Pp. xxvi + 38. Leipzig: Teubner, 1975. Cloth, 25 M. [REVIEW]E. K. Borthwick - 1978 - The Classical Review 28 (01):195-.
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  42.  19
    Lists. [REVIEW]E. Kerr Borthwick - 1997 - The Classical Review 47 (1):144-145.
  43.  19
    Music, Mathematics, and Water-Organs.E. K. Borthwick - 1972 - The Classical Review 22 (03):364-.
  44.  25
    Suetonius' Nero and A Pindaric Scholium.E. K. Borthwick - 1965 - The Classical Review 15 (03):252-256.
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  45.  18
    A New Edition Of Odyssey Xix–xx. [REVIEW]E. Kerr Borthwick - 1993 - The Classical Review 43 (2):230-231.
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  46.  24
    The Oxford Odyssey Completed Joseph Russo, Manuel Fernández-Galiano, Alfred Heubeck: A Commentary on Homer's Odyssey, Vol. III: Books xvii–xxiv. Pp. xii + 447; 8 figs. (Oxford: Clarendon Press, 1992.) £55. [REVIEW]E. Kerr Borthwick - 1993 - The Classical Review 43 (01):4-5.
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  47.  27
    Review. Greek music and musicians. Music and musicians in ancient Greece. W D Anderson.E. Kerr Borthwick - 1996 - The Classical Review 46 (2):259-261.
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  48.  25
    Two Emendations in Alciphron.E. K. Borthwick - 1965 - The Classical Review 15 (03):261-262.
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  49.  24
    Plutarch De Musica.E. K. Borthwick - 1956 - The Classical Review 6 (02):122-.
  50.  24
    ‘Bellermann's Anonymus’ Re-Edited - Dietmar Najock: Drei anonyme griechische Traktate über die Musik (Eine kommentierte Neuausgabe des Bellermannschen Anonymus). (Göttinger Musikwissenschaftliche Arbeiten, Band 2). Pp. 229. Kassel: Barenreiter, 1972. Paper, DM.48. [REVIEW]E. K. Borthwick - 1976 - The Classical Review 26 (01):113-114.
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