This article presents a systematic examination of matrilineal succession in Greek myth. It uses MANTO, a digital database of Greek myth, to identify kings who succeed their fathers-in-law, maternal grandfathers, step-fathers, or wives’ previous husbands. Analysis of the fifty-four instances identified shows that the prominence of the ‘succession via widow’ motif in archaic epic is not typical of the broader tradition. Rather, civic mythmaking more commonly relies on succession by sons-in-law and maternal grandsons to craft connections (...) between cities and lineages, and to claim panhellenic prestige. We show that matrilineal successors are not treated as necessarily illegitimate or inferior within the overwhelmingly patrilineal conventions of Greek myth. In fact, matrilineal calculations afford certain advantages, like the ability to integrate heroes from elsewhere, or to champion local kings with divine fathers. Matrilineal succession reveals the gendered dynamics inherent to Greek myth; we argue that, although in these instances regnal power is transferred through female relatives, the heroines involved are typically treated simply as nodes for this power and their roles in these stories do not necessarily correlate to a greater visibility or autonomy. (shrink)

In Philo of Alexandria and Greek Myth: Narratives, Allegories, and Arguments, a fresh and more complete image of Philo of Alexandria as a careful reader, interpreter, and critic of Greek literature is offered. Greek mythology plays a significant role in Philo of Alexandria's exegetical oeuvre. Philo explicitly adopts or subtly evokes narratives, episodes and figures from Greek mythology as symbols whose didactic function we need to unravel, exactly as the hidden teaching of Moses' narration has (...) to be revealed by interpreters of Bible. By analyzing specific mythologems and narrative cycles, the contributions to this volume pave the way to a better understanding of Philo's different attitudes towards literary and philosophical mythology. (shrink)

This article addresses the topic of excerpts by focusing on modern excerpting practices used in the analysis of Greek myth. It examines the mythological exemplum about Melanion and Timon from Aristophanes’ Lysistrata within the context of Greek myth’s flexibility and potential for innovation. After discussing the innovative details of the exempla, I turn to the use of the Melanion excerpt by two prominent classicists, P. Vidal-Naquet and M. Detienne. This leads to some general remarks on the (...) transmission of knowledge regarding mythological lore, as well as on our modern scholarly practices of excerpting passages out of their original context. (shrink)

An incisive exploration of the way Greek myths empower us to defeat tyranny. As tyrannical passions increasingly plague twenty-first-century politics, tales told in ancient Greek epics and tragedies provide a vital antidote. Democracy as a concept did not exist until the Greeks coined the term and tried the experiment, but the idea can be traced to stories that the ancient Greeks told and retold. From the eighth through the fifth centuries BCE, Homeric epics and Athenian tragedies exposed the (...) tyrannical potential of individuals and groups large and small. These stories identified abuses of power as self-defeating. They initiated and fostered a movement away from despotism and toward broader forms of political participation. Following her highly praised book Enraged: Why Violent Times Need Ancient Greek Myths, the classicist Emily Katz Anhalt retells tales from key ancient Greek texts and proceeds to interpret the important message they hold for us today. As she reveals, Homer's Iliad and Odyssey, Aeschylus's Oresteia, and Sophocles's Antigone encourage us—as they encouraged the ancient Greeks—to take responsibility for our own choices and their consequences. These stories emphasize the responsibilities that come with power (any power, whether derived from birth, wealth, personal talents, or numerical advantage), reminding us that the powerful and the powerless alike have obligations to each other. They assist us in restraining destructive passions and balancing tribal allegiances with civic responsibilities. They empower us to resist the tyrannical impulses not only of others but also in ourselves. In an era of political polarization, Embattled demonstrates that if we seek to eradicate tyranny in all its toxic forms, ancient Greek epics and tragedies can point the way. (shrink)

This is a two page handout summarizing a number of objections made against Robert Graves's book of Greek myths.

Mary R. Lefkowitz, Greek Gods, Human Lives: What We Can Learn from the Myths, Yale University Press, ISBN - 9780300101454Marcel Detienne, The Writing of Orpheus: Greek Myth in a Cultural Context, Johns Hopkins University Press, ISBN - 9780801869549.

This paper proposes (once again) that a controversy has been omitted from Robert Graves’s account of how the Greek myths became an established part of the British education system. I address a question from the secondary literature on Bruno Latour: why can’t we see this controversy? Two reasons are speculatively identified.

Apollodorus' Bibliotheca is often used, though little studied. Like any author, however, Apollodorus has his own aims. As scholars have noticed, he does not include any discussion of Rome and rarely mentions Italy, an absence they link to tendencies of the Second Sophistic, during which period he was writing. I refine this view by exploring the nature of Apollodorus' project as a whole, showing that he creates a system of genealogies that connects Greece with other places and peoples of the (...) ancient world, specifically the Near East. The nature of the Bibliotheca allows us to see these myths as a closed system, in which these genealogical connections depend upon the perceived importance of these peoples; e.g. the Persians have more connections with the Greeks than the Molossians do. It is from this system that Apollodorus excludes Rome, thereby denying the Romans any genealogical connections with the Greeks and thus marking them as being of little importance. The consciousness of Apollodorus' decisions is clear from the many opportunities he had to include Rome and the fact that his sources contained myths about Rome or Italy. The Bibliotheca is a tendentious account of Greek myth with its own goals, and our knowledge of Apollodorus' aims must condition any use of this text. (shrink)

It is often said that Greek civilization underwent a transition from myth to reason. But what does this assertion mean? Is it true? Were the Greeks special in having evolved our sort of reason, or is that a mirage? In this book, some of the world's leading experts on ancient Greek myth, religion, philosophy, and history reconsider these fundamental issues.

Avant le début des années 1990, les héroïnes étaient souvent considérées comme des versions affadies d’une catégorie générique bien plus glorieuse, celle des héros grecs. A la limite l’héroïsme ne se pensait même pas au féminin. Depuis, deux livres ont corrigé la perspective en faisant valoir l’importance des cultes dirigés vers des personnages féminins tout en tentant de souligner les spécificités de ce type d’héroïsme en Grèce ancienne. En choisissant de travailler sur les héroïnes cultuell...

1 Hesiod's Myth of the Races: An Essay in Structural Analysis Hesiod's poem ' Works and Days' begins with the telling of two myths. ...

Cet article se penche sur la représentation de la famille des Éolides dans le Catalogue des femmes du pseudo-Hésiode. Les Éolides, qui apparaissent très tôt dans le cycle mythique (et de façon particulièrement proche de la phase originelle de la vie humaine dans laquelle dieux et mortels ont été convives), présentent un cas remarquable de jalousie du divin. Ils cherchent en particulier à rivaliser avec la divinité en faisant usage d’artefacts humains : le langage, l’artisanat, le spectacle. Cette emphase sur (...) l’artificiel implique la croyance, parmi certains d’entre les Éolides (croyance qui cependant n’est pas à première vue assumée par le poème) que la divinité peut être elle-même considérée comme une invention humaine. On peut contextualiser cette croyance en la comparant aux forces culturelles de créativité technologique plus vastes à la période archaïque, en particulier au développement des représentations artistiques des dieux. (shrink)

Ancient Greek comedy takes interesting approaches to mythological narrative. This article analyzes one excerpt and eight fragments of ancient Greek Old, Middle, and New Comedy. It attempts to show a comic rationalizing approach to mythology. Poets analyzed include Aristophanes, Cratinus, Anaxilas, Timocles, Antiphanes, Anaxandrides, Philemon, Athenion, and Comic Papyrus. Comparisons are made to known rationalizing approaches as found in the mythographers Palaephatus and Heraclitus the Paradoxographer. Ancient comedy tends to make jokes about the ludicrous aspects of myth. (...) Early Greek myth rationalization and mythography share a similar approach to comedy in that they attempt to rationalize the improbable parts of myth narrative. (shrink)

The perception of intellectual life in Greek antiquity by the representatives of the European Enlightenment of the 18th century favoured the establishment of the cult of reason. Myth as a potential source of knowledge was disregarded: instead, the monopoly of truth-finding through pure rationalisation was asserted. This tendency, positing, as it did, reason in opposition to myth, did a signal disservice to the realities of intellectual life among the ancient Greeks. Nevertheless, these distortions of the Enlightenment have (...) conditioned our approach to education and have led to our privileging of reason as a mode of enquiry right up to the present day. The ancient Greek intellectuals (i.e. the pre-Socratic philosophers, the early historiographers, philosophers of the classical age) did not set myth (mythos) and reason (logos) in opposition to each other. In fact, they benefited from both as differing modes of enquiry, each in its own right and possessing its own value. Plato, in his reasoning, was much concerned with the proper use of mythical narrative. In one of his dialogues, he even coined a new term for explaining how mythical topics and motifs should be exploited as a source of knowledge. This term is mythologia, and it first occurs in Plato's Republic (394b). The present study aims to offer a corrective to traditional cliches and received wisdom about intellectual life in ancient Greece. The work proposes, and aims to reconstruct, a mental landscape in which myth and reason connect and vividly interact, and in which the concepts of mythos and logos are intertwined in the terminological network of the ancient Greek language. (shrink)