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Luca M. Possati [10]Luca Maria Possati [1]
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  1.  69
    Book Reviews: Jean Grondin, Paul Ricoeur_, Paris: PUF, 2013 (Luca M. Possati); François Dosse Et Catherine Goldenstein (Éds.), _Paul Ricoeur : Penser la Mémoire_, Paris, Seuil, 2013 (Aurore Dumont); Gert-Jan van der Heiden, _The Truth (and Untruth) of Language. Heidegger, Ricoeur and Derrida on Disclosure and Displacement_, Pittsburgh: Duquesne University Press (Paul-Gabriel Sandu); Marc-Antoine Vallée, _Gadamer Et Ricoeur. La Conception Herméneutique du Langage_, Rennes, Presses Universitaires de Rennes, 2012, Coll. «Philosophica»,(Paul Marinescu); Saulius Geniusas, _The Origins of the Horizon in Husserl's Phenomenology_, Dordrecht: Springer, Series: Contributions to Phenomenology, Vol. 67, 2012 (Witold Płotka); Annabelle Dufourcq, _La Dimension Imaginaire du Réel Dans la Philosophie de Husserl_, Dordrecht: Springer, 2011, Coll.: _Phaenomenologica_ 198 (Delia Popa); Denis Seron, _Ce Que Voir Veut Dire. Essai Sur la Perception, Paris: Éditions du Cerf, 2012 (Maria Gyemant); Hans Frie. [REVIEW]Luca M. Possati, Aurore Dumont, Paul-Gabriel Sandu, Paul Marinescu, Witold Płotka, Delia Popa, Maria Gyemant, Christian Ferencz-Flatz, Bogdan Mincă, Denisa Butnaru, Ovidiu Stanciu & Mădălina Diaconu - 2013 - Studia Phaenomenologica 13:469-508.
    Luca M. Possati, Jean Grondin, Paul Ricoeur ; Aurore Dumont, François Dosse et Catherine Goldenstein, Paul Ricoeur: penser la mémoire ; Paul-Gabriel Sandu, Gert-Jan van der Heiden, The Truth of Language. Heidegger, Ricoeur and Derrida on Disclosure and Displacement ; Paul Marinescu, Marc-Antoine Vallée, Gadamer et Ricoeur. La conception herméneutiquedu langage ; Witold Płotka, Saulius Geniusas, Th e Origins of the Horizon in Husserl’s Phenomenology ; Delia Popa, Annabelle Dufourcq, La dimension imaginaire du réel dans la philosophie de Husserl ; (...)
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  2.  7
    Editors' Introduction.Luca M. Possati & Alberto Romele - 2020 - Critical Hermeneutics 4 (1).
    Digital media and technologies have significantly transformed the ways we relate to the world, in the triple sense of Selbstwelt, Mitwelt, and Umwelt. Think of the quantification of the self, the number of followers and likes on social media, or using Google maps and similar tools to orient ourselves in a city, to find and choose a good restaurant, and so on. One might say that digital media and technologies have actually transformed our interpretation, understanding, and access to the world. (...)
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  3. Gramsci e Moro: due storie parallele nell'Italia del Novecento.Luca Maria Possati - 2008 - Studium 104 (4):627-632.
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  4.  5
    Is There a Digital World?Luca M. Possati - 2021 - Techné: Research in Philosophy and Technology 25 (1):1-25.
    This article discusses the relation between software and human experience. I argue that software-based experiences are based on a radical discrepancy between the code and “lived experience.” This break is different than the so-called “opacity” of technology. I start analyzing a case study: the video game Assassin’s Creed Odyssey. Video games are one of the most profound digital experiences humans can have. When I play a video game I do not see the code. However, the code is the source of (...)
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  5.  2
    Le « cogito blessé » entre éthique et politique.Luca M. Possati - 2014 - Eco-Ethica 3:171-184.
    Quels sont les rapports entre l’éthique et la politique chez Paul Ricoeur? Le Cogito herméneutique est-il un sujet du droit? Chez Ricoeur, le passage de l ’éthique à la politique se révèle paradoxale. D’une part, le politique réalise la visée éthique d’une vie bonne : c ’est donc une partie de l ’éthique, un prolongement de celle-ci. De l’autre, le rapport de la politique au pouvoir bouleverse l’éthique : il existe une violence qui ne peut pas être réglée par la (...)
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  6. L'affermazione Originaria: Pensiero E Azione Nel Primo Ricœur (1935-1950).Luca M. Possati - 2012 - Carocci.
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  7.  10
    Paul Ricœur by Jean Grondin. [REVIEW]Luca M. Possati - 2013 - Studia Phaenomenologica 13:469-471.
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  8.  22
    Ricœur et Deleuze, lecteurs de Spinoza: Ontologie, éthique, imagination.Luca M. Possati - 2013 - Études Ricoeuriennes / Ricoeur Studies 4 (2):123-139.
    This article proposes a reading of Ricoeur and Deleuze from their respective interpretations of Spinoza's thought. Ricoeur and Deleuze are placed in the center of the Spinoza-Renaissance that took place in France in the Fifties and Sixties. However, Ricoeur's Spinozism is still largely unknown. The first two parts of the article concern Spinoza's concepts of conatus and essentia actuosa, emphasizing their importance for Ricoeur's hermeneutics of symbols, especially in relation to his reading of Jean Nabert. The following three sections concern (...)
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  9. Ricoeur E l'Esperienza Storica: L'Ermeneutica Filosofica Nella Tradizione Delle Annales.Luca M. Possati - 2008 - Carocci.
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  10.  35
    Si L’Action Est Comme le Texte. La Fondation du Social Et le Principe D’Analogie Chez Ricœur: Dialogue.Luca M. Possati - 2013 - Dialogue 52 (3):477-490.
    Cet article présente une reformulation générale de l’analogie du texte et de l’action de Paul Ricœur. Mon hypothèse de travail est qu’une telle reformulation nous aide à mieux contextualiser des tensions qui traversent toute la philosophie pratique de Ricœur, tout d’abord la tension entre le social et l’institution. Il s’agit de montrer que la philosophie ricœurienne est une philosophie tensionnelle parce qu’elle se fonde sur le principe d’analogie. Cela, bien sûr, ne revient pas à réduire sa pensée à un simple (...)
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  11.  7
    The Noema as Nash Equilibrium. Husserlian Phenomenology and Game Theory.Luca M. Possati - 2020 - Philosophia 48 (3):1147-1170.
    The noema is one of the most daring and controversial concept of the Husserlian theory of intentionality. It was first introduced by Husserl in 1912, within some research manuscripts, but was only fully developed in Ideen. In this paper I claim that the noema is an ambiguous notion, the result of a theoretical operation, the epoché, whose aim is contradictory. In an effort to keep open the epoché, and therefore maintain distance with respect to every transcendent object, Husserl is forced (...)
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