Written between 1978 and 2006, these essays engagingly address the most hidden tradition in European political thought: the unpolitical.

Trialogus de possest -- De anima -- Toccare il Dio.

Among today's Italian philosophers, Massimo Cacciari is perhaps the most assiduous commentator of Dante. Philosophy, Mysticism, and the Political collects all of Cacciari's writings on Dante to this day, from his masterful analysis of St. Francis of Assisi in Dante's Paradiso and Giotto's frescoes to a new consideration of Dante's "European" idea of empire as a federation of nations, peoples, and languages. Cacciari does not force Dante into any philosophical straitjacket. Rather, he walks with Dante, takes notes, asks questions, raises (...) issues, and tries to understand the Divine Comedy in Dante's terms. Cacciari approaches Dante's Ulysses and the theologico-philosophical vertigo of Paradiso not as a critic but from the point of view of a faithful, assiduous, perceptive, sometimes perplexed, and sometimes worshipful reader. Cacciari's analysis shows once more that Dante does not belong to the past. Dante creates his own age and stays with us whenever we wish to follow his path. (shrink)

The importance of the Lectura Dantis for Schelling’s philosophy, at least between Das erste Systemprogramm (First System Programme) and Die Weltalter (The Ages of the World), has for many years now been clearly highlighted by Wolfram Hogrebe and there is no need to repeat here his reflections on it. I believe the link that ties Schelling and Dante goes beyond these limits and constitutes a special guideline to understanding general but fundamental key junctures in the maturing of his philosophical system, (...) both in terms of Fichte and Hegel. This essay focuses on showing a viable course of investigation on this, with particular attention to Schelling’s philosophy of nature and the role assigned by him to Dante in his general concept of the myth. (shrink)

Cacciari, academic (aesthetics, U. of Venice) and mayor of Venice as of 1993, surveys the history of angels in Judaic, Islamic, and Christian traditions; and how Dante, Rilke, Kafka, and other writers have used the metaphor of angels to ...