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  1. Ethical and Traditional Concerns in Contemporary Japanese Design.Parisa Yazdanpanah Abdolmaleki & Ehsan Daneshfar - 2011 - Asian Culture and History 3 (1):115-124.
    Similar to its old history, Japan has a rich traditional and ethical Architecture. Based on these tenets and ethics, different concepts and spaces are formed through the time, as now Japan's ethical and traditional design ideas has its standard principles. Linking the present and the past has always been a momentous criterion in the countries with an old rich Architecture. This fact is indeed important in Japan due to the blend of ethics and religions with peoples` life. Through this idea, (...)
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  2. Architecture as Identity, I.Chris Abel - 1980 - Semiotics:1-11.
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  3. The Architecture of Michelangelo.James S. Ackerman - 1986 - University of Chicago Press.
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  4. Palladio. The Architect and Society.James S. Ackerman - 1969 - Journal of Aesthetics and Art Criticism 28 (1):101-102.
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  5. Horrific “Cults” and Comic Religion.Manga After Aum - 2012 - Japanese Journal of Religious Studies 39 (1):127-151.
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  6. Two Shifts and Four Threads. Economic and Ecologic Challenges for Landscape Architecture and Urbanism.Jane Amidon - 2012 - Topos: European Landscape Magazine 80:16.
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  7. Metafora E Filosofia.L. Anceschi - 1986 - Rivista di Estetica 26 (24):3-14.
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  8. Vitruvius: Writing the Body of Architecture.Wayne V. Andersen - 2005 - Common Knowledge 11 (2):350-350.
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  9. Complicating Heidegger and the Truth of Architecture.Travis T. Anderson - 2011 - Journal of Aesthetics and Art Criticism 69 (1):69-79.
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  10. Landscape Architecture in Transit. 20 Years of Topos: Six Tendencies in Landscape Architecture in the Past 20 Years.Thorbjörn Andersson - 2012 - Topos: European Landscape Magazine 80:32.
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  11. Reflection of Contemporary Myths and Heroes in Architectural History.Tatiana Andreadou - 1989 - Semiotics:219-223.
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  12. Architecture, Ambition and Americans.Wayne Andrews, Frank Lloyd Wright & Edgar Kaufmann - 1957 - Journal of Aesthetics and Art Criticism 15 (3):362-363.
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  13. Of Masks and Masquerades: Performing the Collegial Dance.Anu Aneja - 2005 - Symploke 13 (1):144-151.
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  14. Filosofía y Cine.Roberto R. Aramayo - 2011 - Isegoría 45:771-773.
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  15. The Identity Crisis in Dance.Adina Armelagos & Mary Sirridge - 1978 - Journal of Aesthetics and Art Criticism 37 (2):129-139.
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  16. Inside and Outside in Architecture: A Symposium.Rudolf Arnheim, Wolfgang M. Zucker & Joseph Watterson - 1966 - Journal of Aesthetics and Art Criticism 25 (1):3-15.
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  17. Objectivity, Expression, and Communication in Dance as a Performing Art.Peter J. Arnold - 1995 - Journal of Aesthetic Education 29 (1):61.
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  18. The Somnambulant Practice of Postmodern Architecture.Ali Aslam - 2008 - Theory and Event 11 (4).
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  19. Phänomenologie Ironischen Geistes: Ethik, Poetik Und Politik der Moderne.Armen Avanessian - 2010 - Fink.
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  20. Contemporary Architecture.Gabeba Baderoon - forthcoming - Feminist Studies.
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  21. Architecture in Photographs.Gordon Baldwin - 2013 - J. Paul Getty Museum.
    "This book is published on the occasion of the exhibition In focus: architecture, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from October 15, 2013, to March 2, 2014"--ECIP data view.
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  22. Architecture, Life, and Habit.Andrew Ballantyne - 2011 - Journal of Aesthetics and Art Criticism 69 (1):43-49.
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  23. Rousseau's Concept of Theatre.Amal Banerjee - 1977 - British Journal of Aesthetics 17 (2):171-177.
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  24. Reinventing Dance in the 1960s: Everything Was Possible.Sally Banes - 2006 - Journal of Aesthetics and Art Criticism 64 (3):382-384.
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  25. Architectural Technology Up to the Scientific Revolution: The Art and Structure of Large-Scale Buildings. [REVIEW]Carl Barnes - 1995 - Speculum 70 (2):399-399.
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  26. On Interpreting Dance: Stuart Pimsler's "Sentry".Terry Barrett - 1988 - Journal of Aesthetic Education 22 (3):100-107.
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  27. Spiritual Path, Sacred Place: Myth, Ritual, and Meaning in Architecture.Thomas Barrie - 1997 - Journal of Aesthetics and Art Criticism 55 (4):430-431.
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  28. Divagación apasionada sobre Pío Baroja.Julio Manso Barrios - 1999 - Anales Del Seminario de Historia de la Filosofía 16:199.
    Me irrita la asepsia que ostentan algunos estudiosos, derivada del temor a asumir riesgos intelectuales. Contra esta clase de mediocridad expongo el legado de una impregnación estético-vital, que, en mi modesta opinión, constituye el modo sincero de revelar la calidad de un espíritu. Se notará un efecto de vasos comunicantes. Por ello, dispuesto a tratar sobre la personalidad de don Pío Baroja, lo haré compartiendo su profunda emoción de ser, cota que excede el alcance de lo anecdótico, de lo chismográfico (...)
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  29. Ao som do emaranhamento: a música e o discurso filosófico sobre as artes.Fernando R. De Moraes Barros - 2012 - Kriterion: Revista de Filosofia 53 (125):195-229.
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  30. The Singular Objects of Architecture.Jean Baudrillard - 2005 - Univ of Minnesota Press.
    What is a singular object? An idea, a building, a color, a sentiment, a human being. Each in turn comes under scrutiny in this exhilarating dialogue between two of the most interesting thinkers working in philosophy and architecture today. From such singular objects, Jean Baudrillard and Jean Nouvel move on to fundamental problems of politics, identity, and aesthetics as their exchange becomes an imaginative exploration of the possibilities of modern architecture and the future of modern life. Among the topics the (...)
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  31. Effecting Affection: The Corporeal Ethics of Gins and Arakawa.Gordon C. F. Bearn - 2010 - Journal of Aesthetic Education 44 (2):pp. 40-49.
    No one has yet determined what the body can do …What could be the educational relevance of an architecture designed to make its inhabitants live forever? At first, it is hard to take seriously that Madeline Gins and Arakawa, in their work Architectural Body, are trying to escape mortality. Many are those who smile and say that what they call "the architectural surrounds" that they have designed and built for what they call "organisms that person" are intriguing enough, but this (...)
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  32. Aestheticide: Architecture and the Death of Art.Gordon C. F. Bearn - 1997 - Journal of Aesthetic Education 31 (1):87.
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  33. Theatre Today: Symptoms and Surmises.George Beiswanger - 1944 - Journal of Aesthetics and Art Criticism 3 (9/10):19-29.
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  34. Architecture and Technology: A Discontinuous Relation. [REVIEW]Andrew Benjamin - 2013 - Foundations of Science 18 (1):201-204.
    Technology has a history structured by discontinuities. The first important philosophical expression of such a conception of technology was advanced by Walter Benjamin when he defined art works in relation to specific techniques of production. At the present art and architecture occur within an age defined by the move from ’technical reproducibility’ to digital reproducibility. The move has an impact on how technology is understood and its relation to architecture conceived. Adapting Walter Benjamin’s work in this area provides the basis (...)
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  35. The Style of Architecture.Andrew Benjamin - unknown
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  36. Complexity: Architecture, Art, Philosophy.Andrew E. Benjamin (ed.) - 1995 - Distributed to the Trade in the United States of America by National Book Network.
    JPVA Journal of Philosophy and the Visual Arts No 6 Complexity Architecture / Art / Philosophy 'Beginning with complexity will involve working with the recognition that there has always been more than one. Here however this insistent "more than one" will be positioned beyond the scope of semantics; rather than complexity occurring within the range of meaning and taking the form of a generalised polysemy, it will be linked to the nature of the object and to its production. Complexity, therefore, (...)
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  37. The Aesthetics of Architecture.Arnold Berleant - 1981 - Teaching Philosophy 4 (2):194-197.
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  38. La scrittura e la morte. Sulla poetica di Michel Leiris in Filosofia e poesia. Philosophie et poésie.P. Bertetto - 1986 - Rivista di Estetica 26 (22):67-79.
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  39. Sociologia de la Autenticidad y la Simulacion Seguido de Otros Ensayos.Cayetano Betancur - 1955 - [Ministerio de Educacion Nacional, Division de Extension Cultural].
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  40. Architectural Ghosts.Jeanette Bicknell - 2014 - Journal of Aesthetics and Art Criticism 72 (4):435-441.
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  41. Computer Art.Timothy Binkley - 1998 - In Encyclopedia of Aesthetics.
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  42. Body, Memory and Architecture.Kent C. Bloomer & Charles W. Moore - 1978 - Journal of Aesthetics and Art Criticism 37 (1):113-114.
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  43. Bodily-Kinesthetic Intelligence and Dance Education: Critique, Revision, and Potentials for the Democratic Ideal.Donald Blumenfeld-Jones - 2009 - Journal of Aesthetic Education 43 (1):pp. 59-76.
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  44. La Filosofia Architettonica.Petar Bojanić & Vladan Đokić - 2015 - Rivista di Estetica 58:81-88.
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  45. Architecture and Its Interpretation: A Study of Expressive Systems in Architecture.J. P. Bonta - 1981 - Journal of Aesthetics and Art Criticism 39 (4):471-472.
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  46. Odvrácená Tvár Humoru Ke Komice Absurdity.Vladimír Borecký - 1996 - Dauphin.
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  47. Enjoying Incongruity in Aen. 1, 305–410.Yvonne Borowski - 2014 - Philologus: Zeitschrift für Antike Literatur Und Ihre Rezeption 158 (1):155-165.
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  48. Filosofia Dei Sensi: Estetica Del Pensiero Tra Filosofia, Arte E Letteratura.Silvana Borutti - 2006 - R. Cortina.
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  49. H-Sang Seung: Design Is Not Design. Botz-Bornstein - 2014 - Journal of Aesthetic Education 48 (1):108-122.
    As a philosopher, the architectural question that fascinates me most is the extent to which architecture imposes a certain way of life on people. Some might answer that architecture should impose as little as possible on peoples’ lives and that, in the ideal case, things will work in the converse: people impose on architecture the way of being that they believe to be most compatible with their lives. I guess that the leading thought underlying the latter scheme is that we (...)
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  50. Cardboard Houses with Wings: The Architecture of Alabama's Rural Studio.Thorsten Botz-Bornstein - 2010 - Journal of Aesthetic Education 44 (3):16-22.
    The Rural Studio, which was founded by Samuel Mockbee in 1992 and lead by him until his death in 2001, continues its activities. Its specialty is, now as before, the design of innovative houses for poor people living in Alabama's second-poorest county, Hale County, by relying largely on donated and salvaged materials. The houses are made of car windshields, surplus carpet tiles, baled cardboard, old street signs, license plates, etc. Alexis de Tocqueville has said that democracy lowers the standards of (...)
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