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  1. Considering Ethics in Dance, Theatre and Performance.Einav Katan-Schmid - 2020 - British Journal of Aesthetics 60 (1):102-105.
    Considering Ethics in Dance, Theatre and PerformanceBannonFionaPalgrave Macmillan. 2018. pp. xxi + 250. £59.99.
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  2. Resonance in Dhvani Aesthetics and the Deleuzian Logic of Sensation.Srajana Kaikini - 2018 - Deleuze and Guatarri Studies 12 (1):29-44.
    This paper undertakes an intersectional reading of visual art through theories of literary interpretation in Sanskrit poetics in close reading with Deleuze's notions of sensation. The concept of Dhvani – the Indian theory of suggestion which can be translated as resonance, as explored in the Rasa – Dhvani aesthetics offers key insights into understanding the mode in which sensation as discussed by Deleuze operates throughout his reflections on Francis Bacon's and Cézanne's works. The paper constructs a comparative framework to review (...)
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  3. Introduction: The Place of Beauty in Contemporary Aesthetics.Ingrid Vendrell Ferran & Wolfgang Huemer - 2019 - In Wolfgang Huemer & Íngrid Vendrell Ferran (eds.), Beauty. New Essays in Aesthetics and the Philosophy of Art. München, Deutschland:
    The notion of beauty has endured a troublesome history over the last few decades. While for centuries beauty has been considered one of the central values of art, there have also been times when it seemed old-fashioned to even mention the term. The present volume aims to explore the nature of beauty and to shed light its place in contemporary philosphy and art practice.
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  4. Me and My Avatar: Player-Character as Fictional Proxy.Matt Carlson & Logan Taylor - 2019 - Journal of the Philosophy of Games 1.
    Players of videogames describe their gameplay in the first person, e.g. “I took cover behind a barricade.” Such descriptions of gameplay experiences are commonplace, but also puzzling because players are actually just pushing buttons, not engaging in the activities described by their first-person reports. According to a view defended by Robson and Meskin (2016), which we call the fictional identity view, this puzzle is solved by claiming that the player is fictionally identical with the player character. Hence, on this view, (...)
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  5. Players, Characters, and the Gamer's Dilemma.Craig Bourne & Emily Caddick Bourne - 2019 - Journal of Aesthetics and Art Criticism 77 (2):133-143.
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  6. Batallas culturales en torno al clasicismo.Juan José Gómez Gutiérrez - 2008 - Fragmentos de Filosofía 6 (6):115-142.
    Los valores fascistas calaron, de un modo u otro, en todas las manifestaciones del arte italiano de entreguerras. Sin embargo, no todas las manifestaciones del arte fascista fueron el resultado de nacionalismo exacerbado, provincialismo y aislacionismo. Los conceptos de ‘romanità’, ‘italianità’, ‘latinità, o ‘mediterraneità’, que caracterizaban la producción cultural italiana de esos años, actuaron originalmente como matriz de estilos diferentes y susceptibles de diversas interpretaciones.
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  7. Políticas del urbanismo lúdico. Contracultura y ciudad del situacionismo al neohistoricismo (1943-1989).Juan José Gómez Gutiérrez - 2017 - Arquitectura, Ciudad y Entorno 12 (35):121-136.
    Este artículo ofrece una introducción histórica a la teoría y la práctica situacionista en conexión con la arquitectura funcionalista, las economías urbanas, ejemplos de acción política contracultural y su reincorporación a las lógicas de organización tecnocrática de las ciudades. Ello permite definir, desde una perspectiva histórica, algunas claves interpretativas de los rasgos ideológicos y económicos fundamentales de los sistemas urbanos contemporáneos, lo cual, a su vez puede establecer un contexto desde el que reflexionar sobre las posibilidades actuales de un urbanismo (...)
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  8. The Garden as Art: A New Space for the Garden in Contemporary Aesthetics.John Francis Powell - 2017 - Dissertation,
    Western art gardens have enjoyed a chequered relationship with philosophical aesthetics. At different times, they have been both lauded and rejected as exemplars of art, and, for most of the last 150 or so years, they have been largely ignored. However, during the last 25 years, there has been a welcome resurgence of philosophical interest in such gardens. This study situates the work stemming from this revival of interest in its historical context and assesses its adequacy in accounting for gardens (...)
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  9. On Pictorially Mediated Mind-Object Relations.Jessica Pepp - forthcoming - Inquiry: An Interdisciplinary Journal of Philosophy:1-29.
    ABSTRACTWhen I see a tree through my window, that particular worldly tree is said to be ‘in’, ‘on’, or ‘before’ my mind. My ordinary visual link to it is ‘intentional’. How similar to this link are...
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  10. Between Sky and Water: The Face of Urban Decorum in the Late Renaissance Houses on Venice's Grand Canal.Desley Luscombe - 2011 - Angelaki 16 (1):41-62.
    Represented as the face of Venice, the houses of the Grand Canal were used during the Renaissance to support the portrayal of the Venetian Republic's unique structure of governance. Paolo Paruta's dialogue, Della perfettione della vita politica, a work of political theory on the Venetian Republic, is one such text used here to examine how in a changing context of modernization, architecture has been presented as a representation of state. Paruta's use of architecture as a representation of state was conceptually (...)
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  11. D'une graphie qui ne dit rien. Les ambiguïtés de la notation chorégraphique.Frédéric Pouillaude - 2004 - Poetique 1 (137):99-123.
  12. Gusto. Pensare la frattura. [REVIEW]Fabio Vergine - 2015 - Doppiozero 1.
  13. Modernity and the Classical Tradition: Architectural Essays 1980-1987Restructuring Architectural Theory.Mary Bittner Wiseman, Alan Colquhoun, Marco Diani & Catherine Ingraham - 1991 - Journal of Aesthetics and Art Criticism 49 (3):265.
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  14. Salome and the Dance of WritingPictures of Romance: Form Against Context in Painting and Literature.Stephen Melville, Francoise Meltzer & Wendy Steiner - 1989 - Journal of Aesthetics and Art Criticism 47 (1):91.
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  15. Writings on Dance, 1938-68AfterimagesDance Beat, Selected Views and Reviews 1967-1976Watching the Dance Go byI Was There, Selected Dance Reviews and Articles: 1936-1976. [REVIEW]Selma Jeanne Cohen, A. V. Coton, Arlene Croce, Deborah Jowitt, Marcia B. Siegel & Walter Terry - 1979 - Journal of Aesthetics and Art Criticism 37 (3):390.
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  16. L'Architecture Flamboyante En FranceModern French CriticismVersions of Baroque, European Literature in the Seventeenth Century.Robert W. Uphaus, Roland Sanfacon, John K. Simon & Frank J. Warnke - 1972 - Journal of Aesthetics and Art Criticism 31 (1):138.
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  17. The Borzoi Book of Modern DanceThe Ballet Called GisellePractical Kinetography Laban.Anita Page, Margaret Lloyd, Cyril W. Beaumont & Valerie Preston-Dunlop - 1971 - Journal of Aesthetics and Art Criticism 29 (4):552.
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  18. Three Pamphlets Collected: Blast at Ballet, 1937; Ballet Alphabet, 1939; What Ballet Is All About, 1959Modern Dance Forms in Relation to the Other Modern Arts. [REVIEW]Juana de Laban, Lincoln Kirstein, Louis Horst & Carroll Russell - 1968 - Journal of Aesthetics and Art Criticism 27 (1):116.
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  19. Why We Don't Write About the Dance: A Review ArticleThe Modern Dance: Seven Statements of Belief.Herta Pauly & Selma Jeanne Cohen - 1967 - Journal of Aesthetics and Art Criticism 25 (4):463.
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  20. Architecture Without ArchitectsThe Peoples' ArchitectsThe Human Prospect.Louise Ballard, Bernard Rudofsky, Harry S. Ransom, Lewis Mumford, Harry T. Moore & Karl W. Deutsch - 1966 - Journal of Aesthetics and Art Criticism 25 (2):226.
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  21. Art and Architecture in Spain and Portugal and Their American Dominions: 1500-1800Arte Mexicano de Sus Origines a Nuestros Dias. [REVIEW]Joseph A. Baird, George Kubler, Martin Soria & Justino Fernandez - 1961 - Journal of Aesthetics and Art Criticism 20 (1):101.
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  22. The Theory of Proportion in ArchitectureThe Golden Number.Francois Bucher, P. H. Scholfield & M. Borissavlievitch - 1959 - Journal of Aesthetics and Art Criticism 17 (4):525.
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  23. Ten Talents in the American TheatreFrom the Modern Repertoire. Series Three.James Schevill, David H. Stevens & Eric Bentley - 1958 - Journal of Aesthetics and Art Criticism 17 (1):121.
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  24. Architectural Symbolism of Imperial Rome and the Middle AgesThe Railroad Station.Paul Zucker, E. Baldwin Smith & Carroll L. V. Meeks - 1957 - Journal of Aesthetics and Art Criticism 16 (2):284.
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  25. Architecture, Ambition and AmericansAn American Architecture.Paul Zucker, Wayne Andrews, Frank Lloyd Wright & Edgar Kaufmann - 1957 - Journal of Aesthetics and Art Criticism 15 (3):362.
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  26. Architecture in Old KentuckySchopferische Bauideen der deutschen Romantik.Paul Zucker, Rexford Newcomb & Hermann Beenken - 1953 - Journal of Aesthetics and Art Criticism 12 (2):268.
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  27. An Introduction to Modern ArchitectureHomes.Paul Zucker, Elizabeth Mock & J. M. Richard - 1948 - Journal of Aesthetics and Art Criticism 7 (2):168.
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  28. The Art of Building CitiesNew Cities for Old.Paul Zucker, Camillo Sitte & Louis Justement - 1946 - Journal of Aesthetics and Art Criticism 5 (1):69.
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  29. The Role of Glass in Interior Architecture: Aesthetics, Community, and Privacy.Matthew Ziff - 2004 - Journal of Aesthetic Education 38 (4):10.
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  30. Dance and the Question of Fidelity.Selma Jeanne Cohen - 1997 - Journal of Aesthetic Education 31 (2):51.
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  31. Some Remarks on Sparshott on the Dance.Joseph Margolis - 1997 - Journal of Aesthetic Education 31 (2):45.
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  32. Aestheticide: Architecture and the Death of Art.Gordon C. F. Bearn - 1997 - Journal of Aesthetic Education 31 (1):87.
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  33. Objectivity, Expression, and Communication in Dance as a Performing Art.Peter J. Arnold - 1995 - Journal of Aesthetic Education 29 (1):61.
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  34. The Architectural Theory of Rudolf Arnheim and Its Implications for Teaching.Tom Heath - 1993 - Journal of Aesthetic Education 27 (4):83.
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  35. How Does Gravity Affect Meaning in Dance?Carolann Scott - 1994 - Journal of Aesthetic Education 28 (2):102.
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  36. Interactivity, Fictionality, and Incompleteness.Nathan Wildman & Richard Woodward - forthcoming - In Grant Tavinor & Jon Robson (eds.), The Aesthetics of Videogames. Routledge.
  37. H-Sang Seung: Design Is Not Design. Botz-Bornstein - 2014 - Journal of Aesthetic Education 48 (1):108.
    As a philosopher, the architectural question that fascinates me most is the extent to which architecture imposes a certain way of life on people. Some might answer that architecture should impose as little as possible on peoples’ lives and that, in the ideal case, things will work in the converse: people impose on architecture the way of being that they believe to be most compatible with their lives. I guess that the leading thought underlying the latter scheme is that we (...)
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  38. Video Games and Imaginative Identification.Stephanie Patridge - 2017 - Journal of Aesthetics and Art Criticism 75 (2):181-184.
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  39. Still Self-Involved: A Reply to Patridge.Jon Robson & Aaron Meskin - 2017 - Journal of Aesthetics and Art Criticism 75 (2):184-187.
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  40. What's My Motivation? Video Games and Interpretative Performance.Grant Tavinor - 2017 - Journal of Aesthetics and Art Criticism 75 (1):23-33.
    The interpretation of character motivations is a crucial part of the understanding of many narratives, including those found in video games. This interpretation can be complicated in video games by the player performing the role of a player-character within the game narrative. Such performance finds the player making choices for the character and also interpreting the resulting character actions and their effect on the game's narrative. This can lead to interpretative difficulties for game narratives and their players: if a decision (...)
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  41. Art and Architecture: A Place Between: Book Reviews. [REVIEW]Gordon Graham - 2008 - British Journal of Aesthetics 48 (1):100-101.
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  42. Serene Greed of the Eye: Leon Battista Alberti and the Philosophical Foundations of Renaissance Architectural Theory: Book Reviews. [REVIEW]Stefano Cracolici - 2008 - British Journal of Aesthetics 48 (2):240-243.
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  43. Reflections on Comic Reconciliations: Ethics, Memory, and Anxious Happy Endings.Michael J. Meyer - 2008 - Journal of Aesthetics and Art Criticism 66 (1):77-87.
  44. Smile of the Buddha: Eastern Philosophy and Western Art From Monet to Today.Sally Markowitz - 2007 - Journal of Aesthetics and Art Criticism 65 (2):248-250.
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  45. Before, Between, and Beyond: Three Decades of Dance Writing.Renee Conroy - 2008 - Journal of Aesthetics and Art Criticism 66 (3):312-314.
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  46. The Aesthetics of Architecture.Flint Schier - 1983 - Philosophical Quarterly 33 (130):100-103.
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  47. Comedy and Finitude: Displacing the Tragic‐Heroic Paradigm in Philosophy and Psychoanalysis.Simon Critchley - 1999 - Constellations 6 (1):108-122.
  48. Excavations at Olynthus. Part II. Architecture and Sculpture: Houses and Other Buildings. By David M. Robinson. Pp. Xxii + 156; A Plates (3 in Colour), 307 Figures. Baltimore: Johns Hopkins Press; London: H Milford, 1930. 90s. [REVIEW]A. Wace - 1931 - The Classical Review 45 (2):87-87.
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  49. Classical Architecture. [REVIEW]W. R. Lethaby - 1909 - The Classical Review 23 (2):46-48.
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  50. The Paradoxes of Mail Art: How to Build an Artistic Media Type.Lars Elleström - 2012 - Cultura 9 (2):103-122.
    This article aims to show that so-called Mail Art is based on five paradoxes. These paradoxes, which correlateto how Mail Art is distributed and exhibited by means of changing technologies, its aesthetics, its democratic ideals, and its transnational character, explain howMail Art has emerged and been constructed as an artistic medium on the stage of world cultures. While the paradoxes of Mail Art are specific for this particular medium, I argue that all media types are more or less marked by (...)
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