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  1. Street Art, the Discontinuity Thesis, and the Artworld.Jeanette Bicknell - forthcoming - Journal of Aesthetics and Art Criticism.
    The topic of this article is the relationship of street art to both the street and the artworld. I take it as significant that philosophers have turned their attention to “street art” and not, say, “urban outdoor art” or “site-specific art in urban settings.” The “street” in street art seems to imply more than a location or geographic modifier. I consider the further significance of the “street” in street art, and the view, argued or assumed, of the street when philosophers (...)
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  2. De la Tortue Marine À L’Écaille. Un Matériau «Indien» du Luxe Romain.Jean Trinquier - 2018 - Topoi 22 (1):15-124.
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  3. Il popolo: definizione e rappresentazioni.Lucia Gangale - 2021 - Filosofia E Nuovi Sentieri 2021 (14 novembre 2021).
    Dare una definizione univoca al concetto di “popolo” risulta impresa ardua e problematica, perché si tratta di un soggetto mobile, la cui definizione cambia nel corso della storia ed in relazione al punto di vista delle varie culture.
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  4. A Family Meal as Fiction.Josep E. Corbi - 2020 - Organon F: Medzinárodný Časopis Pre Analytickú Filozofiu 27:82-105.
    at seek to identify the necessary and sufficient conditions for a work to count as fiction. She argues that this goal cannot really be achieved; instead, she appeals to the notion of genre to distinguish between fiction and nonfiction. This notion is significantly more flex- ible, since it invites us to identify standard—but not necessary—and counter-standard features of works of fiction in light of our classificatory practices. More specifically, Friend argues that the genre of fiction has the genre of nonfiction—and (...)
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  5. Feminist Pedagogical/ Conversational Performance Art: The Work of Mónica Mayer.Gemma Argüello Manresa - 2021 - Aesthetic Investigations 5 (1):99-110.
    This paper shows how the early feminist pedagogical performance artworks of the Mexican artist Mónica Mayer are example of Connective Aesthetics and Conversational Art.
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  6. Acting and the Self.Sara Bizarro - 2014 - In Alexander Gerner & Jorge Gonçalves (eds.), Altered Self and Altered Self-Experience. pp. 59-73.
    In this paper, Douglas Hofstadter’s view of the self as a “strange loop” is used in order to understand how several acting techniques work. As examples of acting techniques I will use the work of Lee Strasberg, Constantin Stanislavski, Stella Adler and Sanford Meisner. I will argue that Douglas Hofstadter’s view of the self as a strange loop allows us to understand how acting works. I will furthermore argue that because Douglas Hofstadter’s view is successful in explaining how different acting (...)
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  7. Defending Games: Reply to Hurka, Kukla and Noë. [REVIEW]C. Thi Nguyen - 2021 - Analysis 81 (2):317-337.
    This is my reply to commentators in the symposium on my book, GAMES: AGENCY AS ART. The symposium features commentary by Thomas Hurka, Quill Kukla, and Alva Noe, and originally appeared in Analysis 81 (2).
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  8. Zeami’s Reply to Plato: Mastering the Art of Sarugaku.Susan V. H. Castro - 2017 - Japan Studies Association Journal 15 (1):1-22.
    Mae Smethurst’s work has largely aimed to articulate nō theater in Western terms from their early roots, primarily through Aristotle’s On Tragedy. Her detailed examination of the shared structure of the content of these independent and superficially dissimilar arts reveals their mutual intelligibility and effectiveness through shared underlying universals. In this spirit, I outline how Zeami answers Plato’s first challenge to artistic performance, as expressed in Ion where Plato argues that rhapsody is not an art [techné] because it requires no (...)
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  9. Empathie in der Kunst.Íngrid Vendrell-Ferran - forthcoming - In Siegmund Judith (ed.), Handbuch Kunstphilosophie.
    Dieses Kapitel handelt von der Empathie in der Kunst. Ich beginne mit einer Reflexion über die Ursprünge des Begriffes und seine Verwendung in der Ästhetik. Es folgt eine Analyse der Empathie im Vergleich zu anderen Formen der Anteilnahme an Kunstwerken. Im dritten Teil untersuche ich die Mechanismen der Empathie in der Kunst und die Funktion der Imagination. Der vierte Teil widmet sich der Bedeutung der Gefühle bei der Empathie für Kunstfiguren. Schließlich thematisiere ich den epistemischen, moralischen und ästhetischen Wert der (...)
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  10. Affect in Artistic Creativity: Painting to Feel.Jussi A. Saarinen - 2020 - Lontoo, Yhdistynyt kuningaskunta: Routledge.
    Why do painters paint? Obviously, there are numerous possible reasons. They paint to create images for others’ enjoyment, to solve visual problems, to convey ideas, and to contribute to a rich artistic tradition. This book argues that there is yet another, crucially important but often overlooked reason. -/- Painters paint to feel. -/- They paint because it enables them to experience special feelings, such as being absorbed in creative play and connected to something vitally significant. Painting may even transform the (...)
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  11. Mirjam Rajner: Fragile Images. Jews and Art in Yugoslavia, 1918 – 1945, Leiden/Boston: Brill 2019, 446 S.Martina Bitunjac - 2020 - Zeitschrift für Religions- Und Geistesgeschichte 72 (2):228-230.
  12. Considering Ethics in Dance, Theatre and Performance.Einav Katan-Schmid - 2020 - British Journal of Aesthetics 60 (1):102-105.
    Considering Ethics in Dance, Theatre and PerformanceBannonFionaPalgrave Macmillan. 2018. pp. xxi + 250. £59.99.
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  13. Resonance in Dhvani Aesthetics and the Deleuzian Logic of Sensation.Srajana Kaikini - 2018 - Deleuze and Guatarri Studies 12 (1):29-44.
    This paper undertakes an intersectional reading of visual art through theories of literary interpretation in Sanskrit poetics in close reading with Deleuze's notions of sensation. The concept of Dhvani – the Indian theory of suggestion which can be translated as resonance, as explored in the Rasa – Dhvani aesthetics offers key insights into understanding the mode in which sensation as discussed by Deleuze operates throughout his reflections on Francis Bacon's and Cézanne's works. The paper constructs a comparative framework to review (...)
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  14. New Television: The Aesthetics and Politics of a Genre.Martin Shuster - 2017 - University of Chicago Press.
    Even though it’s frequently asserted that we are living in a golden age of scripted television, television as a medium is still not taken seriously as an artistic art form, nor has the stigma of television as “chewing gum for the mind” really disappeared. -/- Philosopher Martin Shuster argues that television is the modern art form, full of promise and urgency, and in New Television, he offers a strong philosophical justification for its importance. Through careful analysis of shows including The (...)
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  15. Introduction: The Place of Beauty in Contemporary Aesthetics.Ingrid Vendrell Ferran & Wolfgang Huemer - 2019 - In Wolfgang Huemer & Íngrid Vendrell Ferran (eds.), Beauty. New Essays in Aesthetics and the Philosophy of Art. München, Deutschland:
    The notion of beauty has endured a troublesome history over the last few decades. While for centuries beauty has been considered one of the central values of art, there have also been times when it seemed old-fashioned to even mention the term. The present volume aims to explore the nature of beauty and to shed light its place in contemporary philosphy and art practice.
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  16. Players, Characters, and the Gamer's Dilemma.Craig Bourne & Emily Caddick Bourne - 2019 - Journal of Aesthetics and Art Criticism 77 (2):133-143.
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  17. Batallas culturales en torno al clasicismo.Juan José Gómez Gutiérrez - 2008 - Fragmentos de Filosofía 6 (6):115-142.
    Los valores fascistas calaron, de un modo u otro, en todas las manifestaciones del arte italiano de entreguerras. Sin embargo, no todas las manifestaciones del arte fascista fueron el resultado de nacionalismo exacerbado, provincialismo y aislacionismo. Los conceptos de ‘romanità’, ‘italianità’, ‘latinità, o ‘mediterraneità’, que caracterizaban la producción cultural italiana de esos años, actuaron originalmente como matriz de estilos diferentes y susceptibles de diversas interpretaciones.
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  18. Políticas del urbanismo lúdico. Contracultura y ciudad del situacionismo al neohistoricismo (1943-1989).Juan José Gómez Gutiérrez - 2017 - Arquitectura, Ciudad y Entorno 12 (35):121-136.
    Este artículo ofrece una introducción histórica a la teoría y la práctica situacionista en conexión con la arquitectura funcionalista, las economías urbanas, ejemplos de acción política contracultural y su reincorporación a las lógicas de organización tecnocrática de las ciudades. Ello permite definir, desde una perspectiva histórica, algunas claves interpretativas de los rasgos ideológicos y económicos fundamentales de los sistemas urbanos contemporáneos, lo cual, a su vez puede establecer un contexto desde el que reflexionar sobre las posibilidades actuales de un urbanismo (...)
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  19. The Garden as Art: A New Space for the Garden in Contemporary Aesthetics.John Francis Powell - 2017 - Dissertation,
    Western art gardens have enjoyed a chequered relationship with philosophical aesthetics. At different times, they have been both lauded and rejected as exemplars of art, and, for most of the last 150 or so years, they have been largely ignored. However, during the last 25 years, there has been a welcome resurgence of philosophical interest in such gardens. This study situates the work stemming from this revival of interest in its historical context and assesses its adequacy in accounting for gardens (...)
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  20. On Pictorially Mediated Mind-Object Relations.Jessica Pepp - forthcoming - Inquiry: An Interdisciplinary Journal of Philosophy:1-29.
    ABSTRACTWhen I see a tree through my window, that particular worldly tree is said to be ‘in’, ‘on’, or ‘before’ my mind. My ordinary visual link to it is ‘intentional’. How similar to this link are...
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  21. Between Sky and Water: The Face of Urban Decorum in the Late Renaissance Houses on Venice's Grand Canal.Desley Luscombe - 2011 - Angelaki 16 (1):41-62.
    Represented as the face of Venice, the houses of the Grand Canal were used during the Renaissance to support the portrayal of the Venetian Republic's unique structure of governance. Paolo Paruta's dialogue, Della perfettione della vita politica, a work of political theory on the Venetian Republic, is one such text used here to examine how in a changing context of modernization, architecture has been presented as a representation of state. Paruta's use of architecture as a representation of state was conceptually (...)
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  22. D'une graphie qui ne dit rien. Les ambiguïtés de la notation chorégraphique.Frédéric Pouillaude - 2004 - Poetique 1 (137):99-123.
  23. Gusto. Pensare la frattura. [REVIEW]Fabio Vergine - 2015 - Doppiozero 1.
  24. Modernity and the Classical Tradition: Architectural Essays 1980-1987Restructuring Architectural Theory.Mary Bittner Wiseman, Alan Colquhoun, Marco Diani & Catherine Ingraham - 1991 - Journal of Aesthetics and Art Criticism 49 (3):265.
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  25. Salome and the Dance of WritingPictures of Romance: Form Against Context in Painting and Literature.Stephen Melville, Francoise Meltzer & Wendy Steiner - 1989 - Journal of Aesthetics and Art Criticism 47 (1):91.
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  26. Writings on Dance, 1938-68AfterimagesDance Beat, Selected Views and Reviews 1967-1976Watching the Dance Go byI Was There, Selected Dance Reviews and Articles: 1936-1976. [REVIEW]Selma Jeanne Cohen, A. V. Coton, Arlene Croce, Deborah Jowitt, Marcia B. Siegel & Walter Terry - 1979 - Journal of Aesthetics and Art Criticism 37 (3):390.
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  27. L'Architecture Flamboyante En FranceModern French CriticismVersions of Baroque, European Literature in the Seventeenth Century.Robert W. Uphaus, Roland Sanfacon, John K. Simon & Frank J. Warnke - 1972 - Journal of Aesthetics and Art Criticism 31 (1):138.
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  28. The Borzoi Book of Modern DanceThe Ballet Called GisellePractical Kinetography Laban.Anita Page, Margaret Lloyd, Cyril W. Beaumont & Valerie Preston-Dunlop - 1971 - Journal of Aesthetics and Art Criticism 29 (4):552.
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  29. Three Pamphlets Collected: Blast at Ballet, 1937; Ballet Alphabet, 1939; What Ballet Is All About, 1959Modern Dance Forms in Relation to the Other Modern Arts. [REVIEW]Juana de Laban, Lincoln Kirstein, Louis Horst & Carroll Russell - 1968 - Journal of Aesthetics and Art Criticism 27 (1):116.
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  30. Why We Don't Write About the Dance: A Review ArticleThe Modern Dance: Seven Statements of Belief.Herta Pauly & Selma Jeanne Cohen - 1967 - Journal of Aesthetics and Art Criticism 25 (4):463.
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  31. Architecture Without ArchitectsThe Peoples' ArchitectsThe Human Prospect.Louise Ballard, Bernard Rudofsky, Harry S. Ransom, Lewis Mumford, Harry T. Moore & Karl W. Deutsch - 1966 - Journal of Aesthetics and Art Criticism 25 (2):226.
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  32. Art and Architecture in Spain and Portugal and Their American Dominions: 1500-1800Arte Mexicano de Sus Origines a Nuestros Dias. [REVIEW]Joseph A. Baird, George Kubler, Martin Soria & Justino Fernandez - 1961 - Journal of Aesthetics and Art Criticism 20 (1):101.
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  33. The Theory of Proportion in ArchitectureThe Golden Number.Francois Bucher, P. H. Scholfield & M. Borissavlievitch - 1959 - Journal of Aesthetics and Art Criticism 17 (4):525.
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  34. Ten Talents in the American TheatreFrom the Modern Repertoire. Series Three.James Schevill, David H. Stevens & Eric Bentley - 1958 - Journal of Aesthetics and Art Criticism 17 (1):121.
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  35. Architectural Symbolism of Imperial Rome and the Middle AgesThe Railroad Station.Paul Zucker, E. Baldwin Smith & Carroll L. V. Meeks - 1957 - Journal of Aesthetics and Art Criticism 16 (2):284.
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  36. Architecture, Ambition and AmericansAn American Architecture.Paul Zucker, Wayne Andrews, Frank Lloyd Wright & Edgar Kaufmann - 1957 - Journal of Aesthetics and Art Criticism 15 (3):362.
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  37. Architecture in Old KentuckySchopferische Bauideen der deutschen Romantik.Paul Zucker, Rexford Newcomb & Hermann Beenken - 1953 - Journal of Aesthetics and Art Criticism 12 (2):268.
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  38. An Introduction to Modern ArchitectureHomes.Paul Zucker, Elizabeth Mock & J. M. Richard - 1948 - Journal of Aesthetics and Art Criticism 7 (2):168.
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  39. The Art of Building CitiesNew Cities for Old.Paul Zucker, Camillo Sitte & Louis Justement - 1946 - Journal of Aesthetics and Art Criticism 5 (1):69.
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  40. The Role of Glass in Interior Architecture: Aesthetics, Community, and Privacy.Matthew Ziff - 2004 - Journal of Aesthetic Education 38 (4):10.
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  41. Dance and the Question of Fidelity.Selma Jeanne Cohen - 1997 - Journal of Aesthetic Education 31 (2):51.
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  42. Some Remarks on Sparshott on the Dance.Joseph Margolis - 1997 - Journal of Aesthetic Education 31 (2):45.
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  43. Aestheticide: Architecture and the Death of Art.Gordon C. F. Bearn - 1997 - Journal of Aesthetic Education 31 (1):87.
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  44. Objectivity, Expression, and Communication in Dance as a Performing Art.Peter J. Arnold - 1995 - Journal of Aesthetic Education 29 (1):61.
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  45. The Architectural Theory of Rudolf Arnheim and Its Implications for Teaching.Tom Heath - 1993 - Journal of Aesthetic Education 27 (4):83.
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  46. How Does Gravity Affect Meaning in Dance?Carolann Scott - 1994 - Journal of Aesthetic Education 28 (2):102.
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  47. Interactivity, Fictionality, and Incompleteness.Nathan Wildman & Richard Woodward - forthcoming - In Grant Tavinor & Jon Robson (eds.), The Aesthetics of Videogames. Routledge.
  48. H-Sang Seung: Design Is Not Design. Botz-Bornstein - 2014 - Journal of Aesthetic Education 48 (1):108.
    As a philosopher, the architectural question that fascinates me most is the extent to which architecture imposes a certain way of life on people. Some might answer that architecture should impose as little as possible on peoples’ lives and that, in the ideal case, things will work in the converse: people impose on architecture the way of being that they believe to be most compatible with their lives. I guess that the leading thought underlying the latter scheme is that we (...)
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  49. Art and Architecture: A Place Between: Book Reviews. [REVIEW]Gordon Graham - 2008 - British Journal of Aesthetics 48 (1):100-101.
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  50. Serene Greed of the Eye: Leon Battista Alberti and the Philosophical Foundations of Renaissance Architectural Theory: Book Reviews. [REVIEW]Stefano Cracolici - 2008 - British Journal of Aesthetics 48 (2):240-243.
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1 — 50 / 2236