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Peter Hanly
Boston College
  1. Passionate Deceptions: Nicole and Racine on the Theatre.Peter Hanly - 2013 - Evental Aesthetics 2 (1):21-41.
    This paper is an attempt to re-consider the aesthetics of tragedy in the work of the seventeenth-century dramatist Jean Racine. The purpose of the essay is twofold. On the one hand, the intention is to re-invigorate the reading of a dramatist whose work is too easily buried beneath labels such as “French Classicism.” On the other, an attempt is made to use this re-reading to cast new light on some of the central questions of representation, pleasure and tragedy that were (...)
     
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  2.  30
    En-Counterings of Time.Werner Hamacher & Peter Hanly - 2016 - Philosophy Today 60 (4):839-849.
    The text tries to make plausible the necessity in every thought of time to think an un-time—a 'field' without the form of time that only allows for conceiving of time as a form.
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  3.  9
    On Touching the Violin.Peter Hanly - 2018 - Research in Phenomenology 48 (3):331-345.
    This essay considers the work of Jean-Luc Nancy on touch as a model for a conception of the musical body. More than a re-emphasizing of the tactile, though, it is possible to show that Nancy’s work enables an understanding of music as touch. The significance of this re-thinking lies in the counterweight it provides to the degradation of music entailed in its digitalized de-materialization. Hegel is seen to be complicit in this degradation.
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  4.  12
    En-Counerings of Time in Advance.Werner Hamacher & Peter Hanly - forthcoming - Philosophy Today.
  5.  23
    Strange Lands.Peter Hanly - 2010 - Epoché: A Journal for the History of Philosophy 14 (2):321-334.
    A gradual intertwinement of beauty and concept can be seen to determine, in no small measure, the direction of the first half of the Critique of Judgment. This paper considers the decisive influence of this intertwinement on the work of Hölderlin. Links are forged between the productive indeterminacy of the “aesthetic ideas” and the development of Hölderlin’s poetics, particularly in regard to his understanding of the relation between the natural world and its naming. The focus of attention will be on (...)
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  6.  17
    The Keenness of Hope.Catherine Chalier & Peter Hanly - 2010 - Levinas Studies 5:117-131.
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  7.  25
    Hegel's Voice: Vibration and Violence.Peter Hanly - 2009 - Research in Phenomenology 39 (3):359-373.
    This essay is a consideration of Hegel's account of the voice. Responding, in the first instance, to Derrida's discussion of what he terms Hegel's 'semiology,' the article attempts to map out complexities in Hegel's account of voice that tend to resist absorption into the trajectory that Derrida has outlined. Hegel's discussion of music in the Aesthetics will be the focus, and an attempt is made to link the emergence of the musical voice to the fundamental determinations of time and of (...)
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  8.  8
    Faraway, so Close: A Review of Kevin McLaughlin’s Poetic Force: Poetry After Kant. [REVIEW]Peter Hanly - 2016 - Continental Philosophy Review 49 (2):243-249.
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  9.  7
    Beni Vacanti in advance.Jean-Luc Nancy & Peter Hanly - forthcoming - Philosophy Today.
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    The Keenness of Hope.Catherine Chalier & Peter Hanly - 2010 - Levinas Studies 5:117-131.
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    Beni Vacanti.Jean-Luc Nancy & Peter Hanly - 2016 - Philosophy Today 60 (4):869-876.
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  12.  5
    History Improvised.Jean-Luc Nancy & Peter Hanly - 2016 - Philosophy Today 60 (4):827-838.
    In this text, a dialogue about the difficult task of seizing the sense of history today is presented. The point of departure is the difficulty of the times to begin and the necessity to rethink the difference between historiography and historicity, and further between events, the event and the advent. The dialogue proposes to revisit the meaning of beginning from out the experience of improvisation and to reflect upon the possibility of developing improvisation as a sense of history.
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    Strange Lands: Hölderlin, Kant, and the Language of the Beautiful.Peter Hanly - 2010 - Epoché: A Journal for the History of Philosophy 14 (2):321-334.
    A gradual intertwinement of beauty and concept can be seen to determine, in no small measure, the direction of the first half of the Critique of Judgment. This paper considers the decisive influence of this intertwinement on the work of Hölderlin. Links are forged between the productive indeterminacy of the “aesthetic ideas” and the development of Hölderlin’s poetics, particularly in regard to his understanding of the relation between the natural world and its naming. The focus of attention will be on (...)
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  14. Heidegger’s Birth.Peter Hanly - 2017 - Gatherings: The Heidegger Circle Annual 7:40-54.
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