14 found
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  1. Aesthetic Criticism And The Poetics Of Modern Music.Roger W. H. Savage - 1993 - British Journal of Aesthetics 33 (2):142-151.
  2.  14
    Fragile Identities, Capable Selves.Roger W. H. Savage - 2013 - Études Ricoeuriennes / Ricoeur Studies 4 (2):64-78.
    Normal 0 false false false EN-US JA X-NONE Normal 0 false false false EN-US JA X-NONE The spotlight that Martha Nussbaum turns on the plight of women in developing nations brings the disproportion between human capabilities and the opportunities to exercise them sharply into focus. Social prejudices, economic discrimination, and deep-seated traditions and attitudes all harbor the seeds of systemic injustices within governing policies and institutions. The refusal on the part of a dominant class to recognize the rights and claims (...)
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  3. Hermeneutics and Music Criticism.Roger W. H. Savage - 2010 - Routledge.
    Aesthetics, hermeneutics, criticism -- Social Werktreue and the subjectivization of aesthetics -- From musike to metaphysics -- Formalist aesthetics and musical hermeneutics -- Deconstructing the disciplinary divide -- The question of metaphor -- Mimesis and the hermeneutics of music -- Political critique and the politics of music criticism -- Toward a hermeneutics of music criticism.
     
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  4. Paul Ricoeur in the Age of Hermeneutical Reason: Poetics, Praxis, and Critique.Roger W. H. Savage (ed.) - 2015 - Lexington Books.
    This volume brings together eleven essays that address a range of issues extending from broader questions of social justice to the sexual intimacy that bears the mark of our fleshly existence. Collectively, these essays extend the reach of Paul Ricoeur’s early to late works by taking up some of the major social, political and religious challenges facing us in a postmodern, ultrapluralistic world.
     
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  5. Criticism, Imagination, and the Subjectivation of Aesthetics.Roger W. H. Savage - 2005 - Philosophy and Literature 29 (1):164-179.
  6.  20
    Is Music Mimetic? Ricoeur and the Limits of Narrative.Roger W. H. Savage - 2006 - Journal of French and Francophone Philosophy 16 (1-2):121-133.
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  7.  46
    Crisis, Conflict, and the Struggle for Recognition.Roger W. H. Savage - 2013 - Philosophy Today 57 (1):72-83.
  8.  33
    Aesthetic Experience, Mimesis and Testimony.Roger W. H. Savage - 2012 - Études Ricoeuriennes / Ricoeur Studies 3 (1):172-193.
    In this article, I relate the demand that Paul Ricoeur suggests mimesis places on the way we think about truth to the idea that the work of art is a model for thinking about testimony. By attributing a work’s epoché of reality to the work of imagination, I resolve the impasse that arises from attributing music, literature, and art’s distance from the real to their social emancipation. Examining the conjunction, in aesthetic experience, of the communicability and the exemplarity of a (...)
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  9.  3
    Reason, Action, and the Creative Imagination.Roger W. H. Savage - 2019 - Social Imaginaries 5 (1):161-180.
    The exemplary value of individual moral and political acts provides a unique vantage point for inquiring into the role of the creative imagination in social life. Drawing on Kant’s concept of productive imagination, I argue that an act’s exemplification of a fitting response to a moral or political problem or crisis is comparable to the way that a work of art expresses the ‘thought’ or ‘idea’ to which it gives voice. The exercise of practical reason, or phronesis, is akin to (...)
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  10.  16
    Social Werktreue and the Musical Work's Independent Afterlife.Roger W. H. Savage - 2004 - The European Legacy 9 (4):515-524.
    New musicology's rejection of formalist precepts eclipses how the subjectivization of aesthetics institutes the schema of music's opposition to reality. Social Werktreue?fidelity to the work and to the faithful reproduction of an original intent?replaces ideals of aesthetic transcendence with analyses of a work's socially constructed meaning. Hence, absolute music's social demystification positions music criticism within a system of oppositions ratified by bourgeois culture. The power individual works exercise in contesting reality deconstructs formalist dogma and social Werktreue. The temporality evinced when (...)
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  11.  11
    Judgment, Imagination and the Search for Justice.Roger W. H. Savage - 2015 - Études Ricoeuriennes / Ricoeur Studies 6 (2).
    The multiplicity of demands and claims in ultra-pluralistic societies complicates the search for justice. Furthermore, the normative force of competing ideals gives rise to an aporia at the heart of the idea of justice’s federating force. In this article, I argue that exemplary moral and political acts evince these ideals by reason of their fittingness with respect to the demands of the situations to which they respond. As such, these acts lay claim to their normative value by exemplifying the “rule” (...)
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  12.  8
    Effort, Play, and Sport.Roger W. H. Savage - 2016 - Sport, Ethics and Philosophy 10 (4):392-402.
    The effort involved in playing sports calls for a hermeneutical reflection on the power that we have to move our bodies. Drawing on Paul Ricoeur’s phenomenology of the lived body and his later ontology of the flesh, I explore how athletic displays of agility, strength, and speed within the theater of sporting competitions exemplify the way that the effort made by athletes attests to their will and desire to succeed. The agonistic spirit of the Greek Olympics is evident in sporting (...)
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  13. Paul Ricoeur and the Lived Body.Roger W. H. Savage (ed.) - 2020 - Lexington Books.
    Paul Ricoeur and the Lived Body’s explorations into the ethical, social, cultural, and affective dimensions of our corporeal existence draw on Paul Ricoeur’s reflection on the lived body. Starting with the fact that one’s own body is irreducible to an object, these essays critically contribute to discourses on the body.
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  14. Structure and Sorcery: The Aesthetics of Post-War Serial Composition and Indeterminacy.Roger W. H. Savage - 1989 - Garland.