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  1.  10
    The Actuality of a World: What Ceases Not to Be Written.Ruth Ronen - 2022 - Filozofski Vestnik 42 (2).
    “There is no longer any world,” wrote the late philosopher Jean-Luc Nancy in 1993, and in this paper, the sense of this loss of world is analysed in terms of the modal notions of necessity, impossibility, and possibility. Modal differentiation can illuminate what constitutes the sense of actuality in a world, and hence, what it is that has been lost regarding this actuality of being in a world. Modal thinking does not rely on knowledge of the true state of affairs, (...)
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  2.  14
    Lacan with the Philosophers.Ruth Ronen - 2018 - Toronto: University of Toronto Press.
    Lacan with the Philosophers creates a dialogue between the oeuvre of psychoanalyst Jacques Lacan and philosophy. Major philosophical figures to which Lacan vastly referred are examined around key concepts fundamental to philosophy - being, truth, knowledge, the good, the subject.
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  3.  35
    Possible Worlds in Literary Theory.Ruth Ronen - 1995 - Journal of Aesthetics and Art Criticism 53 (4):449-450.
  4.  46
    The affirmation of death.Ruth Ronen - 2022 - Angelaki 27 (1):47-59.
    Finitude as an affirmative moment is what stands at the center of this paper. While death cannot be represented or conceptualized, it is present in events of death in the life of an individual and...
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  5.  34
    After life: Recent philosophy and death.Rona Cohen & Ruth Ronen - 2022 - Angelaki 27 (1):3-7.
    Philosophy prides itself on beginning with Socrates’s death: scandalous with regard to Socrates’s virtue and wisdom, as well as his age, this death is transfigured into an entry into truth. One can...
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  6. The truth about narrative, or: How does narrative matter?Ruth Ronen & Efrat Biberman - 2006 - Philosophy and Literature 30 (1):118-139.
    In lieu of an abstract, here is a brief excerpt of the content:The Truth about Narrative, Or:How Does Narrative Matter?Ruth Ronen and Efrat BibermanIn the summer of 1898, a sixteen-year-old girl, intelligent and good looking, entered Freud's clinic in Vienna. The girl, whom Freud would call Dora, suffered recurrent attacks of aphonia (inability to speak) and of coughing, attacks that came on and passed off spontaneously. Freud soon discovers that Dora's illness is connected to the love affair her father is (...)
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  7.  7
    Acknowledgments.Ruth Ronen - 2014 - In Art Before the Law: Aesthetics and Ethics. University of Toronto Press.
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  8.  10
    Art Before the Law: Aesthetics and Ethics.Ruth Ronen - 2014 - University of Toronto Press.
    Ever since Plato expelled the poets from his ideal state, the ethics of art has had to confront philosophy's denial of art's morality. In Art before the Law, Ruth Ronen proposes a new outlook on the ethics of art by arguing that art insists on this tradition of denial, affirming its singular ethics through negativity. Ronen treats the mechanism of negation as the basis for the relationship between art and ethics. She shows how, through moves of denial, resistance, and denouncement, (...)
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  9.  16
    Aesthetic community.Ruth Ronen - 2021 - Dialogue 60 (2):319-336.
    RÉSUMÉLe goût, en tant que faculté d'appréciation esthétique, implique un individu, et pourtant suppose une communauté. Dans cet article, nous constatons qu'une disposition singulière à l’égard des objets de goût est conditionnée par le consentement d'autrui et par l’être-avec autrui. De cette façon, une communauté esthétique est établie. Cette idée de communauté esthétique remonte au sensus communis de Kant et à la notion de préservation de Heidegger : dans les deux cas, c'est la présence d'une communauté qui conditionne l'expérience esthétique.
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  10.  24
    Aesthetics of Anxiety.Ruth Ronen - 2009 - State University of New York Press.
    Places anxiety at the heart of the aesthetic experience.
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  11. A Portrait Of The Artist As A Vanishing Genius.Ruth Ronen - 2006 - Literature & Aesthetics 16 (1):37-58.
     
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  12.  9
    Bibliography.Ruth Ronen - 2014 - In Art Before the Law: Aesthetics and Ethics. University of Toronto Press. pp. 179-184.
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  13.  11
    4. By Way of Deception.Ruth Ronen - 2014 - In Art Before the Law: Aesthetics and Ethics. University of Toronto Press. pp. 93-122.
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  14.  9
    1. By Way of Negation.Ruth Ronen - 2014 - In Art Before the Law: Aesthetics and Ethics. University of Toronto Press. pp. 19-38.
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  15.  8
    3. By Way of Truth.Ruth Ronen - 2014 - In Art Before the Law: Aesthetics and Ethics. University of Toronto Press. pp. 67-92.
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  16.  16
    2. By Way of Beauty.Ruth Ronen - 2014 - In Art Before the Law: Aesthetics and Ethics. University of Toronto Press. pp. 39-66.
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  17.  10
    5. By Way of Prohibition.Ruth Ronen - 2014 - In Art Before the Law: Aesthetics and Ethics. University of Toronto Press. pp. 123-158.
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  18.  6
    Contents.Ruth Ronen - 2014 - In Art Before the Law: Aesthetics and Ethics. University of Toronto Press.
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  19.  10
    Conclusion.Ruth Ronen - 2014 - In Art Before the Law: Aesthetics and Ethics. University of Toronto Press. pp. 159-160.
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  20.  10
    Frontmatter.Ruth Ronen - 2014 - In Art Before the Law: Aesthetics and Ethics. University of Toronto Press.
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  21.  8
    Figures and Illustrations.Ruth Ronen - 2014 - In Art Before the Law: Aesthetics and Ethics. University of Toronto Press.
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  22.  9
    Index.Ruth Ronen - 2014 - In Art Before the Law: Aesthetics and Ethics. University of Toronto Press. pp. 185-188.
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  23.  12
    Introduction: By Way of the Law.Ruth Ronen - 2014 - In Art Before the Law: Aesthetics and Ethics. University of Toronto Press. pp. 1-18.
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  24.  17
    Lacan and the Philosophical Soul.Ruth Ronen - 2017 - Philosophy Today 61 (3):619-632.
    By closely reading Lacan’s references to the way philosophers (primarily Kant and Aristotle) use the notion of the “soul,” this paper suggests that the soul represents whatever in the body is unattainable to thought. The paper aims to reveal the philosophical moment in which a soul distinguishes itself from both mind and body and to show that this moment, in which a soul is summoned by philosophers, is needed in order to overcome the fundamental alienation of the body with regard (...)
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  25.  28
    Lacan and the Philosophical Soul.Ruth Ronen - 2017 - Philosophy Today 61 (3):619-632.
    By closely reading Lacan’s references to the way philosophers use the notion of the “soul,” this paper suggests that the soul represents whatever in the body is unattainable to thought. The paper aims to reveal the philosophical moment in which a soul distinguishes itself from both mind and body and to show that this moment, in which a soul is summoned by philosophers, is needed in order to overcome the fundamental alienation of the body with regard to thought. Lacan’s way (...)
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  26.  5
    Laḳan ʻim ha-filosofim =.Ruth Ronen - 2015 - Tel-Aviv: Universiṭat Tel Aviv, ha-hotsaʼah la-or ʻa. sh. Ḥayim Rubin.
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  27.  13
    Love of truth, true love, and the truth about love.Ruth Ronen - 2010 - In Jens de Vleminck (ed.), Sexuality and psychoanalysis: Philosophical Criticisms. Leuven: Leuven University Press. pp. 10--83.
  28.  19
    Notes.Ruth Ronen - 2014 - In Art Before the Law: Aesthetics and Ethics. University of Toronto Press. pp. 161-178.
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  29.  12
    Possible World and Representation.Ruth Ronen - 2000 - In Ananta Charana Sukla (ed.), Art and Representation: Contributions to Contemporary Aesthetics. Westport, CT, USA: Praeger. pp. 101.
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  30.  13
    Possible Worlds Between The Disciplines.Ruth Ronen - 1993 - British Journal of Aesthetics 33 (1):29-40.
  31.  14
    Possible worlds in literary theory: A game in interdisciplinarity.Ruth Ronen - 1990 - Semiotica 80 (3-4):277-298.
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  32.  17
    Representing the Real.Ruth Ronen - 2002 - Rodopi.
    This study offers a new perspective on the object represented by art, specifically by art that succeeds to create in its receiver a sense of "the real", a sense of approximating the true nature of the represented object that lies outside the artwork. The object that cannot be accessed through a concept, a meaning or a sign, the thing-in-itself, is generally rejected by philosophy as being outside the realm of its concerns. This rejection is surveyed in a number of philosophical (...)
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  33.  6
    The Limit as Aesthetic Demonstration.Ruth Ronen - 2017 - In Anja Weiberg & Stefan Majetschak (eds.), Aesthetics Today: Contemporary Approaches to the Aesthetics of Nature and of Arts. Proceedings of the 39th International Wittgenstein Symposium in Kirchberg. Boston: De Gruyter. pp. 139-152.
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  34.  7
    The real as limit to interpretation.Ruth Ronen - 2000 - Semiotica 132 (1-2):121-136.
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