Aus der vielsprachigen Korrespondenz des Aufklärers, Metaphysikers, Religionsphilosophen und Literaturwissenschaftlers Moses Mendelssohn liegen bisher 1038 Briefe im Druck vor. Der Band "Einsichten" bietet eine repräsentative Auswahl, die Mendelssohns wissenschaftliche Vielseitigkeit, geistige Produktivität und menschliche Größe beleuchtet. Sie zeigt den "Sokrates des 18. Jahrhunderts" als bedeutenden Denker seiner Epoche und Wegbereiter wesentlicher Erkenntnisse und Entwicklungen.

Vier Untersuchungsfelder sind besonders hervorzuheben, die sich auf folgende Fragen konzentrieren: Was ist der Grund des Vergnügens? Welche Rolle spielt dabei die Konstitution des Kunstwerks, und wer kann es erschaffen? Wo verläuft die Grenze ästhetischer Wertschätzung? Welchen Einfluß hat die noch junge Wissenschaft der Ästhetik auf die Erkenntnistheorie und Morallehre? Mit seiner Theorie der vermischten Empfindungen, die eine Differenzierung zwischen der Beschaffenheit des schönen oder häßlichen Objekts, der künstlerischen Produktion und der Wirkung des Kunstwerks auf den Betrachter zuläßt, versucht (...) class='Hi'>Mendelssohn, Antworten auf diese Fragen zu formulieren. Im Rückgriff auf die so erfaßbaren psychologischen Gesetzmäßigkeiten ästhetischer Wahrnehmung konzipiert er die Ästhetik als Integrationsmoment, das die verschiedenartigen und bisweilen gegenläufigen Bestrebungen, Gefühle und Erkenntnisse des Menschen zu einem harmonischen Ganzen vereinen kann.Die hier zusammengestellten Schriften umfassen die grundlegenden Texte zu Mendelssohns Ästhetik. (shrink)

Die drei Dialoge des »Phädon« markieren einen Höhe- und Wendepunkt in der Geschichte der philosophischen Psychologie. Die wirkungsgeschichtliche Bedeutung des Hauptwerkes des »Klassikers der rationalen Psychologie« (Dilthey) reicht weit über einen neuen Beweis der Unsterblichkeit der Seele hinaus.

Lessing's death in 1781 was a severe blow to Mendelssohn. Mendelssohn wrote his last two works to commemorate Lessing and to carry on the work to which they had dedicated much of their lives.

Mendelssohn's Philosophical Writings, published in 1761, bring the metaphysical tradition to bear on the topic of 'sentiments' (defined as knowledge or awareness by way of the senses). Mendelssohn offers a nuanced defence of Leibniz's theodicy and conception of freedom, an examination of the ethics of suicide, an account of the 'mixed sentiments' so central to the tragic genre, a hypothesis about weakness of will, an elaboration of the main principles and types of art, a definition of sublimity and (...) analysis of its basic forms, and, lastly, a brief tract on probability theory, aimed at rebutting Hume's scepticism. This volume also includes the essay 'On Evidence in Metaphysical Sciences', selected in 1763 by the Berlin Royal Academy of Sciences over all other submitted essays, including one by Kant, as the best answer to the question of whether metaphysical sciences are capable of the same sort and degree of evidence as mathematics. (shrink)

Morning Hours is the first English translation of Morgenstunden by Moses Mendelssohn, the foremost Jewish thinker of the German Enlightenment. Published six months before Mendelssohn's death on January 4, 1786, Morning Hours is the most sustained presentation of his mature epistemological and metaphysical views, all elaborated in the service of presenting his son with proofs for the existence of God. But Morning Hours is much more than a theoretical treatise. It also plays a central role in the (...) drama of the Pantheismusstreit, Mendelssohn's "dispute" with F. H. Jacobi over the nature and scope of Lessing's attitude toward Spinoza and "pantheism". In Morning Hours Mendelssohn attempts to set the record straight regarding his beloved Lessing in this connection, not least by demonstrating the absence of any practical difference between theism and a "purified pantheism". (shrink)

Om spørgsmålet: Hvad er oplysning? af Moses Mendelssohn oversat af Anders Hee Nørbjerg Poulsen.

Der Band enthält bisher unveröffentlichtes, in 40 Fällen als verschollen geltendes Briefmaterial (1755 bis 1785) aus Beständen in Europa, den USA und Moskau. Darunter befinden sich u.a. Lessings frühester Bericht seiner später abgebrochenen Englandreise, Nicolais Werbung um Abbts Mitarbeit, Bittbriefe an Friedrich II., Wincklers Bemühung um interkonfessionelle Zusammenarbeit, die Schätzung der bedeutenden Hebraica-Sammlung des David Oppenheim, Briefe des Staatsministers von Carmer, des Lord Bishop von London und des Grafen Wilhelm zu Schaumburg-Lippe.

1. Schriften zur Metaphysik, Ethik sowie zur Religionsphilosophie.--2. Schriften zur Psychologie, Aesthetik sowie zur Apologetik des Judentums.

Contents \t\t\t\t\t \tTRANSLATOR'S INTRODUCTION \t\t1 \t \tNOTE ON THE TRANSLATION \t\t39 \t OBSERVATIONS ON THE FEELING OF THE BEAUTIFUL AND SUBLIME \t\t\t\t\t \tSECTION ONE: \t\t\t\t \t\tOf the Distinct Objects of the Feeling of the Beautiful and Sublime \t\t45 \tSECTION TWO: \t\t\t\t \t\tOf the Attributes of the Beautiful and Sublime.

Le présent ouvrage réunit les conférences que Stéphane Mosès a prononcées en janvier 2006, en tant que titulaire de la chaire de méta-physique Étienne-Gilson, à l'Institut catholique de Paris. Connu dès 1982, après la publication de son magistral ouvrage Système et révélation chez Franz Rosenzweig, préfacé par Emmanuel Levinas, son nom sera définitivement associé à l'auteur de L'Étoile de la Rédemption. Aussi bien fut-il un commentateur assidu des grands moments de la pensée juive moderne et contemporaine ou de la philosophie (...) allemande, y associant une incessante méditation de la Bible et du Talmud. C'est en examinant les différents types de relations aux textes pratiquées par les divers penseurs juifs, qu'il théorise progressivement une distinction, centralement exploitée ici, qui concerne la longue trajectoire de la pensée juive moderne depuis Moses Mendelssohn, entre " modernité normative " et " modernité critique ". (shrink)

Moses Mendelssohn (1729-1786) was the premier Jewish thinker of his day and one of the best-known figures of the German Enlightenment, earning the sobriquet 'the Socrates of Berlin'. He was thoroughly involved in the central issue of Enlightenment religious thinking: the inevitable conflict between reason and revelation in an age contending with individual rights and religious toleration. He did not aspire to a comprehensive philosophy of Judaism, since he thought human reason was limited, but he did see Judaism (...) as compatible with toleration and rights. David Sorkin offers a close study of Mendelssohn's complete writings, treating the German, and the often-neglected Hebrew writings, as a single corpus and arguing that Mendelssohn's two spheres of endeavour were entirely consistent. (shrink)

This chapter contains section titled: Evidence, Idealism, and Common Sense The Aesthetics of “Mixed Feelings” Socrates and Rational Psychology in Mendelssohn's Phaedo Religious Tolerance and a Philosophy of Judaism “Refined Spinozism,” the Pantheism Controversy, and Morning Hours The Only Possible Bases of Natural Theology.

German Jewish philosopher Moses Mendelssohn was one of the most influential thinkers of the Enlightenment. Until now, attention was focused on Mendelssohn’s German works—such as his groundbreaking _Jerusalem—_which have been duly translated into English. Edward Breuer and David Sorkin assert that his Hebrew works are essential for understanding both his biography and his oeuvre. This volume offers expertly translated and generously annotated selections from the entire corpus of Mendelssohn’s published Hebrew writings. Mendelssohn wrote in Hebrew (...) throughout his life, but these works—mainly grounded in biblical and other Hebrew classical works—have been hitherto inaccessible to most scholars. In this volume, Breuer and Sorkin make an important contribution to modern Jewish and religious thought, refuting the notion that Mendelssohn led a bifurcated intellectual and spiritual existence and demonstrating Mendelssohn’s ability to transform traditional religious genres into vehicles for philosophical argumentation. (shrink)

Moses Mendelssohn is often described as the founder of modern Jewish thought and as a leading philosopher of the late Enlightenment. One of Mendelssohn's main concerns was how to conceive of the relationship between Judaism, philosophy, and the civic life of a modern state. Elias Sacks explores Mendelssohn's landmark account of Jewish practice--Judaism's "living script," to use his famous phrase--to present a broader reading of Mendelssohn's writings and extend inquiry into conversations about modernity and religion. (...) By studying Mendelssohn's thought in these dimensions, Sacks suggests that he shows a deep concern with history. Sacks affords a view of a foundational moment in Jewish modernity and forwards new ways of thinking about ritual practice, the development of traditions, and the role of religion in society. (shrink)

The "German Socrates," Moses Mendelssohn was the most influential Jewish thinker of the eighteenth and nineteenth centuries. A Berlin celebrity and a major figure in the Enlightenment, revered by Immanuel Kant, Mendelssohn suffered the indignities common to Jews of his time while formulating the philosophical foundations of a modern Judaism suited for a new age. His most influential books included the groundbreaking Jerusalem and a translation of the Bible into German that paved the way for generations of (...) Jews to master the language of the larger culture.Feiner's book is the first that offers a full, human portrait of this fascinating man--uncommonly modest, acutely aware of his task as an intellectual pioneer, shrewd, traditionally Jewish, yet thoroughly conversant with the world around him--providing a vivid sense of Mendelssohn's daily life as well as of his philosophical endeavors. Feiner, a leading scholar of Jewish intellectual history, examines Mendelssohn as father and husband, as a friend, as a tireless advocate for his people, and as an equally indefatigable spokesman for the paramount importance of intellectual independence. (shrink)

There is widespread agreement in scholarship that Moses Mendelssohn lacked historical thinking, an opinion accepted even among Mendelssohn experts. This misjudgment is based on a remark in his Jerusalem against Lessing’s Education of Humankind and surely ignores Mendelssohn’s historical work. I will question the misjudgment by a detour: first, I will ask for whom Lessing wrote his Education of Humankind. Then I will turn to the usually celebrated origin of historical thinking in Semler and Herder and (...) question the historicity of their views. It is only in the 3rd section that I will focus directly on Mendelssohn’s historical work and his truly historical understanding of religion, in agreement with Lessing. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 42.1 (2004) 112-113 [Access article in PDF] Moses Mendelssohn: The First English Biography and Translations. Introduction by James Schmidt. Vol. 1: M. Samuels [sic]. Memoirs of Moses Mendelsohn [sic]. Pp. xxi + 178. Vol. 2: Writings Related to Mendelssohn's Jerusalem. Translated by M. Samuel. Pp. ix + 329. Vol. 3: Mendelssohn's Jerusalem. Translated by M. Samuel. Pp. 371. (...) Bristol, England: Thoemmes Press, 2002. Cloth, $295.00. In 1827, the Scottish historian, Thomas Carlyle, who believed history was an impressive gallery of great men, wrote that the life of the Jewish philosopher from Berlin, Moses Mendelssohn, was "full of encouragement for all lovers of self improvement." This was just one more stone in the edifice of the Mendelssohnian myth, whose foundations had already been laid during Mendelssohn's lifetime, and which continued to grow after his death, until he became an icon of culture. For the Jews Mendelssohn was a source of pride, proof that Jews could become integrated into the life of liberal Europe and contribute to its culture without assimilating.Moses Samuel (1795-1860), the Jewish scholar from Bristol who earned his living as a watchmaker and silversmith, was undoubtedly one of Mendelssohn's most fervent admirers. Like others before him, who were inspired by the fact that Mendelssohn had the same first name as the biblical Moses, Samuel depicted him as a giant with a redemptive mission in Jewish history, deserving of credit for the entrance of Jews into the modern age: "Like his prototype and namesake Moses, Mendelssohn delivered his people from the bondage of their benighted taskmasters; like him, he led them forty years through the desert of ignorance and superstition, during which he sustained them with the manna of his wisdom" (vol. 1, 112-13). The biography Samuel published in London in 1825 was the first book on Mendelssohn written in English. Making no attempt to conceal his intent to depict an illustrious, exemplary personality, he even omitted facts that might have flawed the perfection of the Mendelssohnian myth. But this in no way detracts from the value of that interesting and comprehensive cultural work that Samuel created in England of the 1820s and '30s, which has now been printed in its entirety in an attractive, three-volume edition, edited by James Schmidt.Far more than a biography intended to expand the camp of Mendelssohn's admirers, it was a scholarly attempt, accompanied by notes and detailed explanations, to acquaint English readers with the Jewish philosopher through some of his major works on Judaism. The first volume contains the biography along with important appendices, including a list of all of Mendelssohn's writings in Hebrew and German, Samuel's scholarly notes and biographical sketches of some of the key figures in Mendelssohn's life, such as Thomas Abbt, Johann Caspar Lavater, and Gotthold Ephraim Lessing. The second and third volumes contain a selection of the writings that Samuel saw fit to translate, and these were published in 1838. This was not a random selection. Mendelssohn, the philosopher who made a contribution to the contemporary German Enlightenment and regarded Leibnitz and Wolf as his main mentors, was not the figure Samuel wanted to present to his readers. Instead he wanted to present Mendelssohn's position on Judaism and Christianity. Consequently, [End Page 112] in the second volume he included a translation of texts connected with Mendelssohn's polemic against Lavater (who publicly challenged Mendelssohn in 1769 to explain his commitment to Judaism or to convert) and his 1783 preface to Menasseh ben Israel's Vindiciae Judaeorum, in which he expressed his opposition to religious discipline and excommunication. The third volume contains the complete translation of Jerusalem (1783), Mendelssohn's best known work, in which he declared his firm adherence to the Jewish religion, defined by him as a religion of the revealed law, along with two hundred pages of the translator's notes that make the book the first work of commentary of its kind.The critical reader, familiar with the wealth of highly developed research that in recent... (shrink)

Alexander Altmann's acclaimed, wide-ranging biography of Moses Mendelssohn (1729-96) was first published in 1973, but its stature as the definitive biography remains unquestioned. In fact, there has been no subsequent attempt at an intellectual biography of this towering and unusual figure: no other Jew so deeply rooted in the Jewish tradition was at the same time so much a part of the intellectual life of the German Enlightenment in the second half of the eighteenth century. As such, (...) class='Hi'>Moses Mendelssohn came to be recognized as the inaugurator of a new phase in Jewish history; all modern Jews today are in his debt. Altmann presents Moses Mendelssohn in strictly biographical terms. He does not attempt to assess his significance with the hindsight of historical perspective nor to trace his image in subsequent generations, but rather to observe his life from the period within which it was set. Altmann has written an absorbing and compelling narrative that makes a whole epoch come alive with great drama, for Mendelssohn's life was a kaleidoscope of the European intellectual scene, Jewish and non-Jewish. As both a prominent philosopher and a believing Jew, Mendelssohn became a spokesman for the Jews and Judaism; he was one of the rare figures who become the symbol of an era. Through Altmann's skilful use of hitherto unpublished archival material, the reader is introduced to the vast array of people-men of letters, artists, politicians, scientists, philosophers, and theologians-with whom Mendelssohn was in contact, and sometimes in conflict. What was Mendelssohn's Judaism like? To what extent did the disparate worlds of Judaism and modern Enlightenment jostle each other in his mind and to what degree could he harmonize them? These questions are not easily answered, and it is only in the aggregate of a multitude of accounts of experiences, reaction, and statements on his part that the answer is to be found. Alexander Altmann's analysis of this wealth of material is extraordinary in its discernment, subtlety, and clarity of expression. This masterly work will be of interest not only to those who are concerned with Jewish intellectual history but also to those interested in eighteenth-century cultural and social history, philosophy and theology, literary criticism, aesthetics, and the other areas of intellectual activity in ferment at that time. The general reader will also find much of contemporary relevance in Mendelssohn's life, not only because of his exemplary devotion to reason and tolerance, but also because of his lifelong struggle with the basic dilemma of the Jew in the modern world: the attraction of assimilation versus the singularity of Jewish life, and the preservation of Jewish identity versus integration in the wider society. (shrink)

En su escrito “Acerca de la pregunta: ¿Qué significa ilustrar?”, Moses Mendelssohn considera que, en casos donde la ilustración del ser humano comprometiese la estabilidad del Estado, la filosofía debería guardar silencio. Para justificarlo, apela a las palabras de un “escritor hebreo”, pero sin mencionarlo. El presente trabajo ofrecerá un detenido análisis de las referencias contenidas en dicha cita, facilitando la tarea de los lectores interesados. Partiendo de ella, se propondrá una interpretación alternativa del artículo, haciendo una lectura (...) entre líneas inspirada en la filosofía de Leo Strauss. Con especial énfasis en las condiciones de ciudadanía de Mendelssohn y los judíos, se considerará la comprensión filosófica y política que un filósofo judío ilustrado pudiera hacerse del texto. (shrink)

Abstractabstract:In Morning Hours (1785), Moses Mendelssohn presents a proof for the existence of God from the grounding of possibility. Although Mendelssohn claims that this proof is original, it has not received much attention in the secondary literature. In this paper, I analyze this proof and present its historical context. I show that although it resembles Leibniz's proof from eternal truths and Kant's precritical possibility proof, it has unique characteristics that can be regarded as responses to deficiencies (...) class='Hi'>Mendelssohn identified in these earlier proofs. I argue that by analyzing the semantics of judgments about dispositions, Mendelssohn provides a novel explanation for the basic premise shared by these proofs, namely that possibility is grounded in actuality. Additionally, this analysis simplifies the inference to a unique infinite mind grounding all possibility. Thus, the proof is worth studying both for historical reasons and for its original account of modal concepts. (shrink)

En su ensayo de 1784, “Acerca de la pregunta: ¿Qué significa ilustrar?”, Moses Mendelssohn utiliza el término “felicidad nacional” (Nationalglükseligkeit) con un claro sentido negativo. Sin embargo, durante el propio curso de la obra reflexiva de Mendelssohn, la noción de felicidad juega un rol positivo y es bien ponderada en consonancia con muchas otras perspectivas filosóficas de la Ilustración. Este ensayo pretende acercar algunas ideas acerca de los matices que adquiere la idea de felicidad en la obra (...) de Mendelssohn. (shrink)