David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Philosophia 40 (3):591-606 (2012)
Supposing that talk of a distinctively artistic type of value is warranted, what separates it from other sorts of value? Any plausible answer must explain both what is of value and what is artistic about artistically valuable properties. Flaws with extant accounts stem from neglect of one component or the other; the account offered here, based on careful attention to actual art-critical practices, brings both together. The “value” component depends on the capacity of artworks to provide subjectively valuable experiences, while the “artistic” component relies on the specific norms constitutive of artworld institutions. Understanding artistic value in this way allows for progress on several persistent problems, including the ethical value of art, relativism in artistic value, and the proper boundaries of philosophical aesthetics.
|Keywords||Artistic value Artworld Beardsley Dispositions Experiences Institutional definitions of art Graves|
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References found in this work BETA
Monroe C. Beardsley (1958). Aesthetics. Harcourt, Brace.
Monroe C. Beardsley (1979). In Defense of Aesthetic Value. Proceedings and Addresses of the American Philosophical Association 52 (6):723 - 749.
Arthur Danto (1964). The Artworld. Journal of Philosophy 61 (19):571-584.
Arthur C. Danto (1973). Artworks and Real Things. Theoria 39 (1-3):1-17.
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