Scholarly dissatisfaction with Aristotle’s fallacy of accident has traditionally focused on his examples, whose compatibility with the fallacy’s definition has been doubted time and again. Besides a unified account of the fallacy of accident itself, the paper provides a formalized analysis of its several examples in Aristotle’s Sophistici elenchi. The most problematic instances are dealt with by means of an internal reconstruction of their features as conveyed by Aristotle’s text and an extensive survey of their interpretation in the Byzantine and (...) Latin exegetical tradition. Carefully handled a doxographical approach, as opposed to rapid results oriented practices, proves to be most effective in that it supplies both useful albeit ordinarily overlooked insights and a comprehensive framework of reference for further investigations. (shrink)

Tacitus' claim that history should inspire good deeds and deter bad ones should be taken seriously: his exempla are supposed to help his readers think through their own moral difficulties. This approach to history is found in historians with clear connections to Stoicism, and in Stoic philosophers like Seneca. It is no coincidence that Tacitus is particularly interested in the behavior of Stoics like Thrasea Paetus, Barea Soranus, and Seneca himself. They, and even non-Stoic characters like Epicharis and Petronius, exemplify (...) the behavior necessary if Roman freedom was to survive the monarchy. (shrink)

In 17th-century intellectual life, the ideas of the Renaissance humanist Justus Lipsius (1547-1606) were omnipresent. The publication of his 'Politica' in 1589 had made Lipsius's name as an original and controversial political thinker. The sequel, the 'Monita et exempla politica' ('Admonitions'), published in 1605, was meant as an illustration of Lipsius's political thought as expounded in the 'Politica'. Its aim was to offer concrete models of behavior for rulers against the background of Habsburg politics. Lipsius's later political treatise also forms (...) an indispensable key to interpret the place and function of the 'Politica' in Lipsius's political discourse and in early modern political thought. The 'Political admonitions and examples' - widely read, edited and translated in the 17th and 18th centuries - show Lipsius's pivotal role in the genesis of modern political philosophy. (shrink)

This essay proposes a new focus for studies in the relationship between aesthetics and morality in the Enlightenment period. Recent research, especially by Paul Guyer, seems to have established that the traditional question of whether a genealogy for autonomous aesthetics can be traced attending to the concept of disinterestedness in the era can be answered with an unambiguous no. This, however, should only encourage further research into the nature of the way in which the connection between the beautiful and the (...) good was understood. It is argued here that with the gradual erosion of the humanist rhetorical understanding of history from the seventeenth century the specific content of the link between aesthetics and ethics undergoes a fundamental change, making it significantly more abstract and far less specific. (shrink)

This essay considers episodes in which phenomena like war and civil strife affected, changed, and revealed the identity of the polis. Even if framed by an understanding of the Peloponnesian War and the imperialistic logic and destiny of Athens, Thucydides' History still provides us with narratives that illuminate the particular history of “minor” poleis, each with its specific events, turning points, and dynamics. Through analysis of Thucydides' historical material, this essay focuses on Plataea, Corcyra, and Mytilene and discusses the notion (...) of the polis in relation to space and in the context of time, thereby testing Aristotle's question—too soon dismissed—about the separation of a community from the space of its city. (shrink)

Novelties introduced into traditional myths are an essential characteristic of Greek tragedy. Each and every play demonstrates, in different ways, how tragedians were versatile and innovative in handling mythic material. Modern prefaces to individual tragedies often discuss the possible innovations in the dramatization of a myth compared to previous or subsequent versions. Innovations advanced in a play sometimes became so familiar that they came to be regarded as ‘standard’. Such examples include the condemnation and death of the protagonist in Sophocles’ (...) Antigone and, in all likelihood, Medea's filicide in Euripides’ Medea. (shrink)

Introduction: Teaching and misleading -- Ethical fables and antifeminist exempla -- From sermon story to novella -- Lives of saints; lives of sinners -- Classical and vernacular exempla -- Magister amoris -- Afterword in time of plague.

It is curious that the imperial Stoics, following a precedent of Diogenes the Cynic, employ so many wide-ranging examples of animal behavior. For example, what are we to make of the rigid dichotomy Seneca and Epictetus draw between rational and nonrational beings in relation to the diverse comparisons they make between human virtues and vices on the one hand and animal excellences and "bestial'behaviors on the other? Why are the most potent, diverse, and philosophically significant animal exempla found in Seneca (...) and Epictetus? I argue that it is because such exempla serve a variety of protreptic purposes. While appeals to the over-arching rationality of the cosmos may provide some theoretical understanding for the place of human beings in nature, from a pedagogical and rhetorical standpoint animal exempla provide particularly effective guidance for human conduct.Cleverly deployed animal exempla help cultivate aretaic affective dispositions. (shrink)

This ground-breaking study conveys the thrill and moral power of the ancient Roman story-world and its ancestral tales of bloody heroism. Its account of 'exemplary ethics' explores how and what Romans learnt from these moral exempla, arguing that they disseminated widely not only core values such as courage and loyalty, but also key ethical debates and controversies which are still relevant for us today. Exemplary ethics encouraged controversial thinking, creative imitation, and a critical perspective on moral issues, and it plays (...) an important role in Western philosophical thought. The model of exemplary ethics developed here is based on a comprehensive survey of Latin literature, and its innovative approach also synthesizes methodologies from disciplines such as contemporary philosophy, educational theory, and cultural memory studies. It offers a new and robust framework for the study of Roman exempla that will also be valuable for the study of moral exempla in other settings. (shrink)

ḥeleḳ 1. Kibud ḥaverim. Arikhut apayim. Emet. Ḥesed -- ḥeleḳ 2. Niḳyon kapayim. Havlagah. ʻAnaṿah.

La responsabilidad ética de las acciones de un hombre que pudiera tornarse invisible reabre en Cicerón el debate entre lo honestum y lo utile y con él la necesidad de presentar un modelo de ciudadano que vincule elementos políticos, éticos y jurídicos en orden a la conservación de una serie de valores necesarios para la convivencia. Dicho modelo se presenta en De officiis como una traducción de la filosofía de Panecio en la que el complejo término decorum adquiere una dimensión (...) central. El artículo analiza dicho concepto y la posición que ocupa en el pensamiento político ciceroniano la imitación de los exempla virtutis como forma de garantizar la estabilidad política en un momento de grave crisis de los valores republicanos. (shrink)

Descartes's Fictions traces common movements in early modern philosophy and literary method. Emma Gilby reassesses the significance of Descartes's writing by bringing his philosophical output into contact with the literary treatises, exempla, and debates of his age. She argues that humanist theorizing about poetics represents a vital intellectual context for Descartes's work. She offers readings of the controversies to which this poetic theory gives rise, with particular reference to the genre of tragicomedy, questions of verisimilitude or plausibility, and the figures (...) of Guez de Balzac and Pierre Corneille. Drawing on what Descartes says about, and to, his many contemporaries and correspondents embedded in the early modern republic of letters, this volume shows that poetics provides a repository of themes and images to which he returns repeatedly: fortune, method, error, providence, passion, and imagination, for instance. Like the poets and theorists of his age, Descartes is also drawn to the forms of attention that people may bring to his work. This interest finds expression in the mature Cartesian metaphysics of the Meditations, as well as, later, in the moral philosophy of his correspondence with Elisabeth of Bohemia or the Passions of the Soul. This volume thus bridges the gap between Cartesian criticism and late-humanist literary culture in France. (shrink)