Sustainability evaluation with MESMIS Framework has been conducted in 5 organic farms in Tuscany with different management approach. The real differences is, indeed, determined by motivations that explain how the landscape, the work structure and the cultural heritage organize themselves giving the present assessment of the Tuscan rural work.

Sir Ernst Gombrich and the Barber from Tuscany In the spirit of Sir Ernst Gombrich, this essay uses an anecdote—a chat between Gombrich and a barber from Tuscany—to illustrate a deeper point, namely, how cultural memory, tradition, and a canon give rise to an implied language of culture and cultural value. Gombrich staunchly defended tradition against relativism. By relativism, he meant something like "radical subjectivism." To his mind, subjectivism (in the cultural and social sense of the term) is (...) not only impossible, since meaning is conferred through culture and society, but it is also dangerous (in the cultural and ethical sense of the term), since it denies the existence of shared values. Against consensus on the one hand and radical subjectivism on the other, Gombrich advocated a middle way: criticism and self-criticism to ensure latitude; the search for "truth" to ensure a limited plurality of interpretations. (shrink)

Despite the widespread use of the concept of embeddedness in the literature on agri-food networks, not much has been written on the process through which a food economy becomes embedded. To explore this dynamic and contribute to a more critical perspective on the meanings and implications of embeddedness in the context of food, this paper analyzes the emergence of saffron as a local food network in southern Tuscany. By adopting a constructivist approach, the analysis shows that embeddedness assumes simultaneously (...) a social, spatial, and temporal dimension that are dynamically created by participants in the saffron economy as a response to specific market requirements. The paper concludes that a focus on how embeddedness is achieved in the context of food has both theoretical and empirical implications. Theoretically, it supports the need for a more holistic and actor-oriented approach that takes into consideration the tensions inherent in the process of embedding and also its ramifications outside of the social realm. Practically, a focus on how a food network comes to be embedded complicates the notion of food relocalization – an issue that raises empirical questions about the sustainability of local food networks and their contribution to rural development. (shrink)

The Curia dei Foretani, or the Court of the Countrymen, of the commune of Lucca was a sort of rural small-claims court. Designed by an urban government to hear minor civil cases which originated in the countryside, it was occupied with the variety of issues that punctuated country life, most especially cases brought by landlords, merchants, and speculators whose living was tied to the rural economy of northwestern Tuscany. The records of the Curia dei Foretani offer an unusual opportunity (...) to investigate landlord-tenant, lender-borrower, and speculator-producer relations during the critical period of the fourteenth century when urban interest in the countryside was intense. As will become clear, the streamlined procedure used by the court was designed to allow rapid petition, hearing, and judgment, which, it has been argued, were designed to favor the wealthy, usually urban, elites. Yet as analysis of the actual functioning of the court will show, villagers in this part of Tuscany were able to avoid, or at least moderate, the most complete forms of landlord domination. The reasons why are complex, but one aspect was the court procedure itself, which could be manipulated by knowledgeable members of strong, semi-autonomous rural communities who had access to legal advice or who had broadly based communal support for their actions. Urban landlords in the Lucchesia never achieved the sort of economic domination of rural life which seems to have typified the region around Florence and Siena. (shrink)

Il saggio affronta alcune contraddizioni in cui si trova il complesso mondo delle organizzazioni di volontariato italiane, alle prese con pressioni funzionali che ne modellano la struttura a somiglianza delle organizzazioni politiche e ne orientano l’operato in chiave imprenditoriale. In particolare, l’analisi empirica della realtà toscana fa emergere una ridefinizione della mission solidaristica che rende problematico il contributo delle associazioni di volontariato alla costruzione della “coesione sociale”. I dati sulla “propensione al networking” sembrano confermare il prevalere di dinamiche di frammentazione, (...) specializzazione e dipendenza dalle pubbliche amministrazioni che impediscono allo “spirito della reticolarità” di condensarsi in “capitale sociale”. (shrink)

Dans l’Europe médiévale, l’art de la guerre est considéré comme spécifiquement masculin. Et pourtant, au détour des chroniques et des documents d’archives, il est possible de croiser des guerrières qui combattent pour défendre leurs fiefs ou s’engagent parmi les rangs des croisés. Cette pratique de la guerre au féminin, très minoritaire, mais avérée, reposait-elle sur un droit, ou, bien au contraire, bravait-elle toutes les interdictions des lois civiles et religieuses? Si le droit civil l’interdit, la réponse de l’Église semble parfois (...) plus ambigüe. C’est le cas aux xie et xiie siècles où, dans le cadre de la Querelle des Investitures, la comtesse Mathilde de Toscane est à l’origine d’une polémique qui a vu s’opposer les partisans de la réforme grégorienne à ceux de l’empereur Henri iv et qui s’est précisément cristallisée sur cette question : les femmes ont-elles le droit de faire la guerre? (shrink)

This collection of 44 stunning black-and-white photos of the marble quarries in northern Italy is preceded by an Introduction that describes Leivick's goals and experiences as a photographer working at Carrara and provides a brief outline ...

In 1788, the Tuscan intellectual Giovanni Maria Lampredi (1731–1793) published in Florence his most famous treatise, Del commercio dei popoli neutrali in tempo di guerra, conceived as a reply to his well-known opponent, Ferdinando Galiani. Since then, many scholars have claimed that Lampredi’s reflection upon neutral trade remains one of the most objective academic contributions on the subject. Furthermore, these interpretations have generally analysed Lampredi’s Del commercio without taking into account the context of the work or the author’s real political (...) intents and intellectual goals. Therefore, the aim of this article is to provide a new interpretation of Lampredi’s ideas on trade and neutrality, demonstrating that, far from being impartial, his theories allow us to appreciate the intellectual dimension of the strategies formulated by European and Mediterranean small powers, such as Tuscany, to buttress their neutral policies and independence. In addition, Del commercio proposed an original conception of neutrality which urged Italian small states to pursue a more autonomous and profitable foreign and commercial policy, taking advantage of their sovereignty and neutral condition. Lampredi’s thought, then, requires us to reconsider the relationship between small powers and neutrality in eighteenth-century Europe. (shrink)

This study of the history and contents of a hitherto unedited work on geometry by Vincenzo Viviani seeks to present a picture of the scientific environment in Italy in the second half of the 17th century, with particular emphasis on Tuscany and the impact the condemnation of Galileo had on ongoing scholarship. Information derived from unedited or less well-known material serves to illuminate a range of prominent and marginal figures who adopted different strategies for the dissemination of Galileo’s thought (...) and the application of its principles. A selection of texts, edited here for the first time, is presented in two appendices, while in a third decidedly unusual methods are used to elucidate the mathematical aspects. (shrink)

Our topic is food that is "local, ethical, and sustainable." We defend a surprising claim about such a conception (at least, on certain ways of specifying its three central components): namely, that it may lend support to some varieties of “conscientious carnivorism.” We focus on an especially illustrative instance of (potentially) moral meat-eating: the case of Cinta Senese, a once-endangered pig that holds a special place in the cultural and environmental landscape in Tuscany, Italy. In Tuscany, Cinta Senese (...) constitute a robustly local food product (in the genealogical sense of "local"), where plausibly they lead quite worthwhile lives (in a welfarist sense of "worthwhile"). Further, the recent revival of their dwindling populations seemingly represents a “sustainability success” (in a conservationist sense). Thus, we argue that locavores with welfarist and conservationist proclivities may actually find that they have considerable reason to support, rather than to oppose, this form of animal agriculture – as well as others relevantly like it. (shrink)

The Istituto e Museo di Storia della Scienza, Florence, Italy, possesses an astrolabe with five latitude plates that is now attributed to the Duisburg workshop of Gerard Mercator. Although it is known that Mercator made instruments, this is the first surviving example to be identified. Another latitude plate is shown to come from the workshop of the Florentine, Giovan Battista Giusti. A seventh plate, possibly engraved by Rumold Mercator, provides the only known Mercatorian polar stereographic projection. The role of Egnazio (...) Danti, cosmographer to the Grand Duke of Tuscany, in the acquisition of the astrolabe in about 1570 is considered. (shrink)

Current scholarship on Cosimo i de’ Medici’s sixteenth-century fortification of Elba’s harbor city of Portoferraio, and representations of it, largely disregard Portoferraio’s political and strategic importance. One of the duke’s primary goals was to establish Tuscany as a maritime state; another was to defend the Tuscan coast. Raids by Barbary corsairs and Ottoman Turks were a frequent threat. Analysis of the art (e.g. Giorgio Vasari’s Cosimo i Visiting the Fortifications on Elba and Domenico Poggini’s portrait medal of Cosimo i) (...) that defined, celebrated, and promoted Portoferraio’s acquisition and fortification supports the city’s importance not only in expanding Cosimo’s territorial presence on the Mediterranean, but also in securing the Italian coast. (shrink)

During the latter half of the thirteenth century there arose around Tuscany a strange and unprecedented poetry, erudite, abstract, and arrogantly intellectual. It sang beyond courtly conventions about the wonders of the rational universe whose complex secrets the new speculative sciences were eagerly systematizing. Appropriating the language of natural philosophy, Aristotelian psychology, and even theology, love poetry developed a new theoretical understanding of its enterprise which allowed it to redefine love as spiritualized search for knowledge. This intellectualization of erotic (...) desire culminates in the Florentine sitlnovisti, a handful of learned poets who turned love poetry into an eclectic philosophical affair. Guido Cavalcanti’s famous canzone “Donna me prega” was universally considered to be not only the technically most perfect canzone ever written but also a rigorous philosophical treatise. As much as in our own day, exegeses of the poem were forced into the arcana of Scholastic Aristotelianism in order to make sense of its abstract, psychologistic definition of love’s essence. While Cavalcanti lyricized an Averroistic logic of the unified intellect, his younger friend Dante was preparing to put all of medieval philosophy, theology, and science into terza rima. It was in this terza rima that medieval Paris found perhaps its most felicitous expression, for the Divine Comedy represents, among other things, a creative transfiguration of the critical discourses Paris was diffusing throughout Europe.What recalls that situation today is the way Paris again marks the center of critical thought, while in Italiy a new generation of poets has emerged that translates the lessons of contemporary philosophy into poetry. In this essay I plan to discuss some of the most radical or, by analogy, “stilnovistic” of these lyricists. For purposes of convenience I will refer to them as the “favorite malice” poets. The phrase comes from the title of an anthology of select contemporary Italian poetry, recently published in a bilingual English edition: The Favorite Malice: Ontology and Reference in Contemporary Italian Poetry.2 The title alludes to a passage of Friedrich Nietzsche: “It is my favorite malice and art that my silence has learned not to betray itself through silence.” These words from Thus Spoke Zarathrustra serves as the anthology’s epigraphs and signal the peculiar poetics that brings the poets together in one volume. They are not brought together as a “school” but as a loose convergence of individual practices. The most illustrious name among the group is that of Andrea Zanzotto , who belongs to an older generation but whom the other poets call their “youngest traveling companion.” The “older” companions include Nanni Cagnone, Luigi Ballerini, Raffaele Perrotta, and Angelo Lumelli. Robert P. Harrison is assistant professor of Italian at Stanford University. He has published a book of poems, The Murano Workshop , and articles on Dante, Kierkegaard, Nietzsche, and liberal philology. The Body of Beatrice is the title of his work in progress. (shrink)

This work charts the development of political economy in eighteenth-century Italy, and it argues that the focus on economic thought is characteristic of the Italian enlightenment at large. Through an analysis of the debate about luxury, it traces the shaping of a new language of political economy which was inspired by, and contributed to, European debate, but which offered solutions that were as much shaped by intellectual traditions and socio-economic circumstances as by French or Scottish precedent. Ultimately, those traditions were (...) responsible for the development of very distinct 'cultures of enlightenment' across the peninsula -from the insertion of the economy into the edifice of enlightened Catholicism, to the development of physiocracy in Tuscany, to a new analytical approach to economics in the Milanese enlightenment.Wahnbaeck draws on treatises, academic debates, university lectures, sermons, letters, dictionaries and personal sketches to trace the development of a public culture in Italy in the middle of the century, to establish the channels for the transmission of ideas between Italy, France and Scotland, and the development of an analytical language of economy in Milan in the second half of the century. This work relates those developments to the socio-economic and political contexts in which they occurred and argues that the focus on the economy can be explained by a triple reason: against the background of a declining economy and a shift towards agriculture in a competitive European environment, economic thought addressed the region's most pressing needs; secondly, subjection to Habsburg rule meant that political reform was monopolized in Vienna, whereas economic policy was an area of developed government and hence offered a safe route to influence without infringing on Hapsburg prerogatives; and finally, advances in economic thinking in Milan in particular provided a claim to power against the previous generation which had dominated the field of jurisprudence. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Time Together and Time ApartNeha Choksi (bio)The drawings to scale on the following pages depict multiple views I outlined while holding in my hand a single, small particolored stone. The silhouette leaves a hole for the stone to inhabit, were it still to exist. The colored pigment that shapes the absence of the stone is made by pulverizing this same stone.I pushed the pigment aside on the recto to (...) create the evacuated silhouette. Imagining the hole bored through to the other side, I colored the verso, too. All the pigment from the stone was used up in painting these multiple views.________The Crete Senesi area in Tuscany, where I found the stone, is formed from tiny fragments of small shells and sea organisms compacted with sediments of clays and sands from a sea that covered it millions of years ago. I fancy the stone contains evidence of the missing sea.I dislocated this stone during one of my multiple walks on a local strada bianchi near my temporary residence in a tiny village in Tuscany. I shared a summer there with six other artists and the coordinator as part of the Amant Residency Siena. I painted one stone view per member of our group. I made these drawings as a gift for them, for us, for our time together, and our time apart.October 11, 2023 Mumbai7 cotton paper sheets with stone pigment paint on recto and verso Each 7 ¾ x 5 inches [End Page 64] Click for larger view View full resolution[End Page 65] Click for larger view View full resolution[End Page 66] Click for larger view View full resolution[End Page 67] Click for larger view View full resolution[End Page 68] Click for larger view View full resolution[End Page 69] Click for larger view View full resolution[End Page 70] Click for larger view View full resolution[End Page 71] Click for larger view View full resolution[End Page 72] Click for larger view View full resolution[End Page 73] Click for larger view View full resolution[End Page 74] Click for larger view View full resolution[End Page 75] Click for larger view View full resolution[End Page 76] Click for larger view View full resolution[End Page 77] Click for larger view View full resolution[End Page 78]Neha Choksi Neha Choksi, in her work across performance, moving image, sculpture, and installation, probes lived experiences that negotiate relationships in unconventional settings. Harnessing stone to plant, animal to friends, publics to philosophy, her materially bound art engages the terms of our existence in ways personal and planetary. Choksi’s work has been widely exhibited, screened, or performed in the United States, Asia, the Middle East, Australia, the UK, and Europe; and is in notable public collections worldwide. Recent honors include the Amant Siena Studio & Research Residency, the City of Los Angeles Individual Artist Fellowship, the California Community Foundation Fellowship for Visual Artists, and the India Today Best New Media Artist of the Year Award. A monograph on a single artwork, Dismantling, was published in 2018. She currently co-edits Mimesis: Film as Performance Magazine. She lives and works in Los Angeles and Bombay.Copyright © 2023 Johns Hopkins University Press and SubStance, Inc... (shrink)

Interview of Paul Hoyningen-Huene conducted by Howard Sankey in 1996 in Tuscany.

The erstwhile sedentary Parisian theologian, Bonaventure of Bagnoregio, traveled extensively throughout Europe after his election as Minister General of the Minorite Order in 1257. In the fall of 1259 he arrived on Mount La Verna in Tuscany. As he ruminated on the stigmatized flesh of Francis of Assisi, Bonaventure composed the classical mystical text, Itinerarium mentis in Deum. Utilizing Michel de Certeau's work on prayer, travel narratives and spatial practices, this essay explores how Bonaventure rereads the story of the (...) Poverello in the Itinerarium mentis in Deum as a mystic narrative of peripatetic prayer. (shrink)

EVEN in Aristotle’s day, there were some problems about the status of the "mixed sciences," mechanics, optics, astronomy, harmonics. They were mathematical in form, and depended on generalizations drawn from repeated and careful observation. In both respects they differed from "physics," as Aristotle saw it; he made them "the most physical part of mathematics," and thus inaugurated a long two-thousand year history of separation between two ways of approach to nature, the philosophical, and the mathematical. Galileo’s central achievement, perhaps, was (...) to end this split; he showed that a single account was possible. Though he claimed the titles both of "Philosopher" and of "Mathematician" to the Grand Duke of Tuscany, the "new science" he proposed in 1638 would not need two separate talents. Mechanics for a while to come would still be classified as "natural philosophy," but it would rapidly become evident that philosophers could no longer claim the competence to intervene in it on their own account. True, some of the first great exponents of the new physics, Descartes, Newton, Leibniz, were also philosophers. But it was abundantly clear that the new science of nature was mathematical-experimental in form, not "philosophical" as that narrowed term had come to be understood. (shrink)

Students of the Papal State are understandably inclined to concentrate on those geographical areas in central Italy, from the Campagna to Ravenna, that were to become the more or less permanent Papal State of modern history, even though everyone acknowledges that papal claims and the reality of papal control within this region fluctuated widely throughout the centuries. Tuscany, southern Italy, and Sicily were sometimes claimed by the popes but not ultimately incorporated into the Papal State, and these areas also (...) receive due attention from historians of the Papal State. But papal claims also extended to other areas less frequently discussed, among them Sardinia. (shrink)

BackgroundThere are two types of voluntary interruption of pregnancy: elective and therapeutic abortion. These forms are different for many reasons, and it is reasonable to assume that they can have negative consequences that can last until a subsequent gestation. However, no study has analyzed the psychological experience of gestation after a previous abortion, distinguishing the two forms of voluntary interruption of pregnancy.ObjectiveThis study aims to explore the level of prenatal attachment and centrality of pregnancy in nulliparous low-risk pregnant women with (...) a recently previous elective or therapeutic abortion.MethodsA total of 34 nulliparous pregnant women with a history of abortion, aged from 27 to 48 years, were recruited in the maternity ward of a public hospital of the metropolitan area of Tuscany and Lombardy during the third trimester of gestation. The participants filled out a battery of questionnaires aimed at assessing prenatal attachment and centrality of pregnancy.ResultsAnalyses of variance showed that women with a history of elective abortion reported a higher centrality of pregnancy than women with a past therapeutic abortion. On the contrary, women with a past therapeutic abortion reported higher prenatal attachment.ConclusionElective and therapeutic abortions are different experiences that impact the way women experience a subsequent pregnancy. Future research should further investigate the psychological experience of gestation after abortion. (shrink)

On August 1, 1996, due to the expiration of the five-year preservation limit provided by British law for unclaimed and legally unusable frozen embryos, 3,300 embryos were thawed and discarded. In Italy the news of this impending event triggered many reactions among scholars as well as the general population. In Massa, a little town in Tuscany, a most unusual response arose. Two hundred women banded together and asked to carry out a prenatal adoption. Their purpose in making this request (...) was to avoid what they believed to be mass infanticide. Many of the women were married and already had children. They belonged to a local Catholic association. Nonetheless, their reaction was their own response to numerous appeals to respect life by the Catholic Church worldwide and by Italian Catholic thinkers especially. (shrink)

This paper provides the framework for understanding Galileo’s request to the Grand Duke of Tuscany, in 1610, to be appointed in Florence as both Mathematician and Philosopher. By explicitly choosing such a title, he wished to stress the fact that his own work aimed at contributing to the new physical astronomy with which Copernicus inaugurated what is now called the Scientific Revolution. As opposed to Ptolemy, who understood astronomy as a purely mathematical tool in order to “save the phenomena” (...) and allow for accurate predictions, Galileo – very much in line with Copernicus and Kepler, as well as Newton after him – supported the reality of the Copernican system not only against Aristotle and Ptolemy, but also against Tycho Brahe. And, as it turned out after 1616, against the Church itself, which, in full accord with Osiander’s unsigned preface to the De revolutionibus, refused to see in the Copernican theory anything more than a mere working hypothesis to which astronomers were allowed to appeal only for computations. (shrink)

Various elements suggest that not only Medusa’s beheading, but also her metamorphosis is present on the parade shield that Caravaggio painted in 1597-1598 and that his patron, Cardinal del Monte, offered to the Grand Duke of Tuscany, Ferdinando de’ Medici. Scholars have recently insisted that the famous rotella shares many features with an engraving by Cornelis Cort, now attributed to Antonio Salamanca, a possible copy of a lost work by Leonardo. Interestingly, this engraving comes with a description of Medusa’s (...) metamorphosis, taken from a passage of Boccaccio’s Genealogy of the Pagan Gods where the Ovidian myth is associated with the legend of the beautiful queen Medusa. Indeed, the Cort-Salamanca’s print shows the metamorphosis in progress: a terrified woman transforming into a monstrous hybrid of humanity and bestiality. While emphasizing the Gorgone’s double nature, Caravaggio pushes her representation in an even more naturalistic direction. Such a naturalization of Medusa, who seems to have lost even her petrifying power, fits with the apotropaic function of the shield as it is exposed in contemporary descriptions of the Grand Duke’s rotella and symbolical interpretations of the gorgoneion. (shrink)

Notes on Medieval Landscape. Sculptural Cycles of Months in Twelfth- and Thirteenth-Century Tuscany - Starting from the cycle of Months depicted on twelfth- and thirteenth-century Tuscan monuments, this paper seeks to discern whether and, if so, how medieval representations inform later generations about actual rural terrain and agrarian practices during the Middle Ages. Combining visual and written medieval sources (notably, the writings of Hugh of St Victor, ca 1096-1141) with studies of historical agricultural production reveals how iconographic choices were (...) informed by both theological conceptualizations and first-hand experience of the physical environment. (shrink)

Perched on the ramparts of Volterra last July, I gaze over i dolci colli toscani, the sweet hills of Tuscany, drenched in summer sun. Warm, content and at peace, I am bemused at how much at home I feel in this strange land. I have felt this way since 1991 when I returned for the first time to la bell' Italia thirty-seven years after having lived in Rome as a young child in a Foreign Service family. In its sensuous (...) beauty and riotous disorder, Rome was stunning. My wife Eileen and I explored old childhood haunts, including the Embassy apartment residences on viale villa Graziole where my family had lived for four years in Rome—two consecutive two-year posts—in the 1950s. Memory cells exploding, I was assailed by vivid images from childhood. Once when I was five or six, my brother David and I accompanied our housemaid Marcella to her simple country home and joined villagers in the fields as they all turned out—men, women, and children—to harvest the bean crop. As dusk set in, fires were lit, simple musical instruments appeared with the wine, and the feasting and dancing began. Bonfires were soon aglow for miles up and down the sweet rolling hills. (shrink)

Perched on the ramparts of Volterra last July, I gaze over i dolci colli toscani, the sweet hills of Tuscany, drenched in summer sun. Warm, content and at peace, I am bemused at how much at home I feel in this strange land. I have felt this way since 1991 when I returned for the first time to la bell' Italia thirty-seven years after having lived in Rome as a young child in a Foreign Service family. In its sensuous (...) beauty and riotous disorder, Rome was stunning. My wife Eileen and I explored old childhood haunts, including the Embassy apartment residences on viale villa Graziole where my family had lived for four years in Rome—two consecutive two-year posts—in the 1950s. Memory cells exploding, I was assailed by vivid images from childhood. Once when I was five or six, my brother David and I accompanied our housemaid Marcella to her simple country home and joined villagers in the fields as they all turned out—men, women, and children—to harvest the bean crop. As dusk set in, fires were lit, simple musical instruments appeared with the wine, and the feasting and dancing began. Bonfires were soon aglow for miles up and down the sweet rolling hills. (shrink)

Since the nineteenth century the poetic and metaphysical vision of the fifteenth-century painter Piero della Francesca has been admired by intellectuals, studied by a host of art historians, and has inspired a long line of modern painters from Cezanne to de Chirico, Balthus, Hockney and many others. Despite this modern interest, Piero has remained enigmatic due to the paucity of documentation pertaining to him and his works. Banker’s book is a valuable contribution towards elucidating the social and cultural context into (...) which Piero was born and in which he received his earliest education and artistic training. In Banker’s words “this book has two focal points: the culture of the town and the youth of the painter.” The entire study challenges the traditional view that regards Piero’s sojourn in Florence in 1439 as the formative event in his artistic development. Indeed, Banker makes a strong case for Piero’s early formation in his native Borgo San Sepolcro, a town in the upper Tiber river valley on the frontiers between Tuscany, the Marches, and Umbria. (shrink)