La médecine change de visage. Le progrès dans les sciences médicales a modifié l’aspect des maladies. La relation médecin-malade se désagrège. Le phalanstère médical est agité par la contestation. Tous ses membres, malades, médecins et non-médecins sont assujettis aux contraintes de l’Economie de la Santé. Les paradoxes qui obscurcissent la vie médicale appellent des solutions nouvelles. L’enseignement n’est plus réservé aux futurs médecins mais aussi, à travers l’Education sanitaire, aux futurs malades que sont les gens bien portants. La part qui (...) se déroule en Faculté n’est plus qu’une préparation à la Formation permanente. La recherche n’est plus réservée seulement à un étroit sérail, mais s’inscrit dans les préoccupations de tous au service de tous. L’informatique offre au médecin le moyen le plus sûr de faire rayonner le savoir et de mieux organiser le service public qu’est aujourd’hui la médecine. L’hôpital enfin est appelé à devenir le foyer de toutes les activités médicales, la « Maison » du malade aussi bien que celle du médecin. Le paradoxe du médecin est celui de la médecine tout entière. Il est l’occasion de faire naître un autre malade, un autre médecin pour une autre médecine et d’assurer le passage de l’éthique médicale vers une éthique de santé. (shrink)

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traduzione di n. de domenico del testo di f. brentano "sul nominalismo. contro guastella".

Uriah Kriegel presents a rich exploration of the philosophy of the great nineteenth-century thinker Franz Brentano. He locates Brentano at the crossroads where the Anglo-American and continental European philosophical traditions diverged. At the centre of this account of Brentano's philosophy is the connection between mind and reality. Kriegel aims to develop Brentano's central ideas where they are overly programmatic or do not take into account philosophical developments that have taken place since Brentano's death a century (...) ago; and to offer a partial defense of Brentano's system as quite plausible and in any case extraordinarily creative and thought-provoking. Brentano's system grounds a complete metaphysics and value theory in a well-developed philosophy of mind, and accordingly the book is divided into three parts, devoted to Brentano's philosophy of mind, his metaphysics, and his moral philosophy. The book's fundamental ambition is to show how Brentano combines the clarity and precision of the analytic philosopher with the sweeping vision of the continental philosopher. Brentano pays careful attention to important distinctions, conscientiously defines key notions, presents precise arguments for his claims, judiciously considers potential objections, and in general proceeds very methodically - yet he does so not as an end in itself, but as a means only. His end is the crafting of a grand philosophical system in the classical sense, attempting to produce nothing less than a unified theory of the true, the good, and the beautiful. (shrink)

Franz Brentano’s attempt to distinguish mental from physical phenomena by employing the scholastic concept of intentional inexistence is often cited as reintroducing the concept of intentionality into mainstream philosophical discussion. But Brentano’s own claims about intentional inexistence are much misunderstood. In the second half of the 20th century, analytical philosophers in particular have misread Brentano’s views in misleading ways.1 It is important to correct these misunderstandings if we are to come to a proper assessment of Brentano’s (...) worth as a philosopher and his position in the history of philosophy. Good corrections have been made in the recent analytic literature by David Bell (1990), Dermot Moran (1996), and Barry Smith (1994) among others. But there is also another, more purely philosophical lesson to be learned from the proper understanding of Brentano’s views on this matter. This is that Brentano’s struggles with the concept of intentionality reveal a fundamental division between different ways of thinking about intentionality, an division which Brentano himself does not make fully clear. Making the nature of this division explicit is the aim of this paper. (shrink)

Brentano's theory of consciousness has garnered a surprising amount of attention in recent philosophy of mind. Here I argue for a novel interpretation of Brentano's theory that casts it as more original than previously appreciated and yet quite plausible upon inspection. According to Brentano's theory, as interpreted here, a conscious experience of a tree is a mental state that can be simultaneously thought of, or framed, equally accurately as an awareness of a tree or an awareness of (...) an awareness of a tree. (shrink)

Franz Brentano developed an original theory of intrinsic value which he attempted to base on his philosophical psychology. Roderick Chisholm presents here a critical exposition of this theory and its place in Brentano's general philosophical system. He gives a detailed account of Brentano's ontology, showing how Brentano tried to secure objectivity for ethics not through a theory of practical reason, but through his theory of the intentional objects of emotions and desires. Professor Chisholm goes on to (...) develop certain suggestions about intrinsic value made by Brentano and his students, and discusses their relevance to theodicy and the problem of evil. Brentano, as the teacher of Husserl, Meinong, Twardowski, and others, stands at the origin of the phenomenological tradition and of the Polish school of philosophy that developed after World War I. He has also had considerable influence on Anglo-American philosophy. This book will interest those concerned with the origins of phenomenological value theory and more generally with the connections between ethics and philosophical psychology. (shrink)

Franz Brentano was a leading philosopher and psychologist of the nineteenth century. Indeed, the impact of his scholarship was so great that he became synonymous with a school of thought and a new approach in scientific philosophy. The Brentano School stood against the Idealistic and post-Kantian German tradition and Brentano played a crucial role in the founding of Austrian philosophy. He had an enormous impact on the work of Husserl and Heidegger, as well as on Moore’s _Ethics_ (...) and Stout and Russell’s analysis of mind. In particular, situated between the phenomenology movement and the analytic tradition, the concept of intentionality was redefined by Brentano and has been—and remains—a key concept of twentieth- and twentieth-first century philosophy of mind. But Brentano not only reshaped philosophy of mind; he was also a remarkable and innovative thinker in several other fields of philosophy, and recent debate in metaethics, metaphysics, and the history of analytic philosophy shows a strong resurgence of interest in Brentano’s thought. Published to coincide with the centenary of Brentano’s death, this four-volume collection, a new title from Routledge Major Works, provides an essential intellectual tool for the exegetical evaluation of all aspects of Brentano’s work. Bringing together early reviews and reactions from his contemporaries—many of which have never before been translated into English—as well as the best critical assessments of Brentano’s work, this ‘mini library’ provides Brentano scholars, historians of philosophy and psychology, and phenomenologists, with a rigorous historical appraisal of Brentano’s thought and influence. Brentano’s relationships with Husserl, Heidegger, and the phenomenological tradition are examined in depth, alongside investigations of key themes from his work on Aristotle, medieval and modern philosophy, philosophy of mind, logic, ontology, ethics, aesthetics, philosophy of religion, and the philosophy of history. (shrink)

Brentano’s account of what he called intentionale Inexistenz — what we now call intentionality — is without question one of the most important parts of his philosophy, and one of the most influential ideas in late 19th-century philosophy. Here I will explain how this idea figures in Brentano’s central text, Psychology from an Empirical Standpoint (Brentano 1995a). I will then briefly explain how Brentano’s ideas about intentionality evolved after the first publication of this work in 1874, (...) and how they were then misinterpreted by some influential analytic philosophers. (shrink)

In der Geschichte der Philosophie finden wir viele Intentionalitätstheorien, die spezielle Gegenstände zur Erklärung des Intentionalitätsphänomens einführen. Solche Theorien wurden in erster Linie von Philosophen eingeführt, die durch Franz Brentano beeinflusst waren. Gegenstände, um die es hier geht, werden üblicherweise intentionale Gegenstände genannt. Eine Theorie der intentionalen Gegenstände, die vom ontologischen Standpunkt aus betrachtet besonders detailliert ausgearbeitet ist, hat Roman Ingarden formuliert. Auch Ingardens Theorie ist daher Gegenstand einer oft geäußerten Kritik. Man behauptet, dass alles, was intentionale Gegenstände leisten, (...) auch in einer ontologisch sparsameren Weise zu erreichen ist. Wir werden allerdings zeigen, dass diese Behauptung unbegründet ist. Die Einführung intentionaler Gegenstände hat ihre guten Gründe und es ist unklar, ob eine ontologisch sparsamere Variante überhaupt funktionieren kann. Die adverbiale Theorie, die oft als ein Gegenkandidat vorgeschlagen wird, stößt jedenfalls auf große Schwierigkeiten. Was die Ingardensche Version der Theorie betrifft, so erweist sie sich als eine etwas kuriose Mischform der Theorie der intentionalen Gegenstände und der adverbialen Theorie. Wir werden sehen, dass der adverbiale Teil aus dieser Theorie am besten entfernt werden soll. (shrink)

According to T. M. Scanlon's 'buck-passing' analysis of value, x is good means that x has properties that provide reasons to take up positive attitudes vis-à-vis x. Some authors have claimed that this idea can be traced back to Franz Brentano, who said in 1889 that the judgement that x is good is the judgement that a positive attitude to x is correct ('richtig'). The most discussed problem in the recent literature on buckpassing is known as the 'wrong kind (...) of reason' problem (the WKR problem): it seems quite possible that there is sometimes reason to favour an object although that object is not good and possibly very evil. The problem is to delineate exactly what distinguishes reasons of the right kind from reasons of the wrong kind. In this paper we offer a Brentano-style solution. We also note that one version of the WKR problem was put forward by G. E. Moore in his review of the English translation of Brentano's Vom Ursprung sittlicher Erkenntnis. Before getting to how our Brentano-style approach might offer a way out for Brentano and the buck-passers, we briefly consider and reject an interesting attempt to solve the WKR problem recently proposed by John Skorupski. (shrink)

In Chapter 3 of Book I of Psychology from an Empirical Standpoint, Brentano articulates what he takes to be the four most basic and central tasks of psychology. One of them is to discover the ‘fundamental classification’ of mental phenomena. Brentano attends to this task in Chapters 5-9 of Book II of the Psychology, reprinted (with appendices) in 1911 as a standalone book (Brentano 1911a). The classification is further developed in an essay entitled “A Survey of So-Called (...) Sensory and Noetic Objects of Inner Perception,” published posthumously in Brentano 1928/1981b, as well as a 1907 dictation entitled “Loving and Hating,” reprinted in Brentano 1969. (shrink)

Since the first discussion of Brentano’s relation to (and account of) medieval philosophy by Spiegelberg in 1936, a fair amount of studies have been dedicated to the topic. And if those studies focused on some systematic issue at all, the beloved topic of intentionality clearly occupied a hegemonic position in the scholarly landscape . The following pages consider the question from the point of view of ontology, and in a twofold perspective: What did Brentano know about medieval ontology (...) and what kind of access did he have to that material (section 1)? What kind of use did Brentano make of medieval material in his own philosophy, and with what kind of results (section 2)? (shrink)

This chapter explains Franz Brentano's metaethical theory and how it purports to deal with such difficulties. Brentano explains correctness in emotions by analogy with correctness in judgements. For a judgement to be correct is for it to concord with a judgement made by someone who judges with self-evidence (Evidenz). Self-evident judgements are guaranteed to be correct, and they are based either on "inner perception" or on presentations of objects that are rejected apodictically. Brentano's metaethical theory concerns first (...) and foremost the psychology of valuing and of moral judgement. Brentano is clearly a cognitivist about evaluative and moral judgement; such judgements are judgements about the correctness of feelings, and judgements are cognitive acts. However, one aspect of his position that seems congenial to contemporary expressivism. This has to do with expressivist treatments of disagreement. Brentano's views seem akin to the kind of foundationalist intuitionism that is traditionally associated with non-naturalism. (shrink)

In line with earlier works, this article argues for a “continuist” interpretation of Brentano’s conception of intentionality. It maintains that Brentano’s conception of intentionality rests on a complex set of notions, which are reduced to a minimal core or applied more fully depending on the complexity of the mental phenomenon under consideration and perspective from which it is analyzed. The article positions this conceptual structure in relation to theories of objects developed within the framework of late- and Neo-Scholastic (...) philosophy where, since the psychic act can relate to its object in different ways, the different types and roles of objects must be distinguished. This theory of objects enables Brentano to reinterpret Aristoteles’s idea of the intentionality of mental phenomena in light of the commentaries and interpretations of Thomas Aquinas while also giving space to other medieval texts. (shrink)

It is often claimed that Brentano’s rediscovery of intentionality has been strongly influenced by Aristotle. Brentano himself stressed repeatedly his affinity to Aristotle and this self-interpretation was by no means restricted to the theory of intentionality. In fact, Brentano seemed to believe that almost all of what he had discovered during his most influential years (1874–1895) has its more or less remote roots in the philosophy of Aristotle. Yet if we carefully compare the picture of intentionality that (...) is to be found in Aristotle’s De Anima with Brentano’s theory of immanent objects, we find more differences than similarities. The truth is that Brentano developed a quite different ontology of intentionality, and his references to Aristotle should be seen as a conventional homage to his master rather than as something of substance that could help us to understand better Brentano’s own theory. What Brentano in fact took from Aristotle was rather his way of doing philosophy and certain isolated ideas, but certainly not theories in their entirety. (shrink)

The notion of intentionality is what Franz Brentano is best known for. But disagreements and misunderstandings still surround his account of its nature. In this paper, I argue that Brentano’s mature account of the nature of intentionality construes it, not as a two-place relation between a subject and an object, nor as a three-place relation between a subject’s act, its object, and a ‘content,’ but as an altogether non-relational, intrinsic property of subjects. I will argue that the view (...) is more defensible than might initially appear. (shrink)

Mooreans claim that intrinsic goodness is a conceptual primitive. Fitting-attitude theorists object: they say that goodness should be defined in terms of what it is fitting for us to value. The Moorean view is often considered a relic; the fitting-attitude view is increasingly popular. I think this unfortunate. Though the fitting-attitude analysis is powerful, the Moorean view is still attractive. I dedicate myself to the influential arguments marshaled against Moore’s program, including those advanced by Scanlon, Stratton-Lake and Hooker, and Jacobson; (...) I argue that they do not succeed. (shrink)

Franz Brentano was not a systematic writer, but he was very much a systematic thinker. Through his manuscripts, lecture notes, letters, dictations, and occasional published writings, one can discern a systematic, unified approach to the true, the good, and the beautiful. My goal here is to articulate explicitly this approach, and the philosophical program it reflects. The exercise requires going over big stretches of terrain with some efficiency; I will go just as deep into Brentano’s approaches to the (...) true, the good, and the beautiful as is required to make explicit their structural unity. (shrink)

Consider a perceptual activity such as seeing a colour, hearing a tone, tasting a flavour. How are these activities related to one’s awareness of them? I will use Brentano’s struggle with this question to guide the reader through the development of his view on consciousness. My starting point will be Brentano’s book Die Psychologie des Aristoteles (Brentano 1867), in which he developed an inner sense view of consciousness (§§1-2). Brentano’s early view is underexplored in the literature, (...) but crucial for understanding the development of his thought on the matter. In his major work Psychologie vom Empirischen Standpunkt (1874) he rejected the existence of an inner sense: the exercises of our five senses yield awareness of the world (or at least of intentional objects) as well as awareness of these perceptions. This same-level view of consciousness has been explored and developed by contemporary philosophers of mind. I will discuss the arguments that moved Brentano to change his mind, outline the view and, finally, respond to Husserl’s influential criticism of Brentano’s view (§§3-5). (shrink)

This essay illustrates the main aspects of the discussion between Brentano and Stumpf about «tonal fusion». In his Tonpsychologie, Stumpf essentially moved from a Brentanian standpoint. Yet, he did not adopt Brentano’s subsequently developed new theory of «sensible qualities», so that a polemic eventually arouse between them. Far from representing a marginal issue, the episode is relevant to our understanding of their relationship. The discussion as to the mechanism of tonal fusion reveals a general divergence between Brentano (...) and Stumpf concerning the idea of human sensibility as a whole and of the method of psychology. (shrink)

Ausgehend von Franz Brentanos berühmter Intentionalitätspassage aus der Psychologie vom empirischen Standpunkt wird dargelegt, daß die vorherrschende ontologische Deutung seines sogenannten frühen Intentionalitätsgedankens unhaltbar ist. Unter Berücksichtigung von Brentanos Quellen, vor allem Aristoteles' Wahmehmungslehre und Theorie der Relativa, wird die Auffassung des sogenannten intentionalen bzw. immanenten Objektes als bewußtseinsimmanenter Entität abgelehnt und die Kontinuität hervorgehoben, die zwischen Brentanos früher und späterer, sogenannter reistischer Intentionalitätsauffassung besteht.

This is a review article on Franz Brentano’s Descriptive Psychology published in 1982. We provide a detailed exposition of Brentano’s work on this topic, focusing on the unity of consciousness, the modes of connection and the types of part, including separable parts, distinctive parts, logical parts and what Brentano calls modificational quasi-parts. We also deal with Brentano’s account of the objects of sensation and the experience of time.

Perhaps the philosophical thesis most commonly associated with Brentano is that intentionality is the mark of the mental. But in fact Brentano often and centrally uses also what he calls ‘inner perception’ to demarcate the mental. In this paper, I offer a new interpretation of Brentano’s conception of the interrelations between mentality, intentionality, and inner perception. According to this interpretation, Brentano took the concept of mind to be a natural-kind concept, with intentionality constituting the underlying nature (...) of the mental and inner-perceivability serving as the concept’s reference-fixer. (shrink)

It is often claimed that the beginnings of Brentano’s ontology were Aristotelian in nature; but this claim is only partially true. Certainly the young Brentano adopted many elements of Aristotle’s metaphysics, and he was deeply influenced by the Aristotelian way of doing philosophy. But he always interpreted Aristotle’s ideas in his own fashion. He accepted them selectively, and he used them in the service of ends that would not have been welcomed by Aristotle himself. The present paper is (...) an exposition of the development of Brentano’s ontology, beginning with the Lectures on Metaphysics first delivered by Brentano in Würzburg in 1867 and concluding with his late work from 1904–1917. (shrink)

This paper is about the question: what is it for a mental state to mean (or present) something as an intentional object? This issue is addressed from a broad perspective, against the background of Brentano’s philosophical programme in Psychology from an empirical standpoint, and the controversy between the proponents of a non-canonical interpretation of Brentano’s theory of intentionality, and the so-called orthodox interpretation advocated namely by R. Chisholm. My investigation is divided into six parts. In the first section, (...) I explain the meaning and function of the notion of phenomenon in light of Brentano’s philosophical programme, and I briefly elucidate the notion of physical phenomenon which, in Brentano’s Psychology, constitutes the primary object of consciousness. In the next two sections, I look at two aspects of Brentano’s criticism of the identity thesis that he attributes to British empiricism, namely the psychological aspect, which concerns the identification of the two classes of phenomena, and the metaphysical aspect relating to the relationship between physical phenomena and the reality of an extramental world. Once this double distinction will be established, I will turn to the relation of intentional objects to presentations and put forward the hypothesis that intentional objects are conceptually dependent upon presentations and that this dependence rests, in turn, upon the content of the mental phenomena. The next step concerns Brentano’s theory of primary and secondary objects, and one of the main non-orthodox arguments against the canonical interpretation, namely that the latter conflates primary and secondary objects. In this context, I examine a second hypothesis: that the secondary object, or intentional correlate of an act, is an intentional content, which is distinct both from the intentional object and from the reality to which it relates, and I maintain that the intentional content has the function of mediating the mental acts’ relation to their objects. Finally, I shall examine some objections against the hypothesis of intentional content in Brentano’s Psychology, and I will conclude with a brief commentary on the bearing of this investigation with regard to the interpretation of the genesis of Brentano’s theory of intentionality, before and after the reistic turn of his philosophy. (shrink)

Contents: List of Contributors VII; Roberto Poli: Foreword IX-X; Roberto Poli: The Brentano puzzle: an introduction 1; Dallas Willard: Who needs Brentano? The wasteland of philosophy without its past 15; Claire Ortiz Hill: Introduction to Paul Linke's 'Gottlob Frege as philosopher' 45; Paul F. Linke: Gottlob Frege as philosopher 49; John Blackmore: Franz Brentano and the University of Vienna Philosophical Society 1888-1938 73; Alf Zimmer: On agents and objects: some remarks on Brentanian perception 93; Liliana Albertazzi: Perceptual (...) saliences and nuclei of meaning 113; Jan Srzednicki: Brentano and the thinkable 139; Claire Ortiz Hill: From empirical psychology to phenomenology. Edmund Husserl on the 'Brentano puzzle' 151; Serena Cattaruzza: Brentano and Boltzmann: the Schubladenexperiment 169; Karl Schuhmann: Johannes Daubert's theory of judgement 179; Evelyn Dölling: On Alexius Meinong's theory of signs 199; Robin Rollinger: Linguistic expressions and acts of meaning: comments on Marty's philosophy of language 215-225. (shrink)

Mark Textor presents a critical study of the work of Franz Brentano, one of the most important thinkers of the nineteenth century. His work has influenced analytic philosophers like Russell as well as phenomenologists like Husserl and Sartre, and continues to shape debates in the philosophy of mind. Brentano made intentionality a central topic in the philosophy of mind by proposing that 'directedness' is the distinctive feature of the mental. The first part of the book investigates Brentano's (...) intentionalism as well as attempts to improve or develop it. Textor argues that there is no plausible version of this doctrine, and rejects it in favour of a mark of the mental proposed by Brentano's student Husserl: mental phenomena have no appearances. The second part of the book develops and defends Brentano's view about the structure of perceptual awareness. Awareness of a mental activity and this mental activity are not distinct mental acts, the first representing the second. They are one and the same activity that has several objects. Textor shows that Brentano held that intentionality is plural - directedness is directedness on some objects - and shows how the plural conception solves thorny problems. The third part of the book is devoted to Brentano's view of pleasure and pain. Textor draws out parallels between enjoying an activity and awareness of it and argues that enjoying an activity and the activity enjoyed are not distinct. The final part of the book extends the plural view to the conscious mental life of a thinker at a time (the unity of synchronic consciousness): it is one mental act with many objects. (shrink)

Brentano uses terms in place of predicates (e.g. "a thinker" in place of "thinks") and characterizes the "is" of predication in terms of the part-whole relation. Taking as his ontological data certain intentional phenomena that are apprehended with certainty, he conceives the substance-accident relation as a defmeable type of part-whole relation which we can apprehend in "inner perception". He is then able to distinguish the following types of individual or ens reale: substances; primary individuals which are not substances; accidents; (...) aggregates; and boundaries. (shrink)

This paper is the general introduction to a collection of essays entitled Franz Brentano and Austrian Philosophy (forthcoming). In this substantial introduction, I comment several aspects of the recent reception of Brentano’s philosophical programme in contemporary philosophy, and the actual debates on topics such as emotions, values, and intentionality, for example. It is divided in four parts corresponding to the four sections of the book. The first three sections contain 11 original contributions on Brentano’s philosophy and its (...) place in the history of philosophy in Austria, and the last section contains three unpublished manuscripts from Alfred Kastil et Moritz Schlick. I. Descriptive psychology and phenomenology: Brentano and Husserl II. Brentano and the Vienna Circle III. Brentano and the history of philosophy IV. Documentation: Alfred Kastil and the Vienna Circle . (shrink)

In his entire oeuvre Brentano defended a scientific conception of philosophy and advocated the adoption of a rigorous, scientific method. Given this background it might come as a surprise that in his reflections on aesthetics he firmly rejected the classic definition of aesthetics as the science of beauty. This must not be read as an expression of disinterest in – or a dismissal of – aesthetics, though. It is rather an expression of Brentano's view concerning the position of (...) aesthetics in his overall system. He conceived it – on a par with logic and ethics – not as a theoretical science, but as a practical discipline that was rooted in psychology: aesthetics, Brentano suggests, is not constituted by a set of intrinsically related propositions; it rather serves the practical purpose of instructing those who want to experience the beautiful with correct taste or to create works of art. The task of aesthetics is, in other words, to formulate a set of rules or instructions that teach us how to correctly experience beauty, how to come to prefer the more over the less beautiful, but also how to create beauty and how to produce works of art that have the power to bring about aesthetic pleasure in the beholder. (shrink)

Brentano held that every mental phenomenon has an object and is conscious (the dual relation thesis). The dual relation thesis faces a number of well-known problems. The paper explores how Brentano tried to overcome these problems. In considering Brentano's responses, the paper sheds light on Brentano's theory of judgement that underpins his philosophy of mind.

This study is about Brentano’s criticism of a version of phenomenalism that he calls “mental monism” and which he attributes to positivist philosophers such as Ernst Mach and John Stuart Mill. I am interested in Brentano’s criticism of Mill’s version of mental monism based on the idea of “permanent possibilities of sensation.” Brentano claims that this form of monism is characterized by the identification of the class of physical phenomena with that of mental phenomena, and it commits (...) itself to a form of idealism. Brentano argues instead for a form of indirect or hypothetical realism based on intentional correlations. (shrink)

‘Judgment’ is Brentano’s terms for any mental state liable to be true or false. This includes not only the products of conceptual thought, such as belief, but also perceptual experiences, such as seeing that the window was left open. ‘Every perception counts as a judgment,’ writes Brentano (1874: II, 50/1973a: 209). Accordingly, his theory of judgment is not exactly a theory of the same phenomenon we call today ‘judgment,’ but of a larger class of phenomena one (perhaps the (...) main) species of which is what we call judgment. Even if we keep this in mind, though, the profound heterodoxy of Brentano’s theory of judgment is still striking. Brentano develops this heterodox theory in some detail already in the Psychology from Empirical Standpoint (Brentano 1874/1973a). But he continued to work out its details, and various aspects of it, until his death. Many of the relevant articles, notes, and fragments of relevance have been collected by Oskar Kraus in 1930 and published under the title Truth and Evidence (Brentano 1930/1966b). Kraus prefaces this volume with an elaborate reconstruction, of dubious plausibility, according to which Brentano’s accounts of judgment and truth have gone through four distinct stages. In reality, there is a unified underlying conviction underwriting Brentano’s work both on judgment and on truth (see CHAP. 20 on the latter). Here I present this unified core of this highly original theory of judgment, which can be captured in terms of three main theses. The first is that contrary to appearances, all judgments are existential judgments (§1). The second is that the existential force of judgment is indeed a force, or mode, or attitude – it does not come from the judgment’s content (§2). The third is that judgment is not a propositional attitude but an ‘objectual’ attitude (§3). (shrink)

It is often assumed that deflationist accounts of truth are a product of philosophy of logic and language in the twentieth century. In this paper I show why this assumption is historically short-sighted. An early version of deflationism about truth can already be found in Brentano’s 1889 lecture “On the Concept of Truth.” That Brentano is a precursor of deflationism has gone largely unnoticed because of a different reception of his lecture: according to most scholars, Brentano proposes (...) in it a revision of the correspondence theory of truth that he later rejected in favour of an epistemic theory. Contrary to this received interpretation, I argue that Brentano actually tried to show how one can minimize an account of truth without thereby sacrificing a robust realist intuition about the objectivity of truth. Brentano held on to this deflationist view in his later years, when he assigned self-evident judgments a primary role in our understanding of truth. (shrink)

La thèse de l’« inexistence intentionnelle » formulée par Brentano a été traditionnellement interprétée comme une théorie de la « relation intentionnelle », autrement dit de la relation entre l’acte mental et son « objet immanent » ou « intentionnel », c’est-à-dire interne à la conscience. Se fondant sur la lecture du fameux passage sur l’intentionnalité de la Psychologie du point de vue empirique , le présent article démontre que l’interprétation ontologique de la théorie de l’intentionnalité du premier (...) class='Hi'>Brentano est insoutenable, toute dominante qu’elle est. Pour ce faire, nous partirons des sources de la pensée de Brentano, en particulier de la théorie de la perception et des relatifs d’Aristote, pour rejeter la conception de l’objet immanent ou intentionnel comme entité immanente à la conscience et mettre en évidence la continuité qui existe entre la première conception de Brentano de l’intentionnalité et la seconde, consécutive à ce qu’on définit comme le tournant réiste de sa pensée.Brentano’s thesis of “intentional inexistence” has been traditionally interpreted as a theory of “intentional relationships”, i.e., of the relation between a mental act and its “immanent” or “intentional object”, within consciousness. Starting from the famous passage on intentionality in Psychology from an Empirical Standpoint , the present paper shows that the dominant ontological interpretation of Brentano’s former theory of intentionality is untenable. Proceeding from the sources of Brentano’s thought, in particular from Aristotle’s theory of perception and of relatives, the conception of the immanent or intentional object as an immanent entity to consciousness is rejected. Instead, the continuity between Brentano’s former conception of intentionality and the subsequent one, following the so-called reistic turning-point in his thought, is highlighted. (shrink)

At least since Hume we have a serious problem with explaining our moral valuations. Most of us – with notable exception of certain (in)famous esoteric thinkers like Nietzsche or De Sade – share a common intuition that our moral claims are in an important sense objective. We believe that they can be right or wrong; and we believe that if they happen to be right, then they are binding for each human being conducting a similar action in similar circumstances. Now (...) Hume drew our attention to the fact that our valuations do not follow from descriptions of the actions in question. There seems to be nothing in the “descriptive content” of the world around us that could make them true or false and in face of that it becomes very puzzling how they ever could be right, objective or committing. As we all know Hume’s solution proclaims emotions as the basis of our moral valuations. Calling something right or wrong should be in the first place understood as an expression of our emotional attitude toward it. This move explains a part of the initial puzzle, but it also leaves us with a certain unpleasant consequence. It seems that in the strict sense emotions could be neither rational nor true, and consequently we can hardly imagine any conclusive moral argument. De gustibus non disputandum est. Our feeling of objectivity vis a vis our moral valuations has to be classified as a kind of illusion and what follows is a kind of moral relativism or scepticism. Some philosophers are happy with this conclusion, but some others find it untenable. Brentano and his followers belonged to the second group. They generally accepted Hume’s claim that emotions constitute the basis of our moral valuations but developed interesting strategies to avoid his relativistic conclusions. (shrink)

This chapter has three sections. The first introduces Brentano’s view of sensations by presenting the intentional features of sensations irreducible to features of the sensory objects. The second presents Brentano’s view of sensory objects —which include sensory qualities— and the features of sensations that such objects allow to explain, such as their intensity. The third section presents Brentano’s approach to sensory pleasures and pains, which combines both appeal to specific modes of reference and to specific sensory qualities.

Franz Brentano’s theory of emotion is tightly bound up with many of his other central claims, in such a way that one has to work out how it relates to these other claims if one is to understand its distinctive character. There are two main axes of investigation. The first results from the fact that Brentano introduces his theory of emotion as part of his overall theory of mind, which consists of a number of closely interconnected theses concerning (...) the nature of mental phenomena, the nature of consciousness, and the classification of mental phenomena into fundamental kinds (Brentano 1874/1973a). The second derives from the fact that his theory of emotion also forms the foundation of his epistemology of objective value, which he elaborates in a framework constituted by an epistemic theory of truth and an extended analogy he draws between emotions and judgments (Brentano 1889/1969). I will consider both of these axes in what follows. (shrink)

BRENTANO'S CLAIMS ABOUT INTENTIONALITY DO NOT BEAR SOLELY\nON A CONCERN WITH THE POSITIVE NATURE OF MENTAL STATES.\nTHEY ALSO HAVE NO BEARING ON THE PROBLEM OF MENTAL/MATERIAL\nIDENTITY. PART OF THEIR POINT IS JUST TO OPPOSE A CERTAIN\nVIEW ABOUT THE PROPER OBJECTS OF AWARENESS, NAMELY THAT\nINSOFAR AS WE ARE AWARE OF OBJECTS THEY HAVE AN EXISTENCE\n"IN THE MIND." BOTH HUME AND DESCARTES HELD SUCH A VIEW. AN\nEXAMINATION OF THE NOTIONS OF "IDEA" AND "OBJECTIVE\nREALITY" SHOWS THE INACCURACY OF REGARDING DESCARTES AS A\n"REPRESENTATIVE (...) REALIST." WHAT REPRESENTS EXTERNAL NATURES\nIN THE MIND IS JUST THOSE NATURES THEMSELVES INSOFAR AS\nTHEY EXIST IN THE MIND. (shrink)