"_Of Literature and Knowledge_ looks... like an important advance in this new and very important subject... literature is about to become even more interesting." – Edward O. Wilson, Pellegrino University Professor, Harvard University. Framed by the theory of evolution, this colourful and engaging volume presents a new understanding of the mechanisms by which we transfer information from narrative make-believe to real life. Ranging across game theory and philosophy of science, as well as poetics and aesthetics, Peter Swirski explains how literary (...) fictions perform as a systematic tool of enquiry, driven by thought experiments. Crucially, he argues for a continuum between the cognitive tools employed by scientists, philosophers and scholars or writers of fiction. The result is a provocative study of our talent and propensity for creating imaginary worlds, different from the world we know yet invaluable to our understanding of it. _Of Literature and Knowledge_ is a noteworthy challenge to contemporary critical theory, arguing that by bridging the gap between literature and science we might not only reinvigorate literary studies but, above all, further our understanding of literature. (shrink)

Framed by the theory of evolution, this volume offers a new understanding of the mechanisms by which we transfer information from narrative make-believe to real life. Ranging across game theory and philosophy of science, as well as poetics and aesthetics, Peter Swirski explains how literary fictions perform as a systematic tool of enquiry, driven by thought experiments. Crucially, he argues for a continuum between the cognitive tools employed by scientists, philosophers, and scholars or writers of fiction."--Jacket.

Bernard Malamud's God's Grace (1982) is a neo-Darwinian Beast Fable about morality in a thermonuclear age. It serves me as a starting point for a fresh look at the fundamental questions surrounding morality and altruism. There is no doubt any more that, from the standpoint of multilevel selection, morality is a form of compromise among competing spheres of genetic self-interest. The result is a tug-of-war between two adaptive vectors: the egoistic and competitive "me first" versus the prosocial and cooperative "we-first.".

From Aristotle's Poetics to contemporary aestheticians grappling with the politics and poetics of rap, intellectual traffic between philosophy and poetry has formed an appreciable undercurrent in the historical ebb and flow of cross-disciplinary bridge building. If anything, in the postwar years this undercurrent has only become more pronounced. Not to look too far, Wittgenstein himself admonished in Culture and Value that philosophy ought really to be written only as a form of poetic composition. Skeptics will, of course, take Wittgenstein with (...) a grain of salt, arguing that few statements could be more self-serving and that, like in the case of T.S. Eliot and the metaphysical school of poetry, Wittgenstein was.. (shrink)

In this essay I revisit the two most famous thought experiments in the cognitive sciences of the twentieth century: the Turing test and the Chinese Room scenario. Dealing a series of death blows to the latter, I argue that Turing’s famous test has been largely misunderstood by generations of analysts. Rather than an analytical definition of machine thinking, it is an inductive protocol for generating inferential evidence about machine thinking. In the second part of the essay I take an evolutionary (...) route to inquire into machines’ potential for being creative, leading me to several conclusions about the nature of human and machine art. (shrink)

In Between Literature and Science Peter Swirski examines the true intellectual scope of Edgar Allan Poe and Stanislaw Lem.

From Literature to Biterature is based on the premise that in the foreseeable future computers will become capable of creating works of literature. Among hundreds of other questions, it considers: Under which conditions would machines become capable of creative writing? Given that computer evolution will exceed the pace of natural evolution a million-fold, what will such a state of affairs entail in terms of art, culture, social life, and even nonhuman rights? Drawing a map of impending literary, cultural, social, and (...) technological revolutions, Peter Swirski boldly assumes that computers will leap from mere syntax-driven processing to semantically rich understanding. He argues that acknowledging biterature as a species of literature will involve adopting the same range of attitudes to computer authors (computhors) as to human ones and that it will be necessary to approach them as agents with internal states and creative intentions. Ranging from the metafiction of Stanislaw Lem to the "Turing test" (familiar to scientists working in Artificial Intelligence and the philosophers of mind) to the evolutionary trends of culture and machines, Swirski's scenarios lay the groundwork for a new area of study on the cusp of literary futurology, evolutionary cognition, and philosophy of the future. (shrink)

In the process, Swirski takes stock of the recent work in evolutionary theory, arguing that the analysis of narrative truth may be grounded in the neo-Darwinian ...