The European project European and Latin American Systems of Ethics Regulation of Biomedical Research Project (EULABOR) has carried out the first comparative analysis of ethics regulation systems for biomedical research in seven countries in Europe and Latin America, evaluating their roles in the protection of human subjects. We developed a conceptual and methodological framework defining ‘ethics regulation system for biomedical research’ as a set of actors, institutions, codes and laws involved in overseeing the ethics of biomedical research on humans. This (...) framework allowed us to develop comprehensive national reports by conducting semi-structured interviews to key informants. These reports were summarised and analysed in a comparative analysis. The study showed that the regulatory framework for clinical research in these countries differ in scope. It showed that despite the different political contexts, actors involved and motivations for creating the regulation, in most of the studied countries it was the government who took the lead in setting up the system. The study also showed that Europe and Latin America are similar regarding national bodies and research ethics committees, but the Brazilian system has strong and noteworthy specificities. (shrink)

Reseña del libro: Miguel Saralegui, The Politics of Time. Introduction to Carl Schmitt’sPolitical Thought, Cantabria University Press, Santander, 2021, 273 pp.

Resumen: Este artículo se propone examinar la caracterización ficcional de la mujer filósofa durante el siglo XVIII, concentrándose en la novela Histoire de Juliette, ou les prospérités du vice de Donatien Alphonse François de Sade. Sostendremos como hipótesis que las heroínas filósofas de Histoire de Juliette se habrían construido a base de la exaltación de la figura de la hetaira de la Grecia Clásica. Analizaremos dos referencias a las hetairai que aparecen en la obra: la caracterización de Clairwil, una de (...) las tutoras libertinas de Juliette, y la participación de Aspasia, Phryné y Lais como parte del séquito de libertinas de la protagonista de la novela.: This article aims at examining the fictional characterization of women philosophers during the eighteenth century, focusing on Donatien Alphonse François de Sade’s novel, Histoire de Juliette, ou les prospérités du vice. We seek to show that the marquis’s heroines philosophers in Histoire de Juliette are modeled after the figure of the hetaira in Classical Greece. We analyze two sets of references to the hetairai that appear in the aforementioned novel: the description of Clairwil, one of Juliette’s libertine tutors and partners, and the participation of Aspasie, Phryné and Lais in Juliette’s libertine entourage. (shrink)

The motif of literature abandoned by Foucault in the 70s can find new possibilities and resurface transformed from an ethical perspective that continues focusing on the language. Language and subject are not two vertebral topics in Foucault’s reflection, but a single framework in which literature, disappearance of the subject and ethics are linking different paths of the same journey. Western man largely questioned in Foucault’s works appears together with other subjectivities that challenge him and make us think about the limits (...) and possibilities of the subject. In this sense, we propose literature as a practice of subjectivation in which language frees from imposed limits, literature as an ethical practice. (shrink)

Fichte once described the first principle of his philosophical system as a globe or attractor point which rests on nothing else but its own power, and which – as by the inception of a gravitational field – thereby simultaneously sets the conditions for the groundedness of all the components of the edifice of knowledge which follow. This description suggests his philosophical enterprise is articulated in accordance to the linear structure of foundationalism. At the same time, however, Fichte’s enterprise is unequivocally (...) transparent regarding its many circularities, the most interesting of which is described by the relation between the I under philosophical observation and the I of the transcendental philosopher who undertakes the observation. Indeed, such a relation – which Fichte called not only a circle but a circuit – is what explains his assertion that the task of the transcendental philosopher is to be a pragmatic historiographer rather than a legislator of the mind. The philosopher’s task is historical insofar as the I who undertakes the examination is at every move trying to repeat its genesis in a conscious manner. It is circular, in turn, insofar as the activity of the examined I is supposed to culminate in precisely the point where the examining I stands, but not forgetting that it has to account for the possibility of the latter’s very examination. To map the horizon and grounding capacity of such circumvolutions of the mind is what this paper aims to do. (shrink)

Certain distinctively patristic and medieval features may be traced in Spanish-Renaissance thought, a tradition in which Aristotelianism played an otherwise dominant role. The study of these features may help to better understand the place of Hispanic thought in Renaissance intellectual history. I focus on one such a feature, providentialism, as it can be seen in two representative authors of sixteenth-century Spanish historiography. By discussing their differing providentialist views, and their motives for adopting them in each author’s historical and political circumstances, (...) it is argued that the zeal for justice constitutes a distinctive trait of Spanish-Renaissance thought. (shrink)

Extractive foraging tasks, such as digging, are broadly practiced among hunter-gatherer populations in different ecological conditions. Despite tuber-gathering tasks being widely practiced by children and adolescents, little research has focused on the physical traits associated with digging ability. Here, we assess how age and energetic expenditure affect the performance of this extractive task. Using an experimental approach, the energetic cost of digging to extract simulated tubers is evaluated in a sample of 40 urban children and adolescents of both sexes to (...) measure the intensity of the physical effort and the influence of several anatomical variables. Digging is a moderately vigorous activity for inexperienced girls and boys from 8 to 14 years old, and it requires significant physical effort depending on strength and body size. However, extracting subterranean resources is a task that may be performed effectively without previous training. Sex-specific and age-specific differences in the net energy expenditure of digging were detected, even though both sexes exhibited similar proficiency levels when performing the task. Our results highlight that both boys and girls spend considerable energy while digging, with differences largely driven by body size and age. Other factors beyond ability and experience, such as strength and body size, may influence the proficiency of juveniles in performing certain physically intensive foraging tasks, such as gathering tubers. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:diacritics 30.1 (2000) 49-77 [Access article in PDF] The Time of the King Gift and Exchange in Zorrilla's Don Juan Tenorio Joan Ramon Resina There is something paradoxical about José Zorrilla's revision of the Don Juan legend, a certain contradiction between the play's structure and the logic of the action. The character of the protagonist, the form and implications of Don Juan's salvation, the strategies and temporality (...) of seduction, even the play's generic status--all come under the law of self-cancellation. And so does the historical time in which the play is set: the time of absolute monarchy. The proportionality between terrestrial and eschatological time, organic to the play's Golden Age precursor, 1 is strangely neutralized in Zorrilla's work through an expanding temporality without equivalent in the afterlife; and the same is true of the king's dramatic role through his removal from the scene, which he regulates nonetheless as deus ex machina of the social edifice.A nineteenth-century reader, Francesc Pi i Margall, remarked that "Zorrilla hace a Don Juan escéptico o creyente según lo van exigiendo las peripecias de su drama, y merced a esa indeterminación del carácter, le pone repetidamente en contradicción consigo mismo" (Zorrilla makes Don Juan a skeptic or a believer depending on the drama's events, and by virtue of this indeterminacy, he brings his character repeatedly into contradiction with himself) [204]. This indeterminacy affects not only the libertine's relation to religion but also the doctrinal coherence of the play, which has been the object of debate [see Mazzeo; Abrams; Wang; Romero]. Others, curiously, detect a contradiction between the play's sound theological conception and the author, who "quizá no sabe apenas nada de teología" (perhaps knows next to nothing about theology) [Alberich 16]. Yet not only Don Juan's piety but also his seductions appear self-annulling. For Luis Fernández Cifuentes, Zorrilla's most original and thus most revealing decision is "presentar el acto de seducción engañosa en el momento mismo en que deja de serlo: la carta con que comienza el drama participa de una tradición que también cancela. En el curso de la obra, es y no es un instrumento de seducción; sin cambiar de palabras, es a la vez falsa y verdadera... " (to present the act of deceitful seduction at the very moment in which it stops being deceitful: the letter with which the play starts participates in a tradition which it also cancels. Throughout the play the letter is and is not a tool of seduction; its words are at once true and false...) [83]. In the same line of structural contradictions must be included the play's temporality, which runs counter to the causal logic of the action. As Gustavo Pérez Firmat points out: "In Juan's verses normal temporal and causal sequence collapses, for future events are always catching up and outstripping the present, as if time were circular and past, present, and future travelled the circle at different speeds" [7]. Even the play's representativeness as a privileged [End Page 49] instance of Spanish romanticism has been flatly denied in light of its inconsistencies with the patterns of that movement [Gies, "José Zorrilla"]. 2 But perhaps the most telling contradiction is the one between the play's undiminished popularity for almost a century and its author's sedulous efforts to undermine its prestige. 3Author's second thoughts? A repentant artist in ascetic revulsion against mundane acclaim? It seems reasonable to assume a link between the play's popularity and the contradictions to which it gives expression. Thus, taking at face value the tired notion that Don Juan presents a fundamentally Spanish profile, 4 I will inquire whether the play's manifest contradictions are culturally efficient. 5 To this end, I will need to consider a possible incongruity between nineteenth-century forms of consciousness and the objective historical conditions. Joaquín Casalduero already pointed out a discrepancy between historical changes and... (shrink)

In recent years, the most widespread doctrine about the conflicts between fundamental (usually constitutional) legal rights could be summarized in the following three main theses: (1) The elements in conflict are legal principles, as opposed to legal rules; (2) Those conflicts are not consequences of the existence of inconsistencies or antinomies between the norms involved, but rather depend on the empirical circumstances of the case. In other words, the norms are logically consistent and the conflicts are not determinable a priori (...) or in abstracto , but only in concreto ; and (3) The classical criteria for solving conflicts between norms, such as lex superior , lex posterior and lex specialis , are not suitable to solve conflicts among fundamental legal rights. Indeed, they require a specific method known as ‘weighing and balancing’. Although all three theses could be (and indeed have been) regarded as problematic, in this paper I address mainly the second one. I try to show that there is room for a tertium genus between antinomies (deontic inconsistencies) and conflicts caused by strict empirical circumstances that I call ‘contextual antinomies’. There are situations in which the norms involved are not inconsistent but the conflict arises for logical reasons. My thesis is that many conflicts between fundamental legal rights fall in this category. I offer, in an appendix, a proposal of formalization of this kind of conflict and the elements involved in it. (shrink)

Este artículo se propone examinar el posicionamiento de Émilie Du Châtelet (1706-1749) respecto del tema de la defensa de la educación de las mujeres. Nos concentraremos en dos de sus obras: su adaptación al francés de La fábula de las abejas de Bernard Mandeville y su Discurso sobre la felicidad. Estudiaremos cómo Du Châtelet dialoga con distintos referentes de este debate, como François Fénelon, el abad de Saint-Pierre y Anna Maria van Schurman. Nuestro fin es demostrar la radicalidad de la (...) posición de Du Châtelet, en oposición a aquellas interpretaciones que tienden a desacreditar o a subestimar el compromiso de esta pensadora con la causa de la defensa de la educación de las mujeres. (shrink)

In some small-scale societies, a sexual division of labor is common. For subadult hunter-gatherers, the onset of this division dates to middle childhood and the start of puberty; however, there is apparently no physiological explanation for this timing. The present study uses an experimental approach to evaluate possible energetic differences by sex in gathering-related activities. The energetic cost of gathering-related activities was measured in a sample of 42 subjects of both sexes aged between 8 and 14 years. Body mass and (...) other anthropometric variables were also recorded. Our results show that the energetic differences in the simulated gathering activities depend only on body mass. Both sexes expend a similar amount of energy during locomotion activities related to gathering. Discarding the energetic factor, the sexual division of tasks may be explained as an adaptation to acquire the skills needed to undertake the complex activities required during adulthood as early as possible. Carrying out gathering activities during childhood and adolescence could be favored by the growth and development cycles of Homo sapiens. Moreover, if most of the energetic costs of gathering activities depend on body mass, the delayed growth in humans relative to other primates allows subadults to practice these tasks for longer periods, and to become better at performing them. In fact, this strategy could enable them to acquire adults’ complex skills at a low energetic cost that can be easily subsidized by other members of the group. (shrink)

Ce texte a déjà paru dans Telondefondo. Revista de Teoria y Critica Teatral, n° 9, julio, 2009. Nous remercions Claudia Barretta, Leticia Miramontes et Aníbal Zorrilla de nous avoir autorisé à le reproduire sur RHUTHMOS.: When we study the phenomenon of rhythm and the way it appears in the art of dancing, we observe similarities and parallelisms with different artistic disciplines. We find it is possible to establish an ensemble of concepts fitting for rhythm that also applies to - (...) Danse, théâtre et spectacle vivant – GALERIE – Nouvel article. (shrink)

Extractos del libro BARRETTA, C., MIRAMONTES, L., & ZORRILLA, A.. Ritmando Danzas. Buenos Aires : Autores de Argentina. Definiciones del concepto de ritmo : Platón, Benveniste, ritmo fisiológico, otras. “Quid est ergo tempus? Si nemo ex me quærat, scio ; si quærenti explicare uelim, nescio.” San Agustín de Hipona. Cfr. Confesiones. Xl, 14, 17. Un sentimiento - Danse, théâtre et spectacle vivant – GALERIE – Nouvel article.

Parts of the book by BARRETTA, C., MIRAMONTES, L., & ZORRILLA, A.. Ritmando Danzas. Buenos Aires : Autores de Argentina. Translation by Gustavo Long, terminological and stylistic revisión by Mariana Migliore. Definitions of the concept of rhythm. Plato, Benveniste, physiological rhythm, and others. “Quid est ergo tempus? Si nemo ex me quærat, scio ; si quærenti explicare uelim, nescio - Danse, théâtre et spectacle vivant – GALERIE – Nouvel article.

Este artículo tiene el objetivo de delimitar el componente epistemológico en la indagación reflexiva de las teorías procedimentales de la justicia, específicamente, describiendo el modo en el que se exacerban en un modus operandi que se denomina como cartesianismo político, es decir, como la búsqueda cognitiva de ideas claras y distintas que normativizan la administración de la vida; posteriormente, se propondrá, en antagonismo al cartesianismo político, la posibilidad de regular la indagación en torno a los procedimientos para lograr una estructura (...) básica de justicia social a partir del principio de interlocución lógica, como garantía del primer principio de una teoría procedimental de la justicia: la imparcialidad. En esta dirección, se expondrá el carácter cultural y epistémico de la imparcialidad, tratando de relaborar un marco de comprensión que, en vez de prescindir de las mentalidades culturales, las incluya como elemento dinamizador de la interacción en los procedimientos de elección de estructuras básicas de justicia. (shrink)

Ce texte a déjà paru dans Telondefondo. Revista de Teoria y Critica Teatral, n° 9, julio, 2009. Nous remercions Aníbal Zorrilla de nous avoir autorisé à le reproduire sur RHUTHMOS.: The artistic works that cross different languages present a particular phenomenon because of the folds, ambiguities and juxtapositions they offer. The analysis of their rhythmic aspects and the mechanism used by rhythm to bring meaning in this kind of works, requires a new notional frame ; it is necessary - (...) Danse, théâtre et spectacle vivant – GALERIE – Nouvel article. (shrink)

Ocherk 1. Voprosy ontologii -- Ocherk 2. Voprosy ėtiki i ėstetiki -- Ocherk 3. Voprosy gnoseologii i aksiologii.

Whether it be in universities’ curricula or in traditional accounts of the history of philosophy, early modern women philosophers have frequently been treated as secondary, inconsequential characters. Although many valuable efforts are being made to counter this state of affairs, a generalized tendency to focus on well-known male philosophers and to establish them as representative figures of the early modern period still seems to exist. But does this strategy produce an accurate historical account of early modern philosophy? This essay explores (...) diverse causes of the exclusion of early modern women philosophers from the canon, reflecting on the historical and political aspects of this phenomenon. This piece also intends to highlight the importance of the innovative projects that have been recently created in the field of the digital humanities, which aim to mitigate and to counter said exclusion. (shrink)

Este artículo se propone examinar la caracterización ficcional de la mujer filósofa durante el siglo XVIII, concentrándose en la novela Histoire de Juliette, ou les prospérités du vice de Donatien Alphonse François de Sade. Sostendremos como hipótesis que las heroínas filósofas de Histoire de Juliette se habrían construido a base de la exaltación de la figura de la hetaira de la Grecia Clásica. Analizaremos dos referencias a las hetairai que aparecen en la obra: la caracterización de Clairwil, una de las (...) tutoras libertinas de Juliette, y la participación de Aspasia, Phryné y Lais como parte del séquito de libertinas de la protagonista de la novela. (shrink)

In the Spanish-Indian controversies, special attention was given to the subject of the education of the Indians, understood in a first approach as the necessary procedure to enable them to overcome their barbarianism, that is, to better adapt themselves to the natural law. This generated a philosophy of education which, in spite of being directly inspired by the circumstances of the Indians, nonetheless had permanent value by virtue of its anthropological soundness and its classical approach. This article deals with the (...) notions of barbarianism, education, natural law, and their interplay in the educational works of Bartolomé de las Casas and José de Acosta. (shrink)

Este artículo tiene como objetivo estudiar el proceso de articulación del “estratonismo”, constructo histórico-filosófico creado en torno a la figura de Estratón de Lámpsaco, en la Ilustración francesa. Argumentaremos que el materialismo ateo ilustrado incorpora elementos estratonistas, centralmente la idea de la naturaleza como potencia productiva ciega. Nos abocaremos a reconstruir tal proceso de articulación, concentrándonos en la obra de autores de posiciones diversas como Cudworth, Bayle y d’Holbach. Examinaremos a continuación la reapropiación crítica del estratonismo que realiza Braschi, uno (...) de los personajes filósofos de la obra Histoire de Juliette de Sade, en su metafísica materialista atea. (shrink)

Resumen: La concepción dominante en ámbitos artísticos y académicos del ritmo está atravesada por una definición que prioriza aspectos numéricos como la repetición, la duración y la división proporcional del tiempo y los acontecimientos, la sobrevaloración de los aspectos métricos en relación a otros componentes del fenómeno rítmico, además de una obsoleta teorización mono-disciplinar por la cual se lo piensa como si fuera un fenómeno cuyas características no son comparables en sus manifestaciones en - Danse, théâtre et spectacle vivant – (...) GALERIE – Nouvel article. (shrink)

Ponencia inédita presentada en el II Congreso Internacional de Teatro, Buenos Aires 12 al 15 de octubre 2011. Instituto de Investigación en Teatro Departamento de Artes Dramáticas, Universidad Nacional de las Artes. Ritmo y lenguaje Muchos autores estudian el ritmo en el lenguaje en general, y especialmente en textos literarios. La mayor parte de ellos, especialmente quienes tratan sobre la poesía, discrimina particularmente el aspecto métrico por un lado, en el cual el número de sílabas y la - Poétique et (...) Études littéraires – GALERIE – Nouvel article. (shrink)

El objetivo de este artículo es estudiar la articulación del fatalisme del Barónd’Holbach en su Système de la nature. D’Holbach parece inscribirse en latradición del atomismo epicúreo, afirmando que nada existe por fuera dela Naturaleza. Sin embargo, nos proponemos mostrar que el Barón buscadiferenciarse de Epicuro y Lucrecio, exponiendo cómo la noción de hasard,criticada y rechazada por d’Holbach, se vincula al concepto de parénklisiso clinamen epicúreo-lucreciano. Así, se ofrece además una elucidación dela utilidad y el alcance de dicho concepto, el (...) cual adquiere relevancia nosólo en cuestiones físicas o cosmológicas sino principalmente en asuntosético-morales. Finalmente, procuramos examinar cómo d’Holbach respondea las inquietudes morales que no les permitirían a Epicuro y a Lucreciopronunciarse a favor de una filosofía de la necesidad. (shrink)

Este artículo aborda el concepto de «isolisme» en dos obras de Donatien Alphonse François de Sade, La nouvelle Justine y L’Histoire de Juliette, estudiando los distintos sentidos que este término adopta y las argumentaciones que los distintos personajes filósofos y filósofas despliegan a propósito de él, favorable o críticamente. Nuestra propuesta consiste en realizar este análisis reparando en el insoslayable diálogo que plantea Sade con la tradición de pensamiento contractualista, mostrando cómo se interpretan, se discuten y se representan conceptual y (...) literariamente nociones claves de esta tradición en los dos textos elegidos. (shrink)

Este artículo tiene como objetivo examinar la problemática del surgimiento del culto a los dioses en la Lettre de Thrasybule à Leucippe, manuscrito clandestino atribuido a Nicolás Fréret. Analizamos los distintos estratos del ateísmo que expresa allí Trasíbulo, el ficticio autor de la carta. Reconstruimos y examinamos el proceso mediante el cual, según Trasíbulo, la humanidad originaria habría creado las deidades e instituido rituales de adoración de estas. Nos proponemos mostrar que si bien tal proceso comporta cierto pesimismo acerca del (...) progreso de la secularización, también presupone que la superstición no es necesariamente un destino inexorable de la humanidad. (shrink)

Este es un resumen del libro de Pascal Michon, Los Ritmos de lo Político. Democracia y capitalismo mundializado. El libro original en francés se puede descargar de este enlace y comprar aquí. No es un resumen académico, por lo cual no tiene citas textuales, ni tiene un lenguaje técnico preciso. La idea de este resumen es expresar las ideas que cada parte del libro desarrolla. El Equipo de Investigación sobre el Ritmo en el Arte, EIRA, se constituyó en el año (...) 2007 y estuvo dirigido por la Dra. - Pour une éthique et une politique du rythme – Nouvel article. (shrink)

Este texto fué presentado en el 2° Congreso Internacional de Artes, Revueltas del Arte. Universidad Nacional de las Artes, UNA – Buenos Aires – 4-6 de octubre de 2017.. La experiencia rítmica es central en la fruición de la obra de arte. Los comentarios sobre las características del ritmo son comunes en relación con obras musicales y coreográficas, pero también teatrales, audiovisuales y literarias, entre otras. Sin embargo no es fácil saber de qué se habla cuando se habla de ritmo. (...) - Danse, théâtre et spectacle vivant – GALERIE – Nouvel article. (shrink)

Datos completos del libro reseñado:Bartolomé de Medina. El tratado “De dominio” en la Escuela de Salamanca, vol. III: Bartolomé de Medina, De dominio/Sobre el dominio, ed. Augusto Sarmiento, Colección de Pensamiento Medieval y Renacentista n. 173, Pamplona, Eunsa, 2017, 251 pp., ISBN: 9788431331795.

Prologue, invitation to thinking about God In the Hebrew Bible? -- Part I, questions about God? -- Why does God in the Bible have a body? -- What do God's body parts in the Bible mean? -- Why is God angry in the Bible? -- Does God in the Bible have gender or sexuality? -- Part II, questions about God in the world? -- What can creation tell us about God? -- Who-or what-is the Satan? -- Why do people suffer (...) according to the Hebrew Bible? -- Epilogue, God in the Bible and beyond. (shrink)

Many books explain what is known about the universe. This book investigates what cannot be known. Rather than exploring the amazing facts that science, mathematics, and reason have revealed to us, this work studies what science, mathematics, and reason tell us cannot be revealed. In The Outer Limits of Reason, Noson Yanofsky considers what cannot be predicted, described, or known, and what will never be understood. He discusses the limitations of computers, physics, logic, and our own thought processes. Yanofsky describes (...) simple tasks that would take computers trillions of centuries to complete and other problems that computers can never solve; perfectly formed English sentences that make no sense; different levels of infinity; the bizarre world of the quantum; the relevance of relativity theory; the causes of chaos theory; math problems that cannot be solved by normal means; and statements that are true but cannot be proven. He explains the limitations of our intuitions about the world -- our ideas about space, time, and motion, and the complex relationship between the knower and the known. Moving from the concrete to the abstract, from problems of everyday language to straightforward philosophical questions to the formalities of physics and mathematics, Yanofsky demonstrates a myriad of unsolvable problems and paradoxes. Exploring the various limitations of our knowledge, he shows that many of these limitations have a similar pattern and that by investigating these patterns, we can better understand the structure and limitations of reason itself. Yanofsky even attempts to look beyond the borders of reason to see what, if anything, is out there. (shrink)