Excerpt from The Samkhya Karikas of Is'vara Krishna: With the Commentary of Gaudapada; Abstract of Thesis In a concise and comprehensive way, these sixty-nine me morial verses, each in turn, explain the several doctrines of the earlier and pure Samkhya school, as yet untouched by Vedantic colorings, and in their brevity and terseness they resemble, in every particular, except their metrical structure, the sutras of the remaining five orthodox systems of Hindu philosophy. About the Publisher Forgotten Books publishes hundreds (...) of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

Rational epistemics is the line of reasoning inclined to reason separated from reliance on experience that ultimately leads to monism or non-dualism.

Gaudapada is usually supposed to have lived about 500 A.D. His Karika or Agamasastra, a short work of 215 verses, combines the conciseness of a sutra with the clarity of a commentary, thus avoiding both the unintelligibility characteristic of the Hindu sutras and the interminability characteristic of the commentaries. In the first of the four chapters, which is a commentary on, and usually considered part of, the Mandukya Upanishad, the appearance of the Self in the "three states" of (...) waking and dreaming and sleeping is contrasted with its true being in the "fourth state" beyond duality, various theories of creation are rejected, and the meaning of the mystic syllable Aum is explained. In the second chapter subjectivism is defended, with its consequence that the objects of waking experience, which constitute the world, are no more real than fairyland or the objects of dreams; really there is no creation and no destruction of things, no bondage and no liberation of the Self. In the third chapter the apparent plurality of selves is compared with the apparent plurality of spaces defined by various containers; just as there is only one real Space, so there is only one real Self; the "highest truth" is that "nothing is born." In the final chapter consciousness is compared to a firebrand, which seems to produce various figures when whirled around, though it does not really produce anything; so consciousness seems to produce various objects when agitated, but when calm it is just the Self. (shrink)

The philosophy of Gauḍapāda, although found in a small treatise, has remained obscure, as both the classical and contemporary approaches to reading this philosopher have overlooked his highly original contributions. This essay explores the scope of imagination in Gauḍapāda?s philosophy, with a focus on terms such as kalpanā and ābhāsa. This reading of Gauḍapāda?s philosophy tallies with some of the findings in contemporary consciousness studies.

The present paper provides a critical edition of basic verses of Madhyamakāvatāra chapter 6. The verses are extracted from the Sanskrit manuscript of the Madhyamakāvatārabhāṣya preserved at Potala Palace. The Madhyamakāvatāra is one of Candrakīrti’s major works and clearly establishes his own doctrinal position. Chapter 6 contains most important doctrinal discussions of the work.

Study with text and translation of Sāṅkhyāsūtra of Kapila, work on Sankhya philosophy.

Study on Pratyabhijñakārikā, a basic text of the Kashmir Saivites by Utpala, fl. 900-950, Saivite saint.

The legendary Greek figure Orpheus was said to have possessed magical powers capable of moving all living and inanimate things through the sound of his lyre and voice. Over time, the Orphic theme has come to indicate the power of music to unsettle, subvert, and ultimately bring down oppressive realities in order to liberate the soul and expand human life without limits. The liberating effect of music has been a particularly important theme in twentieth-century African American literature. The nine original (...) essays in Black Orpheus examines the Orphic theme in the fiction of such African American writers as Jean Toomer, Langston Hughes, Claude McKay, James Baldwin, Nathaniel Mackey, Sherley Anne Williams, Ann Petry, Ntozake Shange, Alice Walker, Gayl Jones, and Toni Morrison. The authors discussed in this volume depict music as a mystical, shamanistic, and spiritual power that can miraculously transform the realities of the soul and of the world. Here, the musician uses his or her music as a weapon to shield and protect his or her spirituality. Written by scholars of English, music, women's studies, American studies, cultural theory, and black and Africana studies, the essays in this interdisciplinary collection ultimately explore the thematic, linguistic structural presence of music in twentieth-century African American fiction. (shrink)

In this article, I suggest that moksha (liberation or enlightenment) in Advaita Vedanta is best understood psychologically. A psychological understanding is not only consistent with the Advaita Vedanta articulated by Shankara and Gaudapada, but avoids what will be called the problem of jivan mukti. This article will consist of three main parts. First, I will briefly discuss the metaphysics and ontology of Advaita Vedanta. Next, I will present the problem of jivan mukti, and the Advaitin response to the problem. (...) The problem of jivan mukti will lead to the third portion of the article, which is a presentation of what moksha is. At no point in the article will I be arguing the truth of the Advaitin position. Instead, I will be meeting Advaita on its own terms in order to come to some understanding of moksha. (shrink)

(2014). The Rāga Bhāva in the Sāṁkhya Kārikā: Rectifying an Age-Old Mistake. Asian Philosophy: Vol. 24, No. 2, pp. 133-146. doi: 10.1080/09552367.2014.917831.

The Sāṃkhya Kārikā’s “mahat-buddhi” appears to be riddled with obscurity. Standard realist interpreters struggle to explain its cumbersome, textually unsupported bivalence, namely, how the mahat-buddhi can represent both a cosmological entity and a psychological capacity. Idealist readings, meanwhile, neglect the historically deep ontological meaning of this tattva by reducing it to a power of the transcendental ego. This paper moves beyond the impasse of the realism-idealism framework for interpreting the Sāṃkhya Kārikā and examines the mahat-buddhi through the existential phenomenology of (...) José Ortega y Gasset. It begins by re-framing classical Sāṃkhya metaphysics as an existential phenomenology of life, whereby life—as lived reality, not an external physical world or a field of mental experience—conveys the meaning of vyaktaprakṛti. From this, the paper then argues that the mahat-buddhi represents “the great awakening of life,” which is characterized by 5 key features: (1) purposive procreativity; (2) a power of illuminating discernment; (3) a principle of disclosure; (4) an existentially unitary, concentrated vitality; and (5) a capacity to take other-beings-as. (shrink)

The recent discovery of a fragmentary manuscript of Utpaladeva’s long commentary (Vivṛti or Ṭīkā) on his own Īśvarapratyabhijñā-kārikā (ĪPK) and Vṛtti enables us to assess the role of this work as the real centre of gravity of the Pratyabhijñā philosophy as a whole, though the later Śaiva tradition chose instead Abhinavagupta’s Vimarśinī as the standard text. This brilliant, and more compact and accessible, text was copied and copied again during the centuries and became popular in south India too, where a (...) number of manuscripts in the principal southern scripts are still available. The success of a particular commentary is very often the indirect cause of the decline of the others, which are less and less read and, consequently, copied, until their complete or almost complete loss. Of the lengthy and difficult Vivṛti by Utpaladeva—corresponding to the extent of 8,000 ślokas (hence the traditional denomination of Aṣṭasāhasrī)—the fragmentary śāradā manuscript that has come to light covers only the section ĪPK I.3.6 through I.5.3. Although the portion of the recovered text is comparatively short (33 folios), it proves to be particularly important in the economy of Pratyabhijñā philosophy due to the crucial points being dealt with there at great length, always in a hard-fought debate with the logical-epistemological school of Buddhism. (shrink)

This book provides an in-depth analysis of the doctrines of early Advaita Vedanta and Indian Mahayana Buddhism in order to examine the origins of Vedanta.

Sunyatasaptativrtti. Candrakirtis Kommentar zu den 'Siebzig Versen über die Leehrheit' des Nagarjuna [Karikas 1-14]. Einleitung, Übersetzung, textkritische Ausgabe des Tibetischen und Indizes. Felix Erb., Franz Steiner Verlag, Stuttgart 1997. xxiv, 302 pp. DM 96. ISBN 3-515-07020-6.