In 1984, Edward O. Wilson proposed the idea that natural selection has resulted in an adaptive love of life-forms and life—like processes ('biophilia') in humans. To date, the idea of biophilia has been viewed as an ultimate explanation of many conservation attitudes in humans. In this paper, we contend that environmental ethics has little to gain from the biophilia hypothesis. First, the notion is open to various and even conflicting interpretations. Second, the empirical findings that do seem to corroborate a (...) more well—defined version of the biophilia hypothesis can often be accounted for by alternative hypotheses. Third, the evolutionary reasoning behind the biophilia hypothesis tends to be unclear, and sometimes even inaccurate. (shrink)

In 1984, Edward O. Wilson proposed the idea that natural selection has resulted in an adaptive love of life-forms and life-like processes ('biophilia') in humans. To date, the idea of biophilia has been viewed as an ultimate explanation of many conservation attitudes in humans. In this paper, we contend that environmental ethics has little to gain from the biophilia hypothesis. First, the notion is open to various and even conflicting interpretations. Second, the empirical findings that do seem to corroborate a (...) more well-defined version of the biophilia hypothesis can often be accounted for by alternative hypotheses. Third, the evolutionary reasoning behind the biophilia hypothesis tends to be unclear, and sometimes even inaccurate. (shrink)

This article attempts to answer a question that many dancers and non-dancers may have. What is dance according to the media? Furthermore, how does the written word portray dance in the media? To answer these ques-tions, this research focuses on the role that the discourse of dance in media plays in the public sphere’s knowledge construction of dance. This is impor-tant to study because the public sphere’s meaning of dance will determine whether dance education is promoted or banned in schools (...) and in society. The aim of this paper is to contribute to the existing literature of dance in the media. One limitation of this contribution is that the research uses only newspaper articles as a source of analysis. Future research should include an analysis of visual and audio clips of dance as portrayed in the media. (shrink)

Architecture has a marked influence on ethical perception. Ethical perception, in turn, has a pronounced influence on what we are morally responsible for, our decisions, choices, intentional omissions, and overt actions, for instance. It thus stands to reason that architecture bears saliently on moral responsibility. If we now introduce a widely accepted premise that one of the fundamental aims of education is to see that our children turn into morally responsible agents, we can further infer that architecture has an influence (...) on educating for moral responsibility. Our primary aims in this paper are, first, to uncover associations between architecture and ethical perception, on the one hand, and moral.. (shrink)

This chapter contains sections titled: The Cannibal Culpable Cannibalism? Winning the Right Way In Control Even after a Blowout Last Pedal Strokes … Notes.

In 1984 the renowned biologist Edward O. Wilson wrote that we are human in good part because of the particular way we affiliate with other organisms. They are the matrix in which the human mind originated and is permanently rooted, and they offer the challenge and freedom innately sought. To the extent that each person can feel like a naturalist, the old excitement of the untrammeled world will be regained. I offer this as a formula of reenchantment to invigorate poetry (...) and myth: mysterious and little known organisms live within walking distance of where you sit. Splendor awaits in minute proportions.1 This poetical quote nicely captures the essence of Wilson’s biophilia hypothesis. While the notion .. (shrink)