Results for 'Marshall McLuhan'

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  1. Marshall McLuhan in a New Light. Old and New Methods of Influencing Emotions in Communities of the Electronic Age.Martina Sauer - 2023 - In Grabbe Lars, Andrew McLuhan & Tobias Held (eds.), Beyond Media Literacy. Germany, Marburg: Büchner Verlag. pp. 14—32.
    How is it possible that emotions in the community can be influenced by media? According to the paper’s concept, this is only understandable if we accept with Marshall McLuhan that media and the human body are not separable. There is no divide. The medium is the message expressed through the body/human being. This has preconditions, because the connection must be based on an analog principle that serves as the transmitter. This lies in non-discursive affectively relevant forms and an (...)
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  2.  29
    Joyce, Aquinas, and the Poetic Process.Herbert Marshall McLuhan - 1951 - Renascence 4 (1):3-11.
  3.  49
    James Joyce.Marshall McLuhan - 1953 - Thought: Fordham University Quarterly 28 (1):75-98.
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    James Joyce.Marshall McLuhan - 1953 - Thought: Fordham University Quarterly 28 (1):75-98.
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  5.  48
    Mr. Eliot's Historical Decorum.Herbert Marshall McLuhan - 1949 - Renascence 2 (1):9-15.
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    Mr. Eliot's Historical Decorum.Herbert Marshall McLuhan - 1973 - Renascence 25 (4):183-189.
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  7.  51
    The Origins of Chesterton's Medievalism.Marshall McLuhan - 1975 - The Chesterton Review 1 (2):49-50.
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  8.  59
    Formal Causality in Chesterton.Marshall McLuhan - 1976 - The Chesterton Review 2 (2):253-259.
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  9.  22
    Joyce, Aquinas, and the Poetic Process.Herbert Marshall McLuhan - 1951 - Renascence 4 (1):3-11.
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  10.  31
    Eliot and the Manichean Myth As Poetry.H. Marshall McLuhan - 2011 - Renascence 64 (1):125-134.
  11.  14
    Nihilism Exposed. [REVIEW]H. Marshall McLuhan - 2011 - Renascence 64 (1):104-107.
  12.  17
    Marshall McLuhan & Vilém Flusser: the new model artists.Kalina Kukielko & Barbara Rauch - 2008 - Flusser Studies 6 (1):1.
    Marshall McLuhan and Vilém Flusser were primarily media communication theorists and new media philosophers. Both thinkers were deeply concerned with electronic and digital technologies and the impact of technology on human society. Likewise, both thinkers were critical and probably cynical about these developments, however, they believed in the notion that one has to fully understand technology to be able to use and discuss positive models of these new technologies for a better future. Independently, McLuhan and Flusser became (...)
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  13.  63
    “Joyce, Aquinas, and the Poetic Process”. [REVIEW]H. Marshall McLuhan - 2011 - Renascence 64 (1):117-118.
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  14.  20
    Joyce as Critic. [REVIEW]H. Marshall McLuhan - 2011 - Renascence 64 (1):117-118.
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  15.  2
    Joyce as Critic. [REVIEW]H. Marshall McLuhan - 2011 - Renascence 64 (1):117-118.
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  16.  46
    Compliment Accepted. [REVIEW]H. Marshall McLuhan - 2011 - Renascence 64 (1):109-111.
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    Nihilism Exposed. [REVIEW]H. Marshall McLuhan - 2011 - Renascence 64 (1):104-107.
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  18.  31
    Nihilism Exposed. [REVIEW]H. Marshall McLuhan - 2011 - Renascence 64 (1):104-107.
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  19. Nihilism Exposed. [REVIEW]H. Marshall McLuhan - 2011 - Renascence 64 (1):104-107.
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  20.  29
    “One Wheel, All Square”. [REVIEW]H. Marshall McLuhan - 2011 - Renascence 64 (1):112-117.
  21.  37
    “Producers and Consumers”. [REVIEW]H. Marshall McLuhan - 2011 - Renascence 64 (1):99-104.
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  22.  22
    Poetry and Opinion. By Archibald MacLeish. [REVIEW]Herbert Marshall McLuhan - 1951 - Renascence 3 (2):200-202.
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  23.  22
    Joyce as Critic. [REVIEW]H. Marshall McLuhan - 2011 - Renascence 64 (1):117-118.
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  24.  2
    Nihilism Exposed. [REVIEW]H. Marshall McLuhan - 2011 - Renascence 64 (1):104-107.
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  25.  45
    The Poetry of Ezra Pound. By Hugh Kenner. [REVIEW]H. Marshall McLuhan - 1952 - Renascence 4 (2):215-217.
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  26.  23
    Collected Poems. By Roy Campbell. [REVIEW]Herbert Marshall McLuhan - 1950 - Renascence 3 (1):101-103.
  27.  46
    Word Index to James Joyce's Ulysses. By Miles L. Hanley. [REVIEW]H. Marshall McLuhan - 1952 - Renascence 4 (2):186-187.
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  28.  23
    Auden: An Introductory Essay. By Richard Hoggart. [REVIEW]H. Marshall McLuhan - 1952 - Renascence 4 (2):220-221.
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  29.  6
    Another Eliot Party. [REVIEW]H. Marshall Mcluhan - 1960 - Renascence 12 (3):156-157.
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  30.  53
    A Reading of George Herbert. [REVIEW]Marshall McLuhan - 1953 - Thought: Fordham University Quarterly 28 (3):456-458.
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  31.  22
    “Around the World, Around the Clock”. [REVIEW]H. Marshall McLuhan - 2011 - Renascence 64 (1):119-120.
  32.  82
    Compliment Accepted. [REVIEW]H. Marshall McLuhan - 2011 - Renascence 64 (1):109-111.
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  33.  13
    Collected Poems. By Roy Campbell. [REVIEW]Herbert Marshall McLuhan - 1950 - Renascence 3 (1):101-103.
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  34.  30
    D. H. Lawrence and Human Existence. By Father William Tiverton. [REVIEW]Herbert Marshall McLuhan - 1951 - Renascence 4 (1):108-109.
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  35.  34
    “Flirting with Shadows”. [REVIEW]H. Marshall McLuhan - 2011 - Renascence 64 (1):99-104.
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  36.  13
    The Spiral Structure of Marshall McLuhan’s Thinking.Izabella Pruska Oldenhof & Robert Logan - 2017 - Philosophies 2 (2):9.
    We examine the spiral structure of the thinking and the work of Marshall McLuhan, which we believe will provide a new way of viewing McLuhan’s work. In particular, we believe that the way he reversed figure and ground, reversed content and medium, reversed cause and effect, and the relationship he established between the content of a new medium and the older media it obsolesced all contain a spiral structure going back and forth in time. Finally, the time (...)
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  37.  13
    Marshall mcluhan, un contemporáneo.Sebastián Matías Gastaldi - 2011 - Astrolabio: Nueva Época 7.
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  38.  33
    Marshall McLuhan on the Mobile Phone.Peter Benson - 2011 - Philosophy Now 87:26-29.
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  39.  29
    Marshall McLuhan: "A master of academic grandstanding" (Cause for Debate – 1).Richard Abel - 2001 - Logos. Anales Del Seminario de Metafísica [Universidad Complutense de Madrid, España] 12 (3):138-142.
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  40.  16
    Marshall McLuhan: "A master of academic grandstanding".Richard Abel - 2001 - Logos 12 (3):138-142.
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  41.  10
    Marshall McLuhan revisited.Richard Abel - 2001 - Logos. Anales Del Seminario de Metafísica [Universidad Complutense de Madrid, España] 12 (1):12-19.
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  42. Marshall McLuhan: Media Ecologist and Educator.Nadia Delicata - 2008 - Ultimate Reality and Meaning 31 (4):314-341.
     
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  43.  57
    Marshall McLuhan and the Divine Message.Raymond J. De Souza - 2013 - The Chesterton Review 39 (1/2):302-304.
  44. Marshall McLuhan: Media genius (Cause for Debate – 1).Rowland Lorimer - 2001 - Logos. Anales Del Seminario de Metafísica [Universidad Complutense de Madrid, España] 12 (2):78-85.
     
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  45.  20
    Remembering Marshall McLuhan.Tim Madigan - 2011 - Philosophy Now 87:29-30.
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    Marshall McLuhan: Media genius.Rowland Lorimer - 2001 - Logos 12 (2):78-85.
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  47.  24
    Marshall mcluhan at the mercy of his commentators.Robert Macmillan - 1992 - Philosophy of the Social Sciences 22 (4):475-491.
  48. Marshall McLuhan, Canadian schizo-Jansenist and pseudo-Joycean precursor of and preparer for the dissemination of French theory in North America.Donald Theall - 2001 - In Sylvère Lotringer & Sande Cohen (eds.), French theory in America. New York: Routledge. pp. 111--23.
  49.  23
    Looking for Marshall Mcluhan in Afghanistan: Iprobes and Hipstamatic Iphone Photographs by Rita Leistner.Rita Leistner - 2013 - Intellect.
    In this timely and highly original merging of theory and practice, conflict photographer and critical theorist Rita Leistner applies Marshall McLuhan's semiotic theories of language, media, and technology to iPhone photographs taken during a military embed in Afghanistan. In a series of what Leistner calls iProbes—a portmanteau of iPhone and probe—Leistner reveals the face of war through the extensions of man. As digital photography becomes more ubiquitous, and as the phones we carry with us become more advanced, the (...)
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  50.  4
    Looking for Marshall Mcluhan in Afghanistan: Iprobes and Iphone Photographs.Rita Leistner - 2013 - Intellect.
    In this timely and highly original merging of theory and practice, conflict photographer and critical theorist Rita Leistner applies Marshall McLuhan's semiotic theories of language, media, and technology to iPhone photographs taken during a military embed in Afghanistan. In a series of what Leistner calls iProbes—a portmanteau of iPhone and probe—Leistner reveals the face of war through the extensions of man. As digital photography becomes more ubiquitous, and as the phones we carry with us become more advanced, the (...)
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