Contiene tres trabajos sobre Arturo Ardao: sobre la noción de sujeto (Yamandú Acosta); sobre la interpretación de Andrés Bello (Arturo A. Roig); y sobre su libro Filosofía de lengua española (ver HLAS 36:5047). Mencionamos algunas de las otras contribuciones: el tema de la historia de la filosofía latinoamericana (Horacio Cerutti Guldberg); el batllismo (Manuel A. Claps); el tema de Calibán (Roberto Fernández Retamar); el pensamiento de Pedro Figari (Juan Fló); la universidad latinoamericana en el siglo XVIII (Gregorio Weinberg); (...) el pensamiento socialista en el Uruguay (Carlos Zubillaga). Es de lamentar que no se agregara al volumen una bibliografía de Ardao"--Handbook of Latin American Studies, v. 58. (shrink)

Schelling and music.- Music is a theme which enables us to have more direct access to the philosophy of Schelling. This is because in the Romantic period it is typical to find the conceptual framework provided by affirming a unity between reason and sensibility, while thought of the modern period tends to split these two. Here music is dealt with on the basis of a study of the meaning of art in the System of transcendental idealism, and of the question (...) of philosophy as a system of identity. (shrink)

Neuroscientists are able to detect physical changes in information entropy in the available neurodata. However, the information paradigm is inadequate to describe fully nervous dynamics and mental activities such as perception. This paper suggests explanations to neural dynamics that provide an alternative to thermodynamic and information accounts. We recall the Banach–Tarski paradox, which informally states that when pieces of a ball are moved and rotated without changing their shape, a synergy between two balls of the same volume is achieved instead (...) of the original one. We show how and why BTP might display this physical and biological synergy meaningfully, making it possible to model nervous activities. The anatomical and functional structure of the central nervous system’s nodes and edges makes it possible to perform a sequence of moves inside the connectome that doubles the amount of available cortical oscillations. In particular, a BTP-based mechanism permits scale-invariant nervous oscillations to amplify and propagate towards widely separated brain areas. Paraphrasing the BTP’s definition, we could state that: when a few components of a self-similar nervous oscillation are moved and rotated throughout the cortical connectome, two self-similar oscillations are achieved instead of the original one. Furthermore, based on topological structures, we illustrate how, counterintuitively, the amplification of scale-free oscillations does not require information transfer. (shrink)

La polarización, los populismos y la posverdad forman tres fenómenos sociopolíticos fundamentales para comprender cómo se está orientando la política en los sistemas demoliberales. La polarización política se suele entender como un proceso dinámico de activación de las divisiones entre dos o más grupos sociales en el transcurso de los debates públicos que puede terminar con una ruptura comunicativa o una comunicación fallida. Si bien los especialistas no coinciden a la hora de definir el populismo, se puede comprender como una (...) forma concreta de construir el pueblo mediante un discurso que contrapone este al anti-pueblo. La posverdad se referiría a una tendencia cultural donde las verdades de hecho sufren una merma en favor de las verdades vivenciadas subjetivamente. Estos fenómenos tienden a ser percibidos por una buena parte de la sociedad y del mundo académico como una amenaza grave para las bases pluralistas y reflexivas de la democracia. Sin embargo, esa consideración está decantada normativamente. Este artículo trata de explorar un marco referencial diferente, el emotivismo, y cómo, desde este ángulo, toman sentido los tres conceptos clave: polarización, populismo y posverdad. (shrink)

Physical and biological measurements might display range values extending towards infinite. The occurrence of infinity in equations, such as the black hole singularities, is a troublesome issue that causes many theories to break down when assessing extreme events. Different methods, such as re-normalization, have been proposed to avoid detrimental infinity. Here a novel technique is proposed, based on geometrical considerations and the Alexander Horned sphere, that permits to undermine infinity in physical and biophysical equations. In this unconventional approach, a continuous (...) monodimensional line becomes an assembly of countless bidimensional lines that superimpose in quantifiable knots and bifurcations. In other words, we may state that Achilles leaves the straight line and overtakes the turtle. (shrink)

Dogs display vast phenotypic diversity, including differences in height, skull shape, tail, etc. Yet, humans are almost always able to quickly recognize a dog, despite no single feature or group of features are critical to distinguish dogs from other objects/animals. In search of the mental activities leading human individuals to state “I see a dog”, we hypothesize that the brain might extract meaningful information from the environment using Ramsey sentences-like procedures. To turn the proposition “I see a dog” in a (...) Ramsey sentence, the term dog must be replaced by a long and complex assertion consisting only of observational terms, existential quantifiers and operational rules. The Ramsey sentence for “I see a dog” sounds: “There is at least an entity called dog which satisfies the following conditions: it is an animal, it has four legs, …, etc, …, and is something that I have in my sight”. We discuss the biological plausibility and the putative neural correlates of a Ramsey-like mechanism in the central nervous system. We accomplish a brain-inspired, theoretical neural architecture consisting of a parallel network that requires virtually no memory, is devoid of probabilistic choices and can analyze huge but finite amounts of unique visual details, combining them into a single conceptual output. In sum, Ramsey sentence stands for a versatile tool that can be used not just as a methodological device to cope with biophysical affairs, but also for a model to describe the real functioning of cognitive operations such as sensation and perception. (shrink)

El autor trabaja en este artículo una de las obras más citadas y controvertidas del Hegel de su periodo maduro cual es los Principios de la Filosofía del Derecho o Derecho Natural y Ciencia Política, comúnmente conocida como Filosofía del Derecho y desarrolla algunos temas que permanecen como cuestiones abiertas al debate o como aspectos objetables, tanto en su teoría del espíritu objetivo como en su interpretación.

This essay has two goals. The first is to define the behavioristic study of natural events and to classify behavior. The second is to stress the importance of the concept of purpose.Given any object, relatively abstracted from its surroundings for study, the behavioristic approach consists in the examination of the output of the object and of the relations of this output to the input. By output is meant any change produced in the surroundings by the object. By input, conversely, is (...) meant any event external to the object that modifies this object in any manner. (shrink)

El autor sigue a Ana Arendt para examinar el tema de la responsabilidad personal bajo dictadura. Ante el argumento de que no había opciones pues se era una ‘ruedecilla del engranaje’, afirma que el mal menor no deja de ser un mal, y que la verdadera pregunta moral no es ‘por qué obedeciste’ sino ‘por qué ayudaste’.

How might artificial neural networks (ANNs) inform cognitive science? Often cognitive scientists use ANNs but do not examine their internal structures. In this paper, we use ANNs to explore how cognition might represent musical properties. We train ANNs to classify musical chords, and we interpret network structure to determine what representations ANNs discover and use. We find connection weights between input units and hidden units can be described using Fourier phase spaces, a representation studied in musical set theory. We find (...) the total signal coming through these weighted connection weights is a measure of the similarity between two Fourier structures: the structure of the hidden unit's weights and the structure of the stimulus. This is surprising because neither of these Fourier structures is computed by the hidden unit. We then show how output units use such similarity measures to classify chords. However, we also find different types of units—units that use different activation functions—use this similarity measure very differently. This result, combined with other findings, indicates that while our networks are related to the Fourier analysis of musical sets, they do not perform Fourier analyses of the kind usually described in musical set theory. Our results show Fourier representations of music are not limited to musical set theory. Our results also suggest how cognitive psychologists might explore Fourier representations in musical cognition. Critically, such theoretical and empirical implications require researchers to understand how network structure converts stimuli into responses. (shrink)

Ontological approaches to the arts have neglected art forms such as dance. This hinders analysis of the metaphysical similarities and differences between different art forms. In this paper, I develop a metaphysical realist ontological approach to dance and sport that is grounded in embodiment. I first examine the debate between descriptivism and metaontological realism in the philosophy of arts in the context of Thomasson’s descriptive approach and Dodd’s metaontological approach of folk-theoretic modesty. Following Dodd, I adopt a realist metaontological approach (...) to dance as an art form, drawing on philosophical debates within dance. I then review metaphysical approaches to sport and argue that most such approaches are based on abstract, top-down models. I therefore propose an ontological account of sport and dance based on metaontological realism and grounded in embodied movement knowledge. Drawing on Schaffer’s concept of ground functionalism, I use this approach to compare the aesthetic and bodily aspects of sport and dance in terms of elite-level movement knowledge. I describe how the embodiment of such movement knowledge through practice permits dancers and athletes to create expert movements. Drawing on findings from neuroscientific research, I argue that dancers and athletes, through the process of physiological plasticity, acquire embodied memories that are transformed into new bodily and behavioral dispositions. I believe that the metaphysical realist ontological approach presented here could help to broaden the focus in arts ontology to encompass movement disciplines such as sport and dance. This account may also engender cross-disciplinary research and encourage philosophers to explore the role of movement in arts such as music. (shrink)

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This article proposes that the meditation on contemporary violence, in the Eduardo Nicol’s works, is part of a broad process of philosophical reflection of three decades, which questions the present and the future of humanity. Violence, for Nicol, is the display of a special rationality, born in Modernity, which he calls “force majeure reason” (razón de fuerza mayor) that is a change of life regime in the contemporary human being, sometimes to the basic need for survival, utility and a network (...) of forcedness that reduces possibilities and freedom. In this way, the article traces in Nicol´s work the conformation —from the notion, to the idea and the conceptual framework— of violence as a disposition, act and system. Political regulation, hate and intersubjective violence, hostility and war in a global world are the focus of this collaboration. Este artículo propone que la meditación sobre la violencia contemporánea, en la obra de Eduardo Nicol, está inscrita en un amplio proceso de reflexión filosófica de tres décadas, que interroga sobre el presente y el porvenir de la humanidad. La violencia, para Nicol, es el despliegue de una racionalidad peculiar —gestada en la Modernidad— por disolvente de la verdad, a la cual él llama “razón de fuerza mayor”. De este modo, el artículo rastrea en la obra de este filósofo la conformación —desde la noción, hasta la idea y marco conceptual— de la violencia en tanto disposición, acto y sistema. La regulación política, el odio y la violencia intersubjetiva, la hostilidad y la guerra en un mundo global son el foco de atención de este artículo. (shrink)

Con una belleza literaria incomparable, la Comedìa refleja la cosmovisión católica que vertebra la Cristiandad medieval, que tuvo su máximo exponente filosófico y teológico en santo Tomás. A lo largo de todo el itinerario poético, vemos la impronta del Aquinate presente en el meollo de la narración. Aquí analizaré cómo la cuestión teológica fundamental del gobierno divino del mundo permea la Comedìa, tanto en su estructura formal como en ciertos aspectos concretos del viaje de Dante. A partir de dicha premisa, (...) estudiaré las consecuencias que ello tiene en ese orden jurídico manifestado en la «arquitectura» del infierno, cuyo dintel es elocuente: «Giustizia mosse il mio alto fattore; / fecemi la divina podestate, / la somma sapienza e ‘l primo amore». Finalmente, abordaré la proporcionalidad de las penas que sufren los condenados, como indicador de la medida natural de los castigos dictados por justicia divina. (shrink)

Desde inicios del siglo xx la filosofía parecía haber despachado la legitimidad del realismo, llamando a la descripción del mundo dentro de los límites de nuestra subjetividad. El agotamiento y los problemas de esta premisa filosófica han sido finalmente enunciados y señalados por el realismo especulativo. En el presente artículo mostramos de qué manera tres de sus representantes más reconocidos, Meillassoux, Harman y Gabriel, llevan a cabo esta tarea. Pero para evitar una posición ingenua, este realismo se expresa de forma (...) especulativa, es decir, a partir de argumentos lógicos, matemáticos y abstractos que no carecen de problemas. Después de una breve exposición de sus filosofías, presentamos problemas centrales en ellas que se derivan de una falta de reflexión sobre los recursos lógicos y matemáticos que emplean explícita o implícitamente. Mostramos que la constante en todos ellos consiste tanto en un desconocimiento de las paradojas de autorreferencia que ponen en juego, como en la falta de una teoría de relaciones reales que explique las relaciones sujeto-objeto y objeto-objeto. Concluimos con una breve referencia a Fréredic Nef para mostrar qué puntos debería considerar una teoría general de relaciones. (shrink)

La percepción puede proponerse como uno de los factores centrales que propician el inicio de procesos semiósicos. La complejidad de esta primera fase cognitiva exige una perspectiva trans e interdisciplinar. Así, desde una postura biosemiótica, trataremos de proponer uno de los conceptos centrales de esta novel teoría, a saber, ‘biosemiosis’. Para ello, nos apoyaremos en ciertos experimentos emanados de las neurociencias. Esta vinculación, en la actualidad, ya no debe resultar extraña si comprendemos que, en nuestro caso, el ser humano es (...) una entidad compuesta por dos esferas fundamentales: la biológica y la cultural. Nos encontramos en un momento en el que el Universo puede entenderse como una enorme red interconectada. Así, la cooperación entre diferentes campos del conocimiento permitirá una mejor comprensión de dichas redes. (shrink)

The settler-colonial and republican principles of early U.S. politics tend to be studied as paradoxical ambitions of American nation-building. This article argues that early republican thought in the United States developed through what I call ‘ideological code-switching’, a vernacular practice that allowed popular actors to strategically vacillate between anti-colonial and neo-colonial discourses as complementary principles of revolutionary change. I illustrate these claims by tracing a genealogy of anti- and neo-colonial thought from the founding of the United States to its transnational (...) emergence in the U.S.-Mexico borderlands. I demonstrate that ideological code-switching first appeared as a rhetorical strategy among the Federalist debates, where Publius argued for the feasibility of expansionist republics via a hemispheric account of American exceptionalism. These appeals to hemispheric unity remained salient into the nineteenth century among groups like the ‘Republicans of ‘Nacogdoches’, a militia comprised of Indigenous, Mestizo, and White actors that mobilized an attack on Spain and founded the Republic of Texas in April of 1813. Drawing on archival research, I turn to the U.S.-Mexico borderlands as an example of the way marginalized groups instrumentalized links between anti- and neo-colonial politics to envision their position in the rapidly evolving landscapes of transnational revolution. (shrink)

En este trabajo pretendo establecer los términos en los que puede plantearse el problema filosófico de la identidad cultural, en el entorno de la dicotomía conceptual entre la pretensión de validez universal de los derechos humanos y la particularidad que especifica la realización de los esquemas culturales, especialmente en el contexto del fenómeno de migración. En efecto, la migración es una realidad que no sólo problematiza el marco conceptual del pensamiento político, económico y jurídico, sino también la comprensión de las (...) dinámicas culturales. A partir de ello, intento sostener que el análisis conceptual de la identidad cultural debe ampliar la comprensión de la migración en el discurso y pensamiento contemporáneo de los derechos humanos, para integrar la identidad cultural como un principio que no desvirtúa la aplicación de los mismos derechos humanos en el contexto de diversidad cultural en que se comprende la migración. (shrink)

Interest in the intersection between bilingualism and cognitive control and accessibility to neuroimaging methods have resulted in numerous studies with a variety of interpretations of the bilingual cognitive advantage. Neurocomputational Emergentism (or Neuroemergentism for short) is a new framework for understanding this relationship between bilingualism and cognitive control. This framework considers Emergence, in which two small elements are recombined in an interactive manner, yielding a non-linear effect. Added to this is the notion that Emergence can be captured in neural systems (...) using computationally inspired models. This review poses that bilingualism and cognitive control, as examined through the Neuroemergentist framework, are interwoven through development and involve the non-linear growth of cognitive processing encompassing brain areas that combine and recombine, in symbiotic and parasitic ways, in order to handle more complex types of processing. The models that have sought to explain the neural substrates of bilingual cognitive differences will be discussed with a reinterpretation of the entire bilingual cognitive advantage within a Neuroemergentist framework incorporating its neural bases. It will conclude by discussing how this new Neuroemergentist approach alters our view of the effects of language experience on cognitive control. Avenues to move beyond the simple notion of a bilingual advantage or lack thereof will be proposed. (shrink)

The intention and the result of a scientific inquiry is to obtain an understanding and a control of some part of the universe. This statement implies a dualistic attitude on the part of scientists. Indeed, science does and should proceed from this dualistic basis. But even though the scientist behaves dualistically, his dualism is operational and does not necessarily imply strict dualistic metaphysics.

The brain displays both the anatomical features of a vast amount of interconnected topological mappings as well as the functional features of a nonlinear, metastable system at the edge of chaos, equipped with a phase space where mental random walks tend towards lower energetic basins. Nevertheless, with the exception of some advanced neuro-anatomic descriptions and present-day connectomic research, very few studies have been addressing the topological path of a brain embedded or embodied in its external and internal environment. Herein, by (...) using new formal tools derived from algebraic topology, we provide an account of the metastable brain, based on the neuro-scientific model of Operational Architectonics of brain-mind functioning. We introduce a “topodynamic” description that shows how the relationships among the countless intertwined spatio-temporal levels of brain functioning can be assessed in terms of projections and mappings that take place on abstract structures, equipped with different dimensions, curvatures and energetic constraints. Such a topodynamical approach, apart from providing a biologically plausible model of brain function that can be operationalized, is also able to tackle the issue of a long-standing dichotomy: it throws indeed a bridge between the subjective, immediate datum of the naïve complex of sensations and mentations and the objective, quantitative, data extracted from experimental neuro-scientific procedures. Importantly, it opens the door to a series of new predictions and future directions of advancement for neuroscientific research. (shrink)

In two recent papers, I introduced the idea of embodied Rilkean movement knowledge and perception into the current philosophical debate on sports knowledge. In this paper, I offer a new analysis of how embodied movement knowledge and perception help us to identify and define movement consciousness. I develop a phenomenological account of embodied movement consciousness and show how it is closely linked to self-consciousness by generating anticipations and affordances that implicate pre-reflective self-awareness. I also expand Rowlands’ Rilkean memory notion to (...) include affective phenomenological properties that rely on the constitutive fault-lines between bodily material sensations and the ingrained recollections they are based on. From this perspective, embodied movement consciousness comprises empirical sensations that phenomenologically unfold as physical acts grounded in materiality. (shrink)

John Dewey es una de las figuras más representativas de la filosofía pragmatista, enfoque este que aplicó sistemáticamente al estudio de la estructura social y cultural. En este artículo el foco de análisis se concentrará en los aspectos principales del enfoque de Dewey al estudio de los aspectos que constituyen la “naturaleza humana” y en cómo ellos interactúan con las características del contexto cultural. Se ilustrará cómo los conceptos elaborados por Dewey pueden contribuir al análisis heterodoxo de una serie de (...) asuntos económicos y sociales. Dewey subraya el papel crucial de las políticas públicas para facilitar el desarrollo de asociaciones voluntarias en todas las áreas de la estructura social. En el análisis de estos aspectos la contribución central de Dewey radica en cambiar los conceptos de democracia y participación del limbo de la abstracción en la que tienden a ser confinados por los enfoques anteriores, y en conectarlos con la evolución de las formas sociales económicas y sociales. (shrink)

In a recent essay Professor Taylor criticizes the criteria used by Rosenblueth, Wiener and Bigelow in 1943 to distinguish purposeful from non-purposeful behavior. He also criticizes our definition of behavior, our concept of the vague as opposed to the general, our use of the word correlation, and our statement that a system may reach a final condition. Indeed, there seems to be little, if anything, in our paper to which he does not emphatically object.He maintains that the notions of purpose (...) and teleology are not only useless for the understanding of mechanical behavior, but wholly incongruous when applied to this behavior. He further affirms that our use of the term purpose “bears no similarity whatever to the meaning which is ordinarily attached to it.” He does not state, however, his own notions of purpose and teleology; and the meaning which he considers to be ordinarily attached to the term purpose. This omission weakens his criticism considerably. (shrink)

The contribution describes some aspects related to the representation of special curves; recalling mechanisms created specifically for the design of these curves, which have particular characteristics. Through the construction of a simple apparatus, consisting of two pendulums—which oscillate at the same time- it is possible to graphically reproduce Lissajous’ experiments on the commuting vibrations of the diapasons. This equipment was first built by Samuel Charles Tisley (London 1829-Unknown), under the name of harmonographer. The contribution aslo illustrates the essential characteristics of (...) the harmonograph—born as a means of analysing vibrations—but which, by its principle belongs to mechanics, for its applications to acoustic science and geometry for the ability to draw “harmonious” curves. (shrink)

RESUMENAl hilo del significado de «in-finito», el artículo explora la respuesta romántica al Planteamiento trascendental kantiano. Asimismo, se indaga en la profunda diferencia que marca ya desde el inicio el diferente destino idealista (logico-histórico) y romántico (historico‐hermenéutico) del significado de infinito. Con su exigencia de reconocer real y no solo lógicamente la relación finito/infinito, el romanticismo formulará una concepción artística de la filosofía cuyo límite último tendría que coincidir con la poesía.PALABRAS CLAVESINFINITO, ROMANTICISMO TEMPRANO, IDEALISMO TEMPRANO, FILOSOFÍA DEL ARTE, ESTÉTICA, (...) SCHLEGEL, NOVALIS, SCHELLINGABSTRACTIn relation to the meaning of «in‐finite», this paper explores the Romantic answer to the Kantian transcendental approach. It also explores the deep difference that from the very beginning marks the different idealist (logical‐historical) and romantic (historical‐hermeneutic) destiny of the meaning of infinite. With its demand of admitting really and not only logically the connection finite/infinite, Romanticism will formulate an artistic concept of Philosophy whose ultimate limit would have to correspond with Poetry.KEY WORDSINFINITE, EARLY ROMANTICISM, EARLEY IDEALISM, PHILOSOPHY OF ART, ESTHETICS, SCHLEGEL, NOVALIS, SCHELLING. (shrink)

This article debates about the interrelation between the music and myth as a creative model in the archaic Greece. The idea is to show how the myth gives form and content to the narrative intonation of events in the nomos [νόμος], the first musical form of history that emerge in a close relation between the musical practice and mythology, expressed throughout the archaic poetry and the musical contests in Delphos. The article’s title synthetized the archetypical idea of the ancient Greek (...) culture about the notion of harmony proportion and measurement in which the Greeks developed his artistic ideal. So, The Gorgon’s shout is a phrase that coined the sonorous description of monstrosity that the ancient Greeks expressed whit fantasy in their music, giving to this shout an artistic order and form of expression. (shrink)