Eminent Harvard astrophysicist David Layzer offers readers a unified theory of natural order and its origins, from the permanence, stability, and orderliness of sub-atomic particles to the evolution of the human mind. Cosmogenesis provides the first extended account of a controversial theorythat connects quantum mechanics with the second law of thermodynamics, and presents novel resolutions of longstanding paradoxes in these theories, such as those of Schroedinger's cat and the arrow of time. Layzer's main concerns in the second half of (...) the book are with the philosophical issuessurrounding science. He develops a highly original reconciliation of the conflict between traditional scientific determinism and the intuitive notion of individual freedom. He argues that although the elementary processes underlying biological evolution and human development are governed byphysical laws, they are nevertheless genuinely creative and unpredictable. (shrink)

A simple quantum model describing the onset of time is presented. This is combined with a simple quantum model of the onset of space. A major purpose is to explore the interpretational issues which arise. The state vector is a superposition of states representing different “instants.” The sample space and probability measure are discussed. Critical to the dynamics is state vector collapse: it is argued that a tenable interpretation is not possible without it. Collapse provides a mechanism whereby the universe (...) size, like a clock, is narrowly correlated with the quantized time eigenvalues. (shrink)

Whilst Kant’s work has been important for understanding the orbit of Schelling’s Naturphilosophie, this is often considered only in relation to the Critical philosophy. The aim of this paper is to suggest a connection between the pre-Critical Kant and Schelling’s Naturphilosophie. Whilst on the surface this may seem like a futile task, in this paper I hope to show that Schelling was engaged with Kant’s early work and that he even offers a critique of it, opening the path to an (...) until now understated area of scholarship on the relationship between the two thinkers. I analyse one section from Kant’s 1755 work, Allgemeine Naturgeschichte und Theorie des Himmels followed by an analysis of one section from Schelling’s 1799 work, Erster Entwurf eines Systems der Naturphilosophie. (shrink)

A visionary journey through contemporary scientific concepts and the mysteries and enigmas that define our universe. Examines animal intelligences within a greater evolutionary context, detailing in particular the remarkable intelligence of crows and octopuses. Looks at the Australian Aborigine Dreamtime as an attempt to understand the combined geological and geomantic landscape. Investigates a range of ideas as they relate to the intersections of consciousness and reality, including reincarnation, past-life memories, ghosts, and UFOs.

In Consecrating Science, Lisa Sideris argues that an anthropocentric and science‐based cosmology encourages human arrogance and diminishes a sense of wonder in human experience immersed in the natural world, as found in diverse cultural and religious traditions. I agree with her that science elevated to a commanding worldview, scientism, is a common and contemporary mistake, to be deplored, a lame science. But I further argue that science has introduced us to the marvels of deep nature and vastly increased our human (...) appreciation of nature as a wonderland at levels great and small. Sideris is right to fear consecrating science. She—and the humanists, sages, and saviors—need also to fear blindness to what science has to teach us about cosmogenesis and wonderland Earth. (shrink)

One of the key concepts in the Heng Xian is the concept of creation, as expressed through a process of spontaneous arising and spontaneous generation. This article analyzes the mechanics of spontaneous creation in terms of the cosmogony that is prominent in the text. I also show how psychomorphic descriptions of the cosmos—associated with the process of cosmogenesis—provide an explanation for change and movement in the cosmos as well as a template for idealized human action in the world. Lastly, (...) I suggest a possible cultural context in which such descriptions of creation became prominent in the late Warring States period. (shrink)

A woman and a man desire to come together stirred by the primal fire of Kama and the man deposits his egg in the womb of the woman. This egg develops into a human undergoing nine or ten months of evolution. This process is the microscopic replication of the method evolved by God to create the universe. Rigveda (10.121) mentions Hiranyagarbha, the Golden Egg as the source of the creation of the universe. It is said that God, wishing to create (...) the world, produced an egg as big as the cosmos. God meditated for a thousand years sitting inside the egg and when the egg burst, the Lord himself was born out of the egg as the Progenitor of the universe (“He made Himself by Himself.”, Taitiriya Upanishad: 2.7.1). The Rishis called the Egg Brahmanda (the Cosmic Egg), and the Progenitor Manu. Scientists have discovered that the universe has an oval shape. Like the nine months of the evolution of the human egg, the Cosmic Egg also undergoes nine stages of evolution before it gets dissolved during what we call ‘Maha Pralaya’. The Puranas mention that Brahmanda has 14 biospheres, seven nether and seven upper inhabited by different types of souls. If we count from the human world, there are ten dimensions of consciousness. Rishis called these astral biospheres Mandalas/Lokas with different wavelengths and colours. Sri Karunakara Guru referred to them as Avasthas, or spiritual stages. The Buddhists and Hindu esoteric sects such as the Theosophical Society explain these levels of the Absolute in terms of Physical plane, Astral plane, Mental plane, Buddhic plane, Atmic plane, Anupadaka plane, Adi plane and Shiv and Shakti. These Avasthas are related to the expanding consciousness reaching up to the core of the Cosmic Egg, the Paramatma. Like a spider which creates a web around it sitting in the centre, and withdraws it in the end, Paramatma creates and withdraws webbed multi-dimensional universes. Nobody can say when it started and when it will end as it is a beginningless and endless process. (shrink)

Le mythe cosmogénétique ou cosmogonique exposé et développé par Platon dans son Timée pour faciliter la conception du monde et sa con­naissance, n’a cessé, au moins depuis Aristote, de susciter la glose. Il faut convenir que la phraséologie platonicienne, souvent ambivalente, com­pliquée par d’inévitables difficultés dans l’établissement du texte, est pro­pice à toutes sortes de confusions, amalgames, aménagements et raccour­cis, surtout lorsqu’elle fait l’objet d’un transfert linguistique. S...

v. 1. Cosmogenesis.--v. 2. Anthropogenesis.

Key terms: cosmogenesis, evolution, consciousness, noosphere, religion, science, technology. The question whether religion and science can be reconciled is still under discussion today. Philosophical naturalism rejects such a possibility, at best treating these fields as a non overlapping magisteria (Stephen Jay Gould). However, the French Jesuit Pierre Teilhard de Chardin (1881 - 1955) has created an original vision of an evolutionary universe in which science and religion present themselves as two meridians, which are autonomous but slowly converge to form (...) a complete union at the pole, that is, in the far future. What are the ontological foundations of this optimistic vision? Can the collective heritage of human thought be considered as a further stage of the universal evolution? Is the main task of religion to activate human energy? Is the concept of cosmic Christ compatible with Christian dogmas? Such and similar questions are the content of the article. My aim in this paper is not so much a detailed analysis of Teilhard’s thought as a review of some of his main theses, especially regarding science and religion. I also devote some space to a critique of these theses, and in the closing part I ask if they are in any way falsifiable. (shrink)

According to the scenario of cosmological artificial selection and artificial cosmogenesis, our universe was created and possibly even fine-tuned by cosmic engineers in another universe. This approach shall be compared to other explanations, and some far-reaching problems of it shall be discussed.

Le symbolisme du temple court d'un Testament à l'autre, non sans de profondes transformations. Dans toutes les religions, le sanctuaire est conçu comme le centre du cosmos, point de rencontre du ciel et de la terre, et sa construction reflète la cosmogenèse. Le Temple de Jérusalem, qui a pu subir l'influence des anciens cultes cananéens et des civilisations voisines, n'échappe pas à cette loi générale. Mais la perspective historique et eschatologique, qui caractérise la foi yahviste, recouvre les symbolismes cosmologiques. On (...) les reconnaît néanmoins dans des détails architecturaux, comme les chérubins, dans le mobilier du Temple, le voile, ou encore dans le vêtement du Grand-Prêtre.Le Nouveau Testament assume le langage symbolique de l'Ancien, bien déstabilisé, à l'époque où Jésus entre en scène, par les évolutions et les antagonismes des divers groupes religieux. Un processus de spiritualisation et d'intériorisation s'était mis en route dans les écrits apocalyptiques et qumrâniens. Le rapport mis par les évangiles entre Jésus et le Temple, joint à d'autres éléments narratifs, de la Passion notamment, fait pénétrer le symbolisme du Temple dans la figure messianique de Jésus. C'est lui qui est le Nouveau Temple dans les écrits johanniques, qui présentent quelques affinités avec ceux de Qumrân. Dans les écrits pauliniens, comme chez les chrétiens hellénistes de Jérusalem, c'est la communauté chrétienne, unie au Christ, qui est le Temple spirituel habité par l'Esprit Saint. Le symbolisme cosmologique trouve là son aboutissement.The symbolism of the temple runs from one Testament to the other, but not without profound transformations. In all religions the sanctuary is seen as the center of the cosmos, the point of encounter between heaven and earth, and its construction reflects the cosmogenesis. The Temple of Jerusalem, which could have undergone the influence of old Canaanite cults and the neighboring civilizations, does not escape from this general law. But the historical and eschatological perspective, whicb characterizes Yahvist faith, covers over the cosmological symbolisms. We recognize them, nevertheless, in architectural details, such as the cberubims, the furniture of the Temple, the veil, and the vestment of the Higb Priest.The New Testament assumes the symbolic language of the Old, whicb, at the time wben Jesus entered upon the scene, was unstabilized by the evolutions and antagonisms of diverse religious groups. A process of spiritualization and interiorization began witb apocalyptic literature and the writings of Qumran. The relationship that the Gospels set up between Jesus and the Temple, joined to other narrative elements, notably of the Passion, made the symbolism of the Temple enter into the messianic figure of Jesus. He is the New Temple in the writings of John, who presents some affinities with the writings of Qumran. In the Pauline writings, as with the Hellenist Cbristians of Jerusalem, it is the Christian community, united witb Christ, who is the spiritual Temple inhabited by the Holy Spirit. The cosmological symbolism finds there its completion. (shrink)

The main aim of shamanic initiation among the Yanomami people of the Upper Orinoco River region in Venezuela is the metamorphosis of the human body into a cosmic body, or what I term "corporeal cosmogenesis." During the initiatory ordeal, the neophyte undergoes an intense experience of death through dismemberment by the spirits and subsequent rebirth, thus overcoming the human condition and becoming an individual living spirit. But, at the same time, he becomes a "collection" of other spirits who leave (...) their natural habitats—located on the mountaintops and in the forest—and move into the initiate's body, which becomes their abode. As the candidate surrenders his soul and humanness to the spirits, the latter become his personal allies and sources of power while imbuing the shaman's postmortem ego with certain properties that can best be described in holographic terms. After the shaman's biological death, his personal spirits become disembodied again and disperse back into the forest and on the mountaintops. When the shaman dies, his soul multiplies, as each of the disembodied spirits becomes a carrier of the shaman's soul image. In this way, through initiations, the shaman becomes a part of a dynamic cosmic circuity, as his hekura can be called upon to invade the bodies of new shamans, and start a cosmogonic initiatory act anew. (shrink)

Le mythe participe à la fois du vécu et du réel transcendés par le symbole, qui fait appel autant au visible qu’à l’immatériel. Exprimant une fiction selon certains, ou des vérités profondes pour d’autres, il traduit des croyances sur la cosmogenèse et l’anthropogenèse. Il a pour objet de dévoiler un mystère, et l’événement fondateur du cosmos et de l’humain.Le symbole, dans sa moitié signifiante, est toujours lié au concret, c’est-à-dire au matériel, au visible et au fini. Selon Paul Ricœur, un (...) symbole possède trois dimensions concrètes : cosmique, onirique et poétique. L’autre moitié du symbole exprime la part d’invisible et d’immatériel qui a sa logique propre. Mêlant la perception sensorielle à l’immatériel et au mystère, les mythes canaques précoloniaux traduisent aussi bien la réalité descriptive du monde visible, que la création de mondes imaginaires. Nous analyserons dans l’oralité canaque ces deux notions et leurs applications dans les domaines de la nature, de l’humain et du sociétal. Nous verrons comment s’articulent le visible et l’invisible dans le mythe canaque, quelle est la place respective du réel et de l’imaginaire impliqués dans chaque mythe, et leurs fonctions respectives. Sont-ils oppositionnels comme l’indique leur définition, ou bien forment-ils un ensemble de termes indissociables et complémentaires? Nous déterminerons in fine quelles sont l’interférence et la corrélation du réel et de l’imaginaire dans les fonctionnalités qui confèrent leur originalité aux mythes canaques. A myth is involved in both the living and real transcended by the symbol that appeals as much to the visible than the intangible. Expressing fiction for some, or deep truths for other, myth reflects beliefs about cosmogenesis and anthropogenesis. It aims to unveil a mystery, and the founding event of the cosmos and the human.The symbol, in its signifying half, is always linked to the concrete, i.e. the material, visible and finish. According to Paul Ricœur a concrete symbol has three dimensions: cosmic, oneiric and poetic. The other half of the symbol expresses the invisible hand and intangible that has its own logic. Combining sensory perception to the immaterial and mystery, precolonial Kanak myths reflect both the descriptive reality of the visible world, and the creation of imaginary worlds. We will analyze in Kanak orality these two concepts and their applications in the fields of nature, human and societal. We’ll see how articulate the visible and invisible in the Kanak myth, what is the respective role of the real and the imaginary involved in each myth, and their respective functions. Are they oppositional as indicated by their definition, or do they form a set of interrelated and complementary terms? We shall determine in fine which are the interference and the correlation of the reality and the imagination in the features which confer their originality on the Kanak myths. (shrink)

God, the sacred, is radically indwelling and immanent; therefore, nature is enough to satisfy our thirst for transcendence. The transcendent is the radically indwelling capacity of love to bring new life and a sense of being at home in the universe to us and to the people of the world. The epic of evolution, the scientific story of evolution understood as cosmogenesis, is the foundation of this position. However, my primary focus is on one particular practice of internalizing the (...) transforming power of the scientific story of evolution—that of story. Here the practice of story is understood as framing moments of our encounters with matters of faith and love, creating narratives out of these moments, embracing these narratives as a kind of personal scripture, and telling these narratives as a source of inspiration and of guidance about how we are to be of use in the world. (shrink)

. In the first part of this essay I sketch a view on cosmogenesis from the perspective of modern science, emphasizing, first, that the laws of nature are outcomes of the history of nature, not imposed on nature from outside of nature; and, second, that the universe, including human beings, is the result of a single, natural process. It consistently brings forth novelty through a probabilistic sequence of syntheses. Consequently, the new emerges from the unification of elements that were (...) previously unified. This universal creative process is both probabilistic and nonlinear. It is probabilistic because each creative event occurs within a cohort of also possible events. It is nonlinear because the new has qualities that its elements in isolation do not possess. I refer to this model of understanding cosmogenesis as strict naturalism. In the second part of the essay I argue that deistic and theistic models of cosmogenesis cannot cope with strict naturalism because they exclude teleology and supernatural interference in the creative process. In contrast to deism and theism, I show that Christianity is capable of integrating strict naturalism. To do that I focus on the Christian notion of incarnation. At the center of this reflection is the attempt to increase the understanding of Christian faith that only the Word of God creates. (shrink)

The implicate or quantum connectivity of the coevolving phenomena of the cosmos, the ontohermeneutic complementarity relations between ourselves and the vast and minute systems we coconstitutingly participate, observe, prolong, and contextualize, and the eco-reciprocities among all forms of life afford us an understanding of ourselves as fractal or microcosmic embodiments and performances of what is irreducibly nondual anthropo-cosmogenesis. And if cosmogenesis is a self-referential process having nothing external to itself from which to obtain gain or satisfaction, we may (...) analogously interpret our noninstrumentalizing contemplative experiences in complete attentiveness without regard to external payoffs as the fractal play of its creatively emergent self-delighting anthropocosmic self-awareness in the human dimensionality. Our attentive, noninstrumentalizing, and nonobjectifying contemplativity aconceptually presences connectivity and reciprocity in an aperspectivally transparent enactment of anthropocos.. (shrink)

The article analyzes the activity of the greatest classic of the Islamic philosophy - Ibn Sina, aimed at the revision of Aristotelianism, mainly in terms of its synthesis with Islamic monotheism. Preferential attention is paid to the metaphysical section of Avicennian multivolume encyclopedia “The Healing”. Instead of Aristotelian God / the Prime Mover as the final cause, which serves as the source of the movement of the world, Avicenna establishes God / Necessary Being, who acts as the Giver of being. (...) Developing the ontological foundation of creationism, i.e. the creation of every thing in the world, the philosopher introduces a distinction between essence and existence, which will pass through the subsequent history of philosophy. Ibn Sina thoroughly modifies the Aristotelian doctrine of the unity of God and His essential cataphatic attributes. The intellectual narcissism of God, Who only knows Himself in Stagirite, he changes with the concept of Divine Omniscience and His providence of all existents. Ibn Sina transforms Aristotelian eternalism into eternalistic creationism, modifying the emanationist scheme of cosmogenesis advanced by al-Farabi, in which the process of proceeding of the existents from the First Principle appears as an intellectual act. The Muslim philosopher complements Aristotelian cosmology with the doctrine of angels, whom he identifies with cosmic intellects and souls as the governors of the celestial spheres. Avicennian radical innovation is in the doctrine of Active Intellect, who is not only the ruler of the sublunar world, but actually is its demiurge. This intellect is assigned with the function of the illumination of the human intellect, as well as with the role of the archangel Gabriel the transmitter of divine revelation according to Muslim tradition. From the philosophical perspective, Avicenna develops alien to Aristotelianism topics related to the prophecy and revelation, the immortality of the soul and its otherworldly fate. (shrink)

The theoretical model of landscape that is still widespread is that of a spectacle-image that offers itself to a contemplative, detached and disembodied gaze. Rethinking landscape means investigating the role of the “aesthetic”, i.e. of bodily experience, characterized by sensitivity and movement. This experience, which is fundamentally interactive, has a formative and performative nature: the aisthesis is closely linked to praxis, to the concrete ways in which we re-late to the environment and which become interactive strategies. These strategies can become (...) experiential habits that, if repeated in a mechanical way, can jeopardize the very interaction with the phenomenal world in which we are immersed. We tend to grasp only certain aspects of the phenomena that present themselves to us, over-looking not only the richness and plurality of the phenomenal world, but also its fundamental systemic and relational unity. The possibilities of formative and performative interaction can be grasped if the ordinary and daily level of experience is chal-lenged by sudden and unexpected encounters, which can initially provoke a sense of bewilderment and disorientation. What becomes “present” is the rhythmic unity of the phenomenal world, understood as an energetic momentum that holds together in a dynamic way the different elements of the world we inhabit. Through the con-cept of rhythm elaborated by Henri Maldiney we could advance a new aesthetic model of landscape understood as an actual cosmogenesis. (shrink)

. In what follows, I review the modern theory of the origin of the universe as astronomers and physicists are coming to understand it during the last decades of the twentieth century. An unexpected discovery of this study is that the story of “cosmogenesis” cannot be completely told unless we understand the fundamental nature of matter, space, and time. In the context of modern cosmology space has become not only the bedrock of our physical existence, it may yield a (...) fuller understanding of the universe itself. (shrink)

A close reading of Theogony 116-133, showing the logic of opposites and of whole/part relations that governs Hesiod's account of cosmogenesis, refuting the traditional interpretation of the birth of Chaos as the split between heaven and earth, and providing evidence that Hesiod considered and decided against making Tartaros the parent of the cosmos.

I came to the subject by attempting to reinterpret the well-known legend of the labyrinth and the status of its main characters: Theseus, Ariadne, Dedalus and the Minotaur. The conflict between the two invincible entities is a reminiscence, degraded by literaturisation of the first conflict - in the 'zero moment' of the mythical history of the Universe - between the principle of the Cosmos and the principle of the Chaos. From a hermeneutical perspective, the god's overcoming of the monster is (...) an act of ordering the Chaos, and thus of cosmogenesis. The ordered Chaos becomes Cosmos. (shrink)

Vacuum Genesis and Spontaneous Emergence of the Universe from Nothing in Reference to the Classical Notion of Causality and Creation ex nihilo The article discousses philosophical and theological reflections inspired by the cosmological model of the origin of the universe from quantum vacuum through quantum tunneling and the model presented by Hartle and Hawking. In the context of the thesis about the possibility of cosmogenesis ex nihilo without the need of God the creator, the question is being raised concerning (...) the ontological status of nothingness and of the laws of nature in the aforementioned models. After pointing to the fact that they do not imply an absolute nothingness in the philosophical sense, the main objectives of both models and philosophical-theological conclusions they inspire are interpreted in the light of the classical principles of potency and act, theory of causation and chance events in nature, elements of classical theology of creation and the classification of sciences in terms of various levels of abstraction, proposed by Aquinas. Noting the fact that some cosmologists cross methodological boundaries of their science, we emphasize the role and significance of their research in a deeper understanding of the philosophical aspects of the origins of the universe, especially the role of potency in the first stages of its existence and evolution. (shrink)

In this philosophical paper, we explore computational and biological analogies to address the fine-tuning problem in cosmology. We first clarify what it means for physical constants or initial conditions to be fine-tuned. We review important distinctions such as the dimensionless and dimensional physical constants, and the classification of constants proposed by Lévy-Leblond. Then we explore how two great analogies, computational and biological, can give new insights into our problem. This paper includes a preliminary study to examine the two analogies. Importantly, (...) analogies are both useful and fundamental cognitive tools, but can also be misused or misinterpreted. The idea that our universe might be modelled as a computational entity is analysed, and we discuss the distinction between physical laws and initial conditions using algorithmic information theory. Smolin introduced the theory of "cosmological natural selection" with a biological analogy in mind. We examine an extension of. (shrink)

Jan Greben criticized fine-tuning by taking seriously the idea that “nature is quantum mechanical”. I argue that this quantum view is limited, and that fine-tuning is real, in the sense that our current physical models require fine-tuning. Second, I examine and clarify many difficult and fundamental issues raised by Rüdiger Vaas’ comments on Cosmological Artificial Selection.

Science has demonstrated that the universe creates itself through its own history. This history is the result of a probabilistic process, not a deterministic execution of a plan. Science has also documented that human beings are a result of this universal, probabilistic process of general evolution. At first sight, these results seem to contradict Christian teaching. According to the Bible, history is essentially the history of salvation. Human beings therefore are not an “accident of nature” but special creations to be (...) saved. With deeper theological probing, it becomes clearer, however, that creation must create itself. The Christian God is the loving God who enters into a loving relationship with human beings if they desire to reciprocate. If creation could not create itself, human beings could not be free. Without freedom to ignore or reject God's love, the central act of the Christian God, the drama of salvation, would become a parody played by marionettes in the hands of a supernatural manipulator. Christians should welcome the fundamental insight brought forth by science that the universe, including human beings, created itself through its own history. This article will try to show that this scientific insistence is required and confirmed by the intrinsic character of the orthodox, Judeo‐Christian concept of God. That nature has to create itself, including human beings, secures human freedom and with it, the responsibility for human actions. From this perspective one might better understand the Bible in the light of God's revelation through the book of nature. (shrink)

. E. O. Wilson writes that the “choice between transcendentalism and empiricism” is this century's “version of the struggle for men's soul” . The transcendentalist argues for theism—that there is a God, a creator of the world. The empiricist instead makes the point that the notion of God, including morality and ethics, are adaptive structures of human evolution. Before entering the debate of the transcendentalist/empiricist controversy I analyze how things exist and suggest that all that is exists as united diversity, (...) as identity in difference. I argue that oneness by itself is intangible because wholes are concrete only through their tangible parts. I briefly discuss this understanding of existence in the realm of art to show that transcendence and immanence are not mutually exclusive but constitute each other. I conclude that existence, the hypostasis of unity in diversity, might be seen as a gift from absolute existence. In this view, the world might reveal itself as a gift that reflects the trinitarian existence of the Giver. (shrink)

If modern natural science were to be our guide, the truth of cosmology ought to be fully expressible in the abstruse but concise language of mathematics. As an account of the genesis of the universe as a whole and in its every part, however, a truly completed cosmology would culminate in an understanding of its own coming to be, and thereby provide both a recapitulation of the many past attempts human beings have made to understand themselves and their place, and (...) an explanation of the genesis of that which is true and false in each such attempt. For this and for other reasons one might well doubt whether a genuinely comprehensive cosmogenesis is possible for us, to say nothing of one set forth in exclusively mathematical terms. It seems fair to say, in any case, that that part of a conjectural history of the universe devoted to “the history of the human experience of the universe” would easily dwarf all of its other parts in size, and not only in size. (shrink)