Esta investigación propone una revisión de la idea de lo apocalíptico presente en Fire Punch de Tatsuki Fujimoto a partir de la representación que se hace en ella de lo escatológico y los alcances que tiene la idea de lo apocalíptico dentro del relato. Así se analizarán las acciones y motivaciones de los personajes de esta obra según el sentido que tiene la destrucción retratada en la obra. Para esto hay dos momentos centrales de la investigación: primero, la problematización de (...) lo apocalíptico y los alcances que tiene este fenómeno en este manga (Deleuze, Kant y Parkinson Zamora) y segundo, la aparición de la presencia y la ausencia en Fire Punch (Heidegger, Derrida, Fisher) y su función iluminadora o reveladora. (shrink)

Although many regulators of skeletogenesis have been functionally characterized, one current challenge is to integrate this information into regulatory networks. Here, we discuss how the canonical Wnt and Smad‐dependent BMP pathways interact together and play antagonistic or cooperative roles at different steps of osteogenesis, in the context of the developing vertebrate embryo. Early on, BMP signaling specifies multipotent mesenchymal cells into osteochondroprogenitors. In turn, the function of Wnt signaling is to drive these osteochondroprogenitors towards an osteoblastic fate. Subsequently, both pathways (...) promote osteoblast differentiation, albeit with notable mechanistic differences. In osteocytes, the ultimate stage of osteogenic differentiation, the Wnt and BMP pathways exert opposite effects on the control of bone resorption by osteoclasts. We describe how the dynamic molecular wiring of the canonical Wnt and Smad‐dependent BMP signaling into the skeletal cell genetic programme is critical for the generation of bone‐specific cell types during development. (shrink)

Sixteen Canadian men and women, part of eight intact couples who had experienced severe and recurrent wife assault, were interviewed individually regarding their worst experience of violence. The self-reports of both spouses of one of these couples is presented and analyzed with a view towards isolating the emerging constituents of their narratives. Additionally, preliminary findings resulting from the analysis of all of the couple's self-reports are presented in the second part of the paper. A gendered reconstruction of their narratives emerges (...) that mirrors the different positions men and women hold in experiences of wife assault. Finally, the main constituents derived from all the participant's selfreports are analyzed and discussed. (shrink)

1. La filosofia antica-India, Cina, Grecia -- 2. La filosofia tardo-antica e medioevale: ebraismo, cristianesimo, islamismo -- 3.1. La filosofia moderna: umanesimo, Riforma, rivoluzione scientifica (1350-1715) -- 3.2. La filosofia moderna: illuminismo, criticismo, idealismo (1715-1815) -- 4.1. La filosofia contemporanea: scientismi, sroticismi, irrazionalismi -- 4.2. La filosofia contemporanea: filosofie analitiche e continentali.

This article examines the reflection of the essay Los hijos del limo on the development of the Anglo-American, French and Latin American avant-garde. After exploring its aesthetic and ideological ties with Spanish-American narrative production, it is considered the way in which the latter forged a separate imagery in the context of the paradigm shift worked in occidental thought, following the fall of the Christian paradigm.

This article compares the political philosophies of Michael Oakeshott and Isaiah Berlin, probably the two most important political philosophers in postwar Britain, who, strangely, had very little to do with one another during their illustrious careers. The article focuses on their respective critiques of rationalism and theories of liberal pluralism, arguing that Oakeshott provides the more consistent and philosophically satisfying account in both instances.

Resumen Este artículo explora el concepto de corrupción siguiendo la categoría nietzscheana de decadencia en los ámbitos religiosos, morales, metafísicos y epistémicos en el horizonte del nihilismo. El campo de interés estuvo centrado en la constante presencia de la decadencia como elemento definitorio de nuestra cultura occidental según el diagnóstico genealógico nietzscheano. Sobre la base del análisis hermenéutico de las obras de Nietzsche, se evidenció que la corrupción no solo rompe la confianza como pilar antropológico y político, sino que quiebra (...) la promesa como fundamento teológico y filosófico, y reemplaza el ethos de convivencia por el pathos de la sospecha. Se concluye que esta cualidad de corruptibilidad del hombre surge en la actualidad como una condición causal en la arquitectónica del abuso y para el crecimiento decisivo de un nuevo tipo de nihilismo: el nihilismo de la consciencia.This article explores the concept of corruption following the Nietzschean category of decadence in the religious, moral, metaphysical and epistemic realms in the horizon of nihilism. The focus was the constant presence of decadence as a defining element in our Western culture according to the Nietzschean genealogical diagnosis. Based on the hermeneutic analysis of Nietzsche's works, it is demonstrated that corruption not only breaks down trust as a pillar of anthropology and politics, but it also breaks promise as a theological and philosophical basis and replaces the ethos of cohabitation with the pathos of suspicion. It is concluded that this quality of man's corruptibility arises as a causal condition in the architecture of abuse and for the decisive growth of a new type of nihilism: the nihilism of consciousness. (shrink)

Este trabajo tiene como fin analizar el teatro como una representación de los conflictos del ser y su relación con el mundo. Se centra en el teatro de Gustavo Ott, para quien el Espectáculo es la Alteridad de la sociedad contemporánea, sus obras dramáticas plantean en el tema y la puesta en escena conflictos existenciales del hombre, así como la violencia, la muerte, lo absurdo, lo oscuro, la crueldad y el humor. Por ello, la investigación pretende describir cómo el autor (...) estetiza la violencia y experimenta puestas en escenas teatrales con la literatura y el cine, utilizando teorías y de La Alteridad de M. Bajtín; La Sociedad del Espectáculo, M. Vargas Llosa y El Cine de Q. Tarantino, por medio de una investigación cualitativa, con lectura analítica y amplios registros documentales. (shrink)

Resumen: Este trabajo tiene como fin analizar el teatro como una representación de los conflictos del ser y su relación con el mundo. Se centra en el teatro de Gustavo Ott, para quien el Espectáculo es la Alteridad de la sociedad contemporánea, sus obras dramáticas plantean en el tema y la puesta en escena conflictos existenciales del hombre, así como la violencia, la muerte, lo absurdo, lo oscuro, la crueldad y el humor. Por ello, la investigación pretende describir cómo el (...) autor estetiza la violencia y experimenta puestas en escenas teatrales con la literatura y el cine, utilizando teorías y de La Alteridad de M. Bajtín; La Sociedad del Espectáculo, M. Vargas Llosa y El Cine de Q. Tarantino, por medio de una investigación cualitativa, con lectura analítica y amplios registros documentales.: This article is intended to analyse the Teatro, As A Representation of the conflicts of the self and its relationship with the world. Search the Through the actors--the characters, the Other being no more than the Self, evidencer A Concienc Cultural heritage in a Show society. The Research focuses on the theatre of Gustavo Ott, for whom The Show is la Alteridad of contemporary SocietyTheir Dramatic works Pose in the subject and staging existential conflicts of man, as well as Violence, death, the Absurd, the dark, the cruelty And The humour. Therefore, the article intends to describe as the author merely aestheticised the violence and experiments in theatrical scenes with literature and cinema, using Theories and methods of La Alteridad of M. Bakhtin; La Sociedad of the Show, M. Vargas Llosa, The Cinema of Q. Tarantino, Through qualitative research, with analytical reading and extensive documentary records. (shrink)

ABSTRACTThis paper analyses the discourses produced on their websites by the two organisations that conducted the official ‘leave’ and ‘remain’ campaigns in the Brexit referendum. The analysis, whi...

Resumen Este artículo explora el concepto de corrupción siguiendo la categoría nietzscheana de decadencia en los ámbitos religiosos, morales, metafísicos y epistémicos en el horizonte del nihilismo. El campo de interés estuvo centrado en la constante presencia de la decadencia como elemento definitorio de nuestra cultura occidental según el diagnóstico genealógico nietzscheano. Sobre la base del análisis hermenéutico de las obras de Nietzsche, se evidenció que la corrupción no solo rompe la confianza como pilar antropológico y político, sino que quiebra (...) la promesa como fundamento teológico y filosófico, y reemplaza el ethos de convivencia por el pathos de la sospecha. Se concluye que esta cualidad de corruptibilidad del hombre surge en la actualidad como una condición causal en la arquitectónica del abuso y para el crecimiento decisivo de un nuevo tipo de nihilismo: el nihilismo de la consciencia.This article explores the concept of corruption following the Nietzschean category of decadence in the religious, moral, metaphysical and epistemic realms in the horizon of nihilism. The focus was the constant presence of decadence as a defining element in our Western culture according to the Nietzschean genealogical diagnosis. Based on the hermeneutic analysis of Nietzsche's works, it is demonstrated that corruption not only breaks down trust as a pillar of anthropology and politics, but it also breaks promise as a theological and philosophical basis and replaces the ethos of cohabitation with the pathos of suspicion. It is concluded that this quality of man's corruptibility arises as a causal condition in the architecture of abuse and for the decisive growth of a new type of nihilism: the nihilism of consciousness. (shrink)

El presente artículo sitúa el carácter figurativo de la hermenéutica en el pensamiento de Nietzsche. Para ello, es necesario disponer de una óptica particular que hace de un personaje (real, literario, histórico, filosófico, simbólico, etc.) una figura de interpretación que no expone metafísicamente las cosas ni tampoco se dirige hacia ellas fenomenológicamente, sino que las reanima simbólicamente, inspirándole un nuevo aire hermenéutico a la interpretación y un nuevo ángulo para la comprensión. La función principal es su relacionalidad como trasfondo en (...) el que resalta la conexión imperceptible que hace una figura hermenéutica un centro o eje de vibraciones que mueven sus componentes discursivos y críticos, como también un indisoluble conector de líneas imperceptibles de interpretación, cruzando impertinentemente las fronteras de lo interpretado y de lo imaginario. The present article locates the figurative character of the hermeneutics in the thinking of Nietzsche. For this, it is necessary to have a particular perspective that makes a character (a real, literary, historical or philosophical one, etc.) a figure of interpretation that neither shows things metaphysically nor it is directed towards them by means of a phenomena. Instead, it revives them symbolically, inspiring a new wave of hermeneutics for interpretation and a new angle for comprehension. The main function is its relatedness as a background on which the imperceptible connection stands out. That makes a hermeneutic figure the center or an axis of vibrations that move its discursive and critical components, crossing with impertinence the boundaries of the interpreted and the imaginary. (shrink)

Este artículo busca presentar las líneas fundamentales del aporte teórico del filósofo español Patxi Lan-ceros a la discusión filosófica sobre la dialéctica modernidad/posmoder-nidad. La concepción cansada de modernidad entra en escena en ple-na instalación teórica de y sobre la posmodernidad a mediados de la década de los 90 y, luego de algunos años, alcanza madurez argumen-tativa y confirmación histórica en lo referente a la des-nutrición de la modernidad debido justamente al debate en torno a su clausura, a las modulaciones y (...) artilugios de auto-conservación y a las advertencias de finalización, superación y reem-plazo. (shrink)

The present article locates the figurative character of the hermeneutics in the thinking of Neitzsche. For this, it is necessary to have a particular perspective that makes a character (a real, literary, historical or philosophical one, etc.) a figure of interpretation that neither shows things metaphysically nor it is directed towards them by means of a phenomena. Instead, it revives them symbolically, inspiring a new wave of hermeneutics for interpretation and a new angle for comprehension. The main function is its (...) relatedness as a background on which the imperceptible connection stands out. That makes a hermeneutic figure the center or an axis of vibrations that move its discursive and critical components, crossing with impertinence the boundaries of the interpreted and the imaginary. (shrink)

In this detailed study of the republican tradition in the development of the Enlightenment, the central problem of utopia and reform is crystallized in a discussion of the right to punish. Describing the political situation in Europe in the seventeenth and eighteenth centuries, the author shows how the old republics in Italy, Poland and Holland stagnated and were unable to survive in the age of absolutism. The Philosophes discussed the ideal of republicanism against this background. They were particularly influenced by (...) the political and religious radicalism of John Toland, which had survived the English Restoration and was then reaching Europe. Professor Venturi traces the debate on the penal laws and the attempt to relate utopian ideas of society to the practical problem of dealing with man in society, which culminated in the assertion by many Philosophes that an unjust social system necessitated harsh penal laws, thereby rejecting the possibility of reform. (shrink)

Volume 16, Issue 4, September 2019, Page 381-388.

Este artículo presenta a Weber y Habermas como los umbrales o polos de una modernidad que tiene al progreso como horizonte teórico-práctico. El diagnóstico weberiano sobre la modernidad y su proceso de desencantamiento del mundo y la injustificada reducción de la actividad racional a una actividad utilitario-estratégica desprovista de su carácter veritativo y de su orientación valórica, Habermas la utiliza para justificar su propuesta teórico-crítica respecto a la modernidad y la "paradoja de la racionalización", distinguiendo "sistema" y "mundo vital". Aquí (...) "desencantamiento del mundo" y "consenso del proyecto de lamodernidad", se encuentranThis article presents Weber and Habermas like the thresholds or poles of a modernity that has to the progress as theoretical- practical horizon. The diagnosis weberiano on the modernity and his process of disenchantment of the world and the unjustified reduction of the rational activity to a utilitarian-strategic activity devoid of his character of truth, Habermas uses to justify his theoretical-critical offerwith regard to themodernity and the "paradox of the rationalization", distinguishing "system" and "vital world". Here "disenchantment of the world" and "consensus of the project of the modernity", they are. (shrink)

This paper provides a historical reevaluation of the originality and implications of Avempace's critique of Aristotle's causal explanation of the motion of projectiles. It also offers a serious revision of the place which has usually been assigned to Avempace in the history of science. The views regarding projectiles defended in Avempace's Arabic commentary are in sharp opposition to the anti-Aristotelian Avempace that was known in the Medieval West through Averroes. Avempace's commentary reveals only a moderate critic of Aristotle, a critic (...) who did not, in any case, break with the master, and who, therefore, did not even go as far as Philoponus in creating a new and more profound theory of projectile motion. (shrink)

An examination of new forms of alienation in our never-off, plugged-in culture—and a clarion call for a “conspiracy of estranged people.” We can reach every point in the world but, more importantly, we can be reached from any point in the world. Privacy and its possibilities are abolished. Attention is under siege everywhere. Not silence but uninterrupted noise, not the red desert, but a cognitive space overcharged with nervous incentives to act: this is the alienation of our times... —from The (...) Soul at Work Capital has managed to overcome the dualism of body and soul by establishing a workforce in which everything we mean by the Soul—language, creativity, affects—is mobilized for its own benefit. Industrial production put to work bodies, muscles, and arms. Now, in the sphere of digital technology and cyberculture, exploitation involves the mind, language, and emotions in order to generate value—while our bodies disappear in front of our computer screens. In this, his newest book, Franco “Bifo” Berardi—key member of the Italian Autonomist movement and a close associate of Félix Guattari—addresses these new forms of estrangement. In the philosophical landscape of the 1960s and 1970s, the Hegelian concept of alienation was used to define the harnessing of subjectivity. The estrangement of workers from their labor, the feeling of alienation they experienced, and their refusal to submit to it became the bases for a human community that remained autonomous from capital. But today a new condition of alienation has taken root in which workers commonly and voluntarily work overtime, the population is tethered to cell phones and Blackberries, debt has become a postmodern form of slavery, and antidepressants are commonly used to meet the unending pressure of production. As a result, the conditions for community have run aground and new philosophical categories are needed. The Soul at Work is a clarion call for a new collective effort to reclaim happiness. The Soul at Work is Bifo's long overdue introduction to English-speaking readers. This Semiotext edition is also the book's first appearance in any language. (shrink)