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Jason Gaiger [30]J. Gaiger [8]
  1. The Enigma of Health.H. G. Gadamer, J. Gaiger & N. Walker - 1998 - Human Studies 21 (1):105-111.
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  2.  34
    Can a Painting Have a Rhythm?Jason Gaiger - 2018 - British Journal of Aesthetics 58 (4):363-383.
    This paper challenges the widely held assumption that paintings and other works of graphic art have a communicable rhythmic structure. I defend the view that although the experience of viewing a picture takes place in time, and thus is successive, it cannot be temporally structured in a sufficiently determinate manner to sustain the kind of attentional focus required for the communication of even simple rhythmic patterns. With reference to examples of both abstract and figurative painting, I argue that the graphic (...)
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  3. Dismantling the Frame: Site-Specific Art and Aesthetic Autonomy.Jason Gaiger - 2009 - British Journal of Aesthetics 49 (1):43-58.
    This paper examines the assumptions underpinning one of the constitutive elements of the modern concept of art: the idea of aesthetic autonomy. I argue that the orientation of recent art practice towards what has come to be termed ‘site-specificity’ is best understood as a progressive relinquishment of the principle of aesthetic autonomy. I develop this position through a close analysis of the work of Miwon Kwon. The paper is intended as a case-study that investigates the problematic relation between historical and (...)
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  4.  32
    The Analysis of Pictorial Style.Jason Gaiger - 2002 - British Journal of Aesthetics 42 (1):20-36.
    Drawing on recent attempts to critically reconstruct the ideas of Heinrich Wölfflin, this paper argues that there is a specific ‘logic of depiction’ that is distinctive to visual as opposed to verbal forms of representation. The aim is to provide a set of objective parameters that can allow a comparative analysis of the formal organization of pictures despite differences in period, subject matter, format, etc. The paper seeks to show that such an analysis is possible and that it possesses explanatory (...)
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  5. The Enigma of Health: The Art of Healing in a Scientific Age.Jason Gaiger & Nicholas Walker (eds.) - 1996 - Stanford University Press.
    The book brings together thirteen essays presented to medical and psychiatric societies, mainly during the 1970's and 1980's. In these essays, Gadamer justifies the reasons for a philosophical interest in health and medicine, and a corresponding need for health practitioners to enter into a dialogue with philosophy.
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  6.  38
    Participatory Imagining and the Explanation of Living-Presence Response.J. Gaiger - 2011 - British Journal of Aesthetics 51 (4):363-381.
    This paper has two aims. First, I seek to show that Kendall Walton's analysis of the participatory character of our imaginative engagement in games of make-believe provides a powerful explanatory framework that can be used to address some of the central problems that still remain unresolved in contemporary accounts of living-presence response, including those put forward by David Freedberg and Alfred Gell. Second, I argue that Walton's focus on the activities of ‘appreciators’ prevents him from considering the possible application of (...)
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  7. Art in Theory, 1815-1900 an Anthology of Changing Ideas.Charles Harrison, Paul Wood & Jason Gaiger - 1998
  8.  19
    The Idea of a Universal Bildwissenschaft.Jason Gaiger - 2014 - Estetika 51 (2):208-229.
    The emergence of Bildwissenschaft as a new interdisciplinary formation that is intended to encompass all images calls for an analysis of the grounds on which the claim to universality can be upheld. I argue that whereas the lifting of scope restrictions imposes only a weak universality requirement, the identification of features that belong to the entire class of entities that are categorized as images imposes a strong universality requirement. Reflection on this issue brings into focus the distinctive character of Bildwissenschaft (...)
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  9. Art in Theory 1648-1815: An Anthology of Changing Ideas. [REVIEW]Charles Harrison, Paul Wood & Jason Gaiger - 2003 - Journal of Aesthetics and Art Criticism 61 (2):201-203.
     
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  10.  75
    Constraints and Conventions: Kant and Greenberg on Aesthetic Judgement.Jason Gaiger - 1999 - British Journal of Aesthetics 39 (4):376-391.
  11. Schiller's Theory of Landscape Depiction.Jason Gaiger - 2000 - Journal of the History of Ideas 61 (1):115-132.
  12. Catching Up with History: Hegel and Abstract Painting.Jason Gaiger - 2006 - In Katerina Deligiorgi (ed.), Hegel: New Directions.
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  13. Art As Made Sensuous: Hegel, Danto And The 'End Of Art'.J. Gaiger - 2000 - Bulletin of the Hegel Society of Great Britain 41:104-119.
     
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  14.  55
    Sense and Sensibility: Evaluating Pictures by Dominic Lopes.Jason Gaiger - 2009 - European Journal of Philosophy 17 (3):447-451.
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  15. The Life of a Style: Beginnings and Endings in the Narrative of Art History.Jason Gaiger - 2002 - British Journal of Aesthetics 42 (2):202-205.
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  16.  73
    The Fake: Forgery and its Place in Art. Sándor Radnóti.Jason Gaiger - 2001 - British Journal of Aesthetics 41 (3):339-341.
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  17. Art of the Twentieth Century a Reader.Jason Gaiger & Paul Wood - 2003 - Yale University Press.
    This reader, a companion to The Open University's four-volume Art of the Twentieth Century series, offers a variety of writings by art historians and art theorists. The writings were originally published as freestanding essays or chapters in books, and they reflect the diversity of art historical interpretations and theoretical approaches to twentieth-century art. Accessible to the general reader, this book may be read independently or to supplement the materials explored in the four course texts. The volume includes a general introduction (...)
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  18. Beat Wyss’s Hegel's Art History And The Critique Of Modernity , James J Sheehan’s Museums In The German Art World: From The End Of The Old Regime To The Rise Of Modernism. [REVIEW]Jason Gaiger - 2004 - Bulletin of the Hegel Society of Great Britain 49:178-182.
     
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  19. Hilary Putnam, Pragmatism.J. Gaiger - forthcoming - Radical Philosophy.
     
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  20. J D'hondt ’s Hegel In His Time: Berlin 1818-1831. [REVIEW]J. Gaiger - 1993 - Bulletin of the Hegel Society of Great Britain 27:37-39.
     
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  21. K Apel's Selected Essays, Volume One. [REVIEW]J. Gaiger - 1996 - Bulletin of the Hegel Society of Great Britain 34:76-79.
     
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  22. Pragmatism. [REVIEW]Jason Gaiger - 1996 - Radical Philosophy 79.
     
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  23. The Idea of a Universal Bildwissenschaft.Jason Gaiger - 2020 - Estetika: The European Journal of Aesthetics 51 (2):208.
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  24.  35
    For Sins Re: Kant.Jason Gaiger - 2006 - The Philosophers' Magazine 34 (34):91-91.
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  25.  22
    A Past Passed By.Jason Gaiger - 2005 - The Philosophers' Magazine 30:89-89.
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  26.  19
    Costelloe, Timothy M. The British Aesthetic Tradition: From Shaftesbury to Wittgenstein. Cambridge University Press, 2013, X + 350 Pp., 11 B&W Illus., $34.99 Paper. [REVIEW]Jason Gaiger - 2014 - Journal of Aesthetics and Art Criticism 72 (3):335-337.
  27.  19
    Dealing with the Visual: Art History, Aesthetics and Visual Culture.J. Gaiger - 2006 - British Journal of Aesthetics 46 (1):102-104.
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  28.  5
    Dismantling the Frame: Site-Specific Art and Aesthetic Autonomy: Articles.Jason Gaiger - 2009 - British Journal of Aesthetics 49 (1):43-58.
    This paper examines the assumptions underpinning one of the constitutive elements of the modern concept of art: the idea of aesthetic autonomy. I argue that the orientation of recent art practice towards what has come to be termed ‘site-specificity’ is best understood as a progressive relinquishment of the principle of aesthetic autonomy. I develop this position through a close analysis of the work of Miwon Kwon. The paper is intended as a case-study that investigates the problematic relation between historical and (...)
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  29. The Task of the Translator.J. Gaiger - 1997 - Radical Philosophy 82:56-56.
     
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  30.  5
    Beat Wyss, Hegel's Art History and the Critique of Modernity, Transl. Caroline Dobson Saltzwedel , Pp. Xv + 288; 60 B/W Illustrations. ISBN 0-521-59211-9. - James J. Sheehan, Museums in the German Art World: From the End of the Old Regime to the Rise of Modernism , Pp. Vii + 258; 31 B/W Illustrations. ISBN 0-19-513572-5. [REVIEW]Jason Gaiger - 2004 - Hegel Bulletin 25 (1-2):178-182.
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  31.  9
    Intuition and Representation: Wölfflin's Fundamental Concepts of Art History.Jason Gaiger - 2015 - Journal of Aesthetics and Art Criticism 73 (2):164-171.
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  32.  4
    Jacques D'Hondt, Hegel in His Time: Berlin, 1818-1831, Translated by John Burbidge, with Nelson Roland and Judith Levasseur, Peterborough, Ontario Broadview Press, 1988, Pp Xiv + 224, Hb $22.95. [REVIEW]Jason Gaiger - 1993 - Hegel Bulletin 14 (1-2):37-39.
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  33.  38
    The True Judge of Beauty and the Paradox of Taste.Jason Gaiger - 2000 - European Journal of Philosophy 8 (1):1–19.
    This paper addresses two key works in the eighteenth‐century debate on the problem of taste: the Abbé Du Bos's Réflexions critiques sur la poésie et sur la peinture and David Hume's ‘Of the Standard of Taste’ . A successful solution to the ‘paradox of taste’ should sustain the democratising impulse behind Du Bos's appeal to the judgment of the ‘public’ whilst, at the same time, acknowledging the role of learning and discovery which underpins Hume's recourse to the opinion of the (...)
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  34.  3
    Karl-Otto Apel, Selected Essays. Volume One. Towards a Transcendental Semiotics, Edited and Introduced by Eduardo Mendieta, New Jersey: Humanities Press, 1994, Pp Xxi + 259.Jason Gaiger - 1996 - Hegel Bulletin 17 (2):76-79.
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  35.  11
    The True Judge of Beauty and the Paradox of Taste.Jason Gaiger - 2000 - European Journal of Philosophy 8 (1):1-19.
    This paper addresses two key works in the eighteenth‐century debate on the problem of taste: the Abbé Du Bos's Réflexions critiques sur la poésie et sur la peinture and David Hume's ‘Of the Standard of Taste’. A successful solution to the ‘paradox of taste’ should sustain the democratising impulse behind Du Bos's appeal to the judgment of the ‘public’ whilst, at the same time, acknowledging the role of learning and discovery which underpins Hume's recourse to the opinion of the best (...)
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  36.  2
    Art as Made and Sensuous: Hegel, Danto and the ‘End of Art’.Jason Gaiger - 2000 - Hegel Bulletin 21 (1-2):104-119.
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  37.  1
    A Past Passed By. [REVIEW]Jason Gaiger - 2005 - The Philosophers' Magazine 30:89-89.
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  38.  1
    For Sins Re: Kant. [REVIEW]Jason Gaiger - 2006 - The Philosophers' Magazine 34:91-91.
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